Crop Marks – is this how they work?

I haven't had to use crop marks before – my books have been printed on sheets the same size as the InDesign page. Now however, I am about to print a small book, 4-Up, on sheets larger than the page size, so I will need to add crop marks. I want to run my understanding of how to place crop marks on the page and how they will be used by the guillotine man, past some of the experts on this forum.
And before anyone says: "Crop marks are the printer's job. Just let him do it", or somesuch comment – in this case it's not the printer's job, it's mine. I've chosen to do everything: the writing, the layout, purchase of the paper (910 x 650 sheets), the cutting of the paper, the imposition, the printing, arranging the cutting of the sheets, and then the binding. So, I need to know about crop marks. This is what I have discovered, or guessed (please correct me if I'm wrong):
Assume a page size in InDesign of 100 x 200 mm. When you export to PDF and tick Crop Marks and set Offset to a certain dimension, two things happen:
The page size is increased to (100 + 2 (Offset + 5.3)) in width, and (200 + 2 (Offset + 5.3)) in height. In the case of an offset of 5 mm, the page dimensions of the PDF become 120.6 x 220.6 mm.
Crop marks of 5.3mm in length (5/12"), are placed at the four corners of the new page pointing inwards to the original page size. Thus, in this case, there is a gap of 5mm, the chosen offset, between the end of the crop marks and the original page. This offset allows for movement of the sheets during printing, so that when the crops are made the crop marks won't appear on any of the pages. i.e. the offset is greater than the expected sheet movement.
The guillotine man, when he comes to cut the sheets, lines up the narrow beam of light from the guillotine with one of the crop marks – and cuts that edge. Now there are only two crop marks left because two have been cut off in this first cut.
The guillotine man then rotates the sheets 90º and cuts again. Now there is only one crop mark left.
The sheets are again rotated, the beam of light lined up with the remaining crop mark, and the third cut is made. There are no more crop marks left.
For the final cut, the sheets are rotated 90º, but as there are no crop marks left, the appropriate dimension has to be entered into the guillotine (or marked out on the top sheet), and the cut is made.
I have yet to confirm with my guillotine man that steps 3-6 describe how he will do it. That's simply how I imagine it would happen. And in the case of 4-Up, a couple of extra cuts will be needed in the centre, depending on how the imposed pages are positioned.
Is the above an accurate description of how crop marks are inserted and how they are used?

Thanks for the responses.
Stix: Personally if adding Crop marks in InDesign (I prefer to use an imposition program) I like to make them even numbers, e.g. 3mm offset and 7mm long crop marks, whoch give a PDF size that is bigger by 10mm on each side.
Yes, it would make it easier if numbers were whole integers. But how do you tell InDesign to make a certain-length crop mark? I assumed it was fixed at 30 point (5/24" = 5.292 mm).
cdflash: I'm sure there are good answers to all of these questions but they are not in the opening post.
I tried to keep my question as simple as possible, hence I didn't elaborate. But to answer some of your queries…
Or is the OP going to impose each sheet with 24 pages to view?… I am imposing using only InDesign using a method I developed. It's a very flexible method and works beautifully for 2-Up and 4-Up. Some of the imposition software I trialled several years ago was highly sus and not capable, for example, of generating variable-length signatures. I suppose the up-market programs would be okay, but I can't justify spending thousands on a program I might only use a few times.
Out of interest: can the software you suggested, Creo Preps, impose with these signature lengths: 6,6,4,4,4,8 (numbers of sheets per signature; total 128 pages)?
How many pages are in the book? How many copies of the book are required?… Size of Coracina is 148.5mm x 191 mm, 128 pages, 50 copies. The figures I gave for page size were examples only.
… and impose so that the pages get cut out as single pages and then hand-collated?… Printed sheets are 4-Up on SRA3. I chose SRA3 late in the piece when the printer told me that the click-charge was the same no matter what the paper size. Prior to that I was intending to print on A4. Printing costs are now halved.
Why is the OP handling this and not the printer?… I like a challenge, I like to be in control of the process, I like to learn, and I like to save money.
Tanksinker
Check out the images at the bottom of https://sites.google.com/site/tanksinker/Home/max-burns-tanksinker if you'd like to see how I make a book. Doing it all myself results in huge savings. Tanksinker cost me about $10,000 all up, only half of which I got back in sales. It's a hobby. I don't expect or want to profit from it. To print 50 copies of Tanksinker commercially, judging by what a local offset printer told me, would have cost $50k-100k for the plates alone (2 proofs, 400x4 plates each proof, $20-30/plate).
Coracina
I have been to see the guillotine man after reading all the posts above, and he confirmed that the crop marks I was using would be suitable (I just drew them on a piece of paper; I didn't show him the real thing). He did make a useful suggestion: he would trim the SRA3 sheet along the top and bottom of each book-spread (4 horizontal trims), but not trim to the left and right crop marks (vertical trims) because that would be done anyway when trimming the fore-edge after the book was sewn and glued.
A sample page of Coracina, with crop marks ready for printing, can be downloaded here: http://www.mediafire.com/?5eidx1c61o7jrjx
Printing of the first three copies is tomorrow morning, Tasmania time. If the crop marks on the sample, or any other aspect of the layout looks in any way sus or likely to cause problems, please let me know.
Oh, and I should add that Coracina is my partner's book. Way too girly for me. I'm just the technical consultant, shall I say.

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