DVCPRO HD - Non Drop Time Line?

I am just beginning to edit a project with all DVCPRO-HD media. Does anyone know if it is important to deselect the 'Drop Frame' choice in the User Preferences Timeline tab?

720p 23.98 is non-drop only. So deselecting that choice won't matter.
Shane

Similar Messages

  • When I tgry to drop a video from the main screen to a time line with no secuence i receive an error with no number, just tell me the progran stop working and the program closes can you help me please

    please someone who help me please
    when I tgry to drop a video from the main screen to a time line with no secuence i receive an error with no number, just tell me the progran stop working and the program closes

    You need to help us first ...
    Computer specs:
    OS, CPU, RAM, GPU, vRAM ... and also disc layout & connections can be useful (as in, "2 internal hard-drives and an external on Thunderbolt connection for exports")
    Program specs:
    Specific build of Premier Pro from the bottom of the "About" splash screen off the "Help" menu is best.
    Footage file type: MXF, AVCHD, MOV, m2s, what?
    Even the camera it was shot on can be of interest at times.
    And did you use media browser to import, then project panel to drag & drop?
    Neil

  • Has anyone experienced this problem: I am editing in FCP 7.0.3 on a Mac 10.6.8 - I have a clip in the browser that is full frame and matched the other clips but when I drop it in the time line it becomes a fully zoomed in version of itself

    has anyone experienced this problem: I am editing in FCP 7.0.3 on a Mac 10.6.8 - I have a clip in the browser that is full frame and fine and it matches the other clips in my bins but when I drop it into the time line it becomes a fully zoomed in version of itself and I can only see a small portion of the image.  What's going on?  I've noticed this has happened in the past randomly with other clips and it's driving me cray cray!  Any help appreciated greatly and thanks in advance for taking the time

    In the FCP Browser, click on the source clip that is showing up sized incorrectly to select it. Once it is selected, type Command + 9 to see the item properties for the clip. Either report those properties here, or take a screen shot of the item properties and post the screen shot here.
    Next, click anywhere in your sequence timeline and then type Command + 0 {zero} to see your sequence settings. Either report those settings or take a screen shot of the sequence settings and post that screen shot here.
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  • Why I can't see my pictures when I drop them into time line ?

    Please help. I drop pictures into time line in iMovie 10 and they don't apear in the window I can't play them. where as video can be played. but when I move cursor over the pictures only green screen apears. Why ????

    You don't have an iMac PPC.  PPC is for machines that predate 2006.  I've requested a moderator move this thread to the iMovie forum.  It might not be until Monday that they do.

  • Drop Frame video (29.97) with Non-Drop Frame Time Code

    Howdy All,
    I understand that DF TC & Non-Drop frame TC are numbering issues and not frame
    count issues, That said,
    If I have an encoded file captured from an analog Beta Cam SP that has NDF TC
    and that file has been encoded as 29.97, so that the resulting file has
    a Frame rate of 29.97 with NDF TC from the source tape,
    1) Does this constitute an error?.
    2) Will this cause problems for the next guy?.
    (having been "The Next Guy" in the past I prefer to handle such things on this end if it requires handling)
    I have been looking for a straight answer but this specific cause/effect
    is tough to track down.
    Thanks in advance for any assistance,
    KA

    Well, starting as a linear editor I can tell you jam syncing and converting to DF will really screw up the TC. Every 10 seconds you'll have a TC number that's incompatible with the DF counting sequence.
    If these are source tapes, you have nothing to worry about. I actually prefer NDF source while editing (I'm very old school) beacuse if I trim 5 frames on a mark I can calculate in my head where the new point would land regarding TC. With DF, I trim and often have to do a double take because the math didn't make sense.
    Do NOT ever alter the time code on any source material unless you have a capture failure that you have absolutely no other way of working around.
    Anyone can mix DF and NDF source time code on any system without any issues. The only problem with NDF is determining EXCACT running time of a completed program when delivering for broadcast.

  • Mail drops off line-bells besides the accts etc. I have to quit mail and reopen several times?????

    Mail keeps dropping off line. Warning bells besides the accts. etc. I have to quit mail and reopen several times to get it on line. Any cures known????
    DICKSTER-----

    Alky Styles,
    Welcome to Apple Discussions.
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  • Problems working with non drop and drop frame DVCPRO HD material in project

    I am having playback problems with my non drop frame HDV material. It stutters.
    All of our projects up to this point have been shot in drop frame. During our last shoot however the Bcam was recorded in non drop. I loaded both the non drop bcam tapes as non drop and the drop frame Acam tapes as drop. All of the drop frame Acam material plays back fine in the source viewer and the timeline. The non drop Bcam material seems to randomly stutter in the source viewer, or causes the system to serve a "dropped frames warning" in the timeline.
    Is there a bug with fcp 5.1.2 about mixing non drop and drop frame material in a project. Or is this not possible? They are the same frame rate.
    I have exported the non drop clips in a drop frame timeline and re-imported them as drop frame clips - thus correcting the problem. Is this the best solution?
    All of the material was loaded thru a kona card as 1080i60 DVCPROHD 29.97
    I had no problems capturing the material as long as I used the corrrect firewire setting (ndf vs df).
    Anyone have a problem like this? I would greatly appreciate a response.
    Thanks,
    Mark

    http://bssc.sel.sony.com/BroadcastandBusiness/DisplayModel?m=10014&p=2&sp=141&id =78439
    The camera can record 60i, and 30F:
    "HDV 1080, 50i/60i/30F/25F Recording and Playback capable"
    Look at the clips...look at their frame rates. What do they say? Is one 59.94? Is the other 29.97?
    You would never need to render if you mixed NDF and DF footage. The footage runs at the same speed, on the TC numbers are different. But, you would need to render if your footage had different frame rates. LOOK AT THE CLIPS.
    Shane

  • I cannot drag and drop to the time line!!! This worked before.

    Hello All,
    The last time I used iMovie was about a month ago. I have successfully imported and edited many projects in the past year. I just imported footage from a Mini DV camcorder as I always have in the past. When I click on video to drag to the time line, as soon as I move the mouse pointer, the video thumbnail becomes ghosted and I do not see the thumbnail or green + symbol when dragging. I even moved the mouse pointer to the timeline anyway and released the mouse click and nothing happened. I even tried dragging image files and MOV files from the Finder to the iMovie interface and that would not work either.
    What is preventing me from dragging?
    Ralph Ocampo

    Also, after the video thumbnail is ghosted, if I click on the ghosted thumbnail the thumbnail image does not appear in the preview window. Instead, the preview window turns black.
    Also, if I double click the ghosted thumbnail I do not get the Clip info dialog. It's as if the clip no longer exists, but I can see it's ghosted thumbnail.
    Also, I showed my wife the problem and she just told me she was using iMovie 2 days ago with no problem.
    Ralph Ocampo

  • Solution for: no audio in time line - conforming issues - unspecified error occurred

    these are all the same issue and i have the solution for it.
    Adobe has once again let down the non professional user but ignoring this bug. They have also deleted alot of my other posts on the adobe forums.. perhaps so you cannot receive help from me?? who freakin knows..
    b Problem:
    you import your footage and there is no audio in the time line. you see the audio clip there but no information in it. some people say its because of MPEG format but MPEG files works fine in Windows Movie Maker, Ulead, Pinnacle, Sony Vegas.. etc...
    let it be known that its an Adobe Premiere issue.
    b Solution:
    b step 1:
    close adobe premiere
    b step 2:
    open My Computer and go to tools at the top. From the drop down menu go to folder options. In folder options click the view tab. In the advanced settings section where it says 'Hidden files and folders' make sure 'show hidden files and folders' is selected.
    b step 3:
    open My computer and go to c:\ drive > Documents and settings. Now click into your user name (NOT 'All users') in my case its 'proGamer'. Now click into 'Application Data' > 'Adobe' > 'common' > 'Media Cache Files'.
    b step 4:
    in this folder find the files you were just trying to import by searching the name. in my case its file: 20081217030338. you will now see 3 different file types with the same file name you were importing: CFA, PEK, MPGINDEX. delete them all!
    b step 5:
    go back and open adobe premiere, open up your project again and it will automatically recreate those files you just deleted. hopefully correctly.
    b NOTE:
    If this hasn't worked then open your adobe premiere project, clear all trace of the files with no audio and start again from step 1. then after step 5 just import the files back into your project.
    This has proved to work with every file i've imported that had the audio not conformed.
    b your second option:
    simply play your clip in WMV or VLC or what ever player you use and record the audio in real time in stereo by using some music editing like cubase or logic audio. you can also use something more friendly like 'recordpad' found here: http://www.nch.com.au/recordpad/screenshots.html now you can buy it from these guys or get it how ever else you like
    lemme know how u go

    dmd,
    I've read plenty of places that they know about the bug and are going to fix it. Will from Adobe said so in a few older posts. It's also listed as an issue in the 4.0.1 readme.
    I agree that this is the most screwed up Adobe release ever but I doubt they're deleting your posts to hide it. Never know though.....
    "Adobe has once again let down the non professional user but ignoring this bug" I actually wish Adobe would forget the consumers and make Premiere Pro more friendly to professionals. Dozens of multimillion dollar movies have been edited with Avid and Final Cut over the past few years. Adobe doesn't put forth any effort make Premiere a pro application. Because they pander to the consumers and prosumers they end up messing up the product for everybody.
    Premiere Elements is for consumers, Premiere Pro should be for the 'Pros'

  • Random photos dropping off line

    While working on a sequence, some of the photos dropped off line. Some times I can see the thumbnail on the time line, if I just touch the red "off line" clip. However, if I scroll down the time line (lets just say at 3:00 minutes), then go back to the original thumbnail photo (lets say at 1:30), it goes red again.
    None of my photos were moved, and are intact at their same location. Even in "reveal in finder," shows them in the same location.
    Why is this happening, and will this effect my final project when I export to a Quicktime movie?

    I "right clicked" on the clip, then chose "reveal in finder." Obviously that doesn't reconnect the path.
    That's right, this option only tells you where the file is located.
    At the bottom of that list is Reconnect Media. You use the options to navigate to the original media then reconnect.
    In the cascading menu: File>Reconnect Media is another way to do the same job.
    Al

  • Caption inconsistencies and timecode display is non-drop only?

    In QT 7 Pro, the time display has an option for "Timecode: Non-Drop-Frame". I'm pretty sure that I have tried multiple videos that are drop frame, but the only option in the display is non-drop.
    Also, a lot of caption files that I add seem to drift, and are late by about 2 seconds after 45 minutes of video. These same video/caption files line up perfectly in other systems.
    Just wondering if anyone can help me understand what might be happening.

    I am using the easy setup. FCP does differentiate between DF and NDF with the semi-colon and colon respectively. I have tried manually putting in a semi-colon, but it still makes it NDF. I currently log all of the clips. Then I control click on the media end time of each clip and it gives you an option to make it DF or NDF. But when I do this it changes the media out times due to the conversion. Also, if I go to batch capture my clips and I don't have a tape in my deck yet, I will receive a warning saying something like "You are about to capture drop frame media from a device currently detecting a non-drop frame media source." I don't get this warning if I already have the tape in because once the tape is in it sees it as DF.

  • Can anyone help. I need to reuse my SDHC cards and transfer footage from an ongoing profect to a hard drive. Can i edit from the Hard drive or am I better transferring info striaight from camera to time line

    Hi I am using a JVC GY-HM100 camera which is meant to work well with final cut pro.  I have an ongoing project but need to save money and resuse the SDHC cards that are currently full of footage.
    Would I be better off transferring the footage straight to the time line (as rumour has it you can do this with this camera) or store the footage on a hard drive and edit it later without risk of losing the footage.
    Many thanks
    Lindabob

    Thanks Linda,
    Here's some more info for you:
    This is my pet checklist for questions regarding FCP X performance - you may have already addressed some of the items but it's worth checking.
    Check the spec of your Mac against the system requirements:
    http://www.apple.com/finalcutpro/specs/
    Check the spec of your graphics card. If it's listed here, it's not suitable:
    http://support.apple.com/kb/HT4664
    Make sure you're using the latest version of the application - FCP X 10.0.3 runs very well on my 2009 MacPro 2 x 2.26 GHz Quad-Core Intel Xeon with 16 GB RAM and ATI Radeon HD 5870 1024 MB. I run it with Lion 10.7.3.
    Check that you have at least 20% free space on your system drive.
    If you have not already done so, move your Projects and Events to a fast (Firewire 800 or faster) external HD. Make sure the drive's formatted OS Extended (journalling's not required for video). You should always keep at least 20% free space on the Hard Drives that your Media, Projects and Events are on.
    If you are getting crashes, there is some conflict on the OS. Create a new (admin) user account on your system. Do NOT import any of the settings etc from the old account - simply use FCP X from there - if it runs a lot better, there's a conflict and a clean install would be recommended - but remember, if you reinstall the system, and then use Migration Assistant (or anything else) to import all your old settings etc etc, you may well be importing the cause of the conflict in the first place.
    Keep projects to 20 mins or less (about half that for Multicam). If you have a long project, work on short sections, make them into Compound Clips and then paste these into a final project for export.
    If you ever experience dropped frames, I strongly recommend you use ProRes 422 Proxy - it edits and plays back like silk because the files are small but lightly compressed (not much packing and unpacking to do) - but remember to select 'Original or Optimised Media' (FCP X Preferences > Playback) just before you export your movie, otherwise it will be exported at low resolution.
    If you have plenty of processor power, for the ultimate editing experience, create Optimised Media - most camera native files are highly compressed and need a great deal of processor power to play back - particularly if you add titles, filters or effects. ProRes 422 takes up much more hard drive space but is very lightly compressed. It edits and plays back superbly.
    Hide Audio Waveforms at all times when you don't need them (both in Browser and Storyline / Timeline). They take up a lot of processor power. (Use the switch icon at the bottom-right of your timeline to select a format without waveforms if you don't need them at the moment, then switch back when you do).
    Create folders in the Project and Events libraries and put any projects you are not working on currently, in those folders. This will help a lot. There's a great application for this, called Event Manager X - for the tiny cost it's an invaluable application.
    http://assistedediting.intelligentassistance.com/EventManagerX/
    Unless you cannot edit and playback without it, turn off Background Rendering in Preferences (under Playback) - this will help general performance and you can always render when you need to by selecting the clip (or clips) and pressing Ctrl+R.
    The biggest single improvement I saw in performance was when I upgraded the RAM from 8 GB to 16.
    Andy

  • How to add a custom multimedia playback control to add a time line of what is being played?

    How to add a custom skin in multimedia playback control to add a time line of what is being played?  As it is being played...
    I need a time line so any part of the what is being played can be found by time, ie at 1 minute and 30 seconds in and continues for 45 seconds out of a 50 minute audo.

    If you're talking about a playback controller within the rich media annotation (RMA) then you need to write your own widget in Flash or Flex, and then place the video and widget files using the multimedia "Add Flash" tool in Acrobat instead of the "Add Video" tool. Aside from a bunch of proprietary code to handle events, commenting and the API (which you can live without for basic play-pause-scrub applications), video RMAs are just an embedded SWF file containing an FLVPlayback component. The skin and the video file itself are added to the RMA as resource entries. You can build your own version and have it display whatever controls you want, provided you know how to write ActionScript!
    If you're talking about a controller that's external to the RMA (e.g. a series of links or buttons elsewhere on the page) then in the past you would use FLV video files and the 'cue points' feature that's built into Acrobat - however Adobe removed the ability to create FLV files in the latest version of CC, so unless you have CS6 or earlier it's a non-starter. Instead you can manually set playback start points using the special "multimedia operations" link action in your PDF - though stopping playback at a defined point is very difficult without FLV cues. For that you're back to writing your own widget.

  • Text file: reading char one at a time line by line

    I need to read an external .txt file, one character at a time, line by line, and compare each character in order to do various things. The problem is that when I use the Buffered Reader I have only readLine() method and others to work with, but none that actually read a character at a time, and line by line. The program has to read a character, then move to the next one and read it, and so on. Then move to the next line, and read the first character, and so on. I am working with chars not Strings. Could you please help me with this problem?

    InputStreamReader can read a single char.
    InputStreamReader isr = new InputStreamReader(InputStream in);
    isr.read(); will return 1 character from "in".

  • "Capturing drop-frame media into a non-drop frame clip" error message

    I've logged tapes from what will partly be a 3-camera multi-clip project, and have begun to batch capture.
    Logged all but one tape some weeks ago, and captured one tape at the time.
    Went to batch capture the balance, today. First tape capture went fine. On trying to capture the next tape in the batch I'm getting this message as FCP begins the process:
    WARNING: You are about to capture drop-frame media to a non drop-frame clip. If you proceed, you may experience changes in logged in and out points, problems relinking media, or removal of master clip relationships.
    In analyzing the situation, the only reason I can think of for the error message is that some of the reels were logged on a DSR-11 that had been set to NON drop-frame, and for which I didn't have the remote control to change the setting.
    I haven't run into this while capturing other clips, but those may have been captured via a different deck that does only drop-frame.
    So, I'm looking at next steps:
    1: Capture anyway and possibly regret that I did that.
    (One person on another list reported the same problem, that he had ignored it without any obvious complications.)
    2: Relog all the problem clips using my current deck, speeding up the process by using the "go to" window to drive the tape to the existing in and out points and then marking i/o's...
    Or...
    Suggestions?
    Thanks,
    Ted.

    We've been seeing this stupid error message since v3 and it's never mattered in the slightest. It is always incorrect, anyway. The clips are always drop and the sequences are always drop. It's an FCP programming glitch/bug/screwup. Someday they may or may not fix the mechanism that triggers the warning.
    bogiesan

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