Does dynamic link work between Premiere Pro CC and Encore CS6?

I'm having a problem dynamically linking premeire pro squences
Message was edited by: Kevin Monahan

>move my projects to CS6?
PPro CC projects are not backwards compatible with PPro CS6
Go to the bottom of reply page #5 in The PPro/Encore tutorial list in http://forums.adobe.com/message/2276578 for a link to a tutorial video

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Problems with Dinamic Link between Premiere pro CC and After Effects CC

I'm having serious problems with dinamic link between premiere pro and after effects, really serious problems that have 2 big projects in trouble (a documentary and a video clip) and I had to redo all the work pipeline to the consumer.
The documentary for a spanish TV was made on CC 2014 and a video clip was made on CC. Both of them with a lot of after effects composition in the premiere pro timeline. Render freeze, a lot of playback issues, and many more problems... Until I decided to remove these links between premiere and after effects and render out all the after effects compositions one by one and insert as clips in premiere pro. 1 week working away with back and fourth.
I've got a huge workstation:
i7 4990
32Gb ram
GTX780 3gb
256 gb system ssd
2 Tb project storage
*All my hardware and software are update.
I know that a lot of folks are on the same huge problem and I want to ask everyone:
How do you save this?
What is your pipeline?
Are there any solution?
Best practice to use dinamic link in a huge project?
Thanks,
Ruben Gimenez.
R&D iceblink.es
www.rambot.es

Thank You, Jim -
Unfortunately that specifically did not work.
Based on another comment sent to me, here is what did.
In PProCC
File > Adobe Dynamic Link > New After Effects Composition
In AECC
From that composition created from PPro, I imported the project (aep) initially created in AECC from another team member. Saved the file.
Back in PProCC
File > Adobe Dynamic Link > Import After Effects Composition
Magic.

Premiere Pro CC and Encore CC are ignoring the Target and Maximum Bitrates

Adobe Premiere Pro CC and Adobe Encore CC are ignoring the Target and Maximum Bitrates settings in the export window, The files that are exported are much smaller than what the estimated size of the file should be shown in the export window and are highly compressed. What can cause such an issue?
I haven't drastically changed my presets.

There is a very definite bug in the Adobe Media Encoder engine which is used in both Premiere Pro and After Effects. H.264 exports seem to randomly choose their own export quality, using 2-pass VBR. I have found with some DV-size exports on 'match quality' in Premiere Pro, that setting the export above 10Mbps pushes the quality down to well under 1Mbps, e.g. 167kbps. I've found that using the default min 6, max 8 seems to work the best. I've worked with this on two different machines and fiddled with it extensively and this is definitely NOT an intended 'feature'. In fact, I have found that exporting from the same sequence, if I select the first 20 seconds, I get very low bitrate, but if I select 30 seconds or more, I get the higher bitrate that I want! And I tend to get different results when I enable and disable 'use previews'.
I am also having some trouble with missing frames when exporting progressive animation files to h.264 mp4 files that never occured before. Not sure yet if this is related to the same issue, but interestingly, I don't get the 'blinking' missing frames issue when the bitrate drops itself down to a very low 150-200kbps. When I do get the export rate up higher, then the missing frames on just this animation clip return.
So, after my tests, here is a screen capture of sample export settings (yes, 15Mbps is a very high bitrate for DV, but the same happens at 6Mbps or 7 or whatever I try in some cases):
This gave me a 1.5MB file with a reported 167kbps bitrate and a quality level as shown below:
A currently working 'workaround' is to use 1-pass VBR which gives me a crisp, clean 5.5MB file. Would a few others please try to reproduce this so we can get it escalated to bug status? I'll report it if you can confirm it there, this is happening on two computers here.
Thanks,
Sean

Premiere pro cc to encore cs6

how do you send timeline in premiere pro cc to encore cs6

You don't... you export from PProCC as MPEG2 DVD and import the two (audio and video) files into EncoreCS6 for authoring
CS6 is the final Encore http://www.adobe.com/products/encore/faq.html
-a workaround for the Cloud http://blogs.adobe.com/davtechtable/
-also http://helpx.adobe.com/encore/kb/encore-cs6-installed-cc.html
-http://tv.adobe.com/watch/davtechtable/using-premiere-pro-cc-encore-cs6-for-bluray-dvd-and -interactive-video-for-ipadatv-and-mobile-hd/

Dynamic Link Question (with Premiere Pro CS3)

I'm using Dynamic Link to bring a composition from After Effects CS3 into Premiere Pro CS3.
It's just a basic DV 720 x 480 project - the composition lays over my video, so I'd like to use the dynamic link composition instead of rendering the composition as an uncompressed AVI 32-bit.
My question is - if I just render the dynamic link and use that in my final video edit - is there any quality loss - as opposed to rendering the composition from AE as a 32 Bit AVI and then importing that AVI into PP?
Thanks
FOO

There is no loss in quality. After all, Dynamic Link is nothing more than an invisible instance of AE that renders each frame just as AE would standalone. However, depending on the complexity of the compositions and resulting memory requirements, you may experience problems or the render may be noticeably slow.
Mylenium

Resources for Using Premiere Pro CS4 and Encore to author Blu Ray DVDs

I am getting ready to author some Blu Ray DVDs consisting of HD video of various aspect ratios and formats on the same disc. I have Premiere Pro sequences that are either 720p30 and 1080i (60i). The 720p video is 1280x720 (1.0) 60fps. The 1080 footage is mixed with some of the 1080i (60i) sequence video being 1440x1080 (1.3333) at 29.97 fps and some at 1920x1080 (1.0) at 29.97 fps. I haven't mixed the formats into the same project. I've kept them in separate projects because I'm unsure what would happen on export and whether I'd suffer degredation of one or the other if I dumped them together into the same timeline.
The final Blu-Ray project would consist of a bunch of menu items with each item going to a specific exported video of a specific format and/or aspect ratio. After playing around the Media Encoder for a couple of hours looking for an export setting that would preserve the video quality as close as possible to the original source video, I've settled on using the MPEG-2 Blu-Ray format using either the HDTV 1080i High Quality or the HDTV 720p 59.94 High Quality presets, depending on the format of the original video that I'm compiling.
Before I start firing up Media Encoder though, I need to figure out a couple of things pertaining to authoring Blu-Ray and what I can and cannot do. For example, can I have mixed formats on the same disk (720p and 1080i) as long as the the 720p video exists in one file and the 1080i exists in a different file? Looking over the Blu-Ray settings in Encore CS4 it's not clear to me and so far I've found nothing in the help file that says definitively that I can't have multiple file formats/aspect ratios/frame rates in the same project, though the way the New Project menu functions it suggests I can't.
Another question I have is would it behoove me to upgrade to CS5 or does it not make a difference whether I use CS4 or CS5 in terms of trying to accomplish what I want to accomplish? And if anyone can point me to other resources on this subject, that would be helpful as well. Thanks.

I use BD-RE disks.
First i make an iso and test it on the pc. (virtual clone drive and Power dvd)
Then burn with Nero to RE and test it on a standalone BD player.
If the RE passes the test i burn the iso to BD disk again with Nero (i am still on version 7)

The timeline stops unexpectedly in both Premiere Pro CS5 and Encore even after rendering.

I have 16 GB of RAM and a Z77X-UP4TH Gigabyte motherboard. Once I received a message that my RAM was almost all used up. How is that possible for a 7 minute video. I tried deleting photoshop pictures from Photoshop that I use in the video and the history of undo's in Premiere Pro. This has occurred on separate Premiere Pro projects usually about 3/4 through the timeline. It usually only does it once and always at the same place. I even tried replacing with different video but it still stops.

I just wanted to thank you Jim for all the time you spent with me trying to solve my problem. This morning I got in touch with Adobe and the service technition solved my problem. There were two problems, here is what he did. Please follow the steps to fix the crash issue or a playback issue: Go to start/search program box, type %appdata% and then got to roaming folder/adobe/premiere pro/5.0 and rename it as 5.0. Then re-launch and check. He said sometimes microsoft updates mess up the preferences and therefore you must rename the file to reset the preferences. The second problem was that I needed to empty the media cache after long projects. He told me to try cleaning media cache in edit/preferences/media and clean media cache files. It's running well now. But once again I appreciate your help. Thanks Jim.

Does MXF OP1A work with Premiere Pro CC 2014, and later?

Is below formats can work through Adobe preimere CC
File Format: MXF OP1A
Filename extension : *.mxf
VIDEO and ADVANCED VIDEO:
MPEG Type: MPEG-2 Long GOP
Format Profile: 4:2:2@High Level
Video Resolution: 1920x1080(PAL) 16:9 DISPLAY
Frame Rate: 25
Bit-depth: 8
Field Order: Top field first
Deinterlacing: None
Max Bitrate: 50Mbps
Average Bitrate: 35 Mbps
Min Bitrate: 30 Mbps
GOP STRUCTURE: N=12, M=3 (Exam: IBBPBBPBBPBB).
AUDIO
Audio Coding: PCM
Sample Bit-depth: 24 bits
Sample Frequency: 48kHz
Audio channel: Stereo
Message was edited by: Kevin Monahan

It works with a caveat. There is a bug that has been reported here and has yet to be fixed. MXFs are fine to edit with and such, but if you are trying to export to them the resulting file can contain below black information that wasn't present in the original file. Check your exports.
Here is a thread on it:
Re: Data below black level 0 in h264 mp4 files.
(look at the waveform screen captures in the middle of the thread.)
I am still having to use CS 6.03 for all of my mxf exports until Adobe resolves this issue. Been reporting it for years now. It's a pain.

How to work with Premiere Pro cs5.5 and After Effects cs5 together?

I have edited my movie in premiere pro cs5.5 and made the rough cut. In premiere, i have edited the video, put in soundtrack and foley. Now, i need to add muzzle flashes & blood splatters in some scenes and final color correction using After Effects cs5.
When i import the premiere project in AE and make the changes, and then i export it back as premiere project. When i open this prmiere project, it shows vaious kind of errors and no changes are retained that i did in AE. Also, when i import the premiere project (which has 4 different sequences) in AE, all the media that has been imported in the premiere project also opens in AE making it difficult to organize the media.
How should i work now so that i add vfx and color correction using AE cs5?
I thought of exporting the video from Premiere pro and then open the video in AE and add vfx to some scenes and color correction to the full video and render it out again. But, this is the first time i am using AE and i am not sure if this is the best way. PLEASE HELP.
Or, i could import the whole project in AE, add vfx, do color correction AND then export to video from AE. But i think, it will be better if i export the video from Premiere as it has loads of options to choose from while exporting to a movie.
The dynamic link does not work between Premiere Pro Cs5.5 and After Effects cs5. Even if it does, its not working on my pc.
All the footage is in HD and i want the final result in best quality HD too. PLEASE Help!

If you are working between After Effects and Premiere Pro but with versions that are not the same number, you need to just work with movies rendered and exported as intermediate, lossless files.
Dynamic Link only works between After Effects and Premiere Pro of the same version number, and only when they are installed as part of the same suite.

Dynamic Link between Premiere Pro and Premier Pro when importing sequences?

Let me explain what we're trying to do. In our office we have one gentleman who edits together multiple program segments for a broadcast television show we do. He creates a new project and sequence for each because we upload the segments separately for the web. My job is to edit together the entire show for television. So what I do is I import his sequences to PP. The reason I do a sequence instead of a rendered video is for I can go in an make any corrections. But if I do make corrections it only makes the corrections on my project and not the original project/sequence I imported. I would like for the changes to also appear on on the original. Is there away to do this? I know this works for Adobe After Affects, Adobe Photoshop and now SpeedGrade using Dynamic Link, but is there a way to do something similar between Premiere Pro projects or sequences? Thank you

To my knowledge there is no way to use Dynamic Link between PP on two different machines. The DL is for using PP on a single machine such as importing AE comps, PSD files, etc.
I understand what you are trying to do and it sounds like Adobe Anywhere would be what you would need. Editor "1" can make a project and edit a sequence...editor "2" can access the same project and sequence, make changes,and it will update back on editor "2" machine.
To do what you want without Adobe anywhere, and still retain the original sequence you might want to try this.
After you import the project file/sequences from the other editor, make your chances, master cut(s). Then have the other editor import your updated sequences.
Check this out http://www.adobe.com/products/adobeanywhere.html

Dynamic link between Premiere pro and After effects versions?

I was wondering if it was possible to use the dynamic link between different version of the products like preimere pro cs5.5 and after effects cs5.0, I downloaded the trial of premiere cs5.5 while I already have bought and installed after effects 5.0 a while ago. when I tried using dynamic link with premiere 5.5 with my current after effects cs5, the "replace with after effects composition" in premiere was greyed out. I didnt know if this was just a limitation of the trial, or if the two different versions (PR cs5.5 with AE cs5) were incompatable with dynamic link. hope you guys understand the question, and any answers would be helpful!

Ok so just to get this straight, in order to use dynamic link between adobe premiere pro and after effects you have to have the complete suite? or just the same version installed? all I want to be able to do is have a good workflow between premiere pro to after effects to get my vfx done, and then send them back to premiere seemlesly without spending $2000 dollars on the entire suite just to use those 2 programs and because the suite is way over my budget. is that the only possible way (other than cs6, because I dont have the $$ to update either)

Why Does Dynamic Link Not Work

I purchased the CS5 Adobe Production Premium. I have been working in Premiere and I have been learning about how to use Dynamic Link. I want to be able to alter clips in After Effects and bring them back and forth into Premiere. When I go to File/ Adobe Dynamic Link/New After Effect Composition, I get this message:
Adobe Dynamic Link Requires Adobe Production Premium.
Since I own production premium, I do not know why I am getting this message. I have reinstalled the CS5 Production Premium Software twice and it still gives me the same message. What can I do to get Dynamic Link Working.

Thank you for the tip. Could you possibly tell me how to deactivate and
then reactivate the suite. I am using a Macbook Pro laptop running OS
10.6.4. I do not even know where to start.
From:   Colin Brougham <[email protected]>
To:     Dan Seanor <[email protected]>
Date:   03/15/2011 09:55 AM
Subject:        Why Does Dynamic Link Not Work
Deactivate the software (not uninstall), and then reactivate the suite.
This often fixes this. You can opt to leave the serial number on the
system; no need to clear it and re-enter it.

Does ARRI RAW footage even work in Premiere Pro CC?

Does ARRI RAW footage even work in Premiere Pro CC? After importing, some footage just says "media pending", and some just appears as a black video. The interface is also extremely sticky. I am working on a current generation Mac Pro, so I don't think it can be performance issues.
The footage seems to work fine on my old PC in Premiere Pro CS6. I was wondering if CC lacks the ability to process ARRI RAW.
Thank you
- Tom

OK. Think I've got it now thanks to looking at the short keys and searching for "Full Screen". The upper left key is "`" which looks like a grave - a slightly angled single quote. But when I look at the "Application" setting for Toggle full screen it is set to "'" - a "normal" single quote. Sure enough, if I hit the normal single quote key the toggle works.
I have not been anywhere near the hotkeys and can't imagine why anything would change it from a grave key to a single quote - especially as they look almost identical on the screen. I'm guessing that Adobe changed this (maybe only for international users?)
Anyway I now know how to toggle full screen, although it makes the "Premiere" keyboard with its big purple key for "Toggle full screen" redundant. Does make me wonder what the shortcut key of "'" or CTRL + "'" gives that I'm presumably missing since it appears to have been remapped.

Does xavc long from a pxw x70 camera work with premiere pro cs6

Does xavc long from a pxw x70 camera work with premiere pro cs6

Take a look at this plug-in

Fine tuning nvidia quadro k4000 to work with premiere pro cc

Would anyone know the correct settings for nvidia quadro k4000 to work with premiere pro cc please?
Currently it's only using 33% of it's full power when rendering, while the CPU is running @ 95%
Mercury playback engine GPU is selected.
Thank you in advance

why would the encoder have the option to choose between mercury playback engine using GPU, or sofware encoding only!
From the article linked to earlier:
The video card and hardware MPE is not the holy grail. It helps in some circumstances to improve performance and rather significantly, but in other instances it does not help at all, as is indicated in the link above. People often think that installing a super fast video card will reduce export times by a significant amount of time. That is not true. It only helps in a limited number of situations. Keep in mind that:
Encoding to an export format is done by the CPU, not the GPU. No performance gain from a video card.
Frame rate changes, frame blending is done by a suitable video card, for instance exporting to 24P from 29.97i or 60P. Here there is a clear performance gain.
Scaling is also helped by hardware MPE, for instance going from 4K to HD or from HD to SD. Again a clear performance gain.
Rendering for preview is helped by the video card only for accelerated effects.

Does dynamic link work between Premiere Pro CC and Encore CS6?

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