Discmakers Color Settings

Hi,
Using Photoshop and Illustrator CS3  I'm wrapping up a project for a Discmakers digipac. My color management  settings are synced...setting: North American General Purpose 2. All my  linked images are 300 dpi. The photos were originally RGB then  desaturated in Photoshop and given a sepia tone, then saved as CMYK as  required by the printer. Everyting looks fine in both Adobe programs but  the photos have a strong green tint in any other program. Actually, the  same is true for any CMYK desaturated photo. Greyscale black and whites  look fine.
My  question is: when this goes to the printer will I get the colors I see  in Illustrator or the green tinted ones?
I'd be grateful for any suggestions.  Thanks.
This  is a link to the Discmakers guide:
http://www.discmakers.com/templates/faq.asp

I'm guessing you'll get the color seen in Illustrator.  Not all applications are color managed and preview images are unreliable at best.  You should, for your own piece-of-mind, have the job contract proofed ( see a local reputable print shop ) before sending it off to the print vendor.  You should also supply a contract proof along with the disk so that the print provider has something to match.  Then, when the provider runs the file ( get their workflow specs before you have it proofed on your end ) through their prepress department's equipment, they can supply you with a matched proof of their own and, with any luck, they both match and it's off to the races.

Similar Messages

  • Synchronizing color settings in Adobe Bridge

    I want to synchronize color settings in Adobe Bridge and I've currently installed photoshop extended CS5 and InDesing CS5.5 (these programs are not installed from any Adobe Creative Suite package. I mean these are not from:
    Adobe Creative Suite 5.5 Design Premium
    Adobe Creative Suite 5.5 Design Standard
    Adobe Creative Suite 5.5 Web Premium
    Adobe Creative Suite 5.5 Production Premium
    or
    Adobe Creative Suite 5.5 Master Collection
    My adobe photoshop CS5 extended is downloaded as a single package from softarchive.net and so on InDesign CS5.5 is downloaded as a single package from softarchive.net.)
    When I click Edit > Creative Suite Color Settings... from Adobe Bridge an error message appears:
    Suite Color Management is not enabled.
    Suite Color Management requires that a qualifying product has been launched at least once to enable this feature.
    Can anyone help me?

    I believe Suite Color Management is only installed when you install one of the editions of the Adobe Creative Suite.
    You'll need go into Edit > Color Settings in Photoshop and in InDesign and use the same settings. That is, you'll have to do it more manually.

  • Dual monitor color settings seems to be messed up cs4

    Hi
    My daughter has this setup
    AMD 9550 quad 2.2mhz machine, Windows 7 ultimate. latest updates
    ATI Radeon HD 5700 gpu card (latest driver)
    Two LCD monitors
              1. LG 2361V HDMI (main)
              2. Cintiq 21UX (Extended)
    Both monitors are calibrated, and have the latest driver updates. It does not matter which monitor is the main one.
    PS cs4 also has the
    1. If i load a photo in fireworks and drag the application back and forth accross the two monitors, the image looks virtually identical.
    2. If i load the same photo in PS (cs4 11.0.1) and do the same, the image looks perfect in the LG but immediately darkens when on the Cintiq.
              a. The darkening is not instantanious. It looks good for about one second before it changes.
              b. If I hover the image between the two monitors, then the darkening only is applied to half of the image.
    3. If i change the preferences to not "color match" (in the performance->open GL) then the image does not darken and it remains loyal to the color profile in place. But!!!! the navigator and color selection tools remain darkened while on the Cintiq. So if she chooses a color from the tool, it paints a different color on the canvas.
              a. If I modify the color settings, then the modification affects both monitors display and the difference issue does not go away.
    Ideally we want to be able to select a color from the palette and have that color be what is painted onto the canvas. We also want the image to appear as similar as they do in fireworks.
    While Color Matching is checked:
    On the cheaper monitor, the image and the navigation pane always has the same color appearance. when i change the color profile, the change is reflected in both the canvas and the navigation pane.
    The same is true on the Centiq, but the image and navigation pane is always darker than on the other monitor.
    While Color Matching is UNchecked:
    The color selection tool and the navigation panel are affected but the canvas is not. But the two monitors canvases match.
    So. in order for the navigation and color selction tool to match the canvas, the color matching needs to be checked.
    But this creates the darkening on the cintiq. No matter what profile i choose, the cintiq is too dark. and photoshop is doing it because fireworks does not do this.
    How can i set it up so that all the colors are true to the profile, and match the nav and color tools?
    Thank you
    Any ideas will be appreciated.
    Jerry C

    Thanks
    @Noel
    It sounds as if the monitors are using two quite different profiles, which may indicate the calibration is off a good bit on one of them and the profile was generated to compensate.  The clue here is that you see a change when you move a document from one to the other, and that temporarily (while an image crosses both monitors) you see quite a difference in it.
    If you drag an image in a non-color-managed application across both monitors, so that specifically part of it is shown on one and part on the other, how different do they look?
    Using fireworks or MSpaint or IExplore, an image looks pretty much exactly the same on either monitor as well as when spanning accross both.
    The two monitors are clibrated so that all colors match on both monitors.
    http://www.lagom.nl/lcd-test/
    The Cintiq has a better contrast ratio so the whites are slightly brighter.
    But!!!  If the moitors were not calibrated, then a fireworks image would look different on each screen. In fact they look exactly the same on both.
    Even when the image spans accross the two screens.
    It is only Photoshop that darkens the part of the image that hangs onto the Cintiq. And it is very dark.
    Even in the famed "Monitor mode", the image is much darker than is is in IIE or MSPaint or Fireworks.
    I dont want to disable the color profiling, as it is important to see what the target will look like.
    But i do want to see what the target will look like! right now it is way to dark. No matter what profile i choose.
    Also my examples are more to demonstrate the comparrison between the two monitors, but the goal is to get PS CS4 to work on the centiq. It would be nice to have the navigator and some panels on the other monitor and have the colors match, but more important is to have the colors on the cintiq look normal at all!
    Thanks so far. but we are still messed up.
    Jerry C

  • How to inforce specific color settings in InDesign CS4 js

    Hi, I need to set specific color settings when creating a pdf from InDesign in Java script (not as a preset). What I found in previous discutions is:
    #target InDesign
    app.ColorSettings.cmsSettings="MyColorSettings";
    ( in the Forum
    http://forums.adobe.com/message/1108248#1108248),
    which just somewhat make sence to me.
    I saved my MyColorSettings.csf file in color settings folder, but I am not sure how to tell the script to access it, and I am not sure that that's the only
    reason why the lines abouve don't work.
    Thank you for your help.
    Yulia

    Yulia, everything wrong in your script: first of all, setting cmsSettings and cmsSettingsPath at the same time makes no sense — this is the same as choosing a setting in Color Settings dialog and then clicking the Load button and selecting another setting — the second cancels the first. So, you need to set only cmsSettingsPath property. If you take a look at this property in OMV, you'll see that it requires File not String, as you are trying to set.
    I would use the following code:
    var myPath = "/Volumes/SPACE/Prepress/Export settings/InDesign CS4/ShowPDFoptions_CS4.jsx";
    var myFile = new File (myPath);
    if (myFile.exists) {
        app.colorSettings.cmsSettingsPath = myFile;
    else {
        alert("File \""+ myPath + "\" can't be found.");
    You don't mention if you use Mac OS or Windows, or both at your work.
    On Mac volume name should be prepended with "/Volumes":
    /Volumes/Remote/dir/file
    On Windows, to access a remote volume, use a uniform naming convention path name of the form
    //servername/sharename.
    Or, if you have a mapped network drive:
    /Z/foldername/foldername/filename
    Where Z is a letter corresponding to your drive.
    To find out the path to a file, you can also use the following script:
    myFilePath = File.openDialog("Locate the file");
    $.writeln(decodeURI (myFilePath));
    It writes the path of the chosen file to console
    Kasyan

  • I'm having a hard time understanding the best way I should have my color settings, set. Can I get someone's help with this?

    I am scanning old photographs with an Epson V750 Pro and have a question on how my Photoshop should be set, or how the scanner should be set.
    I have Photoshop 7.0 and it works fine, but I have started scanning some old photographs with my new Epson V750 Pro scanner and every time I go to open a scanned photograph, I receive a message reading:
    My Photoshop's color setting are "custom" set: I never changed anything, but this is how I've always ued it and have never had any problem before. Is there a better way it should be set?
    Right now these are the Color Settings:
    Should any of these settings be different? If something in Photoshop should be changed, what should I do? I don't want to be asked this every time I open a scanned image.
    Or, should any of the settings in the Epson Scanner when scanning?
    Right now:
    The other color settings available are 48-bit Color and Color Smoothing, but sometimes when I use the 48-bit Color, Photoshop will give me an error when I go to save the edited scan, telling me there isn't enough space to save it. I have no idea why this happens because there is plenty of space, but I end up having to change the scan to 300dpi to save it.
    Well, I don't know if any of this makes since, but I would love to receive any help. I would like to understand why I am having this problem and how the color settings should be, so I don't have this trouble anymore.
    Thanks,
    Sean

    In Epson Scan, click Configuation at the bottom of the main window, and try these settings.
    If it doesn't work, I think it'll  be ok converting to sRGB in Photoshop,
    Edit: You can set PS to convert to sRGB automatically under Color Settings > Color Management  Policies > RGB.
    But if you can control it from Epson Scan, that's probably preferrable.

  • Color Settings: Getting colors in PS CC to match colors of the image when used as a Windows Background

    or vice versa. I probably do not know enough to be able to ask the question properly.
    The colors of photos in PS CC are not the same when used as a desktop background in Windows 7. The colors are somewhat more saturated when as a background on the desktop and while not totally unusable, it would be nice to have matching color between my PS editing screen and the photo as viewed as a desktop background.
    The following are some conditions that may or may not be relevant to the answer of my following question.
    1.) I am a complete novice to Color Management so a presumption of knowledge and the heavy use of jargon may not penetrate my head.
    2.) I shoot with sRGB embedded in my photos.
    3.) My RAW conversions use sRGB IEC61966 - 2.1.
    4.) My PS Color Settings are North American General Purpose 2 with sRGB IEC61966 - 2.1 as the working space and Intent as Relative Colormetric
    5.) In the Win 7 Control Panel>Color Management>Device, my Device = NEC LCD2690wuxi, ICC Profile = NEC LCD2690wuxi (default), file name = nl269wui.icm
    6.) In the Win 7 Control Panel>Color Management>Advanced, Device profile = System Default sRGB IEC61966 - 2.1 and (everything else set to System Defaults too). The only difference from the PS Color Settings being that Windows is defaulted to Perceptual Intent, but a change in either PS or Win 7 has no effect on the relative color differences.
    7.) The monitor is set to the Native internal preset, but the relative differences in color remain the same even if the monitor is changed to sRGB, or any other internal preset.
    8.) I have Proof Setup set to Monitor RGB but none of the settings will match the Win 7 Background color.
    Now, my question is this. How would you set up your color settings/profile in PS and/or Windows to match color between PS and the Windows desktop of Windows 7?

    Nevermind. I didn't have Proof Colors checked.

  • Excel 2010 ignores print server's default color settings.

    Excel 2010 ignores print server's default color settings.
    Our Setup:
    Printers are hosted on Server 2008 R2 Print Server. 
    Two local printers are created on the print server for each Xerox MFP that we have.   Example: Xerox MFP (B&W) - Default settings are set to print black and white only.    Xerox MFP
    (Color) - Default settings are set to print color.     So for every MFP we have two printers are created.
    Both variations of the network printers are deployed to the users with the Black and White version being the default.    If a user needs to print something in color, they select the Color version of the MFP printer.   This
    helps us save on color toner costs. 
    This works great for web applications, Microsoft Word, Adobe Reader, and other applications.   But, it doesn't seem to work in Microsoft Excel 2007 or 2010.   Whatever the default printer is of the two versions that are deployed,
    excel seems to hold onto those printer settings.
    Example: If your default printer is Xerox MFP (B&W), when you select Xerox MFP (Color), it still retains the Black and White selection in the printer properties.  However, if you select a completely different model printer such
    as Fax, and then go to  Xerox MFP (Color), it will pick up the necessary default color settings.
    If I install the printers locally on the user's PC/Computer, it works perfectly.   However, it doesn't work when they are utilizing the print server's printers.
    Things that I have tried:
    Different drivers for Xerox.  Global, PS, PCL.
    Different brands of printers.   Still experience the same issue.
    Different port names.  
    Different protocols, raw versus LPR.
    Different versions of excel, 2007 and 2010.
    Looked through group policy to see if I could force it. 
    Checked the excel sheet settings, black and white only was not selected.
    Tried most of the printer properties settings. 
    Created a Server 2012 print server and experienced the same result. 
    Xerox's custom configuration file editor.
    *Something to note, if I have the black and white version utilize PostScript Drivers and the color version utilize PCL driver, it correctly loads the color settings.   However, if you utilize Postscript for both versions, it doesn't. 
    I have to vary the print drivers.  Ideally, I don't want to have to do this because I want consistency between prints.

    Hi,
    Make sure you have the latest printer drivers - go to the manufacture's website, download and install if necessary.
    Jaynet Zhang
    TechNet Community Support

  • Acrobat 9.4.4 won't sync with CS5 color settings

    The color settings in Acrobat used to sync with the rest of the Creative Suite (via Bridge), but now it doesn't. I'm not seeing any way to make it happen either. It appears to be a bug or defect in the product. Can anyone confirm or resolve this?

    Hi, Steve. Yes, I do switch settings with some regularity. I have custom settings for a newspaper that runs ads for one of my largest clients. (The default newspaper setting is not good enough, especially for grayscale.) I use the North American Web/Internet settings for preparing web graphics. And I use the North American Prepress 2 settings for everything else. Even when Acrobat would sync with the rest of the suite, it was grudging. It would take several seconds or longer. Sometimes longer than I could wait. The question that really is left begging is why Acrobat has so much trouble with something that InDesign, Photoshop, and Illustrator do routinely.

  • Aperture 3.1.1 ignores color settings in Canon 7D .CR2 Raw files

    hi there!
    i have a problem with the import of pictures taken with my canon 7d.
    when i take pictures using color presets e.g. black/white, aperture ignores those completely during import. even if i open them in preview.app the settings are not applied. if i open the same picture in photoshop cs4 it will be displayed correctly in b/w.
    neither the updated of the raw processing (http://support.apple.com/kb/HT3946) nor the 3.6 raw update solved this problem for me.
    how can i fix this?
    thanks,
    paul

    hmm, this behaviour of aperture is a bit odd.
    i understand the approach but if i shot a few thousand images on a journey, i don't remember afterwards, which image was supposed to be b/w. this leads to a situation where i +have to post-process+ images. i would expect aperture asking me if i want to keep attached color settings instead of ignoring them!
    and, yes, i'm sure that this image is a raw. photoshop interprets the color settings correctly.

  • Why doesn't PS CS6 accept color settings profile?

    I've seen this question asked here and elsewhere, but without any resolution, and can't find any mention in the documentation.....
    I customized Illustrator's color settings thusly:
    But when I save the profile and try to load it in Photoshop, it throws this error:
    "The color settings file contains settings that are not supported by this version of Photoshop running on this system. These unsupported settings will be reset to their default values."
    Then if I close the dialog box, re-open it, and manually choose the same settings, it seems to accept it. Here is what Photoshop currently shows:
    Anyone know what's going on? I'm running the CS6 Master Collection on an Intel quad core with 8 gb RAM and an nVidia GeForce GTX 550 Ti (2 gb PCIE 2). OS is Win 7 x64.

    Sounds like Illustrator is saving some color settings data that Photoshop can't read. (normally it's the other way: Photoshop saves lots of settings that other apps don't use)
    We'll have to do some testing to figure out what that is and why it's triggering the warning (not an error).

  • Lllustrator and Photoshop display different colors despite synchronized CS5 Color Settings

    I've got some students who noticed that Illustrator and Photoshop display completely different colors on screen for eactly the same RGB values despite Color Settings being synchronized.
    Settings are:
    CSF: North American Web/Internet  (RGB color space = sRGB),
    Proof Set-up: Internet Standard sRGB
    Proof Colors turned On.
    RGB Values:  R=0  G= 162  B=211
    But colors displayed are not close between Ai and Ps.
    With Proof Colors turned off, both apps display the colors reasonably closely.
    I teach Photoshop and Print Color Management, so I admit my knowledge of how Illustrator handles screen proofing and proof set-ups for screen destinations is not comprehensive.
    I expect I'm missing some difference in the two apps' behaviour.
    Any info from anyone experienced in this corner of the field appreciated.
    Cheers
    Tom

    I've got some students who noticed that Illustrator and Photoshop display completely different colors on screen for eactly the same RGB values despite Color Settings being synchronized.
    Settings are:
    CSF: North American Web/Internet  (RGB color space = sRGB),
    Proof Set-up: Internet Standard sRGB
    Proof Colors turned On.
    RGB Values:  R=0  G= 162  B=211
    But colors displayed are not close between Ai and Ps.
    With Proof Colors turned off, both apps display the colors reasonably closely.
    I teach Photoshop and Print Color Management, so I admit my knowledge of how Illustrator handles screen proofing and proof set-ups for screen destinations is not comprehensive.
    I expect I'm missing some difference in the two apps' behaviour.
    Any info from anyone experienced in this corner of the field appreciated.
    Cheers
    Tom

  • Help with Color Settings/Profiles...White's look 'yellow' when exported to PowerPoint as a .png

    I am running into this odd occurence and can't seem to figure it out.
    First - I am not an expert in the Color settings/Profiles topic but I am thinking there is an issue here.
    When I look at this image "McCroreyDigitalLogo.png" in Photoshop the 'whites' appear right.
    Then when I import it into ms PowerPoint, the whites look yellowish.
    I have done a series of 'tests' and it seems to be that the color profile out of photoshop and the one in PowerPoint are not compatible.
    I have reset my Photoshop preferences with no luck/change to the results.
    Finally, I did a screen shot out of photoshop and pasted that into Power point.  The white appeared correct.
    Could use some guidance on how to fix this one. Basically any files I run through PS, when they are imported into PowerPoint, the whites turn yellow.
    Thanks in advance

    PowerPoint is not a color managed program and can display the color values only in the color space of your monitor without any correction.
    Color managed programs like Photoshop correct the color values when displaying them in order to simulate within the color space of your monitor other color spaces, for example sRGB, AdobeRGB, the color spaces of various printers, and etc. For this reason you can not match the color in non-color managed programs to the color of color managed programs but you can do the opposite match the color in Photoshop to PowerPoint.
    There is two ways to do this:
    One way is if you want the color values in Photoshop to remain the same but be displayed in the color space of your monitor which PowerPoint is using, you can either color proof with or assign your monitor profile to the document.
    To color proof choose View > Proof Setup > Monitor RGB.
    To assign, choose Edit > Assign Profile, select Profile and from the menu choose the color profile of your monitor. If you are not sure what's the name of the color profile of your monitor, go to the Color Settings, in the Working Spaces section use the RGB menu, scroll up and check what it says after Monitor RGB-
    Both proof and assign will give the same result on your monitor but the difference is - the proof is temporary and will last only for the session and the profile, if embedded when saving the file, will stay and when open in other color managed programs including those on other users' computers the color space of your monitor will be simulated and for those users who don't use color managed programs the colors could be way off than if saved with a profile of a more common color space like sRGB.
    The other way is If you want the appearance in Photoshop to remain but the color values converted to the color space of your monitor, choose Edit > Convert to Profile, and from the RGB menu choose the color profile of your monitor. This will preserve the appearance and also match the colors in PowerPoint but like proofing and assigning you are not seeing what other users may see on their computers.
    It is not possible to see the same colors in color managed and non-color managed programs and at the same time simulate how others using different computers may see the colors because different monitors display color values differently. Color managed programs can simulate a common standard color space like sRGB while non-color managed programs can not.
    Edit: Have in mind all this will work properly if you have a color profile that describes correctly how your monitor displays colors. What you did as described in your post #6 is assign a color space that may be different than the color space of your monitor. The result is when working in sRGB color space your color managed programs will match the non color managed programs on your monitor but that doesn't mean that the actual sRGB space is displayed and any other color space simulation could be based on a wrong monitor profile.

  • CS3 VB "Image color settings"

    Hi,
    Can anyone tell me where I can set the icc profile on an InDesign.Image object?  This would be like setting the "Profile" on indesigns "Image Color Settings" dialog.  I've found the rendering intent (ImageRenderingIntent), but not "Profile".
    Thanks!

    Actually now that I look at your problem a little closer, I think you need something different from what you're asking for.
    You are importing a CMYK image with a 340 TIL. You mention you need it to be Document CMYK, which is a different GCR CMYK from the image. In such case it is good that the image has the profile imported with it.
    Output using one of the PDF/X standards. Select "Convert to Destination" without the preserve numbers. Document CMYK.
    Native InDesign colors will not be converted. The LCP MaxK 340 will be converted to your Document CMYK.
    Bottom line: if the images need to be in the Document CMYK color space, and you want InDesign to get them there, they must undergo the conversion when you output the PDF.

  • InDesign CC always resets desktop color settings on new start

    This is very annoying: InDesign CC still is not able to save the color settings I choose for the desktop (palettes, workspace background). Everytime I restart InDesign I have to manually set these things again. Since CC came out, I have been hoping that one of the updates would finally fix this.
    I am using a multi-monitor workspace, InDesign CC (9.1. ) on a mac pro. I had the problem under OSX 10.8.X and now still under OSX 10.9.1.

    I am having the same problem. The workspace will not save. Every time I open the program, it has reverted to some other configuration. Very frustrating.
    I am using a single monitor workspace, InDesign CC (9.2) on a Windows 7 64-bit machine.

  • SAP Gui 7.20 Configure Color Settings Greyed Out

    Hi, I have installed the new SAP Gui 7.20 patch 1 on 2 machines at my company.  On one machine we can easily change the color settings for each theme.  On the other PC, we can not go into "Configure Color Settings" to change the colors for any theme.  The button is greyed out.  I followed the extact same installation procedure and have the same access to both as well.
    Has anyone seen this issue before and know how to fix it?
    Thanks,
    Marty

    Another classic SAP problem where the solution involves patting your head while simultaneously scratching your nuts and jumping up and down.
    Follow these steps:
    1. open SAP Login Pad.
    2. open up a client and click on the 'Customise Local Layout' icon (Alt + F12).
    3. Select 'Options...'
    4. Select the ironically named 'Enjoy Theme'.
    5. Click 'Apply'
    6. Click on 'Ok' and close the client windows and the SAP Logon Pad. Note: you must close restart the SAP Login Pad for the them changes to take effect.
    7. open the SAP Login Pad.
    8. open up a client and click on the 'Customise Local Layout' icon (Alt + F12).
    9. Select 'Options...'
    10. click on 'Colors in System'
    11. select your favourite colour and click on 'Apply'.
    12. click on 'Ok'.
    If this post can stop even one person from going insane it will have been worth it.
    Regards,
    Nick

Maybe you are looking for