Cs3 and printing

I have CS3 InDesign and an old HP Laserjet 4M printer. It seems i can't print from ID. It reads the ppd because all the options for the printer are there and when I hit print it downloads as it should. The printer's lights blink as they should when it's reading the data. Only problem is, when the printer is finished reading the data, it goes back to "ready" and doesn't actually print anything.
If I save the ID files as a PS file and open it in Preview (Mac), the file prints fine. Anybody know why I can't get a native ID file to rpint to the laserjet?
thanks
-mark

I had this problem in April 07. Wish I wrote down how I solved it because I upgraded to Leopard and have the same problem with the lines running through color management etc in the print dialog box. I found one guy on the Mac helpline who knew the answer. It was a simple fix.

Similar Messages

  • CS3 and printing to an Epson 7800 (Mac OS10.5)

    I have an Epson 7800 printer. With Photoshop CS3 not all the print setting choices are available(after hitting "Print" from the first, new Print Dialog window). I get the new Print Dialog window, but when I hit Print and then try and choose Print Settings or Color Management (for example) they are all crossed out. When will an update be available that corrects this? Right now I have to access printing thru CS2 so that I can set everything as needed; in particular, turning off the printers Color Management! As a further note, on the Epson 7600 everything is available via CS3 and the new print dialog window--there is no problem. Again, the problem seems to stem from CS3 plus the Epson 7800. Thanks.

    I had this problem in April 07. Wish I wrote down how I solved it because I upgraded to Leopard and have the same problem with the lines running through color management etc in the print dialog box. I found one guy on the Mac helpline who knew the answer. It was a simple fix.

  • LPI/DPI not changing dot size in Illustrator CS3 when printing HELP!

    I'm having to us my wife's laptop which is an HP running windows vista. I am using Illustrator CS3 and printing with a Ricoh Aficio AP610N Adobe PostScript3 printer. All this I could do on my laptop before it messed up and it would work fine. Now though on my wife's laptop when I go to print a spot color with any type of halftone or gradient mesh and I change the lpi/dpi in the print dialogue box down to say like 25 or 30 from 106 the dots are still printing out very very tiny. There not printing out 25 or 30 dots per inch. There still at like 106 or 225 lpi/dpi. SOMEONE PLEASE HELP!!! Why wont they change to what I set it to??? Am i over looking something??? Again all this worked fine on my laptop I could change the lpi/dpi to 35 and they would print out big I could actually see them. And now on my wife's laptop they just keep printing out small real fine dots. The only difference between my laptop & hers is mines was a 64bit & hers is only a 32bit. Please help me someone!!!!!!!!!!!

    Look for printer settings in the printer's driver dialog that overide document halftone settings. Some HP laser printers, for example, have a so-called "resoution enhancement" setting that is on by default, and that overrides the document halftone rulings. It's quite possible you have turned such a setting off on your machine, but have not done so on your wife's.
    JET

  • Photoshop CS3 and Epson printer

    I have PS CS3 with an Epson 4000 running on windows XP. I know Adobe is aware of a problem in which under some circumstances, (when you use roll paper) PS will print a smaller image off center and displaying in the interface the portrait mode despite me clicking landscape. I also know Adobe has a technote that offers solutions (I am already using version 10.0.1 with Bridge 2.1.1.9. Also solutions 2,3, and 4 on the tech notes have not worked. I tried different combinations and permutations of settings to no avail. Now I work on CS3 on the image, save it, and print it on CS2 which I kept on my computer, and has no problems printing. Can you please keep this as an on-going problem, since it has not been solved yet? Any feedback on this? There are a lot of Epson printer out there, and printing for a photographer is absolutely important. Thanks.
    Ed Kneler

    Have spent hours with both Adobe and Epson support people. I've read several of these forums. Is there an insurmountable problem with CS3 and Epson (2200/2400 are mine)? I have the Leopard patches and upgrade 10.5.4.
    With Photoshop managing the color I get prints that are slightly underexposed and carry a pink cast. Color management is off. With the printer managing the color I get prints that are too green and dark. Epson advice here is to have color management off. There are two other choices for management but to adjust a perfectly balanced print to the printer's whim seem like cruel punishment.
    Have a calibrated monitor and my CS2 works beautifully. Perhaps the best idea is to just go back to CS2 until Adobe and Epson can decide what to do. According to Adobe people, the CS3 gives much of the management back to Epson. According to Epson -- with CS3, you should choose the printer to manage the color (since this seems to be the trend between the two companies) but we users are not happy with the results.
    What is the solution for right now?

  • Color Management, Photoshop CS3 and Epson Inkjet Printer

    I have been down this road before but here goes again...
    Im using Photoshop CS3.
    Im printing on an Epson Stylus Photo RX680 using Photo quality inkjet paper.
    I know this printer is capable of very good quality prints.
    Thing is I can not figure out the correct combination of color management settings to get a decent print out of Photoshop or InDesign.
    I have read that you are supposed to turn off all printer color management and let Adobe manage the color. Doesnt seem to work.
    I just get overly magenta images that look awful.
    If I let the Epson color management control color I can get a lot closer but the print out is far from accurate or high quality.
    So what the heck IS the correct protocol for printing to an Epson inkjet printer from an Adobe app.
    BTW, I do seem to get a fairly decent print out of something like a PDF which I understand does its own postscript conversion before hitting the printer.
    Is this what my issue is?
    Does Photoshop or InDesign require postscript ripper software to get decent results out of an inkjet printer?

    Have spent hours with both Adobe and Epson support people. I've read several of these forums. Is there an insurmountable problem with CS3 and Epson (2200/2400 are mine)? I have the Leopard patches and upgrade 10.5.4.
    With Photoshop managing the color I get prints that are slightly underexposed and carry a pink cast. Color management is off. With the printer managing the color I get prints that are too green and dark. Epson advice here is to have color management off. There are two other choices for management but to adjust a perfectly balanced print to the printer's whim seem like cruel punishment.
    Have a calibrated monitor and my CS2 works beautifully. Perhaps the best idea is to just go back to CS2 until Adobe and Epson can decide what to do. According to Adobe people, the CS3 gives much of the management back to Epson. According to Epson -- with CS3, you should choose the printer to manage the color (since this seems to be the trend between the two companies) but we users are not happy with the results.
    What is the solution for right now?

  • How to get accurate photo printouts using calibrated FlexScan S1932 , Photoshop CS3 and Canon MX925 ? ALL ARE calibrated with i1Pro . WHO SHOULD GOVERN THE PRINTOUT , THE CS3 OR THE PRINTER ?

    How to get accurate photo printouts using  FlexScan S1932 screen, Photoshop CS3 and Canon MX925 ? ALL ARE calibrated with i1Pro . WHO SHOULD GOVERN THE PRINTOUT , THE CS3 OR THE PRINTER ?

    You need to work with the calibration parameters to get a good match from screen to print. There are no fixed values - basically whatever settings produce a match are the right ones.
    First, set the white point - luminance and color - so that screen white is a visual equivalent to paper white. You can be very specific about this, with a viewing booth right next to the display and a particular paper as target. Or you can take a more generalistic approach. That too will usually work well, as long as you keep the aim in sight: screen white = paper white.
    Don't trust the white point presets. You will usually have to adjust to compensate for your working environment. Make sure you can adjust both along the blue/yellow Kelvin scale and the green/magenta axis. Any given Kelvin value may well be wrong on the green/magenta axis.
    Next set a realistic black point. This is important. Monitor manufacturers throw about completely unrealistic contrast ranges that you will never see on paper. A good glossy inkjet paper will be in the vicinity of 250-300:1, or a black point around 0.4 - 0.5 cd/m² if your white point is at 120. If you have a monitor that goes down to, say, 0.2, which most monitors today will, you're in for an unpleasant surprise.
    Leave gamma at 2.2. Gamma is remapped from profile to profile and is "invisible" - the net result is always linear. You just want to stay close to native so that the monitor behaves at its best.
    If you have a wide gamut monitor soft proofing in Photoshop can be useful. With a standard gamut monitor it's mostly a waste of time since monitor gamut is the limiting one.
    Oh, and let Photoshop manage color. Make sure you have the right paper/ink profile and also make sure you have the right paper selected in the printer driver. This controls the total amount of ink.

  • Printing Problems with CS3 and Epson R1800

    Recently upgraded to CS3 and have now lost most printing options for Epson Stylus Photo R1800. Had no problems with CS2 running in Leopard. Anyone know what has happened?

    >"Unfortunately then I'd have to say all bets are off. The only true test is to print with the standard materials that Epson has designed their printer for. Only if that works well should you be trying third-party materials. For example, third-party inks in general are of poorer quality, are inconsistent, clog more, and in the long run, do not save you anywhere the amount of money they advertise over the genuine Epson products."
    Getting very nice results with an R1800, Inkjetfly CIS, and Red River paper. The R1800 has never had Epson ink run through it and has no abnormal clogging problems. In fact, clogs are rare.
    Getting near perfect matches to the monitor with both Colorvision and x-rite calibrating/profiling equipment. The printer stays on 24-7 so the only ink used, other than printing, is a periodic nozzle check. I am not alone in this, so blanket statements like the above are specious at best.
    And no, I don't sell prints for big bux, so whether they are going to last a hundred years is not a concern. Besides, until someone is around long enough to verify those claims, the jury is out. I've got color prints from the wet days that are fading after 20+ years. Third party inks are not necessarily lower quality than OEM. One of the reasons for the development of high quality third party inks was the dissatisfaction of B&W and fine art printers with the OEM products.
    Of course the cheap refilled/knockoff carts being hawked on ebay and the like are a different story.
    MBP, OS 10.4.11, CS3 10.0.1, R1800 with latest driver

  • CS5 Color Calibration and Printing Problems vs. CS3

    We are migrating from CS3 to CS5, and i'm working on getting the printing right.
    We are on MacPro towers, 10.6.6, with LaCie LCD Monitors and an Epson 2200.  Calibration on monitors and printer done by EyeOne Pro and Profilemaker Pro.
    Printing:  In CS3, creating the profile was done by printing the appropriate Eye One testchart.  It gets opened with 'no color management', and is printed out with 'no color management'.  This way, the testfile is being printed as the printer prints, with no tweaks.  The color adjustment controls (brightness, saturation, cyan, magenta, etc) within the Epson driver are set to Zero.  Then, this print is scanned in, using the Eye One, and you get the profile of the printer.
    Now, when printing actual files, 'Photoshop Manages Colors' is utilized, and the created Profile from Eye One is selected.
    We have had great luck with this, matching screen to print.  If a slight tweak is needed, then we could use the Epson color adjustment controls to modify slightly.
    Again, we've had great prints consistently for years using this method.
    Now comes CS5...
    Printing.  Trying to use our existing profile...
    When 'Photoshop Manages Colors' and the Profile are selected, now the Epson color adjustment controls are greyed out.  So, we lose out on the 'tweaking' possibilities.  I'm a fan of profiles, but now i have absolutely no control after the fact.
    Trying to create a new profile....
    'No Color Management' is not longer available as an option in 'Color Handling'.  So, now i can't even print out the baseline testchart without adding some sort of profile to it?  If i would choose 'Printer Manages Color' for this testpage, I would normally set the Epson Color Adjustments to Zero to get this baseline print for profiling.  But now, If I would do that, it's only going to be greyed out when i go back in and let Photoshop manage the colors.  Sheesh...
    To make matters worse...
    I pull up the same testchart in CS3 AND CS5.  We are on a calibrated monitor, using North American Prepress presets on both programs.  Same monitor, same color settings, same file.  AND the testchart looks different in each program.  Similar, but definite differences in shades.  Eyedropper readings are the same for both programs.
    So, CS5 is even rendering color differently on screen, and i have little or no way to create my custom profile or control my printer?  Sheesh....
    Any help or direction is appreciated.
    Rich

    thanks for the input.
    I will look at the links you recommended.  When 'Compensate for Scene-Referred Profiles' is unchecked in CS5, the monitors match.  I'll need to do some research to see that that 'compensation' is, and what's happening.
    As for the 'not considered a good color managed workflow'...
    That's fine.  But I would consider a good managed workflow using a calibrated monitor, and using a profile that matches the printer and substrate being used, right?  When i plug in the canned printer profile in CS5, i get unsatisfactory results.  With that 'correct' workflow, there is no way to modify what is ending up on the printed page.  You get what you get.
    Even if i back up to CS3, create a custom profile with the Eye One, run Colorsync/Profile all the way through, and eliminate the Epson Color Adjustments, I'm still obeying a 'correct' workflow, but what if my prints are slightly too Cyan?  Or slightly too open/light?  (granted, Profilemaker Pro does have a profile 'editor', but it's convoluted and extremely difficult to use.  I've never gotten good results with it.)
    If you have no way to do small adjustments at the back end on the printer, and it's been 'profiled' correctly, and the prints don't match calibrated screen with proper color spaces.... 
    uh....then what do you do?  which one is right?  The screen or the printer? 
    I've had hundreds of images over the years go from screen to client (or press if we were controlling the print phase of the job), which then got printed, and have had basically 'zero' client issues with color.  We have great color here on screen, from capture into post production.
    But when my client wants a proof, in house, they want to see what they've been seeing all day in the studio and in post.  How am I supposed to adjust my prints if a 'proper color managed workflow' isn't giving me matching proofs?
    I sincerely appreciate the input here.  I'm just frustrated, because even if my 'workflow' isn't technically correct, it's not without merits and I've had excellent consistent results that just 'worked'.  Now, i've got to find a new method within CS5.

  • HP B8850 - Added CS3 and LR3 - now won't print

    I have been using the HP B8850 printer for some time with PS Elements and LR2 and the printer was functioning well.  I upgraded to CS3 and LR3 and now the printer will not print from any application ( or do test prints for that matter). 
    The HP B8850 manual says that CS3 & the B8850 printer will not work with the HP supplied "Photoshop Plug in" so I have re-installed the HP driver twice (choosing only the driver) with no luck in getting prints.
    I do get one test print after re-installing the HP printer driver but then the next print job just sits in the cue and the "on" light on the B8850 just flashes.  I am guessing that I get one print because the print spool/cue has been cleared because the printer was turned off.  Is this a spool problem? A setting in CS3 or LR3 ? Or what?   Thanks!  Dan

    There is a discussion here of the technical reasons for ink expiration.
    Bob Headrick,  HP Expert
    I am not an employee of HP, I am a volunteer posting here on my own time.
    If your problem is solved please click the "Accept as Solution" button ------------V
    If my answer was helpful please click the "Thumbs Up" to say "Thank You"--V

  • Photoshop CS3 and Lightroom print discrepancies

    Hello,
    I am having an issue with printing from Lightroom.  I have a profile for my printer/driver/inkset that I have used successfully with Photoshop.  When I print an image in Lightroom with the "profile manages" using this profile with the same driver, the image is dark.  the exact same image exported from Lightroom to Photoshop prints beautifully with the same driver/paper/inkset.
    I have double and triple-checked my driver and lightroom print settings but cannot find anything that appears out of whack.  I use a saved pre-set to ensure that my printer driver settings are identical each time.
    Does anyone have any ideas?
    thank you,
    George Pappas

    Thanks for the additional information, Andre.  Your symptions seem to point to the same underlying cause of the problem that I have experienced even though your particulars are different.
    I have been quiet on this issue becuase I have been involved in a "deep dive" through the problem with Adobe Technical support and by trying to make sense of the other causes/effects/workarounds found by members of the Lightroom and other forums.  For now, I do not have a solution yet, but hope to have more tangible information and a solution to post within a couple of weeks.
    I have been through four tech support interactions with Adobe and one from Canon.  Unfortunately, these calls were less than satisfactory.  While the people on the phone were nice, there very unhelpful and primarily engaged in "pass the buck" behavior by claiming the problem was somewhere else.  The last support call with Adobe lasted 40 minutes with a very nice fellow who gave me USELESS feedback and directed me to a knowledgebase article that had nothing to do with my real problem.
    Let me be clear, I am a 20+ year software industry veteran and understand the complexities of this stuff.  It is obvious that Adobe and Canon cannot put fully qualifed (and expensive) people on the first point-of-contact for support issues.  However, they should have a reasonable escalation procedure that routes a  problem of appropriate complexity to a highly qualifed person after a reasonable number of support attempts are unsuccessful in solving the issue.  So far, this has not happened and is very frustrating to me.
    Here is what I know of the underlying cause of the issue thus far.  It appears to be caused by the interaction between Lightroom, the operating system's color management, and the printer driver.  In essence, each of us are getting prints that are "double" or "triple" color managed even though we are trying to select one color managment workflow for our output.
    Photoshop/InDesign and other adobe applications use their own color management engine called ACE.  Lightroom does things differently and uses the computer's operating system CM functions.  I believe this why my prints continue to look good when printed out of Photoshop yet look lousy (too dark) when printed from Lightroom.  Lightroom is making assumptions when it sends a print data stream to a printer driver that doesn't yield the same result becuase each operating system performs color management tasks somewhat differently and print drivers from Canon/Epson/HP also do not use the operating systems CM functions the same way.  For Mac users, if you add the printing engine architecture change from of Mac O/S 10.4 to Mac O/S 10.5 you throw an additional level of change into the equation which is not helpful.
    So, where does that leave all of us who have this problem?  I believe that for a given print driver/profile/operating system, Adobe will need to provide us with a workaround that will result in quality prints.  To do this means that someone in Adobe who has the knowledge has to put together a specific recipe of options that work for the major printer manufacturers/OS's/printers.  The long run solution will, unfortunately, occur over time as Adobe modifies how Lightroom makes certain assumptions when it sends print data streams to printer drivers and printer manufacturers will update their printer drivers to be more bulletproof regarding operating system color managment differences.
    Sorry for the long-winded message.  Unfortunately, this is one of those seemingly simple problems that has a lot of underlying complexity and does not yield a "one size fits all" solution.  I will keep this group updated on what I learn as I work with Adobe.
    Best,
    George

  • InDesign CS3 and OS 10.5.8 Tabloid Print Problem

    I recently upgraded my G5 Power PC to OS 10.5 Leopard. Now I am unable to print 11 x 17 documents created in InDesign CS3 without a significant portion of the file beign "cut off" at the header. This also applies to attempts to print the same file, saved as a PDF. 11 x 17 documents created in Ai print fine.
    Curiously, the identical InDesign CS3 files print as they should on oversized (Super A3) sheets.

    You did an in place upgrade from Tiger to Leopard? Contrary to the propaganda machine in Cupertino this is not a good idea.
    Operating system upgrades are best done as clean installs.
    Bob

  • Questions on default print quality and print order

    I recently upgraded to CS 5.5, a clean install on a new Mac running 10.7. I've found two issues regarding printing from both Acrobat and InDesign:
    In both programs, if I go directly to print (command-P, then hit OK without changing settings), documents will print at my printer's default setting, which is for a high-quality photo on glossy paper. (I haven't figured out yet how to change that default.) I want it to print to my faster standard quality  setting, which is generally also the "last-used" setting. I can of course go into printer settings to fix -- each time I do that, my standard setting is already set in that window -- but I have to make that move every time I print.
    Previous versions of both programs (CS3) automatically went into the last-used or standard setting. How can I get that back?
    Also, print order hasn't been working as it did in CS3. Documents print first-page-first in CS 5.5, unless I check "Reverse order"; in CS3, docs printed last-page-first automatically, without checking any additional box, making documents easier to collate. Also, on many documents, "Odd pages only" prints the even ones, and vice-versa.
    How can I get the automatic reverse order and correct odd/even back in Indesign 5.5 and Acrobat X Pro?

    Hi Davis,
    Well, if you are able to log on the BPS application (thus, a Web Interface if I'm not mistaken) then it means that some user is logged on the ABAP-side. It is either a "personal" user or a technical (common) user, that is used for anonymous access.
    You will certainly be able to track down this user with the SM04 transaction.
    You should be able to add a button to the BPS page. One idea would be to call an URL with an ICF service behind that will be able to process the parameters contained in this URL.
    It will be this very ICF service that will call the BAPI.
    Try these links
    http://help.sap.com/saphelp_nw04s/helpdata/en/55/33a83e370cc414e10000000a114084/frameset.htm
    https://www.sdn.sap.com/irj/sdn/go/portal/prtroot/docs/library/uuid/ea8db790-0201-0010-af98-de15b6c1ee1a
    Hope this helps.
    Best regards,
    Guillaume

  • Problem viewing and printing PDF files in Preview

    I have a document that was created in Adobe InDesign (CS4) with a photo that was converted to Grayscale from a CMYK image in Photoshop (CS4).
    That document was then Exported from InDesign as a high print quality PDF.
    Now when I open the file in Preview the photo appears on the screen as a "Negative" or "Reversed" image. And if I print the document, it too prints as a "Negative/Reversed" image.
    I don't know if this matters but if I send this document in Apple Mail it too previews as a "Negative/Reversed" image.
    Other that this photo everything else in the document (text and color logos) displays and prints fine.
    Any ideas?

    I have exactly the same problem with PDFs containing bitmaps created by Illustrator CS3 (and CS4) -- the bitmap appears as negative.
    It has to do with the compression method used for the bitmaps in the Adobe PDF creation. If it is JPEG or JPEG2000 the problem occurs, if it's ZIP or no compression, the image is fine.
    If have reported this to Apple as a bug already.
    10.6.2 has NOT fixed this behaviour.

  • Please help with problem in PDF file and printing

    I have created an Illustrator file with a logo on it. The logo looks fine in Illustrator (CS3 and CS5). If I use "save as" to then save the .ai file to a .pdf file, the logo looks the same as in the .ai file. However, if I use "print" to create a .pdf file, the logo sometimes loses some of the elements in it.
    Here is what the logo should look like:
    Below is what it looks like when I use "print" to generate the PDF file:
    An additional problem is that even if I used "save as" to generate the pdf file, some times, when the file is actually printed physically onto paper, the logo appears in the wrong version (although it looks right on screen).
    Can someone help me with this? I am quite desparet right now because I can't see how I can control this.
    Also, is there any way I can attached the .ai file so someone can look at it?
    The white lines that disappear are not "lines" they are a slightly larger shape placed behind the smaller black one in fonrt.
    Thanks for any help!

    Why are you "printing to pdf"? Does "Save As" yield better results?

  • InDesign CS3 pstopdffilter Printing Error on Intel Mac

    I'm having a problem printing in InDesign, now that I've upgraded to CS3. I've uninstalled all Adobe products and reinstalled, and I was able to print, but had a printer error on another printer, and now I am having the same "pstopdffilter" error as before. I'd rather not have to keep un-installing and re-installing to fix it. Is there any thing else I can do?
    It is a Intel iMac, running OS X (10.4.9). Haven't had this problem with our older G4 and CS3.
    Any suggestions?

    If the same printer works as expected printing from the same application on a newer version of the operating system, then it sounds like the necessary solution is to upgrade the operating system. InDesign, along with other Adobe Graphics Manager (AGM) Print clients (Illustrator CS3+ and Acrobat 9+), tend to use Apple's print interfaces in ways that are more complicated than most other applications. So you may see a problem only in InDesign, but the issue may be addressed by changes in the OS print architecture. In addition, specific printers interact with the OS print architecture differently. Some printers still in use do not use CUPS-based drivers, thus requiring an additional translation layer. It's all very complicated</understandment>.
    Also, printers that are identified as PostScript devices will not allow the Print as Bitmap option to be chosen. That function uses the Mac non-PS print methods.
    Sincerely,
    Matthew

Maybe you are looking for

  • Macbook to PC transfer?

    I would like to connect my macbook to my friends viao to get all his music off of itunes via ethernet cord. Is this possible? If so what must I do to enable the transfer?

  • Redirecting from a frame to _top

    When I want to do this: Click here I can use: <SCRIPT LANGUAGE=JAVASCRIPT>window.navigate("somepage.html")</SCRIPT> But when I use the above code in a frame the somepage.html opens in the frame. What can I do to let it open, not only in the frame, bu

  • SXPG_COMMAND_EXECUTE failed for BRTOOLS - Reason

    Hi, My CI + DB in Suse Linux and SAP Karnal level is 159 My Dialog instace in on windows server and Karnal level is 159. When i trying to open the detail log of db13 from Dialog instace it was not opened and shows the error as below ( but it showing

  • HT4528 Computer not reading iPhone.

    I want to transfer my pictures from iPhone 4 to my hp. When I plug it in, iTunes pops up and reads my phone. But, when I go to 'My Computer, my phone isn't listed and I can't access my pictures. However, when I plug in my ipad, everything works corre

  • How to remove red pin om map app

    how do i remove red pin on map app,im talking about red pin not the blue pin?