Downgrade Compressor Settings for longer DVD

I work with very simple standard definition 4 x 3 aspect video and sometimes make DVD's Compressing with the various Stock DVD Compressor settings. I have never made a custom setting with Compressor. Now I would like to put a 200 minute video on a standard DVD (not dual density).
Can I modify a default setting like the 150 minute, and downgrade the quality enough so that the 200 min results would fit on a 4.6 gig DVD? (maybe room for a very simple menu.) Do I have to make a new setting from scratch, or could I modify and save, working from a default? Like I say, I have never made a compressor setting, so I could appreciate a sort of step-by-step.
Thank You
Richard Miller

Duplicate the DVD preset you want to use; it will show up in the custom presets in Compressor. Clcik on the new custom preset so it will show in the Inspector window and make any needed adjustments. Give it a name you'll remember then save it and apply it to the file you want to encode.
You can use one of the available online bit rate calculators to determine the best bit rate based on your program's duration: http://www.google.com/search?client=opera&rls=en&q=dvd+bit+rate+calculator&sourc eid=opera&ie=utf-8&oe=utf-8
-DH

Similar Messages

Best Settings for Exporting DVD Footage in a Movie File

Hello,
I've been trying to find the best settings for exporting DVD footage into a movie file from Adobe Premiere CS6.
I recently have been using my Magnavox DVD recorder for recording VHS tapes that I made long ago for shows and various other things, and no matter what, my footage doesn't come out as it needs to be.
Here's an example of what I did recently with my own settings:
http://www.youtube.com/watch?v=qFV4sT7rHGs
I'm not expecting HD footage, I know these are tapes, but I'm playing the raw footage on my Xbox 360, and it looks better than this. I had to directly use the VOB files on the DVD for this, as trying to rip the files into an AVI or any other format with a DVD ripper didn't do anything, in fact it degraded the quality and made the audio not play in Premiere.
So what would be some good settings for exporting a sequence with DVD footage that is from a VHS into a movie file, preferably one that wouldn't degrade the quality?
Thanks!

First, read Why not edit mpeg http://tangentsoft.net/video/mpeg/edit.html to get a general idea of why a VOB makes a very poor source file (which is a renamed MPG, with some other stuff like menu screens)
Also, Read Bill Hunt on editing a VOB/MPG file http://forums.adobe.com/thread/464549
Once you have a DVD compliant VOB on your timeline, and understanding that a standalone DVD recorder sometimes plays fast-n-loose with "compliance" per the DVD specification, about all you can do is export to standard or widescreen DV AVI and accept the fact that re-encoding an already compressed file is just not going to give great results

Playstation 3 compressor settings for h.264/mp4 and avchd and 5.1 audio

Hello this is my first post on this forum. I am a cameraman by trade, but do a lot of editing. I am pretty good on an Avid and with color correction software, but since I sold my sony f900 and picked up a couple or RED cameras - I was forced to hop on the FCP studio2 wagon. So I apologize for the newbie questions.
I have a PS3 and not a PSP. I find more and more clients have a PS3 for their media and blu-ray... etc. So my question is what are the settings for compressor to encode for the PS3 and there ever so nit picky and poorly documented parameters.
There are plenty of non-pro answers, but I have searched high and low for what they need specifically. I see lots of questions but now answers.
So how can I take my final cut footage or any video file for that matter, and put it into something that my PS3 can chew? What are the H.264 (mpeg4) settings?
Can I also (but not exclusively) encode in AVCHD from compressor?
Lastly is there a way to put on the 5.1 or surround info into these files for PS3 playback? if I want to take one of my work DVD's (reel, projects, etc) and put it on the PS3 or bring in surround encoded (5.1, 6.1, 7.1) tracks into FCP and put it with my footage?
Thanks for any and all help...
the only vaguely technical info I have found was on the PS3 forum, here is what it says:
from:
http://boardsus.playstation.com/playstation/board/message?board.id=ps3media&mess age.id=22987&query.id=96226#M22987
For those of you who want to put .MP4 videos on a PS3 with a Macintosh, this is how you do it with ffmpegx.
VIDEO
- X264 Encoding
- framesize can be any
- framerate can be any
AUDIO
- any MP3 or AAC track
OPTIONS
- Use CABAC on
- Constant bitrate on
- Trellis on
- Decode with Quicktime (not always necessary but if your picture is out of sync with audio, try this)
- AVC level 3.0
This produces a good .MP4 file that the PS3 will happily play.
Can anyone help or point me in the right direction? if not can we figure it out on this thread? there are a lot of questions I find when I google this subject out there - so a lot of people would be happy to find the answer.
Olias Sunhillow

I have created files to play on PS3, and the secret is to use MPEG Streamclip. You can encode to whatever you want in MPEG2 or MPEG4, then open that bad boy in MPEG Streamclip:
If it's MPEG2, File > convert to TS
If it's MPEG4: File > Save As MP4
That's it. MPEG Streamclip doesn't re-encode so no quality loss. All it does is change the container. And PS3 is very picky about containers.
As for 5.1 audio, you can do this by encoding separate MPEG2 video and AC3 audio files like you normally would for a DVD. For hi-def MPEG2, use one of the Compressor presets for HD-DVD. Make sure they both have the same name ("xxx.m2v" and "xxx.ac3", for instance) and are in the same folder. Then open the video in MPEG Streamclip and it will automatically mux the streams together, which can then be converted to TS.
Note that this is only possible encoding video to MPEG2. I don't know of any way to create an MP4 with 5.1 audio.
PS3 is a great way to deliver HD video onto your TV without the frustration of trying to author Blu-Ray or even burning discs.

Best Compressor settings for HD720 16:9 to cell phone OTHER than iPhone?

Hey there,
Does anyone know a good set of compressor settings for exporting HD720 16:9 29.97fps to a cell phone compatible format other than iPhone? Do most cell phones use an MPEG format? I guess I should start there. New to this one.
Thank you,
ed

There are different MPEG flavours and compression for DVD, mobiles or web often means creating some flavour of MPEG file. Even H.264 is an MPEG file. One of the most advanced.
Go to Compressor settings and look for a folder named Mobile devices then do a bit of your DIY (test, test, test).
G.

What are the best imovie, mpeg4 settings for making dvds?

What are the best imovie, mpeg4 settings for making dvds?

• iMovie'08 to 11
- Share to Media Browser - AND as Large (or Medium) - HD or other resolutions degrades the final result
iMovie'08 to 11 are not the tools of choise if quality is important as they all degrade the picture by discarding every second line when going from, Event's to Project's and this can not be mended.
iMovie HD6 and FinalCut delivers 100% of what any DVD-Authoring program needs.
• DVD is as standard MAX - intrelaced SD-Video - and can not be any better than this
• iDVD does only care about TIME / Duration as
iDVD 08, 09 & 11 has three levels of qualities. (version 7.0.1, 7,0.4 & 7.1.1) and iDVD 6 has the two last ones
• Professional Quality
(movies + menus up to 120 min.) - BEST (but not always for short movies e.g. up to 45 minutes in total)
• Best Performances
(movies + menus less than 60 min.) - High quality on final DVD (Can be best for short movies)
• High Quality (in iDVD08 or 09) / Best Quality (in iDVD6)
(movies + menus up to 120 min.) - slightly lower quality than above
Menu can take 15 minutes or even more - I use a very simple one with no audio or animation like ”Brushed Metal” in old Themes.
About double on DL DVDs.
• iDVD Does Region = Zero (to be played everywhere)
• Frame rate - DVD can be in two types PAL (25fps) and NTSC (29.97fps)
If Your material is 30fps then keep to NTSC (29.97fps), if 25fps keep to PAL.
One can feed iDVD the other frame rate - BUT RESULTING DVD WILL BE BAD
I use JES_Deinterlacer (free on Internet) to convert all material to the same and final frame rate
• NTSC - US etc
• PAL - EU etc
Yours Bengt W

Best settings for older dvd players

anyone have any recommendations on bit rate or other compression settings for older dvd players? everything i produce plays fine on my personal dvd player that actually says dvd-r on the front, but i continuously have problems with clients players having pixel issues of freezing up. i've tried lower bit rates and such but i'd rather not go into all the different angles and just see what you guys say.
I can't be the only person out there that has clients with cheapo players!
thanks in advance.

I don't think you are going to find a single solution to this problem. Just about every DVD player is going to have problems with some brands or types of recordable DVDs. Some things to consider or try:
1.) Educate your customers about potential DVD media problems. Potentially tricky since not everyone will freely admit or accept that such problems exist.
2.) Burn the DVD at the lowest possible rate (burn at 1X rather than 4X, etc.).
3.) Try a different brand of DVD-R.
4.) In special cases consider using DVD-RW rather than DVD-R (some older players will actually work better with DVD-RW).
5.) Consider using the best possible DVD recorder (I'd recommend Plextor drives mated with Roxio's Toast software).
6.) Use a commercial DVD mastering service (only practical if you want to duplicate several hundred discs -- too costly for small runs).

Best compressor settings for DVCPRO50 footage for DVD

Hello,
I recently purchased a Firestore fs-100 and shot a football game in DVCPRO50. When I made a DVD after compressing it, using compressor, I didnt seem as clear and crisp as I thought it would be. When I import it into Compressor, what settings should I pick ect, in order to get the best quality DVD I can produce. Should I open up inspector and make alot of setting adjustments? If yes which ones? Any advice would be greatly appreciated......Thank you in advance for your assistance!!!! Also, I purchased Final Cut Studio in 2005 and my version of Compressor(version 2.0.1) isn't as updated as the current versions out there. Thanks!
NJShooter

Just to let you know, I shot the footage in the football footage in the sun. I took your advice and used mpeg 2 and used one pass best option. I also used better deinterlace in frame control, and used 16:9 which it was shot in and my panasonic HVX200 video camera has 16:9 ccd's in it. Around the helmet and and some other body part during movement have what looks like heat on a side walk during a hot day. waves that are around even the unmpires arms and head as well. I shot the footage on a firestore fs-100 and had my camera and the tapeless capture device ( the firestore ) set on DVCPRO50 SD format 480X720 which is regular format not HD. It should look great compared to DV which I get shooting on tape. I have been reading all about compressor and perhaps its not compressor? I am using the quicktime setting in the firestore, which makes it easy to import into Final Cut Pro and am only putting a title in the timeline and then exporting to compressor. I pick the MPEG2 option in compresor for a DVD and am bummed at the end when I play the DVD on my 720 16:9 set. Any more advice would be greatly appreciated. Can you explain the ramping thing to me? Really appreciate your help by the way!!!!
HJShooter

Best compressor settings for HDV downconvert -- attention hanumang

Reposting this bit because it differs significantly from topic of thread where it appeared.
goal: the best possible HDV-DV downconvert using final cut studio (hitch: I have added problem of converting resulting film from PAL to NTSC)
previous method: the best luck I've had is Quicktime converting from HDV to 10-bit PAL SD and compressor converting that to NTSC DVDPRO50
Hanumang recommended using compressor for first conversion. My response:
What settings?
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't seem any better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
I would be most grateful for help in this matter. I've spent a few weeks on this. I just plod along, zombie-like, trying a few different things every day, hoping to hit the jackpot eventually. I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget, but eventually, once the film is finished and (hopefully) I have more money, I''d happily pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.
What compressor settings do you recommend?
The best workflow I've come up with is qucktime conversion from HDV PAL to SD 10-bit PAL, then compressor conversion from 10-bit Pal to DVDPR0 50 NTSC.
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only been change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't look better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
Anyway, I would be most grateful for answers to these questions. I've spent a few weeks on this and am past the point of frustration. I just plod along, zombie-like, trying a few different things every day, dimly hoping to hit the jackpot eventually. Actually, I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget for the time being, but eventually, once the film is over and (hopefully) I have more money, I'll be willing to pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.

My bad, I was out in the afternoon and didn't get a chance to pick up on your reply to the last thread. Sorry to hear that your first attempt with Compressor was so disappointing.
Just so we're clear, you're using what exact versions of the software? FCP 5.1? Compressor 2? (For Compressor, in particular, 2.0 vs 2.1 vs 2.3 is important.) And, what are your sequence settings in FCP? Finally, we're to understand that you're actually working in PAL HDV? Or are you working in AIC?

Sequence settings for importing DVD material

Hi there!
I am about to start a new project that will be shown at a convention on a big screen via projector.
Basically, I have recieved DVD's from around the world that I am supposed to edit into a montage. So far I have been opening them using MPEG streamclip and converting them into Quicktime Files.
Can anyone recommend the best possible Sequence settings to use as well as what Frame Size and Compressor to use when exporting from MPEg streamclip to FCP?
Thanks

use the sequence easy set-up for dv-pal (sweden is pal, yes?)
export your clips from streamclip using dv-pal as the type for PAL dvds.
for ntsc dvds, you need to pull the clips off as ntsc dv/dvcpro then using the advanced section of compressor, convert them to dv-pal.
mix by stirring lightly, put into a greased pan and place in a 350 degree oven for 30 minutes or until golden brown.
x

Compressor settings for YouTube for 720p 12 minute 10GB project created in FCPX?

Hey All
Would anyone care to share some settings for compressor please?
I have a 720p 50fps 12 minute 10GB file created in FCPX that using "Publish to YouTube" settings in Compressor is still coming out at 721MB.
It will take me 4-5 hours to upload this to YouTube so need to make the file smaller and who knows how it will play once its up online.
Any suggestions of some other Compressor settings without using too much quality?
Thanks

shippo,
When you reference "50 fps", do you happen to know if that's fields per second or frames per second? Depending on the answer to that, you may or may not need to adjust that.
When it comes to file size, you have frame rate, frame size, compression type and data transfer rate affecting the final size.
As Russ and darby have suggested, data transfer rate is the main thing to experiment with (since you're publishing for Vimeo, the other setting are pretty much locked in).
I have found that when it comes to playing with the bit rate, a video with a 1280 by 720 frame size needs between 4,000 kilobits per second and 5,000 kilobits per second to maintian good image quality. While you might get good results at a lower rate, high contrast areas in the picture are very, very, very likely to show loss of image quality.
If you need to get your video up asap, start the upload late at night. As long as your internet connection doesn't drop out (knock on wood), you file will be uploaded by the morning.
Also, (for what it's worth) is there any place close by that has fast internet that you could use? If you have access to a computer lab at a local community college, a 1GB file will probably upload in minutes rather than hours.
-Warren

Compressor settings for HDV 1080i50?

hi,
i have to export 1h30 of HDV 1080i50 to make it play on a dvd.
could you, please give me some suggestions how to make this?

ok...this is my first use of this kind of material and i don't know witch compressor settings i could use.is it possible to burn an HD DVD with my imac or i can use a SD DVD preserving a maximum quality? the answer will determinate the compressor settings i could use... for know i have tried,the last 4 days, to use H.264 so it can fit into a sd dvd (changing the average bit rate) but after more than 24h the encoding process is 1/4 of the entire video...and i've stopped it. i don't know if it's a normal to take soo much time or if i'm making a mistake doing it.so please, help

Settings for simple DVD

Hi
I made a .img for a dvd in fcpx of my 108 minute flick. Wasn't expecting it to be terribly fab and it wasn't. But was curious if Compressor can do any better. What settings would you suggest for a dvd that plays when inserted and has a menu with a few chapter markers?
I see there's a prefab, "MPEG-2 for DVD," but can't see if it creates a menu and am uncertain of quality.
Suggestions? Tips?
best
elmer

Hi Russ, thanks for the reply!
Well, I'm not complaining, I understand it's not easy and I just discovered it's SD, right, which probably was a big part of the reason it looked fuzzy and blocky with colors not quite what they should be on a friend's big HD screen.
I'm sending out to a few festivals and most allow Vimeo screeners which I have and which looks so much better. But some ask for dvds only. So I'm doing my best.
Russ, on another front, I'd really appreciate if you'd respond to this: One chapter marker didn't show up in the menu. The only reason I can think of is that there's a clip above the clip with the chapter marker, so I'm guessing—before I start another 4 hour process to get a .img—the chapter marker needs to be on the top clip to be 'seen' and appear in the menu. Correct?
Thanks again and...enjoy your Thanksgiving, btw!
elmer

What Compressor Settings for the web?

I have a 1min40 sequence with the Settings: PAL, Frame Size: 1280x720, 25fps, Compressor HDV720p25. What Compressor Settings would you recommend please:
1) to put it in a website
2) for Broadcast: would Apple ProRes HQ be a good choice?
Thanks in advance.

You can review the information first hand at youtube.com
Or create a custom preset in Compressor:
Name: YouTube sharing
Description: H.264 video at 8 Mbps with AAC 44.1kHz audio
File Extension: mov
Estimated size: 3.6 GB/hour of source
Audio Encoder
AAC, Stereo (L R), 44.100 kHz
Video Encoder
Format: QT
Width and Height: Up to 1280 x 720
Pixel aspect ratio: Default
Crop: None
Padding: Preserve source aspect ratio
(L: 0, T: 0, R: 0, B: 0)
Frame rate: (100% of source)
Frame Controls: Automatically selected: Off
Codec Type: H.264
Multi-pass: On, frame reorder: On
Pixel depth: 24
Spatial quality: 50
Min. Spatial quality: 50
Temporal quality: 50
Min. temporal quality: 50
Average data rate: 8 (Mbps)

What are best Mpeg encoder settings for making DVDs?

In switching from PP1.5 to CS3 the procedure is different for making DVDs and we have to encode mpeg files that later get picked up by Encore DVD build proces. What are the best mpeg encode settings for making the DVDs?
Thanks,
Chuck Taylor

Question:
If you are doing a video that is small enough that you are not worried about size, what is the absolute best quality encoder settings? Would a Continous Bitrate result in a higher quality file generally? VBR is for trying to make a smaller file I assume.
I'm frustrated with even white letters on black titles that have some flicker. I just don't seem to get the smooth quality I desire.
Should I look at a different encoder?
If you output PP3 to an AVI and then import it into encore, isn't there a reduction of Q. due to the save to the AVI file?
thanks.

Best Compressor Settings for Backup

Hello all,
At my place of business we capture live footage in DVCPRO HD format using Final Cut Pro. From that I edit the footage and compress it using Compressor. My question is concerning the unused footage that we capture. I'm trying to learn the best compressor settings that will offer the best balance of reduced file size with good quality.
Thanks!

The best is not to compress it at all. You don't know what the popular format will be in a couple years.
Raw drives are cheap. I have a drive dock on each of my machines plugged into the internal sata port of the Mac Pros. I backup all the footage to raw drives and then put them on the shelf. And yes, there are clones of those drives. And I've learned to do it as I go along rather than all at once. I use ChronoSync to keep the raw drive matched to the working raid in my machine. Takes a lot less time that way.

Downgrade Compressor Settings for longer DVD

Similar Messages

Maybe you are looking for