Did Vector Paint ever make it back into After Effects??

I have been missing Vector Paint (like a lot of people) since it's removal a few years ago. I have read a lot of discussion where reviewers, etc. expected it to finally return in CS6 (with added features), but I can't find confirmation anywhere that it did indeed return. I'm still using 5.5, and this would be a major motivator to upgrade. If it has not, did they replace it with something different?
Thanks.
-Tim

In a recent response to another thread on Vector Paint, Todd Kopriva stated:
Our current plan--subject to change depending on many factors, of course--is to do substantial work on the paint features for After Effects releases targeted at 2014, with specific work being done to add functionality similar to that in Vector Paint (onion skinning, painting in the Composition panel, wiggly strokes). So, though we can't make promises about future features, this is a high priority for us for the near future.

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I wanna ask you something. My bro has an iPhone 5s that disabled for 23 million because of the time changed to 1976. So, how to make it back into 2015, make it enabled without erase the data

I wanna Ask you something. My brother has an iPhone 5s that disabled for about 23 millions minutes the time changed to 1976. So how to make it back into 2015 without waiting for 23 millions minutes later and enabled it without erasing any data? Please answer me ASAP because I really need it. Thank you for answer!

Hello theshadowhunters,
There is not much you can do to change the time back because he will not have access to change the time. The only option to get passed this is to restore the iPhone. Once the iPhone is restored and have a back up, you can put that back on once the restore is complete. For more information, take a look at the article below.
Forgot passcode for your iPhone, iPad, or iPod touch, or your device is disabled
https://support.apple.com/en-us/HT204306
Regards,
-Norm G.

Best export format for importing into After Effects or even back into Premiere

Please look at this video, work in progress.
http://www.youtube.com/watch?v=49_wbdKALQk
The opening, featuring a ribbon of videos, was created in After Effects, using Digieffects Freeform.
The issue is the poor quality of the videos that are featured in the opening -- compared to the high quality of videos from the original Premiere project., which you can see at the end of the clip.
To create the After Effects project, I exported a series of video clips from Premiere to mp4.
Then I imported them into AfterEffects.
The bottom line, and the purpose of this question, is I am thinking that MP4 was not the best choice for the Adobe Premiere export.
What is the best format to export video from in Premiere Pro CS5 to import into after effects, or to import into any other editing program, incuding importing right back into Adobe Premiere, if that is eever needed.
AVI?
MOV
MP4
And any other settings that will result with the highest qualiity videos for importing.
Thanks

Okay, here's where I stand at this point regarding exporting and/or dynamic linking between AfterEffects and Premiere.
I'm in After Effects. I create a composition I like. So I first tried the old fashioned way. I exported it into a MOV file with the animation preset. Millions of colors. Same frame rate as my Premiere project, which also uses MOV files with no problem.
Howver when I import the MOV file created by After effects, the NEW MOV file section of the premier project plays sluggish. And it also causes the videos that follow to play sluggish. And they are all MOV files at the same frame rate.
The same thing happens when I do a dynamic link between the two projects. A sluggish response starting with the After Effects dynamic link and affecting the MOV video files that follow.
It's a very short After Effects composition. About 3 second slong.
I have a very powerful computer built especially for CS5 and premiere --so that should not be an issue -- recently was in the top ten of the benchmark list.
Up to this point my video files have played perfectly layer upon layer with no problems.
Is there something I am not considering?
Thanks.
Rowby

Photoshop video won't import into after effects

Hello,
I've been trying to import a .psd file that has video into After Effects CC and I'm getting an error message:
After Effects error: Problem with Photoshop document "xxxx". Quicktime is not installed or is too old of a version.
This doesn't make sense as I'm up to date with all my software. I've been watching tutorials showing that it is possible although apparently not for me!
I'm on a Late 2012 iMac and running OS X 10.9.3. I'm also running CC for both applications. I have Quicktime Player 10.3 and Quicktime Player 7.
Thank you for taking the time reading this! I really hope someone can help me.

Mostly it's because I'm way more familiar with PS as a painting tool and some efx I can't create in AE (or it'll take me forever to figure it out). I was hoping to basically get down what's in my head with PS then bring it into AE but have the option of going back into PS if need be.
I should explain that my "day job" is painting background colour keys for animation and a traditional painter and though I'm not an animator, I hope to incorporate the skills I have with After Effects. It just seemed a more straight forward way I guess.
Thanks for asking Trevor!

Importing Illustrator layers into After effects, released to layers yet still one layer- ?

Hi,
Please bear with me as this should be a simple fix but the situation is hard to describe.
I want to import layers from Illustrator into After Effects. I need the AI layers to have their "handles" (the four corners of the object) close in around the object and not spread out to the corners of the composition. I figured out how to do this: by "releasing layers to sequence" in Illustrator and then dragging them out of the group they were all in. Then I "import as composition - retain layer sizes" into AE. When I open the illustrator composition in AE, it's layers appear in AE as separate layers and with the layer 'handles' tight around the objects (all is well). BUT here is what I want to do: I have a layer/object in Illustrator that I "image traced" to make it black but it still has some white parts to it. So I drew two black rectangles around the white parts. But now when I bring it into AE, they all appear as separate layers (the image traced object and the two rectangles) but I want those black rectangles to be literally part of the object that I image traced. In photoshop this would be akin to "flattening the layers". I can do this in AI by "merging" the layers, but if I do that I am brought back to the problem of having AE put the layer's 'handles' to the corners of the comp window and not tight around the object. Frustrating!
So I basically want to be able to paint over/cover up the white parts of my object without that creating new layers/objects.
Thanks for reading!
T

I'm not clear what you are describing. Have you actually tried other import settings in AE? There is some bug with the retain layer size stuff, but other combinations might work. Also try exporting a PDF of the artwork and using that. This may work better.
Mylenium

Is there a way of getting Merged Clips into After Effects?

Hi,
When I import my premiere pro project into After effects (NOT VIA DYNAMIC LINK as we don't have prod. prem.) After Effects only sees the clips which aren't merged. Any fixes sensible work arounds for this, as currently I'm havbing to import the project ( a feature film...!) into Final Cut Pro then using Automatic Duck export out an AAF then using Automtaic Duck import that into After Effects. I haven't thought about how to get it back into premiere yet...will probably finish it off in FCP.

I'm not sure if you have the capability, but did you try copying from your premiere sequence and then pasting into your after fx timeline? i was working with a MUCH shorter video with a mix of merged clips (interview footage) and video clips (b-roll). the video clips imported, but the merged clips did not. i put the timeline cursor to the right point in the after fx timeline, copied the premiere clip from the sequence, pasted it into after fx.

Problems getting data out of Mocha and into After Effects

Hi. I'm using After Effect CS4. I brought a video clip into Mocha and tracked it. I've tried copying the data to clipboard and also went back and saved as a text file since I could't paste into After Effects.
Haven't figured out how to make either method work.
At first, I'd created a Null Object in AFX and added the COrner Pin Effect, but the paste option is greyed out - doesn't matter if I select the layer or the Corner Pin effect.
Next I created a solid since I'd seen that mentioned on some threads, but Paste is still greyed out.
Tried exporting the tracking data as a file from mocha next and have the corner pin data sitting on my desktop as a txt file - but still not sure how to get that into After Effects CS4 - tried this with a null and a solid, but not working.
Thanks for any suggestions.

Also - It pastes unmoving data as well into the Postion, Scale, and Rotation of the solid as well as the Corner Pin Effect.
Yes, AE's corner pin does the same. It's how it is supposed to work. You need to choose the RG Warp compliant variant to only get corner pin data. The rest is too vague. Wee need exact info on what you are doing. Tracks appearing to be static is simply an issue where coordinates are introduced twice and somehow self-compensate, which for all intents and purposes could relate to the previously described issue....
Mylenium

Problems Importing Premiere Pro Project into After Effects

I've got my first Pemiere Pro CS6 project completed. Now i want to import it into After Effects CS6 to add titles.
The PR file includes two segments, two still photos and two AE compositions. I am trying to import the PR project into AE two different ways:
1. File>Import> Adobe Dynamic Link>Adobe Premier Project. When I do this, the project looks great in the Footage tab of the RAM preview window on the right. But when I make a new sequence to get it on the Timeline so that I can begin to add titles, I get only blackness in the Comp tab of the ram preview window whether I am playing a RAM preview or a spacebar preview.
2. File>Import> Adobe Premier Project. When I do this, the two AE segments are missing.
I am on an iMac with OSX.7.4.
Can anyone give me some advice on the best way to do this?
Thanks!
--Carol Gunn
Gunn Graphics
Austin, TX

You will need to render out those two AE compositions to video before you can bring them back into AE through dynamic link. If you are concerned with making changes, you can always replace footage in Premiere with a new render.
Dynamic Link is just not designed with your workflow -- AE doesn't open multiple projects at one time, and your workflow ends up with AE trying to open 3.
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Importing Motion 2 into After Effects 7

Is it my imagination and/or lack of knowledge, or does AE7 not allow for the import of Motion 2 (with .motn or .mov as the extension)? I've tried it every way I can think of (based on the previous posts here about getting Motion 2 into AE6.5) and I can't get it to work.
Anyone else know for certain if this functionality is now broken?

I'm basing my question off of this info (as found at http://www.apple.com/finalcutstudio/motion/):
"Integrated Workflow
You can now use Motion in conjunction with Adobe After Effects. All of the particle effects, Replicator designs and animations in Motion can be added to an After Effects “comp” without rendering. Making a change is as simple as selecting “Open in Editor” from the After Effects edit menu."
And clicking on the "Features" link at the top of that same page leads to:
"In fact, Motion gets along so splendidly with Adobe After Effects that you can drag and drop project files into the latter or launch Motion from within After Effects."
Clicking further on the "Adobe After Effects Integration" link at the bottom of the "Features" page leads to this quote:
"You can also work hand-in-hand with Adobe After Effects. Drag and drop your native Motion 2 project files into After Effects 6.5 without rendering. To make a change, simply launch Motion from within After Effects; the changes you make will automatically update in your After Effects composition. And those who normally use After Effects can now easily access the intuitive particle creation, elegant Replicator designs and drag-and-drop procedural animation found in Motion 2."
I'm looking to be able to use this functionality with Motion 2 and After Effects 7. I'd prefer to remove the step of exporting .mov files out of Motion projects when I could possibly just import or drag/drop a native Motion 2 file right into After Effects 7 without rendering, as Apple states became possible in version 2.
Right now, when I attempt to do so with AE7, I get an error message that reads:
"After Effects error: retrieving movie from file "File Name" -- no QuickTime movie found (-2048).
( 10 :: 21 )"
That's when I try using the .motn and .mov extension. I'm guessing that Apple will have to alter the way Motion files are read as Quicktime files in order to get After Effects to recognize them as version 6.5 did.
Is this not correct?
G5 Dual 2GHz (Rev. B); 12 Powerbook G4 867 Mac OS X (10.4.3)

After I import a .swf's into After effects the content disappears!

I have been using this work flow for sometime. I hand animate a sequence or a still of a character in Flash Pro on a single timeline, no scipts, etc just clean keayframe animation or a single frame.
Then export the sequence as a .swf.
Then usually import it into After Effects and use the vector output in my AE scene.
After completeing an animatic for a client last week all the swf's in my AE project are EMPTY. I tried re-exporting from flash and reimporting into AE and again they show up 1st time but if I close and reopen the project they are GONE again!!! Help I have been doing this same process since CS4 and I have master animations in AE files that I'm now scared to death to open because AE will make my work vanish...

I'm having the same issue since updating to cs6. Have always used this workflow seamlessly until now. Some info:
CS6 Production Premium
All lastest updates installed - yes
Windows 7 home Premium
Processor: Intle core 2Duo CPU E*400
6BG RAM, 2 drives (AE running off ssd)
No external HD attached
Sometimes, but usually not running Flash and AE at the same time
No error messages
.swf's play fine in their own right outside of AE
No special filters, effects of third part plug ins operating
On save, some (not all) swf's lose some content. Its always the same content. Every time AE is closed and reopened the the same stuff is missing. Only fix so far (which becomes extremely annoying) is to rename the .fla and export a new .swf. It lasts until the next close/open.
As far as I can tell, it targets non-symbol assets moreso that symbol assets, but converting the problematic parts to symbols in Flash does not rectify the problem once it has presented itself.
Suggestions?
Amy

How do I import Flash with 3-D into After Effects?

Every time I import a SWF file that has 3-D in it, into after effects the file doesn't work.
How do I make this happen?

Hi Mylenium, Thank you. I had actually tried exporting it as a png sequence before writing this, however, I screwed up and forgot After Effects Preview mode was set to 50% so I thought that the png sequence was horribly pixilated... My bad... You suggested that I go back and try it again and it worked excellently. Thanks.

Importing Premiere Project into After Effects

When I import a Premiere Pro project into After Effects, it splits every shot onto a new track, ending up with a couple of hundred tracks at the end.
Is there a way to avoid this ?
Particularly, since I'd want to keep the option of bringing the project file back in Premiere for further editing.
My colorist suggested that I nest reels of my timeline and split it that way so that when he imports it he has nests on one timeline and the multiple tracks in each of those nests. Still, this feel very clunky.

Since my colorsit doesn't have CS4, I nested sequences in another timeline so that when I imported project in AE my colorist could see the one clip nest and click it to see other timeline to see all clips detail.
Thank you.

JPEG import into After Effects 6.5/7 over Xsan

We are unable to import any type of .jpg file into After Effects over the Xsan file system. When attempting to do so we only receive a slew of bogus error messages and the files will not import, tiff files or other formats are fine. This issue plagued us back in Panther and we scratched the Xsan file system and went to plain apple share to get around this.
We went back to Xsan with Tiger because we were told the issue had been resolved, it hasn't been fixed, and now we're back to square one.
Being an effects department, all of our photo librarties are jpeg so we have to convert everything to tiff to get it to import into AE. Apple told us to contact Adobe and Adobe tells us to contact Apple. Has anyone else experinced this joy?
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Xserve G5 Mac OS X (10.4.7) Xsan 1.4
Xserve G5
Xserve G5 Mac OS X (10.4.7) Xsan 1.4

I brought in an Xsan expert to set this system up and I do not know what block size he set, I will check with him. We are running Xsan 1.4 w/10.4.7 on all of the clients and servers and we still have this issue.
I am hoping the block size is the default but if it isn't at least that would be a good explanation. It took five days the last time to do this and I am not ready to do it all over again, especially when it cost so much to bring someone out to do it and they said that the issue has been resolved since previous versions of Xsan.
Xserve G5

Best Quality Export From Final Cut Pro Into After Effects?

So I converted all my footage into Apple Pro Res 422 (24 p, 1280 x 720) for use in FCP and want to export edited parts into After Effects. What is the best quality export to bring into After Effects and also export from After Effects back into FCP?

zikade wrote:
Depending on your storage and what you're up to with your footage I'd recommend uncompressed. Large files but you won't loose any quality. Animation is also lossless if you want to compress your footage. If your drives are not fast enough, go for ProRes HQ from FCP to AE, and Animation the way back...
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PR4444 has the distinct advantage of being realtime in FCP7 and X. Animation requires rendering back in teh FCP timeline.
bogiesan

Problem with sound when import from Premiere into After Effects

Hi!
I imported a sequence from a Premiere Pro project using File -> Import -> Adobe Premiere Project...
The video in the sequence showed up in the After Effects project as a composition. However, the composition did not include the sound from the sequence! Is there a way to keep the sound from the sequence upon import into After Effects?
Thanks

i`m sorry about the screenshot size, but i could only upload pics with 605 px width.
Nevertheless it seems that you saved my day. looks like it was all about the scale to framesize thing.
thank you so much!!!!

Did Vector Paint ever make it back into After Effects??

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