DownConverted HD to SD Premiere Pro CS4.1 now what?Please HELP!!!!

Hi I have followed Jeff B's tutorial downconverting HD to SD using Maximum Render etc.. excuse me for being dumb but now what? How do I get that onto DVD in best possible quality. Do I import the avi file into Encore? Or do I Start another Premiere Pro project paste this sequence onto timeline & then export to Encore? What settings do I choose in Encore?
Sorry for being so untechincal but was used to CS3 & SD and am having all kinds of trouble with HD, downconverting & authoring DVDs.
Thankyou

Jan,
I would Import the AVI into Encore as a Timeline, and let Encore do the Transcoding on Automatic. When the authoring is done, Burn to Folder, and use a DVD software player, like CyberLink's PowerDVD to test it. Look especially close at the areas where you have motion, either camera, or subject. How does that look? You could also Burn to Disc, and use an RW, to test in a set-top player (no "coasters" that way). If you have any issues, you can go back, clean the Media Cache and manually set the Transcode settings, but Encore does a good job.
Some feel that other encoders do a better job, than PrPro, or Encore. In that case, you would use one of those to do the MPEG-2 Transcoding. I think that most of those are stand-alones, and not plug-ins for PrPro.
Good luck,
Hunt

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Read Harm on drive setup http://forums.adobe.com/thread/662972?tstart=0
- click the embedded picture in Harm's message to enlarge to reading size
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Read Hunt on Partitions http://forums.adobe.com/thread/650708?tstart=0
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Hi, everyone!
I'm working in Adobe Premiere Pro (CS3), taking 3 thirty second video clips, and putting them together, along with an audio track, to make a 1:30 video background with music.
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Telling him to go study video editing is not helpful at all.
That depends. If he does actually go off and study video and can then perform the task better, then it really was helpful.
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Heck even older versions of Premiere didn't require this step.
Yes, they have. All NLEs always have, and always will.
telling someone to go read the manual or go learn video editing is not what these forums are for
I would argue that Premiere Pro, and hence these forums, are for those who have already learned video editing.
First lean, then do. This applies to any activity. Those who try and skip step one and show up here looking for help do often meet with some backlash.

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I agree that the The Pentium D was the actual name but Pentium D CPUs are based of the P 4 netburst achitecture. That was stated even by Intel and many magazines. In other words they are not P2, P3 or even a Core 2 architecture. So yes I can call a Pentium D a Dual Core Pentium 4. That is infact what it is. I can not call it Dual Core Pentium 3. There is no dual core P3.
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Can I import I-life files into Adobe Premiere Pro CS4?

Okay, so not exactly an Apple question, but there are so many smart, helpful people on here, and the Adobe forum doesn' t seem very active.
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This is a forum. None of the users here -at least not to my knowledge - are Adobe professional
Ninety-nine point nine percent correct. We are blessed with a few Adobe employees here, unlike some fora, but those folk are probably at NAB right now. Also, they are in other departments, so would have to walk "down the hall," or make a call, just as we would.
When it gets to issues on licensing, installation, etc., we're pretty much at a loss. Most of us have never encountered such issues, and only know what we have read in others' threads, when they have bothered to report back. Even then, that is third-hand info.
Last time that I had an Adobe installation issue was AI 3, IIRC. My upgrade version did not have the old database of S/N's. Mine was 00-000-003, and things had changed drastically. One call to Adobe, and a total time of about 5 mins. (including hold time), and I was given a number to plug in, and then everything installed perfectly. That was in about 1989, so is not quite contemporary. Still, that is the last and only first-person account that I can offer. Most here have zero personal experiences, as they came to the party later, and have just not had any such issues.
We'd love to help, but just do not have the experience.
Good luck,
Hunt

Premiere Pro CS4 (Windows 7) will not (Capture or Record) connect with DV Cass Recorder

For 12 yrs I've Never had a problem w Adobe Prem Pro seeing my Panasonic AG-DV2000, DV cassette Recorder. Premiere Pro CS4 (with Windows 7 Ultimate) will not connect (Capture or Record)with my DV Cassette Recorder - Panasonic AG-DV2000. I upgraded my computer to below components & added Windows 7 at same time. Have had Adobe Prem Pro CS4 since fall with no problems. I usually have 2 - 5 videos, with 2 - 4 audios, going at same time on my timeline. (These digital videos & audios I shot myself professionally with mini DV cassettes.) Most projects are between 10 to 50 mins on timeline, w transitions or crossfades between video & audios. Firewire attached from computer to Panasonic. No Capture card in new system, not needed, use to watch over an external TV, now watch over a second monitor or in program monitor.    [Am I just missing a simple setting??]           Computer below & settings:   very up to date.
motherboard                        ASUS P6T
CPU                                         i 7    2.67 GHz
RAM                                       6 GB
video                                      ATI Radion HD 5700 1 gig Memory OpenGL 3.2
Main Drive                            500g SATA 7200 rpm
Raid Drive                              1.2 TB 7200 SATA
Windows 7                            64 Bit Ultimate
DVD/CD                                  writable Disc Drive
AVG                                        Antivirus 9.0
Playback Settings
                Realtime Playback
yes                                          Desktop Video Display
External Device                    DV 25 720X 576i
Aspect Ratio Conv              Hardware
yes                                          External Device Audio
                Export                     External Device                    DV 25 720X 576i
yes                                          Disable Video output when in background.
24p Conversion Method    - Interlaced frame 2:3:3:2
Preferences          (only things not set at default)
Audio Output Mapping       --   Premiere Pro WDM Sound (have also tried Audio Out)
Device Control     DV/HDV Device Cont Options: NTSC, Panasonic, AG-DV2000P, Auto Detect
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Media                     Cache files saved to My Raid drive not C drive (so they will run faster)
                                Indeterminate Media Timebase:   29.97 fps Non Drop Frame
Project Settings Video -- Timecode             Audio -- Audio Samples
Capture Format (tried both) DV & HDV   (all settings checked for during preview & capture)
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                Under HDV            Says Panasonic is Offline, but computer able to control the Panasonic start/stop, but doesn't record or capture tape to computer?
[ I think this DV/HDV part is correct...... it's getting very confusing at this point??!! Your help is appreciated Thank YOU ]

http://www.studio1productions.com/Articles/Firewire-1.htm
Above article HELPED me -- and is working fine!!
Was an Easy fix, took less than 2 mins.
After a 2 1/2 month ordeal.
Info from the "forum help group" through adobe. jk

Premiere Pro CS4 eats my C: drive in Vista Ultimate 64-bit SP1

I installed Premiere Pro CS4 this last weekend 11-12 April 2009.
I have a Quadcore 3.0GHz with 8Gb of RAM, a 150Gb C: drive fo rthe op sys Vista Ultimate 64-bit SP1 and programs, a 500Go D: drive for general data and a K: drive 2Tb RAID0 volume useable about 1.8Gb.
My C: drive was healthy after installation of Premiere Pro with tens of gigabytes free at least. Then I started experimenting with building projects. I put my files on a mix of the D: and K: drives especially the AVCHD video assets on the K:.
While importing these AVCHD assets I eventually got a message from Vista that the C: drive was full and I did a clean up and that gave approximetely 30Gb free, I went back to importing, in a couple of hours the 30Gb was gone, this can only be Premiere Pro CS4 eating the C: drive and never returning what it takes. This of course is a disaster precisely because it is my op sys drive and Vista will periodically want to make new restore points especially before applying downloaded updates from Microsoft. I ahve run also chkdsk and defragmenter with no effect. I think Premiere Pro is using some sort of secret work files on the C: drive somewhere and that they just accumulate, of course this would be a bug.
Support Center does not appear to let me open web support issues even though we are in the 90-day bug fix period and I have registered the product with the product key so that is another bug that gets in the way of fixing the first.
Any ideas please?
Thanks!
Peter.

Yeah, I did not take backups that often cos I did not intend putting the machine onto the net, then I got this device that said it would protect against everything by isolating my machine and making it invisible, I await the analysis by the company but it does appear not to have worked, the only thing that works is very real physical isolation and do not use the internet at all from the main machine. Like I say it simply is not confirmed yet but neither is it denied. You cannot actually go so far as to blame Adobe because stopping hackers is the job of the op sys vendor really so I blame Microsoft, the only blame for Adobe is the policy that some functions require internet connection in order to work when they know internet is not secure, so for instance if you want to use the emulators for things like these mobile phones they want you to be connected, I tried that one phone emulator and it said so, I wish they just put all documentation and all software on the DVD. I can roll back to an earlier Vista version from a USB backup disk that is always powered off, then rebuild as necessary, but I want the security firm to see if it is a trojan in fact first and to see if it can upgrade the security device and provide a roll out of the trojan's work. Right now I am still scripting the documentary and this second quarter is getting this Premiere Pro up ready for third quarter production so I can be philosophical for now, but yes later I will get more disciplined. But at least now I (almost) know the security device is not the all singing wonder they said it was. Oh well. I use a second machine too, a PS3 with Linux, that is what I am using now, this one doesn't seem to get hacked even though it is my sacrificial machine.
Message du 16/04/09 14:21
De : "don solomon"
A : "JONES Peter"
Copie à :
Objet : Premiere Pro CS4 eats my C: drive in Vista Ultimate 64-bit SP1
Adobe deserves criticism for its shoddy QC, but not for maing you exposing your main machine at risk on the internet. I never do that, and I never have had a virus or malware on it--never in all the years I've been doing this. I have picked up a few on my internet machine, though, but they are easily fixed with the security scheme I use.
As for restore points possibly eating up disk space, which you alluded to earlieranother never for me. Restore points are a half assed measure at best. My security system is a full clone backup of my C drive starting the day I install and OS on it, and every time I add add a program, and every day when I am working a big complex project. Otherwise, once a week. It takes a few minutes only. That way I can restore everything in equally few minutes should anything bad happen, like poorly designed software affecting other software, a virus, malware, etc, and including drive failurewhich has happened twice over the years.
Don't get me wrong, a virus checker is very useful to a point, but real security design has to start long before you install one, especially if your machine is the heart of your business, as it is for me. What is that old saying? An ounce of prevention is worth..........
>

Adobe Media Encoder for Premiere Pro CS4 stops working on the same frame every time...

I currently have Adobe Premiere Pro CS4 and have never had these issues exporting before. My timeline is less than 3 minutes long, but it does deal with multiple big files. It rendered perfectly and it plays perfectly in the timeline. When I try to export it using Media Encoder, however, it freezes at the same frame every time (which is actually only a few seconds in!) and then crashes, so that I have to force quit. I have tried exporting it as many different codecs and the problem persists... same frame. I tried creating a new project entirely and whipping together a few titles and exporting that to see if it just won't export anything at all. The new project exported just fine, however, which I suppose is good news. But yeah, my work on that other project is very important to me and I reallllly want to export it. Please help!

Hi Jim! Thank you for your reply. I think you are right -- and that it lies in the audio somehow!
It turns out that if I choose to only export the video, and uncheck audio, it will export very well and smoothly. That's great news for me!
However, now I am trying to work out how to get the audio exported without issues. I actually had the idea of just playing the audio in the timeline and recording it via Stereo Mix, but my Windows 7 driver has Stereo Mix disabled, so it's back to square one. Any ideas of what I can do about the corrupted audio not exporting, which works fine when played in the timeline?

Vob Import Question in Premiere Pro CS4 4.1

Hello,
Prior to posting, I read numerous posts related to importing vob files in Premiere. None of them seemed to address the particular problem I am experiencing, and I was hoping to find an answer here in the forums. Here's what I am attempting to accomplish:
1) Export the vob files (there are 4 of them) from a commercial movie DVD to hard disk
2) Import the vob files into a Premiere Pro CS4 4.1 project
3) Build a sequence out of the 4 vob files
4) Replace the sound in two very short segments to eliminate profane language so that my children may watch the movie
5) Import the sequence into Encore CS4 and burn a standard DVD
I was successful in all of the above steps 1-5. So what's the problem? I noticed, when viewing the output DVD, that at a certain point (only a single point) in the movie, the sound was garbled and the frames got 'wonky' (a technical term I picked up from Deke McClelland). My first assumption, was that I had messed something up somewhere in my editing process. When I navigated to the problematic time in my Premiere project, I saw that there was a problem in that at a certain point, the video would flicker, after which the audio would be out of sync with the video and would remain so until the end of the sequence. If instead, I simply navigated within the sequence to a few seconds past where the problematic frames seemed to be, all would be well (audio and video in sync). So, this means to me, that at the point where the problematic frames seem to be, Premiere has trouble interpreting them, and from that point on, the sequence is affected. If the seemingly problematic frames are skipped, then Premiere does not enter its bad state.
The next troubleshooting step was to start afresh, and see if the problem existed prior to making any edits to the sequence (i.e. steps 1-3 above). The problem still existed.
The next troubleshooting step was to see if a media player exhibited the same behavior as Premiere. So I took the same vobs and viewed them with Windows Media Player 11. There was no problem viewing the exact same vob in Media Player 11 that essentially is not viewable in Premiere Pro CS4 4.1. Hmm.
The next troubleshooting step was to see if an encoding program would exhibit the same behavior as Premiere. I imported the same vobs into TmpEnc, and when viewing them, no problems were exhibited.
Although not conclusive, it appears that there is a bug in Premiere Pro CS4 4.1.
Another problem that I noticed with vobs, is that sometimes, Premiere Pro CS4 4.1 does not recognize the proper frame rate of a standard DVD vob file, e.g. given 5 vobs that comprise a single movie, the first vob is shown as simply a video file (i.e. no audio at all) @ 29.97 fps in the Project panel, but the subsequent 4 vobs are recognized correctly as having both audio and video @ 23.976 fps. As before, I validated that the apparently problematic vob (from the Premiere Pro CS4 4.1 point of view) renders/plays perfectly fine in other applications (i.e. no audio or video problems). I attempted to use 'Interpret Footage' to rectify the problem with the vob, and when I type in 23.976 fps, it takes it, but then displays in the Project panel as 23.98 fps. It didn't fix the problem, but I was wondering if diplaying 23.976 as 23.98 (as opposed to 23.976 which is shown for the non-problematic vobs) is another problem.
Thanks much for any and all help,
Matt
My system specs, if needed:
OS - Vista Ultimate SP2, x64, fully updated
CPU - Xeon e5440 x 2
RAM - 16 Gb
Master Collection CS4 with all updates installed

Welcome to the forum.
Now, you have several problems, but most are with your choice of equipment and your workflow, not your choice of an NLE.
I took a wedding video from 1990 on a VCR tape and turned it to digital via a Dazzle hardware unit that plugs into the computer. It gives me vob files with no menus or anything like that
Few people have ever been able to get a Dazzle to work. This is true, even with the Pinnacle software, that often comes with it. It is an AVID product now, as they bought Pinnacle, and if you can get it to work at all, you are ahead of 99% of all owners. Stop by the Pinnacle fora and type in Dazzle. You will get the idea quickly.
A far better workflow would be to use a VHS player, hooked to an A-D device, like the Canopus/Grass Valley 110, or their 300. Use the Edius software that comes with it, to Capture DV-AVI Type II files w/ 48KHz 16-bit Audio. There will be zero OOS issues.
Most other equipment and workflows are kludges and seldom work at any level.
A good workman does not blame his tools. He might blame his choice of tools, but not the tools. Unfortunately, you chose a piece of hardware that doesn't usually work with the included software, and are blaming a great NLE program, because you are trying to work with horribly bad footage.
Please do yourself a favor. Donate the Dazzle to Goodwill, and look at the Canopus/Grass Valley 110. The price differential is not that great, and you will keep all of your hair.
Good luck,
Hunt
PS just did 34 VHS tapes via the above suggestions (some LP and some EP), and got many hours of usable footage. Not one glitch. No OOS. Every file edited perfectly in PrPro and I delivered 15 DVD-5's, that the client loved. I paid for a Canopus 300 with just my time on one project.
PPS, please see my post #5 for a link to an article on VOB files.
Message was edited by: the_wine_snob Added PPS

Premiere Pro CS4 added contrast H.264 preview files

Hi,
Any help I can get with this problem would be amazing.
I recently updated my OS to 10.6 as there were programs I wanted to run not available on 10.5, however this caused other issues with Premiere that I couldn't fix so I just decided to go back to 10.5. With both installs I reformatted the hard-drive then installed the OS. Now that I've reinstalled OSX 10.5 and updated to the most current version, and then installed Premiere Pro CS4 and updated that to the most current version (4.2.1) and also updated the codecs for Premiere, I'm having an issue with my preview/render files in my timeline that I never had before. It appears that now when I render my original H.264 files the preview/render files have added contrast/crushed blacks and blown out highlights.
Basically I'm editing H.264 footage from a DSLR, and when I open up a project that I was working on before I began this upgrade mess it opens correctly, but if I extend a clip in my timeline to include part of the original clip that was not previously rendered, Premiere renders this clip with what appears to be increased gain and pedestal/increased contrast. I've also tried this in a new project and it still renders with much more contrast than it used to. Whether in a new project or previous project, Premiere seems to decrease pedestal so my blacks are around/below 7.5 IRE and my whites are at/above 100 IRE. it looks really messed up when this occurs in the middle of a clip that was half rendered before and half after the install. Also I'll bet it's not going to help when it comes to color correcting and it looks like I could be losing image data.
I don't know what has caused this as it was working properly before my attempted upgrade, and I installed Premiere the exact same way as I did the last time I installed it and I'm using the same version. The only hiccup was after the install and upgrade it said media offline on my old project until it asked me to update codecs, once codecs were updated it displayed all footage in my timeline correctly and then I noticed that I could no longer render preview files to the same standard.
Here are screen shot comparisons of a video from my timeline. These are back to back frames, the top one was rendered before the most recent install, the other rendered after. I have put a YC Waveform chart beside the image. Sorry I think the best way to see it is just to follow the link otherwise it's gonna be too small.
http://www.flickr.com/photos/86776146@N03/8101475154/sizes/l/in/photostream/
Also here is a screenshot of the settings I'll describe below.
http://www.flickr.com/photos/86776146@N03/8101463115/sizes/l/in/photostream/
Computer:
Mac OSX 10.5.8
Intel Core Duo
Premiere Pro CS4 (4.2.1)
Project Settings:
HDV 720p
29.97 fps
1280 x 720
square pixels
30fps drop-code
I-Frame Only MPEG (video codec)
I've already searched for a solution to this but come up with nothing. I read a bunch of stuff on the increase in gamma that can happen with .mov files but I don't think this applies to my situation as I would have been having that same issue with my previously rendered footage.
Anything would be really helpful...Thanks
Message was edited by: Mike542

Okay so I've been looking into this in depth over the past few days and I haven't come up with a lot. I have noticed that it's not just the render files but also the inspection window where the clip displays in this manner. It looks like the luma range (as seen in YCbCr scope) is being limited between 7.5 and 92 IRE and I think this is maybe a good indicator of the problem. Why this is happening I don't understand. On my clips that were previously rendered in this timeline there is full range from 0 to 100 in the luma from the YCbCr scope. These files were rendered to an external drive from before I reinstalled Premiere, so it's any h.264 files that I am using after reinstall that are having this issue. I have attached another screen capture illustrating this (look at line to right of scope showing full luma range). Also I have some .mts files from another camera and they import with full luma range as well.
http://www.flickr.com/photos/86776146@N03/8114886495/sizes/l/in/photostream/
When playing my h.264 files in Quicktime or VLC they look about the same in terms of blown out whites and crushed blacks. Does Premiere rely on Quicktime for its h.264 codec or does it have it's own? Is there a way to force premiere to update its codecs/manually download and replace the h.264 codec?
I really can't understand what's happening here and I can't do any work when imported clips are this messed up. Can someone please help out on this!!! Super frustrating and seems to constantly happen with Premiere...

What is the best way to handle .mod files in premiere pro cs4?

I recently got a JVC Everio GZ-MG130u and as I'm sure many of you are aware, it saves footage in the .mod format.
I have googled this and found quite a few different solutions, but I'm just wondering if anything has changed since some of these solutions were posted, or in other words, what is the best way at this current point in time to handle .mod files in premiere pro cs4?
As far as I know, the best thing to do is convert the .mod to .avi and then import it into premiere so it can be edited.. Is there a better way to do it than this? Also, by doing it this way, will I have separate audio and video tracks?
Thanks.

I have just done a bit of reading, here. All of the quotes that follow are from users who have posted in that thread.
It seems that there isn't one solid answer on this subject. The thread that I linked to was started 2 years ago, and replied to just 4 ago, so it's relatively current.
I noticed a couple different interesting statements:
posted by mmontgomery:
In the case of .MOD, you are actually getting a MPEG-2 file. The way
video files work is that there is a codec (COmpressor/DECompressor)
algorithm and a file wrapper (or extension). A JVC .MOD file is a
MPEG-2 encoded file, with a .MOD extension.
You're faced with two
challenges, first the .MOD file type is only recognized and support by a
few applications. I think we covered some of those already. The
interesting thing about wrappers and extensions is that they can be
dealt with in a variety of ways. Sometimes all you need to do to convert
the video file to a compatible video file is to change the extension.
In the case of .MOD files that's not enough. The .MOD wrapper apparently
does a few more things than just bare a unique extension name. It
requires a slightly more complicated method to convert that file. That
is why there is supplied software and that certain third party
applications have .MOD support.
(posted 2 years ago)
This seems to indicate that Ann's solution of simply re-naming the extension is not good enough, unless I am mis-interpreting what she meant.
However, another user said:
posted by futball8:
I edit with Adobe Premiere Pro CS3. All I have to do is simply rename
the .MOD files as .MPG and then import into PP CS3. It takes a small
amount of time to conform the audio, but no file conversion is
necessary. It's a pretty slick workflow and I've never encountered any
problems editing them this way.
(posted 5 months ago)
One can only assume that simply re-naming the extension from .mod to .mpg works in some circumstances, and doesn't work in others. I assume it depends largely on the editing software being used. Perhaps there are still issues that futball8 was simply unaware of or never encountered.
That said, there seems to be a couple of different real solutions to this problem that I have found:
1. Simply use an editing program that supports .mod file format. While pe7 and pe8 supposedly support the .mod format, the following should be noted:
posted by macksgarage:
While Elements 'supports' these files, it is markedly unstable and frequently crashes while using the files, though the application is otherwise reliable. The solution I have arrived at is to repair the container using ffmpeg. (see #3)
(posted 5 months ago)
2. Use a file conversion utility of your choice that will covert .mod to .avi, or another desired format. Import the resulting .avi file into premiere pro cs4.
3. Use FFmpeg. This seems to be the best solution as it does not convert any audio or video:
posted by macksgarae:
If you are not familiar with ffmpeg, it may be a bit of a bear to
learn, but it's not only useful for this, but functions as a video swiss
army knife useful for splicing, muxing/demuxing, and rendering just
about any format into just about any other format.
ffmpeg is an open source project from the linux world, but it has
been ported and is supported on windows. Fetch it here and place it somewhere handy
on your system.
To rewrite the container into a nice, standards compliant .mpg file
that doesn't make applications die, WITHOUT rerendering video or audio
itself, I use this command.
ffmpeg -i INFILE.MOD -acodec copy - vcodec copy OUTFILE.mpg
This not only renames the file, but actually rebuilds the container
around unmodified video and audio data, yielding a file which works much
more stably with Adobe applications, and presumably others as well, as
ffmpeg's open source development goals result in very standards
compliant files.
(posted 5 months ago)
Now, this seems to properly address the issues that can arise from simply renaming .mod to .mpg, as suggested by Ann. So from this point, I assume you can simply import the .mpg into Premiere Pro cs4 (or any other .mpg compliant program) and edit without issue, but it seems like I remember hearing something about Premiere not liking mpegs or something like that, so in that case, maybe it'd be better to skip this and go with option #2. But, it's been awhile since I've touched any NLE, much less premiere pro cs4, so I could be completely wrong and it may have no problems handling mpegs.
All of the things that I've quoted here came from the same thread, so I don't know how accurate any of this is, but the people that have posted these things seem fairly knowledgeable. If someone reads all of this and can confirm or deny any of it, it would be much appreciated.
Option 1 is not really an option for me, because I am sticking with premiere pro cs4 -- I'm not going to get another editor just because it has .mod support. That leaves me with options 2 and 3: Convert to avi, or change the file wrapper/extension properly with FFmpeg and then simply import the resulting .mpg file... Which is better? Or is there yet another solution that I am unaware of that would be even better?

DownConverted HD to SD Premiere Pro CS4.1 now what?Please HELP!!!!

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