Download for final cut pro 7

where can i find a download for 10.5.8?

Final Cut Pro 7 was never available as a download. It had to be purchased as a retail box set of DVD media.
It might be possible to find it on Amazon or ebay. You want the Final Cut Studio 2009 edition.

Similar Messages

  • While downloading the free trial for Final Cut Pro X my internet has dropped out many times. It does however seem to continue ok each time it reconnects. Will this affect the software when it finishes? Is this a problem? Any advice please?

    While downloading the free trial for Final Cut Pro X my internet has dropped out many times. It does however seem to continue ok each time it reconnects. Will this affect the software when it finishes? Is this a problem? Any advice please?

    This has happened to me with a few downloads without any upsets.
    You should be OK.
    As I recall the download is around 1.2 gig so it takes a bit of time and effort to get it to your system.
    Al

  • Why is there no disc for Final Cut Pro X, is there one coming, and how do I transfer the program to a new machine from the download?  Thanks!

    Hello:
    Why is there no disc for Final Cut Pro X?
    Is there one coming?
    Can and how do I move the downloaded application from my old machine to a new computer?
    Thanks!

    You purchase FCX in the Mac App Store, there is no disc. You can reload past purchases under your account within the app store. You should also be regularly backing up your system

  • Canon EOS MOVIE Plugin-E1 for Final Cut Pro Now Available...

    There's been so much talk about the 5D, 7D, 550D on this board that I'm going to point to the EOS MOVIE Plugin-E1 for Final Cut Pro. This is supposed to speed to transcode of Canon Camera H.264 to FCP-friendly formats and let you add more metadata along the way.
    Enjoy!
    Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
    Note: (from Quickstart Guide)
    This plug-in software allows you to convert MOV movies shot with an EOS Digital camera into ProRes files at high speed in the (Log & Transfer) window of Apple's Final Cut Pro.
    FWIW: The quick start guide says cameras involved are 7D, 5D, 1D, no mention of 550D. Sort of odd.

    For users in North America to make the Canon EOS REBEL T2i work (550D for Europe):
    1. Install the new Canon EOS MOVIE Plugin-E1 for Final Cut Pro (http://www.usa.canon.com/consumer/co...nloadDetailAct)
    2. Go to Library/Application Support/ProApps/MIO/RAD/Plugins/CanonE1.RADPLug/Contents/Resources/
    2. Open up cameras.plist
    3. After the 7D info add the following lines of code (keeping to the coding structure):
    <key>T2i</key>
    <array>
    <string>Canon EOS REBEL T2i</string>
    </array>
    4. Save the text file. Close it. Everything should work now.
    Cheerz.

  • Update for Final Cut Pro 6.0.1

    Hi helpful folks,
    I just installed Final Cut Pro 6.0.1 on my MacBook Pro. I work at a post production facility, and all the other guys in the shop are running 6.0.4. I was told that what I installed was the same thing everyone else installed. So I ran Software Update. It searched and installed updates for LiveType, DVD Studio, and several other programs. But did not come back with update results for Final Cut Pro. I installed the other programs, restarted, and have since run Software Update three more times. It claims everything is up to date. But obviously 6.0.1 is not the latest version. Any thoughts?

    The update to 6.0.5 (6.0.4 is not available from apple any longer) is included in a Pro Apps update or something titled along those lines. It is not named "FCP update".
    It can be found here:
    http://support.apple.com/downloads/ProApps_Updates_2008005
    x

  • New Canon EOS Movie Plug-in-E1 for Final Cut Pro

    Just thought your would like to know. From canonrumors.com
    http://www.canonrumors.com/2011/04/canon-updates-e1-plugin-for-fcp/
    Canon today announces the latest update for EOS Movie Plug-in-E1 for Final Cut Pro – the company’s custom-developed software application that provides quicker and easier editing of EOS Movie footage in Apple’s Final Cut Pro software suite.
    Launching to coincide with the start of the 2011 National Association of Broadcasters (NAB) Show in Las Vegas, EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will make the importing of EOS Movie files even easier, allowing users to transfer files from any folder, without needing to mirror the folder structure on the camera itself.
    The update also enables smoother importing from Canon’s EOS 7D, EOS 5D Mark II and EOS-1D Mark IV models, allowing users to import footage without requiring the THM file generated by the camera.
    Originally launched in February 2010, EOS Movie Plug-in-E1 for Final Cut Pro is designed to quickly and seamlessly convert EOS Movie footage from Canon’s leading range of EOS DSLR cameras to Apple’s high-quality ProRes 422 codec. The plug-in allows users to convert footage at approximately twice the speed of Apple’s standard conversion, creating a smoother workflow for the rapidly growing number of videographers shooting HD video content on DSLR cameras.
    EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will be available to download for free from 25th April 2011.

    And I just spent over an hour yesterday explaining to a client how utterly essential it was to maintain the exact folder structure for proper log & transfer:/
    If I say that once a day to students, I say it a thousand times.
    On top of that I just started Carbon Copy Clone today with all my updates in my editing lab. Not the end of the world but it's a little time consuming on 80 stations. Oh well.

  • HT3775 I am downloading a Final Cut Pro x project directly to Quicktime.  The movie will not play, stating Quicktime doesn't support the codec. I currently am using Quicktime 10.1 on my Mac OS X Lion

    I am downloading a Final Cut Pro x project directly to Quicktime.  The movie will not play stating Quicktime doesn't support the codec. I currently am using Quicktime 10.1 on my Mac OS X Lion

    Wow. Okay...
    I'll let the real veterans in this forum tackle your issues one after the other. But, I can tell you, all will be well.
    My only comment would be re: your computer specs:
    BJReis wrote:
    .  This may be due to somewhat older equipment:
    GHz Intel Core Duo MacBook Pro with a 4GB memory computer with Ddr3 running OSX 10.8.4
    To be completely honest, FCPX is a RAM hog. It just is. But, RAM is relatively cheap, and the pay-off is good.
    4GB is right on the edge, IMHO. 16G is ideal.
    I wish you luck, hang in there, and standby for more help.

  • Where can I get replacement media or download for final cut 3?

    where can I get replacement media or download for final cut 3?

    There is no download for any install of Final Cut Pro before version X.
    For physical media, try contacting Apple Care support. Otherwise, ebay or alternative resellers is your only recourse for acquiring install discs.
    x
    edit: If you want Final Cut Pro 3, you'll need a PowerPC computer that can run OS9. If you mean Final Cut Studio 3 (aka FCS 2009) you'll have better luck finding something out there that will run on contemporary machinery.

  • I have a newer MacBook Pro and I am trying to download my Final Cut Pro 7 Studio 2 on it. Is that possible or does the new MacBook Pro not support anything other than Final Cut Pro X?

    I have a newer MacBook Pro and I am trying to download my Final Cut Pro 7 Studio 2 on it. Is that possible or does the new MacBook Pro not support anything other than Final Cut Pro X?

    As Tom said the FCS forum is the better place to post the question.
    Here is Apple's best practices doc for installing both on the same system.
    BTW, FCP7 is part of the FCS 3 suite of apps.
    Russ

  • Where can I find a full manual for final cut pro 6?

    I'm trying to learn final cut because I haver an amature film making contest I'd like to enter and that would give me quite an edge, considering most of the intries will be using movie Could someone help me find a full manual or something that would assist in this indevor? I do only have final cut 6 because I am using my schools imac and that is ther vertion they have. so, can anyone help?

    You should ask your question in the Final Cut Studio forum.
    This forum is for Final Cut Pro X.

  • I downloaded the Final Cut Pro X trial but my movie is 17 minutes long but it will only Share to Quick time 6:55 minutes. How do I fix this and export the full 17 minutes?

    I downloaded the Final Cut Pro X trial but my movie is 17 minutes long but it will only Share to Quick time 6:55 minutes. How do I fix this and export the full 17 minutes?

    Thank You. Im trying to export everything. I pressed command A and then did the Share button. Ill attach the screenshot please let me know if I need to change something.

  • Can I add a secondary location for Final Cut Pro Documents?

    Hi Guys,
    I'm working on a large project which has taken up most of my 2tb hard drive which I use for my final cut pro documents (capture scratch, render files etc). Is it possible if I plug in another hard drive to use that as a secondary location for final cut pro documents as I have other (smaller) projects which I could be uploading and working on in the mean time? If so, how is this achieved and what are the pros / cons?

    Sure -- go to Final Cut Pro menu on your menu bar and select System Settings.
    The first tab is SCRATCH DISKS -- that's the term too -- not secondary folder for FCP Documents.
    Change it there.
    Drawbacks...
    It has been a while since I've had to deal with this, but FCP used to not remember (feature or bug??) a project's original scratch disk location and if you change it for ONE project it will be changed for ALL future AND past projects... until you change it back.
    Now, that in itself isn't a BAD thing. All that that means is that if you continue to capture material into that old project it will now put it over here instead of over there. Also, other things like render files and such which won't really matter much unless they do... and now you've got stuff spread over a coupla drives.
    FCP's projects don't care. They've already mapped where they need to go to get the video and render files it needs. Move your Scratch Disk 33 times... won't make a difference to the browser and timeline. -- UNTIL you remove one of the important drives. THEN red lines galore! Un renders, missing files... messy messy messy!
    Much better to start and finish a project in scratch disk. Makes for easy cleanup. Kinda like cooking thanksgiving dinner (American??) in 5 houses at once.
    Good luck,
    CaptM

  • Following Media Files Are Not Optimized For Final Cut Pro

    I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
    I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
    1. the error message, "Following Media Files Are Not Optimized For Final Cut Pro"
    2. the quality *****! watching it on the playback in FCP it looks great, but then when I burn it to Disc it's pixelated in spots and generally has a lower quality picture.
    I know that it's Standard Def. and can't expect the best, but I've done it before (once or twice) and it didn't seem this bad.
    Can someone suggest anything to help the quality? Should I run my AVIs through MPEG Steamclip to make it a QT file and if so what is the best format in that since there are many to choose from and most I'm not familiar with?
    Thank you,
    Crayton

    I did compress them to DV NTSC then burned it to DVD and the result was no bueno.
    I thought what I would do is try compressing them again before I send them on over to DVDSPRO. Here is a simplified break down of the situation:
    - I have edited the raw footage in Premiere Pro on my PC. They were recorded and captured as SD.
    - I rendered them in Premiere, then transfered the rendered AVI file to FCP.
    - When went to place the files in FCP, I received the warning message; "Following Media Files Are Not Optimized For Final Cut Pro" but I went forward anyways and it allowed me to do so.
    - Originally I went ahead and compressed them from FCP to QT Movie as a DV NTSC, which ended up poorly.
    - Therefore my question is, should I compress them using another file type (other then DV NTSC)? Which leads me to another program that I have called MPEG Streamclip, which offers tons of file types of which I am unfamiliar with most. I want the best quality of course but don't know what file type is the highest going from AVI to a format that can be accepted by FCP and ultimately DVDSPRO. Keeping in mind that I only have FCP5 and do not have Prores.
    Did that make sense?
    Thank you again,
    Crayton

  • Which firewire interface for Final Cut Pro on MacPro?

    I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
    I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
    There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
    I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
    I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
    Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

    I saw the Traveller ads in Videography mentioning
    time code, so I presumed it had an advantage over
    other interfaces.
    I found this in some ad copy:
    """The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
    So it likely uses an audio port for timecode I/O. However, unless you have external equipment that you want to slave to Logic Pro, (or have Logic slave to) e.g. a timecode DAT, then this really is not necessary. FCP would not see the Travaller as a "controllable" device.
    For Final Cut Pro use, I'd probably shoot in HDV.
    When shooting a green screen near my computer (or
    maybe even on-site), I wondered if there would be an
    advantage to recording the audio thru an interface
    like the traveller.
    The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
    Do I actually need an interface that provides time
    code, or is that only needed for movie work?
    I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
    Maybe it is simpler just to connect to the mic
    directly to the camera's input?
    Indeed. You should always have camera audio available. Anything else is supplemental. Alternatively, you could use the Travaller or RME, etc. as a "live to camera" mixer in a studio situation. Plug your mics into the interface, create a submix and send it to the camera while simultaneously capturing each mic to an individual track in Logic Pro. There are many possibilities.
    G5 QuadPPC2.5, Ram:12.5g, Magma PCIe-PCI expansion   Mac OS X (10.4.8)   2X Hammerfall DSP Digiface+Multiface, Digi 002r, 4X UAD-1

  • I need to buy a camcorder -- upgrading from a Flip. Which would you recommend as easiest to use with iMovie 11? Which for Final Cut Pro? Thanks!

    I need to buy a camcorder -- upgrading from a Flip. Which would you recommend as easiest to use with iMovie 11? Which for Final Cut Pro? Thanks!

    You can't run iMovie 11 on a PPC G5 running the old OS 10.3 Panther - which is what you say you have.
    iMovie 11 - cameras supported:
    http://help.apple.com/imovie/cameras/en/index.html?lang=en_US
    iMovie 9 - cameras supported:
    http://support.apple.com/kb/HT3290?viewlocale=en_US
    iMovie 8 Camcorders supported:
    http://support.apple.com/kb/HT1014
    Digital camera RAW formats supported by OS X Lion:
    http://support.apple.com/kb/HT4757?viewlocale=en_US
    Digital camera RAW formats supported by OS X Snow Leopard:
    http://support.apple.com/kb/HT3825?viewlocale=en_US

Maybe you are looking for