Custom Camera Profile List (Color Checker Passport)

Hi
I am new to Lightroom 4.3 and have a question regarding Custom Camera Profiles. I have created custom profiles using Color Checker Passport for sunny, cloudy, flash, tungsten etc but would really like to create one for most shoots. I thought it would be a good idea to name it say "Temp" and overwrite each time so that I dont end up knee deep in camera profiles. But I am guessing if I do this will the latest saved version of "Temp" change the camera profile of all other previously saved versions of "Temp" from other shoots?
It would be good if the saved version of "Temp" resided within the folder of that particular shoot only.

twenty_one wrote:
In fact I'm amazed at how good the Adobe Standard profile is (Nikon D300/700) - I have never been able to improve on it for sheer accuracy.
ColorChecker Passport profiles I created for my Canon 5D MKII, 600D and 300D bodies looks better than the Adobe Standard profile, with both set to the same neutral white balance. This includes both single-illuminant and dual-illuminant profiles.
Take a look at the below images which were adjusted in LR using normal adjustments for a "picture" image, and not adjusted as a test chart. The Deep Blue and Purplish Blue patches have a slightly different hue and are more saturated on  my non-wide gamut display. I'm sure they would look even more different on a wide gamut display. The ColorChecker profiled image looks closer to the actual ColorChecker when compared side-by-side. Some of the other color patches also have more saturation, which again appears more accurate.
I am certainly no "expert" on color management, but do have over 40 years of film, color darkroom, and digital imaging experience. To me the ColorChecker profile image looks better and more accurate than the Adobe Standard profile image, and that's just my opinion. Maybe it's something unique to Adobe's Canon profiles, but I have no Nikon equipment to test this assumption.
Concerning the OP's creation and use of multiple "sunny, cloudy, flash, tungsten etc. profiles," I did the same thing when I first used the CC Passport. And you're correct that for normal sunlight pictures only one (1) profile is actually needed, with changes made to white balance for the different conditions. But there is nothing wrong with creating multiple profiles and saving them with their matching white balance settings as a Develop preset. Disk space is cheap and IMHO LR simplifies the process and organization of presets, just as Rob Cole suggested.
I would suggest further that under some natural lighting conditions white balance alone may not totally correct the image. Examples would be high-altitude, early morning and evening low-angle sunlight, etc. Of course this begs the question of how much should you actually "correct" these images – It depends on the purpose, such as artistic versus clinical usage, or a balance of both.

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    sandrift71 wrote:
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  • Color Checker Passport W/Elements 12 No/Yes? Light Room?

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  • Custom Camera Profile Disables External Editing?

    I'm using Lightroom 5 and Photoshop CS5.  The problem is that if I apply a custom camera color profile created by X-Rite Passport Color Checker, I can no longer use an external editor, such as Photoshop, to edit my photos.  Before I apply the custom profile, the external editor function works just fine.  If I apply a custom profile in the Camera Calibration panel, then the ability to use external editors no longer works.  There is no error message, but nothing happens when I try to edit in an external editor.  If I go back and turn off the custom profile and go back to Adobe Standard, then the external editor function works again.  What is going on?  Is there a way to make it possible to apply a custom profile in Camera Calibration and still be able to use the external editors?

    A suggestion: it sometimes happens that the main "edit in PS" function gets.. a bit confused. I agree with the other posters that it's critical which program is to render your image to an editable state (ACR, or LR)... which also means, whether PS is going to simply open up an already-saved file from disk, or be passed instructions to have ACR make it an unsaved image in memory.
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    Even if PS was for some reason unable to open the image, but LR had definitely been the one told to render it - I would not expect to have "nothing" happen. I would expect to see a new image version in LR stacked with the original - named (by default) either [Imagename]-edit.tiff or [imagename]-edit.psd - which looked exactly the same as the current LR edits, only hard-rendered into a flat pixel file.
    regards, RP

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