Cross Post: Approximate color match?

Hello all: I'm having trouble getting a color to display correctly. I know there are built-in issues as to how color displays in a browser, but am wondering is I can fine-tune this any more than I have so far.
The issue: creating art for a GL page. Page in question has an illustration on it, which contains a shade of red. I'm creating jpegs of text headers in PS, and would like the text to appear in (as nearly as possible) the same red.
I've opened illustration in PS, selected the color with the eyedropper, noted the hex number and the RGB settings.
Created new PS files for text heads and used this info to color text in those files. Everything looks fine in PS, color match looks correct - until I go to Save for Web, at which point in the Save for Web window, the color changes dramatically to a darker red. The resulting jpegs also show the wrong color in GL and when live.
Both files (original illo and text head) are RGB mode in PS. Both have embedded profiles for Adobe RGB. Color settings in PS set to Adobe RGB.
Illustration red looks fine, in PS, in GL, and on web. When I send illo to Save for Web the red remains the same and looks fine.
Text file looks ok in PS until I go to Save for Web, at which time red displays as dark brownish ugly color.
Checking or unchecking Only Web Colors in the Color picker window makes no difference.
Again, I understand that web color is not exact, and there are limitations on what colors can display. And this does not have to be an exact match; only an approximation. But since the red in the illustration displays just fine - in PS, GL, and on the web - it seems like it should be usable and display correctly in the head jpegs as well - but it isn't. What am I missing? Is there a way for me to come close to matching the red in the illustration in any way?
thanks in advance -
PS 8.0/CS1
GL 7.0.2/CS1

Both have embedded profiles for Adobe RGB. Color settings in PS set to Adobe RGB.
That's your problem.
Either set your working space to sRGB for new graphics, or convert them to sRGB when you save for web. The convert to sRGB option can be checked either in the save for web dialogue, or in the save for web dialogue flyout menu (to the right of the preset drop down menu), depending on your PS version.
This is a color management issue, and has to do with how your browser interprets color. You can enable color management (google it) using Firefox and might find your results more predictable.

Similar Messages

Approximate color match?

Hello all: I'm having trouble getting a color to display. I know there are built-in issues as to how color displays in a browser, but am wondering is I can fine-tune this any more than I have so far.
The issue: page in question has an illustration on it, which contains a shade of red. I'm creating jpegs of text headers in PS, and would like the text to appear in (as nearly as possible) the same red.
I've opened illo in PS, selected the color with the eyedropper, noted the hex number and the RGB settings.
Created new PS files for text heads and used this info to color text in those files. Everything looks fine in PS, color match looks correct - until I go to Save for Web, at which point in the Save for Web window, the color changes dramatically to a darker red. The resulting jpegs also show the wrong color in GL and when live.
Both files (original illo and text head) are RGB mode in PS. Both have embedded profiles for Adobe RGB. Color settings in PS set to Adobe RGB.
Illo red looks fine, both in PS and on web. When I send illo to Save for Web the red remains the same and looks fine.
Text file looks ok in PS until I go to Save for Web, at which time red displays as dark brownish ugly color.
Checking or unchecking Only Web Colors in the Color picker window makes no difference.
Again, I understand that web color is not exact, and there are limitations on what colors can display. But since the red in the illustration displays just fine - in PS, GL, and on the web - it seems like it should be usable in the head jpegs as well - but it doesn't. What am I missing? Is there a way for me to come close to matching the red in the illustration in any way?
thanks
L

Both have embedded profiles for Adobe RGB. Color settings in PS set to Adobe RGB.
That's your problem.
Either set your working space to sRGB for new graphics, or convert them to sRGB when you save for web. The convert to sRGB option can be checked either in the save for web dialogue, or in the save for web dialogue flyout menu (to the right of the preset drop down menu), depending on your PS version.
This is a color management issue, and has to do with how your browser interprets color. You can enable color management (google it) using Firefox and might find your results more predictable.

[LAVA Cross Post] CTRL+SHIFT+ Shortcuts sometimes not working in LabVIEW

Cross-post from LAVA: http://lavag.org/topic/15619-ctrlshift-shortcuts-sometimes-not-working-in-labview/
See the above post for more information - here's a synopsis:
CTRL+SHIFT modifiers are not working while running LabVIEW in a Parallels 7 virtual machine. This problem affects both LV2011 and LV2012. I'm not certain that this is a LabVIEW bug - could be an issue with my virtual machine environment or it's configuration - except that CTRL+SHIFT modifiers work in other applications on the affected VMs. It's just LabVIEW that appears to ignore shortcuts with the CTRL+SHIFT modifiers.
Any ideas?
a.lia-user-name-link[href="/t5/user/viewprofilepage/user-id/88938"] {color: black;} a.lia-user-name-link[href="/t5/user/viewprofilepage/user-id/88938"]:after {content: '';} .jrd-sig {height: 80px; overflow: visible;} .jrd-sig-deploy {float:left; opacity:0.2;} .jrd-sig-img {float:right; opacity:0.2;} .jrd-sig-img:hover {opacity:0.8;} .jrd-sig-deploy:hover {opacity:0.8;}

X. wrote:
Still well and alive in Parallels 9 and LabVIEW 2013 SP1. Of course I could upgrade to the latest versions to check whether things have gotten any better.
Any news on that?
@mellroth figured out the solution :-)
a.lia-user-name-link[href="/t5/user/viewprofilepage/user-id/88938"] {color: black;} a.lia-user-name-link[href="/t5/user/viewprofilepage/user-id/88938"]:after {content: '';} .jrd-sig {height: 80px; overflow: visible;} .jrd-sig-deploy {float:left; opacity:0.2;} .jrd-sig-img {float:right; opacity:0.2;} .jrd-sig-img:hover {opacity:0.8;} .jrd-sig-deploy:hover {opacity:0.8;}

[LAVA Cross Post] CTRL+SHIFT+Alpha Shortcuts don't work in LabVIEW

Cross-post from LAVA: http://lavag.org/topic/15619-ctrlshift-shortcuts-sometimes-not-working-in-labview/
Bug Synopsis: CTRL+SHIFT+Alpha shortcuts do not work in LabVIEW. Most notably, CTRL+SHIFT+Z, CTRL+SHIFT+E, and CTRL+SHIFT+S
Test setup: LV2012 32bit with f1 patch running in Win7 64bit inside a Parallels 8 VM in OS X 10.8.1
To summarize the testing I have tried:
Many different LabVIEW, Guest OS, and Host OS combinations all fail, including:
LV2012f1 32 and 64 bit, and LV2009 32 bit
Win7 32 and 64bit, and also WinXP x64
Parallels 7 and Parallels 8
OS X 10.7 and 10.8
Capturing the keyboard by the VM
Twiddling every keyboard setting possible on Parallels, Guest, and Host
Reinstalling keyboard drivers
Plugging in a known-good keyboard that works on a native Windows machine
Deleting LabVIEW.ini and letting it regenerate
Remapping the shortcuts from, e.g., CTRL+SHIFT+E to CTRL+E - in this case, "Show in Project" works, so this might indicate it's a problem registering the shortcut press, not invoking the action itself.
Sending the keystrokes via on-screen keyboards from both Guest and Host
Sending the keystrokes via SendInput from user32.dll WinAPI
Testing every imaginable combo of FN, CONTROL, ALT/OPTION, COMMAND/CMD, SHIFT
Reinstalling VMs from scratch and reinstalling LV
Here's a kicker: CTRL+SHIFT+Alpha shortcuts work fine on other Windows programs (I've tried 4 different programs, including Chrome, Notepad++, Paint.NET), yet it does NOT work for VIPM with CTRL+SHIFT+C. This means that the only two programs where the CTRL+SHIFT+Alpha bugs exist are both LabVIEW-related.
Here's another kicker: It's only CTRL+SHIFT+Alpha shortcuts with the prob - CTRL+SHIFT+3 properly toggles grid alignment, and the "Tools >> Options >> Menu shortcuts" will register any CTRL+SHIFT+Non-alpha shortcut; it just does not respond to the CTRL+SHIFT+Alpha shortcuts.
Any new troubleshooting ideas are highly appreciated; please feel free to jump in here or on LAVA.
a.lia-user-name-link[href="/t5/user/viewprofilepage/user-id/88938"] {color: black;} a.lia-user-name-link[href="/t5/user/viewprofilepage/user-id/88938"]:after {content: '';} .jrd-sig {height: 80px; overflow: visible;} .jrd-sig-deploy {float:left; opacity:0.2;} .jrd-sig-img {float:right; opacity:0.2;} .jrd-sig-img:hover {opacity:0.8;} .jrd-sig-deploy:hover {opacity:0.8;}
Solved!
Go to Solution.

X. wrote:
Still well and alive in Parallels 9 and LabVIEW 2013 SP1. Of course I could upgrade to the latest versions to check whether things have gotten any better.
Any news on that?
@mellroth figured out the solution :-)
a.lia-user-name-link[href="/t5/user/viewprofilepage/user-id/88938"] {color: black;} a.lia-user-name-link[href="/t5/user/viewprofilepage/user-id/88938"]:after {content: '';} .jrd-sig {height: 80px; overflow: visible;} .jrd-sig-deploy {float:left; opacity:0.2;} .jrd-sig-img {float:right; opacity:0.2;} .jrd-sig-img:hover {opacity:0.8;} .jrd-sig-deploy:hover {opacity:0.8;}

"Color Matching" option in print dialogue box...

Hello,
I've upgraded to 10.5 (printing from latest Adobe CS3 Photoshop and InDesign) to an Epson R2400 (with the latest 10.5 drivers from Epson). I let Photoshop/InDesign handle color management (rather than the printer).
Once I hit "print" from the application I'm sent to the OS X print dialogue box. From here I select my Epson settings as I always have (including turning off Epson Color Management) but now, within 10.5, there's a new OS X specific printing option listed as "Color Matching". When I select this I'm giving the options for "ColorSync" (from which I can then choose "automatic" or choose a specific printing profile — though, when I try to select one, I always get a warning saying I'll get undesirable results, and it only goes away when I select "automatic") or "Epson Color Management" (or something like that).
I do not have an option to turn these "off", I have to select one or the other.
Now, what exactly is going on here?
Which do I want to select?
I assume I would leave it to "ColorSync" since I know I don't want the printer to manage the color, but I'm just confused as to what these settings do since I'm supposed to be managing the color via Photoshop.
Can anyone shed some light onto this new option under 10.5?
Thanks!
Kristin.

Yes, very strange. If you see a few posts up I actually did get it to work the way I need it to. I called Epson and they had ne reset the printer settings through the system preferences. On my first try this did NOT work, however everything worked as it should in Preview (another image program) and since it did work there the Epson tech basically siad then it's not their problem - most likely adobe.
However just for the hell of it after I hung up, I tried resetting the printer settings again and sure enough it worked. I was able to change the color settings while using Photoshop to manage colors - namely I needed to print a B&W through the Advanced B&W setting. When they are grayed out I can't do this. But even while doing color I don't like that it's grayed out. I've been printing both color and B&W for the last 5-7 years with photosjop manageing colors. I know about double profiling and how to avoid it.
If this was by design from adobe, it deosn't make sense that I was able to access it a few weeks ago after resetting the printer settings. And if this was the case when did Adobe supposedly make the change?
I don't know what's different now, the only thing I can figure is that I had this issue sometime after I installed the lastest Epson print driver - hence the call to Epson... Maybe it's snow leopard weirdness, but I had snow leopard on my laptop and was always able to print sucessfully, but have not tried it since I got the new Mac Pro.
And the strange thing it works fine on other programs. I can have photoshop manage colors and they are not grayed out. Strange and frustrating. Time to set up the DR.
I guess I shoud uninstall PS and then try re-installing it.
thanks...

Printouts too dark on Laserjet CP2025, HP Basic Color Match tool crashes.

I recently purchased an HP Color LaserJet CP2025, but my prints are coming out extremely dark causing me to have to use extreme brightness/contrast increases when printing pictures.
I tried using the HP Basic Color Match tool hoping it would address the issue, but ever time I get to the color match choice option the program crashes.
I'm using 32-bit WinXP Pro.

Here is a link to a document that addresses print quality issues for your model or printer. It will give you troubleshooting steps to try in an attempt to correct the quality output issue that you are having with the printer. One of the topics covered in the article is how to adjust print density settings if the pages are printing too dark. It also covers how to change other print settings based on the quality of your output. I hope that this helps.
I am a former employee of HP...
How do I give Kudos?| How do I mark a post as Solved?

Color matching options disabled with colorsync active

Using LR 2.6 RC (and 2.5) on 10.6.2, with a Z3100 and the latest drivers/firmware.
I've got inconsistent behavior between the 'print settings' dialog, and the 'print dialog'. I have lightroom set with the proper printer profile, and have chosen perceptual for the rendering method.
In the print settings dialog I can choose vendor matching under 'Color Matching', but when I go to the print dialog those settings are greyed out, with colorsync enabled. I am able to choose 'application' under the color options section in the print settings dialog, but again, that's disabled in the print dialog. Apparently though, at least the application setting follows through.
So apparently, I can't print by letting lightroom control the color and have to use color sync?
I saw some references to a colorsync utility workaround, but all the links go to dead posts, so I don't know what that is and if it solves this problem.

Peter Spier wrote:
Is this profile supposed to match the laserjet or the press?
I admit to still being a bit mystified to the whole color profile process even after years of using it and reading articles about it. I created our profile years ago to match 3m matchprint proofs, mainly just for Photoshop to display cmyk images as closely to those 3m proofs as possible. Photoshop is setup not to embed and ignore any profiles in images. Any print projects back then just went for the standard film/matchprint, and later the digital files sent directly to the printer without any regard for color profiles and it worked pretty well.
Since then I've been using it in Indesign and Illustrator as the main cmyk profile so everything displays the same, and the final print-ready pdf for our main internal projects goes to our commercial printer with the profile as well. I've tried the standard printer profiles that come built-in but they always look really off and way too yellow. Anything we have gotten commercially printed, or ended up in other outside projects matches up well regardless of included-or-not profiles, the only normal difference is the profile displays a little lighter than what gets printed but I prefer that anyway.

Color Match Results

I have written the following code around the Match Pattern algorithm.
For my template item I am using a modified "block" of red that I made in paint, and I put my red tshirt in front of the camera and got no matches. Even when setting the match miniuim score to 200. I also set the minuim matches to 1 due to the oversizeness of the shirt. And still got no matches. I have in cluded the code the an image of the shirt and also the red block that I am using as a template image, suggestions?
The shirt is pretty red, Lightning is throwing it off, but contrast is set low, should I get a different camera?
Attachments:
test2.png ‏1 KB
security.vi ‏86 KB
hmmm.png ‏423 KB

Hello,
first of all, did you "learn" the color template? Looking at your image "test.png" is see that there is no Vision Info present...
Second, looking at your image and the template, I doubt you will get any good results. Why do you not create the template from the real object instead of doing this in paint?
Take a look at here for example:
http://forums.ni.com/t5/Machine-Vision/match-pattern/m-p/2747988#M41308
P.S. Do you really need color matching? Is your object always (uniformly) red? You can extract the green plane from your image in this case and acquire a good contrast between the background (depends on the bacground) and the object of interest.
Best reagards,
K
https://decibel.ni.com/content/blogs/kl3m3n
"Kudos: Users may give one another Kudos on the forums for posts that they found particularly helpful or insightful."

Need to know how to remove ALL previous Outlook settings in Registry and file locations (cross posted)

Problem: I cannot get a newly installed Outlook 2013 to connect to the [online Office 365] server with old [non-domain] logon profile. That is my issue, and what I'd like to fix. (There's some services and settings on the old profile
that cannot be easily duplicated. Also, I'm just enough annoyed by this to ask for suggestions.)
Background: I upgraded an existing Office 2007 install of several years back to Office 2013 on an continuously used [non-domain] user profile (I needed connections to several Exchange accounts at various domains I remotely admin
and was tired of logging on through OWA, so it was time to upgrade). Up to Sunday last, I have never had issues with Outlook and Office 365 connections to that account; upgrading Office 2013 "killed" my outlook.office365.com connection to emails.
Testing: I created a new [non-domain] logon profile, and Outlook 2013 connects to my outlook.office365.com account just fine with the new logon profile. To repeat:
there were NO connectivity issues in connecting to my Office 365 account in the
new [test] logon profile with Outlook 2013, and using Outlook 2013 on the new [non-domain] profile.
The problem is profile specific, to an older existing profile (I'd like to use).
Just FYI: my [vanity] domain tests just fine with the Exchange 365 online tools. Office 365 works. OWA works. Outlook 2013 works (in the new logon profile). Mobile devices work.
There are no major problems with the domain name in MXToolbox, or Microsoft Remote Connectivity Tester. Both Windows and Office are fully patched on my workstation. There's no malware.
The problem is something in my older logon profile. Something somewhere locally to that logon and/or Outlook-specific profile is keeping it from logging into the [Office 365] mail server. I just get the typical "cannot connect to
the server" error.
What's Needed: So what I need is a link to a webpage (or pages) that details ALL [existing] Outlook/Exchange settings that are profile specific ...so I can
manually remove them from the Registry, from the drive, etc.
...something on the order of "...remove all profiles under
HKCU\Software\Microsoft\Windows NT\CurrentVersion\Windows Messaging Subsystem" and "...delete all files in
C:\Users\username\AppData\Local\Microsoft\Outlook" (neither of which fixed the issue, whatever the real issue may be ...but that's all I found so far that seemed pertinent). Anyways, "stuff"
like that.
Alternatively, if someone knows what Registry keys, other settings, etc., I can export/import from the test logon profile to my "real" logon profile(s), that would be worth a shot, and greatly appreciated.
Or maybe just some google search suggestions that might find the above links (listing error message contents hasn't been useful: too many hits).
Me: I'm a sys admin with over 30 years experience. I'm not looking for suggestions on how to set up an Exchange account, or an Office 365 account, or to setup a new mail profile or logon profile (or to remove either of those), or to add
a new email account (manually or with auto-discover), or to remove an old account. None of that applies and/or has worked in this case.
Thanks in advance for your interest. I really need a knowledgeable wizard, since I'm looking for a solution to a complex issue. My own googling and troubleshooting has just turned up the usual noob' stuff. At this point, I'm at a loss. The well is dry.
Update:
This question is cross-posted from the general "answers" forum (at the suggestion of a moderator).
Update: I also came across
this page of "advanced" Outlook settings (and it hasn't helped so far, either).

I too, for over 30 days have been trying to find an answer as my situation is as similar as it gets. I too have tried all and everything as you have.
How I wish there would have been an answer to your question. It would have answered mine as well.
Seems typical to microsoft "help" unless it is the usual noob response and/or "more clarification" (I with no tech degree understood exactly what you refer to) the only response is well, just no response......

I would like to change the colour of bars in a chart without losing the underlying default texture associated with my chosen theme. None of the 3D textured fills offered in "Chart Colors" match the textured fill of the theme. Any suggestions?

I would like to change the colour of bars in a chart without losing the underlying default texture associated with my chosen theme. None of the 3D textured fills offered in "Chart Colors" match the textured fill of the theme. Any suggestions?

Thanks Gary, but no, that does not work. First of all, I can't select each bar individually. When I click on one bar, all three bars are selected.
When I use "inspector > graphic" I have 5 fill options: none, color, gradient, image, tinted image. The default selection for the theme I'm using is image. What I would like to use for my charts is the same image that this theme uses for table headers. It has the same texture as the chart, but a different colour. Using anything but image or tinted image removes the texture from the fill.
I have found I can do one of two things. I can select tinted image from the fill selections in "inspector > graphic" or I can select 2D Image Fills from "inspector > chart > chart colors". The first choice does not allow me to match the table header colour because it only allows me to apply a tint to the existing colour and adjust its opacity. The existing colour has too much influence on the fill, so I can't find an RGB adjustment that will match the table header colour. The image selections from "inspector > chart > chart colors" do not quite match the colour or the texture. Again, I can try to tint the image, but I still can't get it to match and the texture is not the same anyway.
The image I want to use obviously exists in the software as it is an attribute of the theme, but for some reason is inaccessible. The other angle I have tried is to edit the theme, but I can't figure out how to do that either.

LR3 Print Module: printing to profile - unable to change Color Matching

Hi
I use LR3 in 32 bit mode (there is no 64bit driver for HP DesignJet 130n).
I always print to profiles. In LR2 I had to make sure that in the PrintSettings the option Color Matching was set to "Vendor Machine", because although I saved this setting, LR never remembered.
Now with LR3 the option is again set to"Color Sync" but this time it cannot be changed.
Any suggestion?
Thanks
Bruno

Bob,
My problem is exactly what you say: you must find the appropriate place in the printer interface where you can disable all color management performed by the printer driver.
In OS X (10.5.) I know only of two places where I can handle Color Management: "Print Settings" and "Profile" in the LR3 Print Module.
By default LR3 sets the Print Settings "Color Matching" to "Vendor Machine" if I choose "Managed by the Printer" for the Profile.
By default LR3 sets the Print Settings "Color Matching" to "ColorSync" if I choose a custom printer/paper profile.
Where/what is "the appropriate place in the printer interface where you can disable all color management performed by the printer driver" ?

I am trying to print a color photo on my MacBook Pro from iPhoto (not using Photoshop) using Epson 2200 printer, and everything I do in the Color Matching and Print Settings results in a photo with a pink cast to it. What am I doing wrong?

I am trying to print a color photo on my MacBook Pro from iPhoto (not using Photoshop) using Epson 2200 printer, and everything I do in the Color Matching and Print Settings results in a photo with a pink cast to it. What am I doing wrong?

Have you checked the ink cartridges and made sure the nozzles are clear? Are you able to print from outside of iPhoto with the correct color?
Try the following: make temporary copy of the library and do the following:
1 - delete the iPhoto preference file, com.apple.iPhoto.plist, that resides in your
User/Home()/Library/ Preferences folder.
2 - delete iPhoto's cache file, Cache.db, that is located in your
User/Home()/Library/Caches/com.apple.iPhoto folder.
3 - launch iPhoto and try again.
NOTE: If you're moved your library from its default location in your Home/Pictures folder you will have to point iPhoto to its new location when you next open iPhoto by holding down the Option key when launching iPhoto. You'll also have to reset the iPhoto's various preferences.
OT

Book printing - Unique Workflows? - Cross-Posted from Aperture forum

(Cross-posted. I think this post might be of interest to iPhoto users as well)
I am exploring the book printing features in Aperture. My goal was to build the book in Aperture and get this into iPhoto so that I could use MyPublisher to print the book. MyPublisher currently has a 50% off coupon for orders over $50. iPhoto needs their plugin to upload to MyPublisher instead of Apple when the BuyBook button is chosen. (code is MAC2550 - good though Dec 31). The design features in Aperture are rudimentary at best. It's simple to customize the design for photo placement, adding and deleting photos, resizing, etc. The type design features are not simple to customize, though. However, with patience a suitable design can be made. You can add and delete text boxes at will but these will always default to the template's built in style. I continually had to reformat the type by right clicking on the selected text and applying my preferred style. One trick when cutting and pasting text is to place the cursor one letter in from the beginning of a preformatted line, select the remaining text and paste - this will pick up the current style rather than default to the template default. Then delete the leftover first character of the line. From Aperture I printed the book to PDF, being sure to choose letter size and borderless paper option. Once book is printed to PDF I opened in Acrobat and "saved as" to PNG. In the PNG options I chose 600ppi (the default of 300ppi might have been just fine for quality, not sure). Saving to PNG creates an individual file for each page. In testing Apple's Preview software for this I found it would make a nice PNG - but of just one page at a time. I then imported all PNG pages into iPhoto. Within iPhoto create a book. I used "Modern Lines" with double sided pages. To create the cover (it's actually a label that is adhered to the linen hard cover book) I had to import the actual cover photo used in Aperture to recreate a new design based on the "Modern Lines" template. I then recreated my pages using the template. The key step being to assign the single photo page design for each page. For each page I dropped in the corresponding PNG file which included all type and images created previously in Aperture. One minor point when adjusting the placed PNG images in the iPhoto template is the option to fit photo to frame size (an option when right clicking on the photo). When fit photo is selected the image gets resized very slightly. I opted not to use this feature as I thought the resizing might compromise quality. I then clicked on the "buy book" button and the file was assembled and sent to MyPublisher. Since I had the 50% coupon I opted for the leather bound book option and ordered two 24 page books for $53.74 which included $9.98 standard FedEx fee. As for quality I'll have to wait and see. I'll post back once books are in hand.

It is important to realize there are two aspects to an index.
1) Topics
2) Page References
Topics have no relation to the text of the actual document. Topics can
be imported from one InDesign document to another. Also, creating topics
from a list of text is trivial. Just type all the words (or place them
from a text document or Word doc) and then press Ctrl+A to select all of
them and press Ctrl+Alt+Shift+[, then delete the text.
Page references, however are not as simple. These have to be created at
each place in the text where you want the page to be referenced it the
index. This *can* in fact be done Word if you are using the text from
the Word document.
What you really have to watch out for is that when you want to create a
page reference you have the "Reference" radio button selected in the
index panel. Otherwise you will just be creating a topic. It is best to
work with hidden characters turned on so you can see and make sure
InDesign created an index marker in the text after you created your page
reference.

Problems with color matching when printing...

Hi, I work for a small family business in the P.O.P. industry. We currently have myself and one other designer, we both take illustrator files that have come from the graphic design firm that we contract with and get them ready to print on our Vutek QS3200. However ever since acquiring the printer we have begun to run into problems with the colors when printing. When the files are exported off of my computer, I use either .tif or .pdf files, they print as they should, the colors seem to match the proof and everything goes smoothly. However when the other designer exports a file, he tends to do mainly pdfs, the colors tend to be extremely different from where we want them. Also we will get very strange results, such as yesterday he kept getting a faint yellow 1/2" border around his prints. After I believe 3+ hours of him trying, I was given the original CD and instructed to try. After 15-20 minutes of making the changes that we needed to make (adding a new price point) and ripping, mine printed perfectly.
We both use Macs, both have CS3 Design standard, only differences between the computers are mine is newer and a bit faster, and I'm running OS 10.5.6 and he has 10.4. He has also at some point loaded various color profiles, whereas my CS package is just whatever the default is when I loaded it. When we were being trained he grabbed the color profile off of the Colorburst RIP server and loaded onto his computer, plus I believe he has a couple for freelancing purposes on there as well. My thought is that these profiles are somehow corrupting the files that are going through that computer, but I honestly am lost with it at the moment. He believes the problem lies within the fact that he does not have the newer OS, I honestly cannot see that as having any effect on this at all. I was wondering if anyone has run into any similar problems, or if anyone might have any advice on this issue? I would really like to be able to solve this, as I was hired to do mainly structural design for the P.O.P. and I'm having to put in a lot of overtime to get my work done along with the additional work that I'm having to do.
Thanks for your time

I've got a few years experience calibrating large format printers. First, the Yellow sounds like a file problem. I used to work with two workstations, one PC ( RIP station ), and one Mac ( file prep station ). I tend to agree with you in that the OS is probably not the problem. But, any Colorburst profiles should remain in the RIP, not in the originator application. My workflow consisted of creating EPS files that were based on established color settings in their given applications ( i.e., Illustrator, Photoshop ) which were interpreted by the RIP which had it's own calibrated profile ( perhaps more than one based on how many different substrates were being used ). Your partner may be complicating things by incorporating a RIP profile prematurely. If there are deviations big enough to be noticed, there has to be something in the application color settings that is causing some type of corruption. This could lead back to the operating system, but I would think it lies somewhere in Bridge or the application color settings. Start there. You should seriously consider implementing a calibration system if you do not have one already. Another slight possibility is the driver's ability to interpret files coming out of Leopard vs. files coming out of Tiger. It may benefit you both to be in the same operating system dynamics, using the same driver versions and RIP profiles. At the very least, match everything that is currently working successfully and put them on both machines. If there is still a noticeable problem in color matching, then something is seriously wrong and you should call in a prepress profiling expert. Hope this helps.

Cross-post: strange file in trash

In my trash I have found a file associated with iTunes/iPod: iPod2,12.2.1_5H11aRestore.ipsw
I didn't put it there, and don't know why it should be there - the trash was empty not long before, and I haven't restored my iPod for years.
My questions: is it safe to trash it? If not, where does it properly belong?
Thanks in advance for any help. This is a cross-post from the iPod Classic forum

Yes, you can delete it. It's a discarded backup that was produced when you last synched your iPod.

Cross Post: Approximate color match?

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