CS5: Green Pixelated Video in Source Monitor playback for clips w/ 44100 hz - Compressed - Stereo

I am having issues with 2 of the 14 clips I have imported into a new project.  I am using Adobe Premiere Pro CS5. -- I have enclosed the properties of a few clips + a screen shot
The two clips giving me issue differ from the other clips the following way:
44100 hz - compressed - stereo
the other 12 clips were encoded with the following and they play back properly in the source monitor/sequence
44100 hz - 16-bit -stereo
Here are the full properties of the bad clip(s)
OBvid11.mov
Type: MPEG Movie
File Size: 513.3 MB
Image Size: 1920 x 1080
Pixel Depth: 32
Frame Rate: 24.00
Source Audio Format: 44100 Hz - compressed - Stereo
Project Audio Format: 44100 Hz - 32 bit floating point - Stereo
Total Duration: 00:04:44:18
Average Data Rate: 1.8 MB / second
Pixel Aspect Ratio: 1.0
Here are the properties of a good clip - you see it shows way more information
OBvid10.mov
Type: QuickTime Movie
File Size: 5.2 MB
Image Size: 1920 x 1080
Pixel Depth: 24
Frame Rate: 24.00
Source Audio Format: 44100 Hz - 16 bit - Stereo
Project Audio Format: 44100 Hz - 32 bit floating point - Stereo
Total Duration: 00:00:02:17
Average Data Rate: 1.9 MB / second
Pixel Aspect Ratio: 1.0
QuickTime Details:
Movie contains 1 video track(s), 1 audio track(s) and 0 timecode track(s).
Video:
There are 64 frames with a duration of 1837/44100ths.
Video track 1:
Duration is
Average frame rate is 0.01 fps
Video track 1 contains 1 type(s) of video data:
Video data block #1:
Frame Size = 1920 x 1080
Compressor = H.264
Quality = Normal (3.00)
Temporal = Normal (3.00)
Audio:
Audio track 1 contains 1 type(s) of audio data:
Audio data block #1:
Format = 16 bit - Stereo
Rate = 44100 Hz
Compressor =  16-bit Little Endian
I dont actually need the audio from any of the clips.  Is there a way that I can fix this?
Thanks so much for taking the time to read this.

Thanks Ann.
Is that true for all GoPro video formats or just some of the newer (higher resolution/frame rate) one?  The GoPro has several different pre-sets and I typically like to get as much resolution as possible for my source and for highspeed subjects like sports I try to use higher framerates as well.  Are you suggesting that I convert the source files to Cineform avi and then edit those resulting AVI's in CS6?

Similar Messages

  • Open video in Source monitor from extension / ExtendScript?

    Hi,
    I want to write a panel extension which browses a remote asset management system, downloads proxy videos, and shows them in the Source monitor; similar to the Media Browser panel.
    However, I can't find any way of getting a local file to open in the source monitor. The script functions I have tried either expect a Premiere project, or will open the file in QuickTime Player.
    Does this functionality exist in Premiere?
    - Matt

    Oops, yes, meant to post it in the SDK forum.
    For any future Google hits --> Open video in Source monitor from extension / ExtendScript?

  • Can't see video in Source Monitor, or play it in Program Monitor

    Hi there
    I have been using Adobe Premiere Pro CS5 fine for months now, doing the same tasks on a daily basis. However yesterday morning the computer crashed whilst editing some footage and now it doesn't function properly.
    I have re-installed the software and this hasn't fixed issues, and also performed a system restore which fixed some but not all of them.
    The main problem is I can now import video into the project and drop it onto the timeline (which I couldn't before the system restore) but now I can't view the original footage in the Source Monitor, making editing tricky, and it doesn't play continuosly in the Source Monitor, only giving a still image wherever I leave the playhead.
    I can hear the audio and it plays without any breaks, it's just the video.
    Can anyone help?

    Can anyone help? I use it for work and basically I can't do any more work until it's fixed.
    Things I've tried:
    Uninstall and reinstall
    System restore
    Checking opacity on clip
    Checking which workspaces are open
    importing old footage and other formats
    opening old projects
    updating codecs
    emptying media cache

  • Link sound and video in source monitor

    Hi,
    I'm using CS3. I have a mpeg video clip and a wav sound file on the timeline. The video / audio is not multiplexed. They are linked on the timeline. What I'd like to do is link the video and audio and go into the source monitor with the material..   so I can edit subclips etc from source monitor and put into a new video layer on timeline.
    When I put both video and soundfile into source panel , edit video, and drag onto timeline only the video goes to timeline.
    Is there a way to link them in the source monitor so both video and sound can be edited to timeiline?
    Thanks
    Rod

    Rod,
    I feel your pain. Many years ago, my cousin came to me to design a Web site for her trout ranch. Fine, no problem. I sent her the normal assignment list of questions: audience, their specific demographic, intent of Web site, history, services, etc., etc. Never got a thing back, but tons of e-mails on her ideas on how the site should look and the sites that it should link to. "OK, those are useful bits of info, but lets get back to the questions. I need those first." More sites to link to, and a couple of shreds of paper with ideas. "What's that on the bar napkins?" "Oh, that's the history of the ranch." I traveled to her ranch and shot for several days, and sent the select images on DVD for her to do a final edit. She sent those to Orvis, to use in a calender, without even credits! Luckily, I had not sent the chromes. She contacted me and asked if I had more stock shots, as Orvis wanted to save money on having someone shoot for them... Uh, not quite.
    Finally got some useful ideas, and did a complete layout of the site. I kept pressing for the "Who We Are" material, and got more napkins and backs of envelopes with some real Joycean writings. I took all of that info to a copywriter friend, who owed me for some photoshoots. He worked for a few weeks, e-mailing me lists of questions. I FWD'ed those to cousin, and never got a reply. When he was done, I sent the copy to her - not even close. I asked her to write it all down in a TXT, or DOC file and send it to me. A few weeks later, I got legal sheet of lined paper with words that would have made Kafka ponder.
    Still, I plugged along, and sent the complete layout. "Where's the canoe rental?" "No one ever mentioned canoe rentals." "Where's the horse boarding?" "What horse boarding? When did that get added?" On it went. I finally managed to do a mock-up of the site, which was now about 60 pages, and linked to over 300 sites around the globe. Well, now there was an espresso stand on the highway, a dog boarding concession and a half-dozen other additions. Plus, the interiors of all of the rooms had been redone, since I shot them. I built the changes in Photoshop, and "redecorated" each room, per the descriptions of those decorations.
    Even then, the Who We Are was not right, and incomplete. After four months of work, I issued an ultimatum - I am done, until you get me the info requested in that first form, with a BTW - here's another copy. [Sounds a bit like Harm's 5th request for necessary info.]
    A month elapsed, and then I got an e-mail. A friend of a friend had designed a wonderful site for her in trade-out. I went to the URL. It was a two pager with zero links to anything. It did have a Who We Are, but it read like Lawrence Ferlinghetti.
    Next e-mail was "would you be my Webmaster and update my site weekly?" My answer was that because I was so busy, I was not the right person for that job. I taught her Acrobat, and did add a few PDF pages for her, but that was it.
    In the end, it was hard labor and little fun. The site was passable, but nothing like she stated was necessary. I do not know if she ever updated any of the PDF's, but highly doubt it. I never even got a thank you note from Orvis either. Loads of fun. Remember my comment in another thread on the "Three Reasons for Taking an Assignment?" Could have been fun, but it was not.
    I wish you luck, as I have "been there - done that," and it ain't no fun.
    Hunt

  • Can't drag video from source monitor to timeline

    I have been working a few years with Premiere Pro (now CC) and this never happened to me before.
    I can't drag video from the source monitor to the timeline. What is happening? The sound can be dragged but there is a hand with a 'no sign' for the video??? How can I solve this problem without starting over again?

    Please dont double post!!!!

  • Source monitor always inserts clips at the start of the sequence, not where the CTI is.

    Hi
    When inserting a clip from the source monitor by using the keyboard shortcut or just simply right clicking the video in the source monitor and then 'insert',
    the clip does not place where the CTI is in the current sequence, it always places at the very beginning of the sequence. If I insert directly from the Project Panel this does not occur and the clip is correctly placed,
    I've always worked with the keyboard shortcuts in premiere like this and I recently upgraded to CS5. Is this a bug or some weird new CS5 thing? Of course there are workarounds, but Im sitting here with a few thousand clips ready to be put together. Anyone else have this problem or even better have a solution for it? Help much appreciated!

    To be honest I can't recall.
    There were some changes/reimplementation to CS5 keystrokes & shortcuts due to popular demand.  I think CS4 removed some perfectly good ones and replaced them with diddlysquat!

  • Green pixelated video since latest software 4.0.2

    i have videos taken of my child on the iphone 4. they were working perfectly but have since turned green and become very pixelated.
    anyone have ideas why????

    I'm having the same problem with some lower-quality videos that played fine on my 3G, and sync up with my iPhone 4, but when they play on the 4 they get all distorted and turn into a green blob. What gives?

  • Sony Video Unlimited no HD playback for Xperia Z2

    Hello Sony,
    When will Sony Xperia Z2 owners be able to watch purchased movies through Sony Video Unlimited in HD on their devices?? Currently HD movies purchased will only play in HD on the Playstation console and SD on mobile devices, I think given that the Xperia Z2 can support huge external storage card sizes that we should be able to be given the HD option, as well as that we have a Full HD screen display.

    Excessionist wrote:
    As I understand this, this is a limitation in the service, not a technical issue. Usually, content owners do not allow HD playback to mobile devices, even if HD is available from the same service for viewing in your living room.
    That is a shame since HD movies bought from the Sony Video Unlimited store would look so nice on the Sony Xperia Z2 Full HD screen as oppose to paying for movies just to have a SD version available for mobile. Hope they are able to provide the HD content for Xperia Mobiles/tablets as I probably like most other Sony fans purchase content from the Sony ecosystem, I seen quite a lot of movies in Google Play that give the option to purchase HD version.

  • Once Audio/Video has been merged, I can no longer access the video's source setting on some clips

    Hi.
    Shot Scarlett, doing a pass in RedCineX, and bam, I can no longer reload the RMD files on some of the clips in premiere.
    In the timeline, if I right click the video, "source settings" is clickable, but doesn't do anything.
    If I reveal the merged file in the project, the "source settings" option is greyed out.
    If I click the original r3d file in the project, I CAN access source settings, but reloading the RMD does not modify the merged clip.
    What's really bothersom is that this is only affecting about 1/2 my merged clips, all created at the same time.
    I've unlinked, relinked....I've rain danced...I've swore...nothing works....any help?

    I cannot help with this problem (not having any RED media myself), but if your media was shot at true 24 fps (not 23.976), I could use another pair of eyes on a particular issue that might also affect you.
    http://forums.adobe.com/thread/1385093?tstart=120

  • Open source monitoring tool for oracle Database

    Hi,
    Please suggest me any opensource tool to monitor the health, availability and performance of the Oracle Database that can be accesed through web client
    Thanks in advance

    user1687821 wrote:
    Robert,
    Thanks for the update, ya i basically need the tool to monitor the DB, but at the same time, if CPU is going high due to any query or any other reason, we must get the alert, the tool currently we are using triggers a mail for both, DB as well as CPU when it goes high, similar one is needed
    ThanksGrid control or database control will do this for you, there is a rather big however, er however. Being notified is a part of the diagnostics pack functionality (ludicrously and unjustifiably IMO). That means a license cost (unless you are already licensed for it). nagios does this as others have said as do shell scripts. I'm not aware of an open source tool that does all you want without scripting though.
    Niall

  • Source Monitor - How Toggle Audio/Video Split?

    I am new to Premiere and have inadvertently set the source monitor (or my clip or my sequence) so that the audio and video tracks can be manipulated separately in the source monitor:
    How can this be toggled on and off? That is, how do I go back to manipulating the audio and video tracks together rather than independently of each other?
    (In my clip the audio and video tracks have not been unlinked.)
    Thanks!
    Steve

    Thanks - I must have somehow done a "Mark Split" and set an audio or video in or out point.
    However, when I right-click the options "Clear In", "Clear Out" and "Clear In and Out" are disabled.

  • Can the audio for the source monitor be muted during playback?

    Seems like a silly question but I like to listen to music on the same workstation while I'm previewing/trimming clips in the source monitor. In this instance I do not need to preview the audio in the clips so I'd rather not hear it while my jams are playing, which keeps me from poking my eye out with a pen after 4 hours of previewing .
    I have not been able to locate any mute option for the source monitor so I'm open to suggestions other then using something other than the same workstation (iPod n headphones), which may be the way I go if there is no other option.
    thanks,
    Dave

    Hey Harm,
    I can't see the audio tracks in the source monitor (CS4). I only see the audio tracks of clips that are loaded in a timeline. Right now I have a thousand (literally) clips from a season of club volleyball. I have them loaded in bins in the project panel and I am dbl clicking each clip to load it in the source monitor panel (that I have undocked and displayed on a seperate monitor). I have seperate sequences for the types of plays I want to keep, so as I preview/trim in the source monitor I drop what I want to keep in the appropriate timeline/sequence. If there is a way to view the audio tracks in the source monitor without the clips being in a timeline I do not know how.

  • Poor performance playing .mts files in source monitor

    OK is Adobe really that far behind in writing up some code that can handle AVCHD .mts files? I transfer the .mts files from my camera to the hard drive, access them in PP via the media browser, import them to the project panel and when I try to play any of them back in the source monitor, playback is just plain shoddy, piss poor, horrible. I get some stutter (playback stops for a sec then resumes) but mostly what I notice is allot of noise in the video or pixelation, random blocks of pixels jump all over the video. Sorry I don't know how else to explain. I know that converting the .mts files to a lossless format first is the most common response but then where is the time saved with this whole format? Just curious if anyone has any input or maybe some hardware tweaks that might help.
    Hardware:
    AMD 6400+ dual core proc
    6MB RAM
    2 GT8800 512MB GPUs
    Vista 64bit loaded on 1GB 7200 rpm SATA II HD
    Scratch Discs are 4 SATA 80GB 7200rpm in RAID 0

    My two cents on all this. I've only been editing for 2 yrs so I'm no expert but my experience is this. High Def formats are resource intensive already, you start adding in transitions, motion graphics, color correction and render times can go off the charts. Most people I talk to or see in the forums are pretty much trying to do what they can on the cheap, myself included ( I would love 2 new maxed out Mac Pro 8 cores, BUT...).  My specs are below and with this setup I find that after all the software/firmware updates my system works fine, far from perfect but with a good workflow and some patience I can get most any job completed on time and on budget. I think Harm's post above with links to setting up your OS and optimizing your workstation is critical to success. It made a world of difference for my setup. The next thing I'm finding is the most important thing are your hard drives, you need em fast and plentiful. Ever since I went to one drive for OS/APPS, one for content and a RAID 0 for the scratch disk. My render times and app hang ups/crashes decreased substantially. What I am now finding with my set up is as my external content hard drive fills up, the slower it gets (basic HD logic). Which causes my projects/source monitor playbacks to hang and sometimes crash. So my next step is to set up another internal RAID 0 scratch disk for temp content storage ( I believe the less Adobe has to read/write from the same hard drives the better ). I will load what I need on it for the project then wipe it clean when finished. I am amazed at how quickly you can fill up a 1TB hard drive with HD footage, pics, project folders etc. So my feeling is you can be very productive with a decent workstation, correct hardware setup and lots of big, fast hard drives. On a side note, I can also tell you to delete any resource in your project window that you are not using in your timeline prior to rendering as the media encoder loads EVERYTHING that is in your project window before encoding and that can take up some valuable time.
    Dave
    Workstations:
    ASUS M2N32-Sli Deluxe MB
    AMD Athlon Phenom 9850 Quad Core 2.5 GHz
    6GB RAM
    1 GT8800 512MB GPU
    Vista 64bit loaded on 1TB 7200 rpm internal SATA II HD
    Scratch Discs are 4 SATA 80GB 7200 rpm internal RAID 0
    Content Storage on 1TB 7200 rpm external SATA HD
    Cameras:
    Sony HDR-SR11
    Canon HV20
    Canon XH-A1

  • Flickering Green pixels everywhere!

    I have a dual monitor set-up and on the main monitor I use the "Earth" desktop picture and two days ago I thought, "cool, my mac knows when it's Christmas and it's put twinkling green stars all over my screen..".
    Then I realized that those twinkling stars are green pixels flickering everywhere. At first I thought it was my LG WTQ226 monitor going on the fritz. So I tried it on another Mac and no stars. Then I realized that I have green pixels on the second monitor, an old NEC vga that still works perfectly. Hmmm... this is weird! Some, not all, of the stars disappear when I pass my cursor over them, but they come back in random clusters in other spots.
    Other things I tried:
    -Booting from a cloned version of Leopard 10.52
    -Resetting SMC
    -Swapping DVI cables
    Finally I phoned Apple and asked them to send me another HD 2600XT video card to test out.
    Anyone have the same issue? Was it the video card?

    The problems with the GF7300 started with the 10.5.2 updates.
    I dont know what exactly goes in trouble, but with the 10.5.5 update
    my screen freezs very often.
    I checked the things users told here in the forum
    -clean install (normal - cobo - TM restore)
    -fresh install with fresh user
    -pram reset
    -clean the comp inside
    - etc
    nothing works.
    in "Safe Boot" everything is going normal.
    But then i cant use the GL features.
    Its not clear what exactly the problem is.
    Is it the Firmware - or bad driver - or a core grafic problem?
    after all and 3weeks of testing, i ordered the ati because no support from apple,
    no applecare an not time to wait.
    i hope in future the support will be better.
    The HD2600 is fast as the 7300 an works very silent with the fan.

  • LabVIEW Video Waveform Source from Video Test Image for Multisim simulation

    Hi,
    I want to simulate a video amplifier circuit in Multisim. I need a Composite Video Signal Source for feeding the input to the amplifier. In one of the application note I saw that LabVIEW can be used to create Video Waveform Source from Video Test Image (BMP). I've attached the sheet for reference. My questions are below:
    1. Do I need to create the Video Signal Source in LabVIEW or is it already available with LabVIEW library?
    2. How to call/access this Video Signal Source from LabVIEW for simulation in Multisim?
    3. Any examples available?
    4. Which versions of LabVIEW and Multisim supports this feature?
    Any help is truly appreciated.
    (Topic of the Application Note: Circuit Design Using Simulation and Virtual Instrumentation, Applications in Biomedical Engineering)
    Regards,
    Sinoj
    Attachments:
    circuit_design_simulation_and_virtual_instrumentation_page26.pdf ‏314 KB

    Hi Mahmoud,
    Thanks for your reply.
    I searched for the VI 'Simple create composite signal from BMP image.vi' on internet (since it is named so in the Application Note), but could not find. I've some experience with LabVIEW, so I hope that once I get this VI I can plug-in to Multisim. But in order to add it to 'lvinstruments' folder of Multisim installation directory I need the DLL and LLB file (not the VI, I understand so). If these DLL and LLB files are available I think it will be easier to integrate with Multisim, otherwise I don't know what to do if I have just the VI.
    Anyway attached the complete Application Note.
    Regards,
    Sinoj
    Attachments:
    circuit_design_simulation_and_virtual_instrumentation.pdf ‏2293 KB

Maybe you are looking for

  • Bapi to save as completed an incoming invoice

    Hi, is there a bapi allowing to create an incoming invoice an saving it as completed?. i don´t  need to park it. i´d like to save the document as completed. (i did try with BAPI_INCOMINGINVOICE_PARK but what i got was a parked document and what i nee

  • PNG colour profiles - and this format for print

    I know it's taboo to talk about PNG for printing. But I can't find and I've searched the forums - there was a post made about embedding colour profiles a while ago. I know PNG is a RGB only format, but I'm 36.8% sure I read something about embedding

  • Safari's "Email this page" keyboard shortcut opens second Mail.app

    Hello, First of all, neither the Safari toolbar button nor the File > Share > Email this page work at all. Both do nothing. Quitting Safari & Mail has no effect. HOWEVER The keyboard shortcut (command + shift + I) does work, but it opens another inst

  • Compressor for dvcprohd 1080i60 material

    hi - i've just finished editing a sequence in fcp 5.1.4. the settings for the sequence are dvcprohd 1080i60 @ 29.97. i'm trying to author a dvd using dvd studio pro. i exported the sequence using the dvcprohd 1080i60 compressor. when i open the mater

  • Slowness in Cost Manager costing the Inventory Transactions : performance

    Hi All, We have just upgraded to R12.0.6 and we are facing performance issues with the Cost Manager ..it is costing the Inventory/Material transactions very very slowly..about 1-2 Inventory transactions are getting costed within a minute. The Actual