DPX export settings for DCP creation

I have a short film that's been accepted to a major festival that requires a DCP, and I want to create the DCP professionally. I would like to provide a true 24p DPX master to the DCP company.
My final film is a 4K sequence at 23.976. I have duplicate 24 fps 5.1 audio wav stems that were output from Pro Tools, so audio isn't a concern.
Okay - so I export my sequence and choose "DPX". I'm presented with several options: 24p Full Range (max bit depth), 24p Over Range (max bit depth), 24p Standard (max bit depth), and 24p Video (max bit depth). Huh? I'm a Jack of all Trades indie filmmaker, and I can't find a word about these options anywhere - not in the Adobe manuals, not in tutorials, not even via a Google search. And, although these options are all "24p", my output still clearly shows as 23.976.
What option should I select? Why the variables? And can I simply change the frame rate to "24" under the video tab?
Finally, will I be able to import this image sequence back into a new sequence in Premiere Pro to check the 24fps audio tracks for alignment and sync?
Thank you geniuses in advance. I don't know how I would do this without you.

I just heard that DPX/Cineon was the best format to use for lossless colour grading. I also was starting to learn speedgrade, which uses DPX as it's main format. This is the first time I've attempted using any codecs specific to colour grading before. I used to export as AVI or quick time and grade that...
One of the problems i'm having is that I'm shooting on the 5D mk ii, which doesn't have anything near the colour depth of somethig like the scarlet..
I did figure out however, how to get rid of those lines. In AE down the bottom of the project tab, where the new compositions button is, there's also a colour settings button where you can change the sequence bit rate and output settings. So I got rid of the lines, but not I'm having issues with the output being over exposed in some places, and under exposed in others. But that's probably becuse of the limited colour space of DSLR's..

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I have lost the export settings for FCP7. How can I get these back?

I accidentally threw a folder in the trash. I got a lot of stuff back using Data Rescue, but not everything.
I have lost the export settings for FCP7. How and Can I get these back? tia

Sorry for the delay in response. It sounds like you have somehow deleted your quicktime ProKit with the codecs by what ever process you were trying to restore you trashed files.
Go to the Apple Menu > System Updates and see if the updater sees a need to install them.
If this doesn't work - it might be
the best thing to do would be to get FCS Remover from Digital Rebellion (free)
http://www.digitalrebellion.com/fcsremover/
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If your system has been corrupted by whatever you did, it might be best to wipe the drive and start from scratch - but understood this is not a pleasant choice.
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Hi!
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Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

Best export settings for video for web

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Best Export Settings For Fast/Low-Res QuickTime Movies

I couldn't find a discussion room for FCP 7 so I figured if anybody is proficiant with FCP X, they could help me.
Hello,
I really could use some help with my export settings using FinalCut Pro 7. Most of my shows are no more than 20 minutes and I pretty much know the best QuickTime export settings for uploading to Vimeo, Exposure Room,YouTube...etc. But now I am trying export a lengthy project at 53 minutes.
The footage is mixed and some of it was not converted to ProRes but it plays great and renders fine in the timeline. The sequence settings were picked automatically at 1920x1080 because of the main footage that was brought in.
This upload is for client viewing purposes ONLY so I really don't care about the quality as much as the export speed. As far as what I’ve tried - I am using the H.264 codec. I tried lowering it to NTSC 720x480, then tried 1280x720 HD. I set the compressor lower than medium and the Kbps (?) settings to AUTOMATIC when I typically set it manually, between 3000 and 5000. My audio is set at AAC.
It’s a crappy project because of the way it was frankenstein’d together in the field (I’m just cutting it), but I'm committed now and have a huge deadline. I'm getting a bit nervous because of how many hours it’s taking to export. The client is going to make inevitablec hanges and will want to see those changes quickly again - online.
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Message was edited by: prepstein

Try here
https://discussions.apple.com/community/professional_applications/final_cut_stud io

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Hi all,
I'm really new to video editing and I can't find any recommendations on the best Premiere Elements 7 export settings for Youtube HD, Vimeo or Smugmug. It seems like most of them want you to upload in 1280x720.
My original source is 1920x1080 30p AVCHD from a Canon HF100. Obviously, I would like to keep it at the same frame rate. There doesn't appear to be a preset in PE7 (or a way at all) to output 1280x720 30 into an MPEG container with H.264 encoding. When I go into the advanced properties of a preset like "H.264 1920x1080i 30" or "MPEG2 1920x1080i 30" and choose 1280x720, I no longer have an option for 29.97 fps - the only options are 23.976 or 24 fps. It seems bad to change this, right?
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I'm leaning towards using the "HD 720p 30" preset and working with the bit rate choices, but am open to comments. What do others think?
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This page (http://webvideotechniques.com/123/bigger-and-better-encoding-for-youtube-hd) seems to indicate aiming for a bitrate of 8Mbps with a minimum of 4Mbps, including 2 pass VBR.
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Thanks very much E Mann, that was a very helpful thread. I think it actually would apply for youtube as well. For other users, here's a direct link to the settings for Premiere Elements:
http://eugenia.gnomefiles.org/2007/12/08/exporting-with-adobe-premiere-in-720p/
Roughly, the answer is:
Quicktime container
Video codec: H.264
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Frame Rate: 29.97 (I guess if you are shooting in 24p, this might be different)
Bitrate: 5000 (I might try 8000)
Audio codec: AAC
Output channels: Stereo
Frequency: 48kHz
Now, my own personal changes to this recipe are:
Quality: 100 - takes longer to encode, no file size difference
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Hey Russ,
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harmesh

Hi
What is Treatment Code??
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Message was edited by: Ian R. Brown

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