Distortion from SP when video sent from FCP

Loops play fine when a stand alone project is open, but when I 'send' my timeline from FCP to SP, every loop played is distorted. The video plays back fine, but the distortion remains with or without imported audio, as well. Any help?
Also, my timeline: DVCPROHD 720P at 29.97fps, 48kHz, 16-bit depth.
Any help is appreciated. thx.
Message was edited by: erackblack

WOW! A new development. The clips that will not show changes come from a sequence that contains other clips that I was able to color and send back to FCP successfully. So i copied the clips that I want to color and pasted them in another sequence with some other random clips (not colored) and sent everything to Color! I did some test grading on all the clips and sent them back to FCP. The random clips that were already in that sequence reflected the changes I made in color. The clips that I pasted (the ones I need) did not reflect any changes from Color. I think the problem is within the clips. That is so weird. Anyone know what is going on?

Similar Messages

When a project is sent from FCP, do all mono tracks become stereo?

It appears that when exporting a sequence from FCP, all mono tracks become stereo. Is this correct?
I have a mono voiceover on A1, and a mono set of SFX on A2, and then some other stereo background music tracks. When sent to STP, the two mono tracks show as being stereo files, when you look at the file information, and indeed, they have two waveforms displayed in the timeline.
Is this just the way it works?

Interesting link, thanks for that.
However, I have to say that was not my experience of how it ended up. I had two mono tracks, without panning, and when I sent it to STP, it ended up as 2 stereo tracks.
I would have to experiment a bunch to try and figure out why that happened, and at this point, I think I've decided to NOT use STP and just stay in FCP, for a number of reasons. Mainly the fact that once you've done a whole bunch of effect assignment and mixing, enveloping etc. to a multitrack project in STP, there's no easy way to move a few clips around (in FCP) or tighten up some video edits without having to manually calculate frame offsets in STP, and laboriously move things around and hope they still match up. Could be I'm missing something, I only used STP for a full day...
Maybe the update will make it better somehow.

My sequence will not show up in Color 1.5.3 when sent from FCP 7

I cannot get clips from FCP 7 to show up when sent to Color. I had been able to get this to work perfectly fine earlier, but now for some reason, when sending a sequence from FCP to Color, Color doesn't automatically create a new project with the sequence in it. I've Googled for answers as much as I can, but cannot figure out what's going wrong.
By the way, the footage is from a Canon 7D, imported into FCP from PluralEyes 8.
EDIT: I've tried to manually export the XML from Final Cut into Color. Color will not even recognize the exported XML file. I've done what others have suggested online and deleted my Color & FCP preferences files out of my User/Library. I've created new FCP projects and tried to send to color from a new project. None of these have helped at all.

I just had this exact same problem. Clips from my FCP 7 sequence would not show up when I sent them to Color 1.5. No way. No how.
I solved my problem (at least for now) by simply restarting my machine. I realized that it had been running for days, and it probably just needed a reboot. Try it. It might work.
And yes, I'm running Mountain Lion, too. 10.8.2.
Good luck! ----Todd Ruel

When sending to Color from FCP, my video is mostly black, with some green highlights.

I have a sequence of ProRes 422 (LT) and I'm trying to send to Color from FCP, however, when the project opens, the video shows up as mostly black, with most highlights green, blue and red -- but 90% of the frame is completely black. The weirdest part is, in the Color timeline, I can see the thumbnail for the video and it looks just fine.
Currently, I have a 2010 Mac Mini with 4gb of RAM and it's hooked up to my monitor through the HDMI port. Any help would be greatly appreciated.
Thanks!

I just got the 2010 Mac Mini -- but my previous Mini was the early 2009 model with only 2gb of RAM and Color ran just fine. Any help/suggestions?

Video does not play when imported from FCP

When I import a clip from FCP into motion the clip opens up however only one frame shows up in the motion viewer. When I press play, there is no video..only that particular frame that was showing.
The media tab shows the .mov file, and plays it in seperate window when i double click on it.
Thanks for helping me out.

How do you bring the file into Motion and what file are you actually opening in Motion?
Are you exporting your FCP project as QT? or
Are you sending your FCP project to Motion?
Regards,
Hisham

Clips don't show up when sent from FCP

I have a project that is just straight footage, no cuts, edits, nothing. I put my footage on a sequence and do "send to" on the sequence to Color from FCP. Color opens, but there is no footage or clips. It's as if I just opened Color with no project.
I'm confused because I did this before on my last project and everything worked fine. But now, even if I try to do "send to" on my sequence when it only has one 10 second clip on it, the only thing that happens is Color opens with no project. All I see is a blank timeline.

Color's settings to default?
as in "trash preferences"? Not the same as Final Cut Pro.
An empty project seems to point to a broken import path. Can you create an explicit XML export of your Final Cut sequence and open that in COLOR? (Essentially a manual 'Send to..')
There's no '/' in the clip name? There are some characters that will mislead an XML into path corruption... in fact, most punctuation except -, _, and very few others, is illegal.
Your media isn't a still or freeze of some kind? That would be a perfect example, if it carried a filter or transition -- that is where XML round trips go to die.
jPo

The Color doesn´t recognize the clips´time when I send from FCP to COLOR

I have a big problem. When I send from FCP to Color does not recognize the mounting clips. In each plane is everything and not the s 2 or 4 seconds it had in the assembly of the FCP.
I have worked with Color more times and have not had that problem.
Anyone can help me?. Can it be the codecs, the times of the FCP, the settings of COLOR?
Could you help me, please ?

subpaper clips.
What is a "subpaper clip"?
By the way, all this nonsense about COLOR only supporting one layer of video... where is this coming from? This is utterly untrue... I am thinking of Stevie Wonder's song that states that when people believe in things they don't understand, that's superstition.
Rather than try to explain all the things that COLOR cannot do, maybe it would be easier to lay out the basic concept of what should be sent.
Very fundamentally, COLOR is a sequential-file (.dpx) color correction or grading application that has been modified to work with a few Quicktime codecs, and can accept a single sequence of independent media (discrete clips) from Final Cut. That sequence can have many layers, but it cannot have any nested sequences, and there still are a number of editing strategies within Final Cut that can be proxied, albeit inexactly, but occasionally not at all.
The safest sequence to send to COLOR from Final Cut consists of independent Quicktime Clips, all of the same resolution, codec, and frame rate, which should match the sequence settings of the Final Cut project. There is a naive assumption that anything that can be done in Final Cut can be replicated in COLOR and returned intact. This is absolutely untrue, and the evidence of that is everywhere in this, and other forums.
In this particular instance, "zotero"'s problem, while lamentable, is of his own creation by ignoring or proceeding without any preparation or investigation, and assuming that every editor's concept of what passes for the creative process has been anticipated and compensated for by the application developers.
To mark them manually now when already I have the definitive assembly is a labor of many hours.
Unfortunately, that may be your fate. Alternatively, you may consider the use of a "Media Manage" operation which will re-organize the independency of the source media. The Media Manager is covered extensively in the Final Cut manual. I'd advise doing a lot of back-ups before proceeding with anything else at this point, because it really looks like there is going to be a lot of trial-and-error in the near future... mostly error. Good luck with it all.
jPo

Whats the best way to import video clips from FCP into a personal template

Hey all, I'm doing some tests. I see some color shifting going on when I export out of FCP using QT conversion (same settings as sequence), Importing into Motion, then adding lower third graphics, then exporting out of Motion .... and finally back to FCP. I put the new graphic added layer on top and have the original on bottom. I toggle the monitor on both layers and see a slight saturation drop on the graphic layer. Has anyone noticed that ?
The reason Im doing this is because lets say I have lower thirds that I want to place throughout a hour show. I want to set-up a basic lower third template and just plug in the video clips for the areas that I need those graphics. It would be way to difficult to export out of the timeline in FCP
and rebuild those lower thirds everytime in Motion. Does anyone know of a better way or does everyone have to export out to the desktop and then into Motion every time they want to use a Motion template.
Thanks to any replies.

Try roundtripping from FCP to Motion and back using Send to Motion. In FCP, Control Click your clip>Send To>Motion Project. The clip will open in Motion with the proper project properties. Make your edits there, press Save, and then render back in FCP. No exporting necessary, although you might see a gamma shift. Much easier.
To do this with an existing Motion template, I'd try copying and pasting in that template's contents once you've sent to Motion from FCP.

Color crashes when starting from "send to Color" from FCP.

Hi. I am a film student and am using Final Cut Studio to edit a short film.
It's been recorded in PAL Anamorphic. I edited it in FCP, and when I select the sequence and send it to Color, Color opens, and crashes while "Importing Final Cut Pro XML".
Color seems to load fine if I open it by myself, but when it imports the sequence from FCP it crashes.
If I try to do it again, it even asks if I want to overwrite the project. I accept and it crashes again.
I can launch Color and open the project file, but it has no video inside.
I don't know why this can be happening. I could use Color before (8min projects), and I could even use it today (30sec project), but the video didn't load completely (3 shots, only the one in the middle showing, the others had a cross over them). I sent a larger file, to see if the problem wasn't with the "starting" and "ending" shots, but it crashed.
I don't have any saved Color project to try. What should I do?
Thanks,
Rodrigo

Have you read the release notes for Color and made sure that there are no 'gotchas' in the sequence you are trying to send to Color?
There's a chance that there's something in the timeline that Color doesn't like. Take that out or depending on what it is, 'bake' it in and you will increase your chances of getting the Send To to work.
Good Luck!

Wanto output video from FCP to tv-monitor..

I've been searching for an answere in this forum aswell as PD150 forums..
Please help, I think of myself as a logical person but just can't figure this one out.
I try to output the video signal from FCP to a tv-monitor usin a Sony PD150 in the middle.
That is; Firewire from my G4 into my camera, s-video to scart into my monitor.
I've been fiddeling with the camera settigs but found nothing that indicates signal in/out or likewise.
I know that this isn't a PD150 forum but i thought I could find someone experienced here.
Thanks for answeres in advanced, Erik

#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
Video playback should be Apple firewire NTSC (If you are using an NTSC set)
Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
Shane

Exporting video from FCP scrunches it.

When I export my video from FCP it gets scrunched. Imagine that you start with a square and you export it and it comes out like a vertical rectangle. It looks correct in FCPs image and wireframe box, but it is not correct according to the title safe boxes. When I play the exported video it includes black space on both sider of the video. What can I do? I set the Motion project presets to NTSC DV (720 X 480) and FCP sequence settings to NTSC DV (3:2) (720 X 480) and I don't have the Anamorphic 16:9 checked. How can I export this without scrunching or squeezing it?

Welcome to the family.
You can only go through your settings very carefully, one at a time. If the sequence is DV, the clips are DV, and the export is DV, the resulting file will be DV. Our experience around here is this question is 99.9% user error caused by the fact that FCP's various settings are weirdly conflicting with common sense or other parts of the process.
Good questions to answer: Why are you exporting out of FCP and where are you viewing this exported file?
bogiesan

Error when exporting from FCP

When I try and export to Compressor(1.2.1) from FCP HD 4.5 i get an error saying that a file of this name already exists (obviously not the case). The Batch then fails within 5 secs or so. Could this be a restriction on the academic version of fcp or something - ie one can only export a project x many times or something? i've seen the related string but turning off anti-virus software doesn't seem to help me at all. any ideas?
also - I can export as a self containded qt file but even if I do it at the highest settings the finished dvd (made using dvd studio4) doesn't look as good as an old dvd i have that was encoded by exporting to comp. from fcp. is it just my eyes having seen the video so many times that i am seeing things or has anyone else noticed this?

there's also reports of incompatibility with compressor3:
http://discussions.apple.com/thread.jspa?messageID=4968107&#4968107

What is the best compressor setting to use ... when exporting a 720p timeline from FCP for a project that will only be played back in a standard def monitor?

What is the best compressor setting to use for DVD StudioPro ... when exporting a 720p 30 timeline from FCP for a project that will only be viewed in a standard def monitor?

Update: The iBook can play any 480p video and higher if I encode them with DivX and in AVI format. But of course this is not compatible with my iPhone 4. At least I can shrink my library now and get away from the full MPEG-2s. I don't get why I can't use Apple's h264 though. There has to be a setting I am missing. The sample Apple h264 videos from the days of Tiger worked flawlessly on my iBook when it was new so the CPU must be capable of decoding it. I really can't understand this.
Also, since I made my videos in English for my family, I had to create soft subtitles for my wife's Chinese family, and I can't get players like QT with perian or MPlayerX to sync them properly to an AVI encoded with DivX, they only sync well with the iPhone 4 m4v/mp4 formatted files I made. This is a real pickle.
So now I may need three or four copies of each video, LOL. I need to hardcode the subtitles if I want to use AVI to playback on older machines, and keep the mp4 file for the iDevices too, while keeping higher quality h264 videos for my American relatives...
If h264 is compatible with my iBook, what is the proper encoding settings? Must I dramatically lower the settings or frame rate? I can settle on 2 copies of each video that way. One iBook/G4/eMac compatible video that syncs correctly with my srt soft subs, and another version that works well with my iPhone 4 and iPad.
All in all, I will end up with more than 3 or 4 version of each video. On my late G5 dual core I have the full 720-1080p uncompressed master files. On my i5 iMac I have the h264 compressed versions for distribution, and lower versions for my iDevices. Now I need to keep either full MPEG-2 files for the iBook to play, or convert to older formats like DivX AVI for our family's legacy machines. I am running out of hard disk space quick now, LOL.
Is there an easier way?

IDVD behaving strangely with HDV video from FCP X and FCP 7?

AVCHD exported from FCP X as ProRes 422 works perfectly in iDVD producing a 16:9 DVD.
HDV doesn't, even though QT Player plays it perfectly.
The odd thing is that 4 years ago, using legacy FCP my exported HDV videos had no problems being recognised as 16:9 by iDVD.
So why are FCP X produced HDV videos not recognised as 16:9?
P.S. I know that iDVD never recognised DV in the 16:9 format but it always worked with HDV.
Incidentally, the old trick of opening it in QT Pro and changing the frame size to 1024 x 576 does not work!
Even stranger, I have just opened the HDV clips in FCP 7 and exported them as a QuickTime Movie.
iDVD plays them back in the correct aspect ratio but look at the effect . . . . muted colours and green patterns all over.
This never happened in the past!

I mentioned several problems so I don't know which one you are referring to.
After experimenting I found some workarounds.
To cure the squashed image I created a ProRes 422 preset in Compressor 4 with a frame size of 1920 x 1080 and exported from FCP X using Compressor Presets.
Everything now works perfectly except the encoding seems to take longer.
I got rid of the moire pattern when using FCP 7 by exporting as ProRes 422 1920 x 1080.

Audio Files Missing after sent from FCP

I'm sending a sequence to STP from FCP. There are 8 tracks of audio (4 stereo pairs). Tracks 1 & 2 have dialogue, 3,4,5 &6 have SFX and 7 & 8 have music. After sending a Multi-track project I am missing audio files on the dialogue track. The visual reference is there. The audio and video are linked in FCP but sections of dialogue are just not there.
I've repaired disc permissions, trashed preferences, ran Disk Warrior and reinstalled FCS. I'm on STP 3.0.1.
I searched the forum and was unable to find a similar situation. Any and all insight are greatly appreciated. Thank you in advance.

You have to assign tracks to a submix and then out to the master before you can hear them.
But some of the audio files are there and some of them aren't. There is no rhyme or reason for audio that appears and files that are missing. I can hear the dialogue that made it to STP from FCP, along with the SFX and the music. I've never assigned a submix to audio just to be able to hear it.
Are you on a laptop?
I've tried it on my 8 Core Mac Pro and my 2007 MBP. Same result on both. I have other sequences where everything is sent over completely. It's just this one. It is no different from any other sequence. It is all ProRes 422 and .AIFF 48khz/16 Bit
Thanks for your input.

Distortion from SP when video sent from FCP

Similar Messages

Maybe you are looking for