CrossGrade from FCP 3 to FCE 3.5?

Is it possible to crossgrade from FCP 3.0 to the new FCE 3.5? I've been using my old version of FCP from the pre-FCE days, and would only need to continue on using FCE on my new MacBookPro.
regards,
Michael.

Not acceptable that you can't cross grade Apple products.

Similar Messages

Crossgrade from FCP 4

I am trying to get some help, but no one at Apple can help me so far. I sent in my FCP 4 disks, check, and order form. The check cleared back on 12/12/06. I have a copy of the deposited check into an Apple BoA account. I haven't gotten my disks and no FCS 2 is out. Does anyone know who to contact that can actually resolve this issue for me, so I can get my crossgrade?

Call AppleCare.... fax them the copy of the paperwork you have... they'll fix you up I'll wager. 1-800-myapple
If they don't DEFINITELY post back... Enquiring minds want to know...
Also... FCS 2 isn't out yet... it's just being previewed... it's due to ship may 31... Nevertheless, you should get what you've paid for from Apple.
Jerry

Migrating project from FCP/Powerbook to FCE/MacBook ?

Hi,
If anyone can help me, I will be very thankful. I am trying to finish a movie that is a gift.
Has anyone had trouble exporting QT movies from projects that originated on a Powerbook (in Final Cut Pro) and are now on a MacBook (in Final Cut Express)? When I try to export a QuickTime movie of my sequence now, it creates a useless 7 second blank, white movie file.
This doesn't happen if I use different footage that came with a tutorial, so I suspect the trouble is a format migration issue: I started this movie project in Final Cut Pro, on a Powerbook a couple years ago. Now the project opens and edits fine in FC Express on my new MacBook, but I cannot get it to export a real QuickTime movie.
Again, thanks for any tips on how to make this work.
Mac Book Mac OS X (10.4.9) QuickTime Pro 7, latest Final Cut Express

Try trashing your preferences to start. What's the media you're using? Are you exporting to QuickTime Movie?

Universal crossgrade update from FCP HD to FCP Studio on Mac Book Pro

Hi all,
Just ordered my universal upgrade for my MBP from Apple to go from FCP-HD to FCP Studio. My MBP has FCPHD installed on it. I installed it without being aware that it was not compatable with the intel chip.
Just wondering if there are any problems associated with simpy installing the complete crossgrade FCP Studio without first uninstalling FCPHD.
Or is it suggested to completely uninstall FCPHD before installing the new universal version of FCP studio.
The answer may ship with the software but I was wondering if I should start going through the uninstall process as I hear it is a bit involved.
Thanks for any help.
Bob
[email protected]
macbook pro 17" Mac OS X (10.4)

When I attempt to install the 5.1 cross-grade on a newly formatted hard drive, that is also set as the boot drive with the latest version of OSX on my dual G5, the 5.1 install goes through the entire process up until I get to the part where it begins actually installing the actual software applications. Then it fails--quits- completely quits installing. And yes, both of my optical disk drives are working. I have another disk drive that contains the last version of Final Cut Studio and when I first tried to install the cross-grade on that drive it wont even get past the screen that says that the software is checking to see if it can be installed on the drive. I was told by someone at Apple Pro Applications support that if 5.1 would not install on a new formatted hard drive that contained nothing but the latest version of OSX that I had bad install disks. It's a matter of getting them replaced. I KEEP GETTING THE RUN AROUND!!! It's like no one at Apple cares. I wait over two hours to get help, but I really am not getting help. When I call Panasonic for help with my AJ-HD27H VariCam Camcorders, or my a Aj-HD1200 decks, they bend over backwards to help me. Or when I have a problem with a Canopus Editing System help is easy and reliable.
Is there anyone who knows from whom I can go for an easy replacement of these instal disks?????
G5 Dual 2.7 Mac OS X (10.4.8) aja kona 2 7gig Ram x800 Vid

XML from FCP to FCE

Hi! I have FCP 7.0.3, and my friend has FCE 4.0.1. We're trying to work collectively, (He's doing the rough cut of our movie, then we're start interfacing between the two programs once we're working on the final cut) but I have a problem. I can open FCE files in FCP, but he can't open FCP project files in FCE, as I had expected. So the work around that I have found, through lots of internet searching, is that I can export XML files, and then he can import them into FCE, and then he'd have the exported sequence. But when I try it, he gets error messages. The only things I can think of is that I have the footage imported as Apple ProRes, and FCE doesn't recognize that kind of codec. Also, I don't know what version I should export the XML as (1 through 5). Help!
Thanks!
Paul

Here's one reply to a thread that is somewhat on this topic, from Creative Cow.
Re: Final Cut Express compatibility with FCP
by Mark Thurstlic on Mar 23, 2011 at 1:44:24 pm
Hi there
I had a similar issue with bring FCP files back into FCE. After fiddling around a bit I found that the solution lies in Exporting an XML file from FCP. What you need to do is, while in FCP click on FILE--EXPORT--XML
Then from the format pull down, select the version # that is compatible with your version of FCE. I found the "Apple XML Interchange Format, version 4" works with FCE v4.0.1. Then in FCE Import the XML file by FILE--IMPORT--FCP XML From Imovie.
An issue worth noting is that FCP seems to only export individual sequences at a time not entire projects. So if you have more then one sequence in a project that you would like to import into FCE you'll have to export them as XMLs one at a time.
Hope this helps

Color timeline starts each clip at 00:00:00:00 after sending from FCP

When I export a sequence from FCP (7.0.3) to Color (1.5.3), the latter shows a timeline with clips of the proper duration, but with the wrong in/out. Each clip in the Color timeline starts at 00:00:00:00 of the source file, as opposed to the "in" I had selected in FCP.
The video originated as h.264 files from a 5D. I transcoded the files to ProRess 422 for editing, and am sending them from FCP to Color as such. The FCP timeline contains nothing but these ProRes video clips.
Thanks for your help...

any way to use an edl with these kind clips?
That poses an interesting option, maybe. For starters, though, the Send To... COLOR command instructs FCP to write an XML export that is decoded by COLOR, and that should take care of things.
There is a strategy that AVID users sometimes employ, and that is to export a CMX EDL, open that under COLOR and link to the media directly under COLOR (this works for RED flow). I am mystified as to why COLOR defaults to the first frame of your exported clips -- unless the time code is faulty in some way (or is not present), and so COLOR is simply beginning at the beginning as a kind of default.
Even if the in-point is wrong, are the clip durations correct?
Are you absolutely sure there is timecode on the ProRes clips? Apparently this is a problem shared with Final Cut Express, where exported QT clips always start at zero, but this is hearsay on my part as I have never dealt with FCE.
An alternate strategy at this point might be to export a complete Quicktime of your finished (textless) project, re-import it into FCP and "razor" cut it using your original timeline as a cutting guide. That sequence would go to COLOR with no issues.
A lot of users do this as standard procedure if they want to avoid a lot of "baking" and conforming if they've got a large number of mixed, or unsupported, media clips on a timeline. As a brute-force solution, its the Big Unifier.
jPo

Import fcp filters into fce?

Is there any way of importing fcp filters into fce?
I have a FCE project but cannot open it in FCP as I have version 5 of FCP and FCE 4. All I want to do is get the 3-way color corrector into FCE.
Any way to do this?

Interesting question. The 2-way CC filter is a specific feature of FCE vs. the 3-way filter in FCP - it's one of the intentional differences between the two products, by design.
You would breach your license(s) if you found a way to get any of the embedded filters out of FCP, and also if you were to get them into FCE. From the FCP license - +"you may not copy, decompile, reverse engineer, disassemble, modify, or create derivative works of the Apple Software or any part thereof."+
Then there's the also matter of whether or not it would even work, even if it were legal to do what you want to do here.
Suggestion - read "Cheating in Final Cut Express: Better Color Correction on Ken Stone's FCP website. It may help you with the color corrections you want to do in FCE.

Importing a FCP project into FCE?

I'll try to import a FCP 7.0.2 project based on DVCPRO50 mediafiles.... into FCE 4.0.1. It will not open (of course), but is it because of not supporting the codec, or is it generally not possible to open a Pro project in Express (dependent on the material)...?!?
Any tips or tricks? Can the FCP project be saved or converted in a way that FCE will read?

Unfortunately you can't open FCP project files in FCE, only the other way around. Even if the codec was supported (which it's not), it wouldn't be possible.
If you need to edit in FCE you could always export from FCP as a Quicktime Movie in a codec that FCE does support: namely DV-NTSC or AIC.

Long FCP user considering FCE or FCP on mackbook pro

I've been using FCP on my PowerMacs for years, since version 3. Right now I'm still using FCP 5.1 on my Quad PowerMac G5. I work in broadcast cable and but use my own computer for freelance gigs or personal projects.
I want to buy a new MacBook Pro, and am considering installing the Pro version or having FCE pre-installed.
Is there a side-by-side list of what FCE can't do and FCP can? I consider myself an advanced user of FCP and would be annoyed if I needed to do something on my laptop that FCE just can't do.
Also does anyone know, if I have Apple CAre and FCE is pre-installed and, say, the hard drive dies and must be replaced, they replace it with FCE pre-installed again at no charge? And will Apple Care try to resolve bugs/errors if FCE is pre-installed?

While I agree with Ian, I'd like to mention a couple of features that I expect FCP pro users might miss in FCE: +Media Manager+ and +Log and Capture+ (about other missing features: Render Manager, probably you can do without, source timecode display, time remap, etc. there are some plugins filling the hole..., etc.). Personally I can easily live without them... but I'm not a pro.
Another point: while you can easily migrate a project from FCE to FCP, you cannot do the reverse: you cannot edit an FCP project in FCE. So having FCP on one Mac and FCE on the other doesn't allow you to switch a project back and forth between Macs.
Piero

Can I import a segment from FCP or FCS into FCE4?

So, my filmmaking partner has FCS and FCP. I have FCE 4. We have cloned the drive that holds the entire film, but I want to take that drive and work on the film. Is it possible in any way for me to import the project (or sequences) into FCE 4?
An output to Qktm file at full-res would take up 9.5G/min and its a 90 min film project.
Other suggestions would be much welcomed.

Hello and welcome to the forum.
You can open FCE projects in FCP, but not the reverse. You can, as you suggest, export QT from FCP and then import the QT file into FCE, work, then export from FCE to QT, import back into FCP, etc. Not an elegant workflow, but doable.
Would it be possible for you to work on smaller chunks individually so you're not continually exporting and importing all 90 minutes?

Unable to output from FCP to Canon XL1.

I have an eMac with Final Cut Pro 4.5 HD. I also have a Canon XL1 3 CCD camcorder.
I have no problem capturing footage from my camcorder to my eMac on FCP. I can also connect my Canon to my VCR and record off my camcorder to my TV, as well as play the tape on my camcorder to watch it on TV.
However, I cannot output from FCP to my camcorder. The 4 to 6 FireWire is attached to both the camera and the eMac and I checked the Log and Capture feature and FCP does recognize a camera or deck is attached. I've been trying to output it using manual record in which I press record on my camcorder and play the playhead on FCP. As I record, there is no picture on my viewfinder, nor any audio being recorded and when I play it back, I just get this blank blue screen, but the timecode is recorded.
Am I missing something here?

ensure the following are set
View>Video Playback>Firewire Apple 720x480 (NTSC or PAL - whatever is appropriate)
View>Audio Playback>Audio follows video
View>External Video>All Frames
If this isn't what you are set to do, you won't be sending video out to your recorder.
x

Importing from Imovie 08 to FCE 4 - problems

Hi
Why cant I import projects from Imovie 08 into FCE 4. According to the manuel it should be possible. All I get is a "File error, wrong type" ????
The manuel:
To open an iMovie project:
1 In Final Cut Express, choose File > Open.
2 In the dialog that appears, select the iMovie project you want to open.
The iMovie project opens in the Browser and contains the sequence and the clips as
they appeared in the iMovie Clips pane.
Important: Final Cut Express does not import iMovie sound effects, audio levels, or
transitions. All other applied effects are imported.
3 Double-click the sequence to open the iMovie project in the Timeline.
4 Render the sequence.

Look at FCE tutorial page:
http://www.apple.com/finalcutexpress/tutorials/
Michel Boissonneault

I need to output a PAL HDV project from FCP as a PAL DV file with 4 audio t

I need to output a PAL HDV project from FCP as a PAL DV file with 4 audio tracks - specifically one stereo pair to be t1&t3, the other stereo pair to be t2&t4. This is the standard way requested by an international distributor of tv programmes. I understand how to set the sequence in FCP to output 4 audio tracks - either 2 stereo pairs (1&2, + 3&4), or 4 discrete tracks. But how do I then output this as a QT file?
The manual tells me that to export multiple audio tracks, File>Export>QT Movie has it's Config pop-up menu in the Audio Settings area of the General tab of the Sequence Settings. Well, that's set for 4 discrete channels, but the QT export settings only allow for 2 mono or 1 stereo output, and that's what I get when I try it. What it says in the manual just doesn't happen.
Exporting via Compressor, on the other hand, has an abundance of choices of 4-track outputs, none of which are labelled as anything resembling 'discrete'. Would any of those 4.0 settings suffice? Or am I likely to get myself into difficulties further down the line? As I am monitoring for this task on a 2-track audio system, I cannot confirm exactly what I am getting when I use any of those settings.
Any advice would be greatly appreciated!
John

Call me naive, but I've not heard of splitting the stereo pairs like this before.
What broadcaster? (perhaps one of our EU regulars will drop in...)
You can do all sorts of pairing but it is coincident tracks pairing- eg 1/2 + 3/4
Sorry I can't offer anything.
x

Sony EX XDCAM from FCP MAC cannot be recognized by PC

Not sure if this is a quick fix, but my CGI guy - who works by remote - cannot get his PC to recognize my XDCAM EX 108024p clips from my MAC - which I have exported as MXFs using the SONY XDCAM export option in Export>using qt conversion. I sent him the link to the driver, and he said it installed fine - but still his computer was not recognizing the MXF file. Does he need a program to convert?
Basically, I am looking for a lossless way to give him my Sony EX1 files that he can work with on his PC (in studio max) and then export to a lossless format that I don't have to render in FCP.
Any tips or suggestions most welcome. This is my first time editing a program with EX 1 files in FCP.

I'm using the Sony XDCAM transfer 2.5.1 to bring in the clips from card into FCP. The clip browser I downloaded yesterday and I tried to get it to recognize an MXF file that I had exported from FCP using the sony xdcam plug-in (but it did not). I guess I can only use the MP4s to convert to MXF? Is there a difference going from FCP compared to Clip Browser? I want to be able to export cut sequences so that the CGI guy can composite...
Message was edited by: thecuz

Aspect Ratio wrong in sequence imported from FCP

I'm a reasonably experienced user of Final Cut who intends now to migrate to Premiere (leaving the sinking ship?) So, at present, I'm trying to import current projects from FCP into Premiere using XML.
The result for a large scale and pretty advanced project was disasterous losses, so I've decided to start with a much smaller project, which contains a single sequence in the same format as the media, 20 or so HDV 1080p25 clips, and a handful of wav sound files. The result is better, but there are two problems I've encountered:
1. When I open the sequence in the timeline the aspect ratio, which should be 16:9 is squashed in to something more like 4:3. Opening a clip from the bin in the source monitor does not have this effect, but I can't work out how to rectify the change of aspect ratio when the sequence is playing in the program monitor. - Any tips?
2. The audio file icons in the project imported into Premiere are unlinked. When I try reconnecting them, Premiere says it can't because of a 'header error'. - Any clues to what this means and why it should be?
Thanks.

Hello Jim Simon,
Yes, I've tried importing one of these wav files into a new project, but it Premiere won't allow me to. It comes up with a message saying:
"The file cannot be opened because of a header error".
Any ideas?
PS. As this was a side issue to my main query, and the title of this thread doesn't refer to it and hence might make it hard for others to find, I've added a new query to cover this under the title: "Header Error when importing Wav files"
Message was edited by: andrewcopper

CrossGrade from FCP 3 to FCE 3.5?

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