DV PAL Widescreen 16:9 Bitmap Export Issue

I've searched past questions concerning this issue, but unfortunately past questions have not yielded a definitive answer or workable solution in my case.
I have a project shot in DV PAL Widescreen format on a Sony HVR-Z5E. My Sequence settings are: 720x576 DV1/DV PAL 16:9 (1.4587). Captured video is showing as 720x576 (1.4587) AVI 25fps.
I am creating a freeze frame by exporting to Windows Bitmap from the sequence. I am setting Media export aspect as DV PAL Widescreen 16:9 (1.4587) - the same as the source setting. In the output monitor source/output looks identical. So it looks like I am exporting correctly - I can only assume.
But having done the export, the bitmap image looks 4:3 with squeezed sides. Importing back into the sequence confirms this - it's 720x576 (1.094). I have exported using both Widescreen setting and Square Pixel setting, both produce 4:3 aspects.
Why is AME not exporting in the correct aspect according to the settings? Why is it maintaining a 4:3 aspect? How can I successfully export to Bitmap and retain the existing 16:9 and bring it back into my project?
Additional: I do not require my export to pass through any other software, just to capture the still frame and import it back into the project.

Thanks so much you guys - yep, that fixed it. The import after interpretation fixed the issue and I have a beautiful integrated freeze frame in the correct aspect. Thanks also Colin for the TIFF solution.
Now as to who gets the "Correct Answer" points? You will agree, that three helpful and correct answers all within about 5 minutes of each other should warrent equal thanks - don't you agree? If I click "Helpful Answer" for all three of you, will that work? Will the system allow this?
If not, then please accept my thanks and appreciation. I'll let God sort it out later

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He described the problem that the menu would not let them select any buttons, and that the menu was cut off top and bottom.
What size did you use to build your menu backgrounds and overlays?
Anyone have any suggests on how to get the first play to work?
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I have for some months been puzzled by an export problem with DV PAL widescreen. I can import my footage ok, and in iMovie it plays back perfectly at the correct aspect ratio.
However, when I want a full quality export, the resulting movie is 4.3 - why?
I can get round this by going into custom settings and entering my own size, but why is this necessary?
A related problem has just occurred when trying to score a similar movie in Garageband. Despite being widescreen at source, the movie that goes into GB is 4.3. Am I missing something obvious here?
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composites of Photo to Movie and iMovie footage, exported to a Quicktime movie, which is then typically dropped back to a much larger iMovie project, so timecoding isn't really important at this stage.
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what exactly is interlacing and why is it of benefit
http://www.sjoki.uta.fi/~shmhav/SVCDon_aMacintosh.html#interlacing

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Try exporting from FCP again using Quicktime Conversion.
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I understand the frustration that your tone implies, but you've run off the tracks here.
The computer world uses square pixels. Vimeo, YouTube, etc. When people upload anything but square to those services, the resulting picture is distorted, as it's displayed in square pixels. And I see a lot of distorted videos on YouTube.
http://support.google.com/youtube/bin/static.py?hl=en&guide=1728585&page=guide.cs
I'm fairly certain that if you upload an MPEG2 to YouTube, they're going to recompress it to FLV or MP4 for you. It's not one of their "supported formats." So, I wouldn't be surprised if they muck it up.
£999 to go from CS3 to CS5.5. sounds like a pretty good deal to me... that's a three version jump. I also believe Adobe has become more responsive to customer input in the past few years, and not just "rolling over" for big clients. But, those are opinions.
Mitchell Remes wrote:
Okay apart from the fact that Adobe wanted to stiff me for another £999 to upgrade from the CS3 Production Premium suite to CS5.5, my first HDV project on the new system messed up; and I thought I was moving forward (apart from my bank balance) phew got that off my chest. Whichever way you look at this and no matter how many technicians tell us otherwise, DVD players, You Tube, Vimeo, well the world really have been happy using a PAR of 1.422222 for PAL Widescreen and now Adobe are using 1.458 the "correct" PAR for the BBC apparently having read previous threads (well yippee da). This doesn't help me uploading my videos for a client to You Tube, Vimeo or a DVD and having black bars either side, they couldn't care less whether it is the correct standard for the BBC or not they just want their footage to look like everyone else's. What are you playing at Adobe, just give us another option in Media Encoder to export the same way we have been happy doing for years and stop rolling over for the BBC. Incidentally I upload MPEG2 DVD to You Tube and have been getting good results so that is why I am using MPEG2 for You Tube and Vimeo (but I'm sure someone will now give me a good reason not to). I have been fighting Adobe's (and Window's) corner for the last god knows how many years while the Mac crew have been tempting me with that alluring mistress FCP, more stable audio and better colour resolution. Adobe sort this out we've had enough of this nonsense, what is it with big companies they become god like in their sheer arrogance, give us what we want and stop toying with your minions. This really hacks me off.

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Fish:
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Same for the NTSC but using DV NTSC Easy Setup and so . . .
If I don't missed something your movies must be fine in DVDSP.
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DV PAL Widescreen 16:9 Bitmap Export Issue

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