DNxHD 709 Files with Media Encoder

I have mutliple MOV Files with this codec.
I have to export them as MXF (XDCAM).
Media Encoder can not handle this color space so my black level is to high.
Is there a way to get it right there or must I go through Premiere or AE to adjust the levels and batchexport it out of this?

Let's try to sort it out:
1. Non-'colour aware' (non-'colour manageable') application does not work in any colour space, rather in 'nowhere'. It does not apply any correction/transformation to colour data and simply transfers them from a media file to a display or in case of transcoding - to another media file.
Since waveforms are identical for both your source file and a transcoded one, you're not facing any glitches during transcoding. Therefore, feel free to transcode all your DNxHD MOVs into XDCAM MXFs via AME, if you want to.
2.  In most cases you don't need to assign a specific colour profile to a video file. If you do, you should utilise colour aware application for handling them further in your pipeline (e.g. After Effects).
Meanwhile, sRGB, which might be the working space of your monitor, and Rec.709 are quite close. In gamma corrected environment you can hardly see any difference between them.
3. If you feel the need to adjust anything from colour range to hue etc. etc., you should use your editing/compositing application, not just an encoder.

Similar Messages

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  • Can't Edit While Encoding With Media Encoder

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  • Media Encoder CS6 with Media Encoder CC

    Hi,
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    Thanks

    Uninstalling Media Encoder CS6 shouldn't cause any problem to any CC apps, including Media Encoder CC.
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  • How do I export wmv and avi files from media encoder on a mac in CC2014

    How do I export wmv and avi files from media encoder on a mac in CC2014?

    John T Smith wrote:
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  • Media Encoder CC 2014 Exports larger file than Media Encoder CC with same settings

    We like to deliver final exports to most of our clients with the following settings:
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  • Noob needs help with Media Encoder Settings

    Hi All,
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    Hi
    I don't understand...please let me know...
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  • Is there anyone out there happy with Media Encoder?

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    What format(s) do you work in?  What length of project?  Do you output to AC3?  I have no problems with AME for short projects or to output the same size/format -- for instance, I can usually output full HD for Blu-Ray but experience lots of crashes if scaling down to SD for DVD.  The crashes also occur above certain lengths, usually 20 min +.  With audio, I can output 5.1 uncompressed WAV in the same format (for instance, 16 bit) but if I try to output 24 bit (which AME is supposed to be able to do) I get "Encoding Failed - Unknown error."  In fact the error log is ALL that very helpful message, always when transcoding to another format/bit depth/size.  When outputting 5.1 to AC3, AME freezes up and fails at around 20 minutes.
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  • Export Media in Premiere Pro CS6 ONLY produces an Audio File in Media Encoder

    First, all the system info:
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    I have a half hour "masterwork" of interviews, performance segments, rehearsal sequences, credits, etc that I've edited together complete with sound, etc.
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    I've used Adobe Media Encoder a lot to export the individual segments into files I could upload to Youtube and have had no problem for the last several months.
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    Larry, Mark, Jim & Bill -
    It is 1 am Tuesday morning and I'd do a primal scream if my family weren't all sleeping upstairs.
    Somewhere along the way, I either read or was given the advice to just skip AME, load my videos as timelines in Encore, and just do the transcoding there.
    I spent almost a day trying to figure out how to get "buttons" for my menus I was building (they weren't appearing in Encore's library like they should) and eventually found a simply workaround.
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    I hit "build" in Encore, went away for a couple hours, and came back to find a big error message awaiting me telling me that "Encoding Failed."
    I have read a lot of posts, and the outlook is not good, or at least the possible solution not simple or short from a time perspective.
    I have a 100 families awaiting their DVD they've paid for that they initially were told they'd have by mid-February. I've been telling everybody that they would have it - guaranteed - by this weekend when there's a band festival that would be ideal for distribution. The DVD duplication company says they have to have it by Wed morning at the absolute latest. Meaning I've got about 24 hours to figure this out and burn my dual-layer masters of the two DVDs or once again tell people "I know I guaranteed you'd have it by this weekend, but I don't have it ready yet."
    Almost as importantly, I can't afford to keep spending the hours and hours and hours on this that I have. It's impacting my personal and professional life.
    Thus the primal scream.
    The posts I read about the encoding failure all pretty much advise that I use AME to do all the transcoding work. Which of course brings me squarely back to my original problem: I cannot get a video file out of AME.
    I'm embedding a screenshot of what I see when I click on the pull-down menu in the AME dialogue window. The problem: there is no MPEG2-DVD option listed to be chosen.
    Although I'm relatively new to forums, I've read enough posts by now that it seems like most people are in crisis mode when they post. So I realize my situation is not all that unique. But from a newbie rookie in the field to you experts, I REALLY could use some assistance right now, because between this and the long, cold winter we've had, I'm about to lose it.  :-)
    P.S. Mark, in answer to your question about frame rates, I have 18 different videos/films/projects that I'm including in my two DVD-set. There have probably been nearly 6-7 different cameras that have contributed footage to one or more of those films by borrowing camcorders of different brands and types and quality levels from people. Nearly every one of those 18 films have multi-camera sequences in them. And many films are collections of sequences which themselves are "nested sequences" sometimes three deep.  In otherwords, there is no way I can tell you all the various frame rates that may be represented among these 18 separate projects and I certainly can't go back and hope to change them all to the same one.
    Help. Please.  :-)

  • Linear workflow issues with Media Encoder CC 2014

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