Cs3- Help with Image sequence *ghosting* ?
Hi guys- newbie here that needs a little help.
Check out the attached screenshot of a paused .mov I put together. What type of things/settings can cause this? How do I make an exported image sequence play as a smooth succession of sharp and CLEAR images?
Thanks for your insights/time!
Mike
Here is an illustration of what might be happening. This is shown as it would appear on separate Video Tracks, in A-B Roll editing, as an example.
If the Duration of a set of Clips is shorter than the Duration of a Transition, then PrPro will have to "create" frames to allow for the Handles of the Transition(s).
If your Transitions are a full one sec. and your FPS = 24, the Transitions will take up 12 Frames per Clip. As each Clip has half of two Transitions, the Clip needs to be slightly longer than the 2 halves of the Transitions. Since you cannot edit to less than a single Frame, the Clips need to be at least 24 Frames and I'd look at 25 Frames long, or PrPro will create extra Frames from the first and the last Frames in the Clip - in your case the still frames that are repeated.
Hope that this helps and also cures your problem,
Hunt
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BLUE MONDAY EXCLUSIVES
Date: Sat, 17 Apr 2010 20:23:27 -0600
From: [email protected]
To: [email protected]
Subject: Re: Help with image ready on ps3 extended
I'm not sure anyone mentioned this but if not to open GIFs using the import you have to enter the GIF name as GIF isn't listed as one of the options.
It sounds like you are viewing the images in a maximized screen mode. To view more than one document, press F to cycle through the screen modes. FYI, only the contents of the currently selected document can be viewed in the layers palette.
I'll just talk about copy/paste so as not to confuse...
If you are going to copy/paste, click the frame around the dog document to target it. Your layers palette will now contain the contents of the dog document. Click on the layer in the layers palette with the selected dog over transparency. With that layer highlighted in your layers palette, press Ctrl A; then Ctrl C. (Select<Select All; Edit<copy if you prefer using the menu.) This will copy that layer into your clipboard.
Next, click the frame of the document containing the animation. Click the topmost layer in the layers palette because we want you dog to be in the top layer. Press Ctrl + V. (Edit<Paste if you prefer using the menu).
Your dog is most likely going to be too big. Use Edit<Free Transform to size and move the dog to the desired location.
At this point, your dog should be showing in each frame in the animation palette.
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http://forums.adobe.com/servlet/JiveServlet/downloadImage/25315/with-palettes-open.jpg
I'm using the older Image Ready me method. The highlighted place in the palette is where you switch methods between the old method and the new timeline. Notice, I have the layers and animation palette both in the workspace...and I'm not in a maximized mode. The red arrow shows the correlation between the frame and the layer represented by it in the layers palette.
Image:second-image.jpg
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Here, I've pasted (Ctrl + V or Edit<Paste) in my creature and resized it (Ctrl + T or Edit<free transform) so he can be jumped. I also added a shadow under my creature which I added to a layer under my creature. Notice that when Frame on is selected in the animation palette that the eye is on both the creature and the shadow. If I click the eye to turn them (creature and shadow layer) off, they disappear from the entire animation. I can make them appear at any frame by clicking the desired frame in the animation then turning on the eye icon for the creature and shadow layer in the layers palette. I can also adjust opacity if desired.
You could even more than the one image if you want the dog to appear to move. Use the eyeball visibility to determine which pose will be used for that frame.
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Image:jump-creature-gif.gif
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How to Pan and Zoom Video in Photoshop CS6 | The Complete Picture with Julieanne Kost | Adobe TV
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