Dvd authoring question

first of all, i make basic, simple check dvds for my clients using compressor & dvd studio pro but i don't do any real dvd authoring. i've been editing hi-def material (dvcpro hd/apple prores hq 720p) for about 4-5 yrs and have been delivering hard drives to dvd authoring facilities for commercially released sd dvds. they play back letterboxed 4:3 on my sd tv set and i've been told they play back 16:9 on widescreen units. i know little about the authoring process so i'm not sure how that magic happens.
a client of mine (who produces commercially released dvds) who's my last sd holdout is making the leap to hd (at least the test files were apple prores hq 720p 59.94). when i spoke to this client's dvd authorer, he said he still wanted the show in an sd format (preferably tape) and said it didn't make sense for them to be shooting in 16:9 since the sd dvds that he'll be producing are 4:3 so the picture will either be cut off or squeezed. understood but like i said no one else i've dealt with has ever mentioned that as being a problem. i provide the highest quality files i can and in the authoring they downconvert for an sd dvd that plays either letterboxed or full screen 16:9 depending on the playback setup. can anyone explain to me how that process works so i can explain it to him since my client has a long relationship with this dvd guy and doesn't want to leave him. thanks.  

Really makes sense to shoot in 16:9 HD.  It's pretty simple to crop to a full frame 4:3 quicktime for SD DVD authoring.  You can actually setup a DVD project so that it'll play 4:3 full screen when appropriate (and even do a pan and scan - although I've never done it myself).  But as Shane says, for any sort of shelf life, 16:9 is the way to go.

Similar Messages

  • HD DVD authoring questions

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    G

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  • NEW - DVD Authoring lounge

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  • Newbie Question - DVD Authoring

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  • Noob question... DVD authoring after FC Express

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  • DVD authoring after editing project with FCP X

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    Maybe you Tell me... about the swf-question?
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    Marc
    "Amy Blankenship *AdobeCommunityExpert*"
    <[email protected]>
    schreef in bericht news:eb7oc3$4du$[email protected]..
    > If you had Authorware 6.5, I'd say there was little
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    >
    > HTH;
    >
    > Amy
    >
    > "marxpost" <[email protected]> wrote in message
    > news:eb7g22$nju$[email protected]..
    >> Hi,
    >>
    >> I am familiar with authorware since 1997.
    >> Altough I am not a programmer pur sang,
    >> I like the flexible workflow.
    >> Offering external linked content; txt-files(V5),
    >> rtf-files(V6) and many, many smart interactive
    possibilities.
    >>
    >> The last 4 years i was developing web based
    applications.
    >> (Dreamweaver, Coursebuilder, Flash, Lectora etc...)
    >>
    >> One of my clients/partners wants now a CD/DVDrom
    application.
    >>
    >> I want to do it with Authorware 5, 5.1, 6.0
    >>
    >> Can anybody tell me what the benefits are to upgrade
    to 7.
    >> (for CD/DVD authoring)
    >>
    >> Or maybe i can better wait for authorware 8. Adobe
    studio ........(swf
    >> output?...is this really possible? )
    >>
    >> Thanks in Advance,
    >> Marc
    >>
    >>
    >>
    >>
    >>
    >
    >

  • Are there any good DVD authoring programs for Mac now that Apple has discontinued DVD Studio and iDVD? I need to make DVDs that have interactive menus and such (Final Cut X and Compressor 4's DVD option is a little cheap). Any ideas?

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  • FCPX - Compressor - DVD Authoring Workflow - Help

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    First, I need to say that I still do 90% of my work in FCS. Although I'm intrigued by FCPX and using it more and more, I have a whole lot of learning ahead. There are a lot of people on the FCPX boards who are using it as their primary editor…and you may get more informed advice over there.
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  • Final Cut Pro - does it come with a DVD Authoring Software

    Hey guys!
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    You either have not drunk the kool aid or did not get Apple's version of the future memo.
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  • DVD @ access questions?

    I am putting together a short promo DVD for a client and I have a catalogue of their products as an image on the DVD that you can access via the main menu. What I want to do is have it so the products are 'clickable' and will take the user [when online] to the clients web site. I did a search but I cant find out how to link this page to the DVD access settings in the inspector. Any help? Also, can you link a button to open up and email application so the user can email direct from watching this DVD? Questions questions questions....thanks in advance. Oh, Im on DVDSP2.

    DVD@ccess is actually quite limited and not entirely compatible with the range of DVD playback software/hardware available on a PC... you might be better off using eDVD from Sonic (which is PC software, making use of the Interactual Player, rather than @ccess).
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  • My Personal Workflow for DVD Authoring in Encore

    This is being posted, due to requests for workflow recs. from a few other threads. It is separate from those threads, but I will try to link to his post in those.
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    Most of the thoughts here come from a few sources, the prime one being Jeff Bellunes book, The Focal Easy Guide to Adobe Encore DVD 2.0, by Focal Press, ISBN 0-240-52004-1. Other sources are Adobe Press Classroom in a Book for Encore, and various articles and discussions from the Adobe User-to-User Forums, for Encore and Premiere Pro.*
    There are many possible ways to acquire Assets (the actual Audio and Video files that you will use), and I will not cover all of these, nor will I go into great detail on preparing your Assets for Encore, other than to say that its best to Export from your Non-Linear Editor (NLE), or convert with third-party programs, your Assets so that they are most likely to work in Encore. Your choice of NLE, or conversion program is totally up to you. There are freeware, shareware and commercial ware programs for all of this. Reading the various Adobe forums and other video production forums, plus a healthy dose of Google, should yield a whole toolbox of utilities. No one utility, from $50,000 authoring programs to freeware file converters can do it all. Like a good mechanic, you need the best tools for the exact job. Also, there are other DVD authoring programs, and some are less strict, than is Encore, about what they will and will not accept. Your final DVD may play perfectly, or it may not. Encore tries to assure that you will get perfect playback on as many different machines, as is possible.
    Ill step you through my personal workflow, but you have to understand that this is not the ONLY way to do it. You also must realize that your exact needs might dictate that you do it otherwise. All Im giving you, is what has worked for me in hundreds of successful DVD Projects. It is based on trial-and-error, a lot of help from the regulars in the Adobe forums, Jeff Bellunes book and other resources. How you adapt this to your personal workflow, or your particular Project is up to you.
    [Go to Page 2 for the rest]

    [Page 2]
    To start, plan your Project from beginning to the finished product in this case, a DVD that can play on a TV, or on a computer, that is compliant with the DVD specs. I usually have edited all of my Video and Audio Assets, using Adobe Premiere Pro (PP), and Adobe Audition (AA). Any still Assets have usually come from Adobe Photoshop (PS), whether they are Menus, or Graphics of some sort. This allows me great flexibility in the creation and Export of my Assets. In a parallel universe, one might have a client, who hands them Assets, that have to be manipulated. One then has to find the right tools to get the Assets into a format that will work.
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    Next, I gather these Assets from their location on my systems hard drive (HDD). There, I have built a folder hierarchy that differentiates the Assets type, Still, Menu, Music, Audio (associated with the Video) and Video. All are below my main Projects folder. As I have created these Assets, I have control over their form and format. All of my Video is an elemental stream (Video only no Audio, not muxed) in the DV-AVI format. All of my Audio is an elemental stream (Audio only no Video, not muxed) in the AC3 (Dolby Digital) format and is usually DD 5.1 Surround Sound. All of my Music (for Menus, etc.) is in AC3 format. All of my Menus are PSDs, and are either built FROM the template Menus in Encore, adapted for my needs, or are constructed in PS using the exact same conventions as the template Menus in Encore.
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    With my Assets list in hand, I Import these into the pre-made Bins. First, I Import my Videos, as Timelines into my Timelines Bin. This brings in my DV-AVI Video files and creates a Timeline for each. When done, I split out the Video, into the Video Bin leaving the Timelines alone in the Timelines Bin. If I have any Video for my Motion Menus, I Import, as Asset, into the Video Bin, along with the Videos that were used to automatically create my Timelines. Next, I Import, as Asset, my Audio AC3 files into the Audio Bin. Same for Menus, as Menus, into my Menus Bin. Music AC3's are Imported as an Asset into the Music Bin. Should there be any Stills, that are not Menus (highly unlikely), they are Imported into a Stills Bin. Now its time for some drag-n-drop. Each Timeline has its Video on it, and I go to the Audio Bin, and drag the appropriate Audio file to its respective Timeline. Because I edited and Exported these files as elemental streams (non-multiplexed, or muxed), I know that they are EXACTLY the same Duration. Now, I set the appropriate Poster Frame for each Chapter/Timeline. To step back a bit here, I need to point out that I always edit my movies in PP, my NLE of choice, and keep each Chapter on its own Sequence. I Export each Sequence as a separate file (one Audio and one Video). I almost never use Chapter Markers, as each Chapter will be a separate set of Audio and Video files, and will have it own Timeline in Encore. The only times that I use Chapter Markers, is when I need some additional navigation within a Timeline, but that is not often. This is just how I edit. I will not cover other methods, but there are books and articles that discuss other ways. None is right vs wrong. They are just different, and this one is mine.
    From my Flowchart Panel, I know if I will have a Video (with Audio) lead-in as my First Play. I also know exactly what my Menu structure will be. Most of my Projects have a Main Menu with sub-Menus for Scene selection, or other features navigation. I also know how many Playlists I will need, and create these. There is usually a Play All Playlist, as my Chapters are all on a separate Timeline. I seldom use a Chapter Playlist (similar name, but different than a Playlist). These are all stored in my Playlist Bin. Now, I can now start Linking my Assets.
    In PS, I will have named my Buttons to correspond to the names of my Chapters (remember mine will be each on a separate Timeline, which have also been named appropriately). I leave the Button numbering, which is different than a Buttons name, in the same hierarchal order, #1 is the lowest on the Button Layer Set palette, with higher numbers in ascending order. Because my Buttons are already named, Ill take each Menu into the Menu Monitor and do a Ctrl-a (Select all) and makes sure that Sync Button Name is unchecked in the Menu Properties Panel. I do this for all of my Menu Buttons - heck, I have already spent the time in PS to create the proper Text Layer, and have changed the Buttons names to what I want them to be, why mess that up now.
    With the Buttons, in all of my Menus and sub-Menus named appropriately, I can look in the Flowchart Panel and know exactly where I need to Link. One could almost do this blindfolded. Its here that I make sure that the End Actions get me exactly where I wish to go. Also, by using Playlists for things like Play All, I can set the End Action there.
    Last, I address my Menus, regarding Motion. About half of my Menus have some form of animated Background. These are always non-muxed DV-AVIs (stored in the Video Bin). Almost all of my Menus will have Audio, in the form of an AC3 (stored in the Audio Bin).
    Everything has been Linked, all End Actions have been set, nothing is left in the Orphanage, and it is time to Check Project. Oh, if I do have animations on my Menus, Ill Render Motion Menus and Preview them. I always leave all functions checked in Check Project and run it. I note any warnings, or errors, and go about fixing these. Ninety percent of the time, I only get the occasional warning, and it will be about End Actions. As these are only warnings, I note them to make sure that, in Preview, things function as I wish. There are almost never any errors, but if there are, I begin fixing them. Note: the Check Project function really only checks the navigation, as per the DVD specs. It does not check that your Assets are compliant. Since mine are, before they are Imported, this is never a problem.
    Now, I Preview, and Preview, and Preview. Normally, I am able to leave Button Routing to Automatically Route Buttons, so I seldom have to worry about that. Also, since I either built my Menus FROM the Encore Menu Templates, or created them PER the Encore Menu Templates, I seldom have any Button overlaps.
    [Go to Page 3]

  • Frustrated....it has limited chapter markers...is there other dvd authoring

    Look like DVD SP is not comptiable with education projects. My projects are usually have alot menus and alot of chapter markers.... I had to split video tracks into few because of too many chapters and actions. Do you know if that DVD SP is possible to pass limited chapteer markers? Or there is good DVD authoring software for Macitnosh? Someone suggested me to use Sceneraic (PC software) and it is way too expensive. Hope there I will get a help.

    Oh, Guys,
    While we're at it, There are other serious limitations DVD SP has when it comes to the larger projects requiring lots of end actions (over the years, every time I read the DVD-Video Specifications, I find one or more additional cool capabilities DVD SP left out):
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    The paltry few cells that DVD SP does allow placing per VTS, are not allowed to have end actions associated to them, or be targeted by the Connections. Only cells flagged as Markers can have end actions - and then only 52 of the Markers in a Video Title Set (Track) can have end actions (I had a post around here about a year ago explaining why); and only cells designated as Markers show up as navigation targets.
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    Cells in DVD SP are good to bound buttons on video, and set as the layer break, is about all.
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    Take care,
    Trai
    New Constellation Technologies / TFDVD Research Labs

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