Easier Ease In - Out

Is there an easier way to use the Ease in or Out?
Right now I "right click-Temporal Interploation - choose Ease In or out.
I have to do the 4 times for each clip.
There ought to be an easier and faster way.
Tom

After a bit more testing, - here's what seems to work.
I made a Preset which sets the initial Key Frames and Ease Out.
I then apply it to the beginning of a new clip.
Adjust my starting key frames and then go to the end of the clip and click on the Add Key Frame button.
It automatically turns the ending key frames into Ease In Points.
I then make my adjustments to the ending key frames and I'm done -

Similar Messages

Easy Ease vs Easy Ease In/Out

Newbie question here what's the difference between Easy Ease vs Easy Ease In/Out?
Thanks,
Kristin.

Easy Ease creates an ease on both sides of the keyframe. Ease In adds it before the keyframe. Ease out adds it after the keyframe.
Easy Ease is a combination of Ease In and Ease Out.

Undo Easy Ease?

Sorry guys for the dumb question, but i'm just learning After Effects and I can't find an answer anywhere...
so, if I hit F9 and easy ease my effects, and after a few actions decide to undo it (control+z is out of the question at this point) - how do i do that?
anyone?
thanks!

Andrew's answer, and much more, is in After Effects Help:
"Keyframe interpolation"

How to Revert an Easy Ease Keyframe to a Normal one?

Counting out the "History", how can I revert an easy ease keyframe to a normal keyframe ?
Thanks in advance.

I am using PC and I have to hold the Ctrl and click the keyframe.
Thank you Rich and Mylenium.

Ease in/out of effect in Motion TAB ?

From the Motion tab inside FCP-
Is there a way to create an ease IN/OUT of a size or rotation change?
example:
I have a rotating postcard graphic that snaps into it's final position and I would like it to ease into that resting spot with more grace.

This is covered in the Final Cut Pro user manual.
Chapter 67, "Adjusting Parameters for Keyframed Effects", in the section "Controlling Speed Along a Motion Path" on page 1123 of the pdf file found in the application's Help menu bar item.

Ease in/out not intuitive

Hello,
I've been using animation applications for about 20 years now and, for whatever reason, Flash CS5's ease in/out feature has got me stumped.
I have a simple text Movieclip that comes from the left, off stage, and moves to the right onto the stage and stops. I want to ease it so it slows down to a stop.
I'm using Flash CS5 with the new tween.
When I click on the tween in the timeline, the ease property in the Properties Inspector doesn't give me what I want. If I put 100, it comes in and stops hard. If I give it a -100, it slowly accelerates to full speed and then stops suddenly.
I've read the tutorial for the new Motion Editor in Flash and it doesn't work like any other motion editor I've used, including Adobe's own After Effects. Normally, you would just click on the graph's line and then curve it with a pen tool or right-click on select bezier...
Thank you for your time.

Hey there,
The property inspector applies ease across the entire tween span, so you're correct that it's not going to give you what you're after. One of the things about the new tweens is it's applying the animation to an entire object, which gives us complexities about trying to do things like ease between property keyframes. We know we need to make this workflow better, and have many ideas around this, hopefully it'll be a reality in a future release soon.
So for now, when easing non-spatial properties (anything other than X, Y, Z), you can use the bezier to adjust the curve. For spatial properties (X, Y, Z) you can switch between smooth and linear curve but not use bezier handles. The reason for this is Flash has stage editing - in order to have both stage editing and control in the graphs, you can either have one or the other. Because Flash users are so accostomed to Stage editing, we went with that and turned of spatial control in the ME (otherwise, Math takes over the handles and you can't really adjust them as you expect). And also because adjusting those curves in the ME rarely gets a user what they're typically after (which is the correct result, technically/mathematically speaking).
Anyway, long story short - if you're doing ease in/out, you may just want to use one of the "Stop and Start" eases, which is an S curve and is ease in and ease out. Just add it to your tween, set the value, and then apply it to the properties you need it on.
Or, you can add a Custom ease and use the bezier controls (keyframes will snap to keyframes in the properties of the tween), and then apply it to your properties.
If you aren't trying to ease a spatial property, you can adjust the curves using beziers, which is a good way of applying ease between keyframes as you note.

Motion-ease in/out

I'm working in FCE4 and using a number of still pictures. I'm doing pans and zooms using the motion control. No problem. The acceleration from start to stop is constant. I want it to start out slow, speed up, then slow down to end. So I control click to get "ease in/out" and apply. Sometimes it works, but mostly it doesn't. Sometimes nothing happens. Sometimes it changes the motion path from a straight line to a curve causing the picture to veer off from the straight line I want. Why does it sometimes not work or change the motion path?

Using FCE 3.5.1 / OSX 10.6.2 / Intuos 2
Well, not really sure why FCE’s Motion control only works on some clips for you...?
If you like, here is my workflow...
Create a motion-pass of your image, let’s say from left to right...
You should see a blue linear motion-pass with two green endpoints...
(the small dots in between are automatically generated keyframes)
Right click the first green (round) point (start-frame) /
From the drop-down choose Ease In / Ease Out /
Move the tip of the Bezier-handle in any direction and make it longer...
(keep it straight for a straight line, but it can be adjusted at any time))
You should see a second blue dot fairly in the middle of the bezier-handle...
Move that little dot up or down and see how the key-frames are moving...
Moving it to the green dot concentrates the keyframes (slower movement)...
Moving it to the other side opens the key-frames (faster movement)...
Do the same with the other green (square) point (end-frame)...
Adjust those handles until you like what you see...
Regards
Nolan

[F8] How to move a MovieClip with Ease In/Out tween using Actionscript

In Flash 8, I need to move a MovieClip from point A to point
B when a user clicks a button.
I currently have a function which I pass three arguments:
TargetX, TargetY, and the Duration (in frames). I have it working
to move the clip linearly, however, I would really like to be able
to ease in/out on the tween.
I'm really stuck on the math of it all and need someone to
give me the formula.
Here's my function:
Code:
// Function which is called when user clicks button to move
the mc
_global.fMoveTheMovieClip = function(iTargetX, iTargetY,
iDuration){
// Calculate the distance to the Target position
iTotalDistance = iTargetX - MoveThisClip_mc._x;
// Mover function
MoveThisClip_mc.onEnterFrame = function(){
// If the movie clip has gotten close enough to the target
if((Map_mc._x > iTargetX && Map_mc._x <
(iTargetX + 1)) || (Map_mc._x < iTargetX && Map_mc._x
> (iTargetX - 1))){
// Snap the movie clip to the target x
MoveThisClip_mc._x = iTargetX
// And stop this function
delete this.onEnterFrame;
// Else, if the mc has NOT reached the target zone
}else{
// Move the clip
// This is where I would like a formula to ease out then in
based on the duration
// Right now I have this to move the mc at a constant speed
MoveThisClip_mc._x += (iTotalDistance / iDuration);
Also, everything needs to be AS2 compatible.
AND, I can't use the "tween" or "transitions" classes.
So, please don't post anything with code similar to this:
Code:
import mx.transitions.Tween
import mx.transitions.easing.*;
If I need to add a "power" or "strength" argument to my
function, that's fine.
Thanks!!!!

I'm thinking what I want isnt possible...
Here is what I get.
Its perfect for landscape.
But when I use the same settings on a portrait, I get this
The entire canvas should be portrait. If I flip it, then the watermark is under the image instead of on the right hand side going up like on the landscape one.
The portrait one should end up looking like this
I know this is being picky, but I'm taking over running photo and reviews for a media, and we have 4-5 photographers (myself including) covering shows. So I'm looking for a one click to export and bam everything is fine type of thing.
So it's like the canvas would need to be portrait for portrait photos and landscape for landscape photos, and keep the name on the lower right regardless. I'm thinking LR isnt that smart just yet to say "add 1 inch and put logo down here on all images" lol
But I totally appreciate your input.

Can AE do 1)Photoshop or Flash distort, skew, warp etc. transformations?,2) mask tween:ease in/out?

Hello AE Community,..
1) does AE have or can be made to perform Photoshop or Flash distort, skew, warp etc. transformations?, (these save incomparable time in path editing rather than AE's limited transforms and manual point and tangent realignments)
2) when shape(mask) tweening in AE is it capable of what Flash calls ease-in/out, or what Illustrator and CorelDRAW calls "speed"or "acceleration" respectivly?
thanks for any help,
Jeff

Re 1) Effects --> Distort --> Transform | Mesh Warp
Re 2) Animation --> Keyframe Assistants or simply use the graph editor.
Mylenium

Why is apple - the most innovative company that pioneered customer experience- not making it easier to find out if Iphone is locked or unlocked? it should be simple to find this status on the phone.

Why is apple - the most innovative company that pioneered customer experience- not making it easier to find out if IPhone is locked or unlocked? it should be simple to find this status on the phone. I have to go thru so much trouble to find out if the phone is unlocked or not. There should be a much simpler solution to this.

call them, tell them you NEED a new battery installed, and they need to tell you when they can do it. That is their job to help you! Give pushback if necessary.

Is it easy to switch out CPU?

I have a 2GHz processor and am having some processing issues on my bigger songs. Is it easy to switch out the CPU and how big can I go. i.e.-2.5, 4 ? etc

I have a 2GHz processor and am having some processing issues on my bigger songs. Is it easy to switch out the CPU and how big can I go. i.e.-2.5, 4 ? etc
You could do a google search to see if anyone is still offering CPU upgrades for G5 computers, but it's old technology now so probably not worth bothering with. It's not just a question of the GHz speed of your processor - your G5 computer is quite a few generations out of date and isn't a match for any of the current Macs. You can't compare it directly to a current Mac Pro because the CPU is completely different, and a whole lot more powerful than any of the G5s were. Even a current Mac Mini or Macbook Pro will easily give you way more processing power for Logic than your G5, even if you did find a CPU upgrade to replace the chips with a slightly faster one. Also, G5s hit a wall with heat problems, so I doubt that you'd be able to put in a faster dual G5 chip without needing much bigger and louder fans. In fact, the last G5 models even had liquid cooling just to be able to run a little faster, which you can't just add to your machine.
Seriously, your best option is to sell the G5 and get a new Mac of some kind. A brand new Mac Pro if you can afford it, or a second hand one from a couple of years ago will still be way better than anything you could do to the G5 to speed it up. Or if you don't need the PCI slots and can get away with just using firewire for your hard drives and audio interface, a recent iMac, MacBook Pro or even a Mac Mini will run Logic far far better than the G5 you have.

Undoing Easy Ease

So, I have a keyframe for which I appled the "Easy Ease" keyframe assistant. Now when I add a new keyframe to the timeline for that layer it automatically creates the little hourglass "Easy Ease" keyframe marker. Can I still insert normal keyframes? Is there a way to undo these keyframe assistants once done?
Thanks for any help. I'd appreciate it.

Thanks for that, but what I really want to know is if there's an easy way to undo these interpolation options once applied.
For example, let's say I scale a box from 10% to 50% between two keyframes - the scaling values increase linearly. Now I apply the "Easy ease" keyframe assistant and adjust things using the graph editor - the value changes at different speeds over time. Later, I reopen the file and decide that I want to get rid of the keyframe assistant and the graph edits, having the keyframe revert to the behavior it exhibited when I first placed it. Is there a way to do this easily? Is there a button or option that will simply turn that little hourglass keyframe back into a diamond and let me start over?

Problems easing in/out for ken burns effect

I love FCP, but this has been driving me crazy for the past year or so!
I have to edit a lot of presentations with maps and still pictures, and I often need to zoom in or out to a specific part of a still. Easing in and out of keyframes looks much better than sudden movements, but because "Scale" beziers are time-based and "Center" beziers are space-based, it's practically impossible to coordinate the scale and the movement.
Does anybody know of a viable way to ease in or out while ken burnsing in FCP?
BTW I LOVE Motion and I know it can do this, but for one of the simplest and most commonly needed editing tasks, creating every shot in Motion would be unnecessarily tedious and seems like overkill.

Here are my two workarounds to smooth out the "slide" that happens due to the fact that you can only "ease" scale and not motion keyframes.
1. simple - keyframe the anchor point, or just move it where the center of the zoom is supposed to be. This is easily done with the disort tool, but dragging the anchor point can be tricky if the image is very high-res, as it will keep showing you a different part of the image as you drag it around.
2. tricky - keyframe the motion as you normally would, and bring up the motion path in the canvas (wireframe). Notice that there are bezier handles on either end of the motion path. Swing out one of the handles away from the straight motion path, which will temporarily curve your motion path. Notice that in addition to the point you can grab on the end of the handle, there is also a round point in the middle of the handle. Grab the point in the middle of the handle and slide it along the handle - you'll see the points on the mition path compress towards one end or the other. This has the same effect as easing the motion in or out. When you are done adjusting, you can drag the handle back to straighten out the motion path.
Since it is possible to adjust the speed of a motion path in this way, I have no idea why they have never tried to allow this to simply be eased in the motion tab. But if I could do that kind of math in my head I would be a computer instead a lowly user. It's too bad that this is one of those things that looks great when you see it in the interface - "oh, smooth, that sounds nice" but then if you try to smooth the zoom and keyframe the x:y position, you'll get the "slide" every time. Very distracting and really never what you want.
Hope your plugin is easier to use than my workaround.
Max Average

Add ease in/out to curves when animating scale?

Im trying to animate the scale and position of a clip to go from full screen to the top corner. The position keys seem to have an automatic ease in and ease out to their curves. Scale seems dead linear. Needless to say the finished effect looks awful. The Video Animation editor doesnt appear to allow me to access the curves for transform. This is ridiculous! Am I doing something wrong? Anyone know of a workaround?
Thanks,
Andy

Yes, it should be more flexible. But all is not lost.
You just have to add a few more keyframes along the way to get a more nuanced variation. Not as elegant nor as easy as handling some Bezier curve, for sure. But you don't have to resign to setting one keyframe at the beginning and one at the end and let FCP X scale linearly.

Ease in/out for a scaling image?

I have an image with a keyframe on the first frame and one on the last, and I have the image scaling up on the last frame. I'm not happy with how CS6 is scaling the image up, I would like to have it do it smoother. I right click on the last keyframe and choose both Ease in and also try Ease out, though I am not seeing much difference. Which option should I be using, and are there any other options I should look into?
Thanks.

As others have stated, one can adjust the Interpolation of the Keyframes. Initially, all Keyframes will be Linear, and often, some form of Bezier Interpolation is preferable. The Ease Out (first Keyframe), and Ease In (last Keyframe) are really just Presets, and will do a "smoother" job with the Interpolation. As Steven points out, one has more options, and one of those, say Auto Bezier, might be better, and also offer the user more control - it just depends on what one wants. PrPro offers a great deal of control with regards to Keyframe Interpolation.
Good luck,
Hunt

Easier Ease In - Out

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