Disable Effects across multiple Clips

Hello. I was wondering if there was a way to disable/enable effects across multiple clips. I have done all the color correction/grading and have decided to cut another version. Unfortunately the effects I have added all need to be rendered. I want to turn off the effects do the edit, and turn them back on after I am complete. Is this possible? Thanks, Jeremy

Hi -
Here is a solution I use, but it has one weird step in it that I am not sure is just a quirk of my system . . .
Open the Sequence Settings.
Click on the Render Control Tab.
Uncheck the Render & Playback - Filters CheckBox
Click OK.
Now, on my system, in order to not display the CC filters I've applied I have to do these little extra steps:
Switch the RT playback control to Safe RT, then back to Unlimited RT.
Now the sequence plays without displaying the filters.
To restore the effect of the filters, you reverse the steps-
Open the Sequence Tab.
Click on the Render Tab.
Check the Render & Playback - Filters Checkbox, then click OK.
and again, don't know if this just my system but -
Switch the RT playback control to Safe RT, then back to Unlimited RT.
You'll see your Color Correction again, and it will need to be rendered.
Hope this helps.
MtD

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1) find / open a source clip that best represents the BG noisefloor you wish to sample as your broadband source for processing,
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         way of "thinning the brush" so that you are NOT processing where it's not needed in the broadband range - i.e. hiss from a low-quality mic,
         open the FA window [alt-Z] to see realtime Freq. Analysis on playback of your clip with the processing;
         adjust your settings and the curve in the window to counter the frequency range of the noisefloor - this process is like alchemy, wicked awesome
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     a. select Favorites / Start Recording Favorite (every user function of the software is now being recorded into a macro)
     b. in the Noise Reduction UI, click the Load Noise Print button and select your saved file
     c. now, select your preset from the pulldown menu
     d. click the Select Entire File button below the UI Freq. window
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     f. click Favorites / Stop Recording Favorite
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     a. select your new Favorite from the pulldown tab
     b. drag and drop the files into the Batch window or load them from the Load button in the upper left of the Batch window
     c. click the Export Settings button in the bottom left
     d. set any pre/postfix labeling additions (this works a lot like Adobe Bridge's Batch Rename tool - amending the original filename to differentiate
     e. set a NEW save location to isolate the files
     f. set the format / type / bitrate (best to keep the original format or a higher quality); when finished, click OK
     g. in the lower right corner, click the RUN button and watch the magic right before your eyes
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1) in Multitrack mode, double-click your clip to process
2) in Waveform mode, select the noisefloor area to sample and type shift-P
3) type ctrl-shift-P to open the UI - adjust your De-noise settings for ALL of your processing
4) type ctrl-A to select the entire file
5) click Apply; type ctrl-shift-S to save this processed file (I add "_PROC") as an alternate to the original which still exists should you want to go back to it easily - the ALT file will be in the multitrack timeline
6) type G (de-select I/O area) then type F12 key - returns to Multitrack mode
7) double-click your next clip to process and repeat steps 3-7 until finished (you won't need to tweak the settings in 3 after the initial step 3)
In 3-5 minutes, you're Done!
I discovered another layer of coolness within Audition regarding CLIP Effects Racks where one can setup a stack of effects, save as a User Preset, and apply them to either an individual clip, a set of clips, or to a track. This is great when you want to apply, for example, a Parametric EQ for filtering an outdoor location or boosting a lav mic's High Freq. Shelf for addition sibilance PLUS a Tube-modeled Compressor to handle dynamics...you spend a lot of time tweaking the settings "just right", and now you want to apply to more than one clip on a track.
In a short film I'm working on, I use this technique to apply EQ and Room Ambiance (reverb) to camera perspective changes on a single track of ADR for off-camera Dx. I place the Dx in a track. Splice on the camera edits to make unique clips, select the Audio Perspective preset I made for each camera angle, and Voila!
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