Don't want clips captured to timeline

I've 25 HDV tapes to capture, I'll go in short iam capturing with scene detection after every cut clip is comes in my bin and confirming. Is there any way that cud stop this thing I just want capture to hdd and confirming later when I import clips to timeline adode elements had this optioniam using PR cs6 updated.

I don't remember exactly how this works because I have not used it in years, but give it a try. It is free.
http://strony.aster.pl/paviko/hdvsplit.htm

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I didn't ask for 'Timeline' on fb, but 'subscribed' to s/e for first time & that may have triggered it! don't want it! HELP!

I subscribed to someone because my friends quota had been reached, not realizing that it might trigger me into Timeline. They say that public will be able to see my timeline on August 13!!! I DON'T WANT IT, don't want to look at it myself or have it represent me! How can i stop this!!! There is no REDRESS!!! other than exiting the entire thing...

Everyone is going to have their Facebook profile changed to the Timeline view in the near future.
Although you might be able to use an add-on to reformat how ''you'' see the page, that won't affect how others see your profile.
Rather than search for "hacks" that are unlikely to help, you should think about hiding any activity you don't want shown in your Timeline. Check your general privacy settings, and also scroll through your timeline and hide whatever you want hidden. If you are an active user, this could take a while...

TS3391 iMovie 11 is not working. I try to open it and it says it is generating thumbnails for one of my previous projects. All the commands are gray. I have to force it to quit. I just want to capture clips to start a new project.

iMovie 11 is not working. I try to open it and it says it is generating thumbnails for one of my previous projects. All the commands are gray. I have to force it to quit. I just want to capture clips to start a new project. I googled the problem and there were discussions about deleting files in various folders and renaming clip extensions. I don't like the solutions I saw there and I am not sure they will work.

Nobody replied so I called Apple. They seemed to think they could fix the problem but I had to agree to pay about $20 first. I told them to put it down as a complaint. I only want to use the software I bought. I can't see that it is my fault it is malfunctioning. I guess I will have to pay. It doesn't seem right.

Made a 2 minute edit on Final Cut Express but at the 30 seconds (after I exported), there's a clip showing up that is not in my project, a clip i don't want in there, a glitch, how can I correct this problem? I don't want to start over again :(

Basically, I have 2 problems:
1) When I export it shows this clip that's not in my normal project and it ruins my project by having this clip in there; it's like a glitch. I tried to change the clip, and and still doesn't make the project normal again. Tried a new sequence and dragging the project into HD Mode and to no avail.
My camera:
HD: 1080p
Settings: At Hd
2)
Also, it's only displaying black bars above my project, even after exporting at 720p. I just don't want this random clip in my project or the black bars. I'm using Final Cut Express. Does anyone have any possible idea what this could be? Any help woud be much appreciated! I'm clueless on this.
IS ANYBODY OUT THERE? : )

1) Is it a video clip? Something you recognize? To be clear, it's displaying at a point in your exported movie but doesn't appear at all in the sequence?
2) What are your sequence settings? Right-click your sequence and choose "Item Properties" to verify.

With green chroma concept, I removed the green background, now the green background is seen black. I don't want to have any other background clip, but I would like to change the background black to white. Please help me.

With green chroma concept, I removed the green background. Now the green background is seen black. I don't want to have any other background clip, but I would like to change the background black to white. Same like the advertisement clip in the Apple Website. Please help me.

If you want the whole of the project background to be white, you can change the colour in FCP X preferences.
If you just want white for a section or clip, use a custom Generator from the Generators Library and change it to white in the Inspector.
Andy

I don't want to import video clips from iPhoto!

iMovie automatically imports video clips from iPhoto, and I don't need or want this to be done. I don't want to delete or move those clips from iPhoto, so is there a way to prevent the automatic transfer?

Go to your Hotmail account on the web (NOT in mail), make a new folder (or folders) for the mail you want to keep and move the messages into it.
Mail (and all other email clients) will download all messages in the inbox unless previously downloaded. That means downloaded with the client you are attaching now.
Until that is done do not setup the account in mail.

I was almost done my project. I hadn't published it anywhere. Then, the next day, the clips from my timeline went all grey and there was an "out of date" icon. My project was lost. What happened? It's not the first time it's done that!

I was almost done my project. I hadn't published it anywhere. Then, the next day, the clips from my timeline went all grey and there was an "out of date" icon. My project was lost. What happened? It's not the first time it's done that!

You can undo your permission changes. Probably the most relevant one is cookies. Try one or both of these methods:
(1) Page Info > Permissions tab
While viewing a page on the site:
* right-click and choose View Page Info > Permissions
* Alt+t (open the classic Tools menu) > Page Info > Permissions
(2) about:permissions
In a new tab, type or paste '''about:permissions''' and press Enter. Allow a few moments for the list on the left to populate, as this information needs to be extracted from a database.
Then type or paste ''rcn''' in the search box above the list to filter it to the most relevant domains. When you highlight a domain, you can adjust its permissions in the right pane.
Any luck?

Keep last frame of a clip until the next clip in the timeline?

Is there an easy method to keep displaying the last frame of a clip until the next clip shows up in the timeline. I do not want black video in between.
Video demo:
http://www.bartelsmedia.com/vid/tmp_premiere_question2.swf
I know that one can mess around with the playback speed of a clip but this makes it hard to exactly hit the beginning of the next clip.
Any ideas?
Ciao, Gunnar

Yeah, Hunt. Frame hold certainly has room for improvement. It also suffers from the auto-deinterlacing bug wherein the held frame is (often?) deinterlaced whether you've ticked "deinterlace" or not, so it is totally unusable for me.
The workaround of exporting .BMPs is wretched also, as this forces a YUV->RGB conversion (for DV, HDV, etc.) that clamps the color range.
I don't like the rate changing method either, as there is a risk of inaccuracy -- especially if you need to tweak the ins/outs afterwards.
When I know I need to do lots of frame holds (such as with instructional animation, screen captures, etc.) I make sure I build in at least an extra second of no-mo where I plan to hold the frame. Then I copy/paste 1 second clips to fill the time. This sucks also, but it is the only way I have found around the other methods' limitations.
My PPro "frame hold fantasy vision" (based on my hazy recollection of my old NLE ca. 1993) is something like: Right-click, choose "Frame Hold at CTI" -- which would automatically set Marker 0 at the CTI, frame hold at Marker 0, and then allow you to infinitely pull the ends of the clip. The overextended regions should be indicated with grey diagonals on the clip in the timeline, just like when transitions run out of frames or nested sequences get shortened, etc.

How do I select all instances of a clip in the timeline at once without manually shift clicking each instance?

Title says it all!
How do I select all instances of a clip in the timeline at once without manually shift+clicking each instance?
The reason I want to do this is because I have a music video with MANY quick cuts. So clips are cut up and splattered all over the place. I am colour-correcting now and so I want to be able to select one clip everywhere it exists in the timeline so I can drag the effect onto all them at once, without having to find each instance of the clip in the timeline. This "batch select" would make it so I don't miss any instances of the clip and also saves a ton of time going through the timeline and shift clicking each time the clip turns up.
I hope PP is smart enough to do this
Thanks in advance!
-- Tim

Pick one instance of the clip, maybe even the first bit ... and use the new Master Clip feature ... here's first a written explanation and then a video tutorial on doing this ... it's a great feature.
Adobe Premiere Pro Help | Master Clip Effects
How to apply effects to all instances of a clip | Adobe Premiere Pro CC tutorials
Neil

How do I select multiple clips in a timeline in the reverse direction, e.g. middle to front?

I know how to click "a" and select clips in the timeline looking forward, but how do we select multiple clips from a middle point to the front of the timeline? I don't want to be lassoing -- is there some other way?

Hi denniscallan,
Please check the track selection tool. Refer to the link below for more information about the tools section.
http://help.adobe.com/en_US/premierepro/cs/using/WSd79b3ca3b623cac957c49aa9127401b0642-7ff f.html
Regards,
Vinay

Freeze up during clip capture with random change of in and out points

Having BIG problems capturing DV footage which began late last Fall. While performing a capture (assigned clips) footage would go down for a few seconds then would freeze (picture only, the audio continued) then after several seconds the picture would "catch up" and continue.
Found a solution here in the FCP forum where I had my firewire drives "ignored" by SPOTLIGHT by listing them in the privacy selection. Worked and moved on.
I have a project now where the problem has come up again. Once again during a clip capture it did what it did before - but now it ignores the assigned in point (audio but no video and almost consistently delaying it by 9 seconds into the capture) then freezes (at the assigned outpoint - sometimes) then continues to play on (audio only) then resumes (again catching up) then stops announcing a SUCCESSFUL CAPTURE. When the clip is selected to preview it plays back from the incorrect in point, freezes, then plays until the catch up - with now the audio out of sync. More craziness because now the log information now has changed: the MEDIA START & END information is not what was inputed so the DURATION TIME is now different and sometimes it adds a MARK OUT point (!?). I rarely use the CAPTURE NOW function but even trying that the footage still freezes up and goes out of sync.
I worked the SPOTLIGHT routine again with no change. Have completely optimized my system drive and external hard drives using DISKWARRIOR 4.1
I accept all the auto software up dates that come through UPDATER and see that I received a updated Quicktime version 7.5 on 13 June 08. I also noticed that I don't have CLASSIC OS 9 supported and seemed to have read here about something about FIREWIRE DRIVERS that maybe missing?
Was thinking of upgrading to 10.5 to see if that helps - but unsure about my FCP version/compatability...
So, here I sit frustrated since I have used FCP (which I LOVE) for quite a few years with great success - this is crazy! OF course, I have a project which deadline is looming!
Any ideas?
Much appreciation..
Here's my computer stats:
G4 Powerbook
OS 10.4.11
FCP 5.0.4
QT 7.5
Sony DSR-11 recorder/player
4-Firewire Drives with 20gigs of space available

So far have done a workaround to digitize my DV elements through iMovie. Not pretty. I string together the selected/import clips (in this case from interviews), assemble them in sequential order on the time line with small breaks of black in between, then export the timeline as DVCPRO/DV-NTSC quicktime file. Take that file into my FCP then segment out the clips on the time line, make each segment an independent clip so that I can name them. Not pretty but it works - miss having the logging data going through FCP log and capture.
Still waiting for any other solution to my situation - thanks!
John

How do I see every frame of a clip on the timeline in Premier ?

There are of course times when I need to see every frame of a clip to synchronize two clips. Imagine for example that you have a two camera shoot and both cameras were looking at a clapstick, or at a strobe. I want to put both clips on the timeline and zoom in to see every frame. Now I can align the two clips fo that one specific frame of each clip is over/under each other. However, when I have zoomed into the timeline it seems I can never zoom quite enough to see every frame What do I do to be able to zoome all the way in to the timeline so I can see every frame of the clips ? I haven't actually tried this yet with CC, but did with CS6 and it wouldn't do it.

I'm not knocking the idea of using the program monitor to place markers on sync points and using that to synchronize clips. It should be a very good solution.
What I am saying is that there are times when it would be advantageous to be able to see every frame of multiple clips on the timeline. When i first tried to do that I zoomed in and it looked as if it would display all the frames. I was dissappointed to find it wouldn't. As an editor who has done a lot of resynchronizing multiple camera shoots where there is no intentional visual sync cue, i can tell you it can be a big help to be able to see the frames as if we had a strip of film on each timeline. Sometimes we need to see several frames of each clip at the same time to make a decision about which frame represents the sync point, or to make the quickest possible decision about where to start and end a dissolve, or to chose which camera to use. In a scene shot with only one camera, there is no actual sync point. The action may have progressed slightly differently between shots. Being able to see 10 or 15 frames from each shot can help to make the quickest decision about how to line up the shots and where to do the transition. Would anyone out there say it would be a bad thing if Premier Pro could display every frame when we zoom all the way in ? It seems to me that it could only help. So i request Adobe consider it as a possible future improvement.
Here is an example, the last time i tried to see every frame in Premier. I had a scene I used Maya to create, series of Tiffs. This scene shows an object appearing as if arriving through a time or dimensional portal. The scene includes plasma popping and flashing. There are two different shots of the same moment in time. The shots are frame numbered. So if I could see the frame numbers from the original tiffs on the timeline I could align the shots that way. But of course I lose the frame numbers. The overall scene is too long, and rendering time too long, especially for 3-D 1080, to render each shot from the beginning of the scene, which would make synchronizing very easy. So i needed to sync to the flashing plasma in the scene. I though I had the shots lined up using a flash. It turned out they were not the same flash. So if i did a slow dissolve between shots, the flashes form each shot would not line up in time. What I needed to do is line up several flashes happening over a couple of seconds, so I coud verify the flashes were the same flashes. There are different numbers of frames between each flash, so if I got three to line up they would have to be the same flashes. I spent a lot of time trying to get these shots lined up. If I could zoom into the time line and see evry frame I could synchronize several clips by lining up the flashes, in just a couple of minutes. To do this with markers, marking say five flashes from each of four shots, it would take several minutes to do it before being ready to do the synchronizing. It's a workable solution, but is not ideal, a compromise.

How do you move a sound clip in the timeline?

I have not had this problem before. I have put many songs into the timeline, and repositioned them. Today I pulled up a project and attempted to reposition a song to fit in better with the clip, and I'm unable to do so. I can't select the song, or anything else. Obviously I have set or locked up this track, and I can't figure out how to unlock if that is what I have done. I have 6 songs on that track, Audio track 2, and I can't reposition any of them. I can't even remove them from that track. What am I doing wrong?

Hunt, most of my music files, over 9000 songs, are mostly mp3 files and a few are wma, and because of copyright laws I wouldn't use them in a commercial project I'm working on anyway. When I am working on a project for a client I will generally use higher quality WAV files. This project was being done just to learn some new techniques, gain some more experience with PPCS4, and expand my knowledge with the program. I have this huge number of music files and styles to work with, so I can do a great deal of experimentation to see what different songs can do to the mood of the video.
As a test, I did put the exact same songs into the timeline on a different audio track. The problem track is audio 2, and I duplicated those songs on audio 3. I did the exact same editing. I faded them in and out the same as before. Split one song into 3 sections had parts of it come in and out over a video section of 9 minutes duration. They are working perfectly. I was just working on one section of that project a half hour ago, and I was still able to select and move each of the four songs on that track any way that I wanted to. However, the track just above it in that same timeline, Track 2, is still frozen.
Hunt, just a moment ago I solved my problem. Still not being that familiar with the program, two days ago I know that I was playing with all of the controls, and I obviously hit one of them without knowing one of its side effects. I hit the show "show track keyframes". I'm sure that you know it, but I didn't realize that when that function is selected, you can't do much else with the track but play with those keyframe. Even though I didn't have the track locked, in the traditional way, it was still, for all practicall reasons, locked. I unchecked that function and now everything is back to normal again on that track.
Something very simple, as many things turn out to be when you understand it. However, maybe someone else will make the same mistake, and my posting here will help them.
I will use your suggestions for using .WAV files. Thank you again.
Terry Lee Martin
Date: Mon, 7 Sep 2009 14:29:37 -0600
From: [email protected]
To: [email protected]
Subject: How do you move a sound clip in the timeline?
Terry,
What is the purpose of using the .WMA files? I'm sure that you have a good reason, but they can be problematic, at best. I only use them as a trasfer medium, when I need to get a DD 5.1 SS soundtrack into Audition for editing. There, I break them out into 6 discrete .WAV files, edit in Multi-track Mode and then usually Export as the 6 discrete WAV's to be encoded to DTS, or similar.
If you do not have a compelling reason for using the .WMA, try PCM/WAV @ 48KHz 16-bit and see if the issues go away.
Good luck, and let us know how it goes please,
Hunt
>

Making individual clips from the timeline.

So here's what I'm trying to do: put a mess of clips in a row on the timeline, use the blade tool to pick out the bits I want, then take those bits and get the individual clips to export through compressor, and to do this by making as few duplicates as possible (I would like to media manage the project or save space in any way possible). Again, I don't want the timeline as an edited sequence, I am trying to pull individual clips. Also, I need to be able to name them differently (which I can't seem to do by simply pulling the clips into a bin-I rename one and all the ones like it get renamed as well). What is the best way to do this?

1.) Then don't use sequences for this type of work.
2.) Then adjust your In & Out points to create handles.
From the Manual, what is a subclip:
A clip created to represent a limited portion of a media file. By artificially
limiting the duration of a media file, a subclip allows you to work with smaller
sections of a media file. These subclip limits can be removed at any time so you can
work with the whole clip. For example, if an original media file is 10 minutes long, the
Browser clip is also 10 minutes long. You can make a 1-minute subclip and work with
the subclip as if the media were only 1 minute long. For more information, see
Chapter 2, “Creating Subclips,” on page 35.

How come F10 does not put my clip into the timeline ?

How come F10 does not put my clip into the timeline ?
When I pressed F10, the sound icon appears instead.
Am I missing out something ?
Thanks

skalicki` wrote:
Technically, to make the function keys work you don't need to change the second box to dash. I don't know why I gave that advice, but it isn't necessary. I guess I said that simply because that's what I have it set to.
The reason there are two boxes is so that you can set Exposé to using both the function keys and the mouse. For example, if I have +All Windows+ set to F9 and Secondary Mouse Button, then it will show all open windows if I click F9 or right-click. That is why you actually don't need to have the second boxes for any of these set to dashes. You could set them to your mouse buttons, or if you wanted you could set the first box of any of these to any function key, as long as it isn't set to the same one as the key you want to use for your shortcuts within FCE.
I hope this made sense, I realize that I might not have explained it very clearly.
Message was edited by: skalicki`
Thanks skalicki, I think I got it. You've been of great help !!

Don't want clips captured to timeline

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