Easing into and out of transitions

I have looked at the tutorials for Time remapping, but they arent helping with what i need to do. i am trying to wipe a title on. I would like for it to not stop so abruptly at the end of the Transition Wipe. Is there a way to ramp the speed down as it gets closer to the end of the wipe. In AVID we had the Ease In and Ease out options. Apprecuiate the help if anybody knows this. i amsure its something simple.
Rich

One cannot keyframe transitions.
Easy in/out are only for effects.
Try the Linear Wipe which is keyframable.

Similar Messages

Making keyframing as smooth as behaviors (ease in AND out)...

I try time and time again to get keyframes to be as smooth as behaviors with "ease in and out." No matter how I do it, bezier, ease in, ease out... the keyframes always jerk in one direction or another. Is there a way to have keyframes exhibit this "ease in and out" behavior? When selecting the keyframes in keyframe editor, it only offers an ease IN or and ease OUT.

I'm more focused on camera-moves (no pun intended). Dolly, sweep, these all have "ease both" options which feel VERY organic. Without them I think 3d comes off as "digital," so I prefer to always use ease-both.
When I start key-framing for major complex moves, I have to bezier the **** out of X,Y AND Z moves. It gets really overwhelming. I just would like the option to select all and choose -ease-both-, rather than have to set each one.

Will premier let me ease in and out of key frames

hi
i have found the way to ease in and out of keyframes in after effects
does premier have the same function
and if so what is it called
thanks

Right Click on the Key Frame marker and you will get the options you require . (Eases)

Easing in and out on the same tween

I have a motion tween that I want to ease on both the
beginning and end of the motion.
As far as I can tell I can only set one value for easing and
in the easing graph I can't add more points.
The only way I've been able to have both ease in and out is
to create another keyframe in the middle and apply and ease out on
that.

As of Flash 8 you can use the Advanced Easing Panel and shape
the curve like a letter "S".
~~~~~~~~~~~~~~~~
--> Adobe Certified Expert
--> www.mudbubble.com
--> www.keyframer.com
~~~~~~~~~~~~~~~~
KOunapuu wrote:
> I have a motion tween that I want to ease on both the
beginning and end of the
> motion.
>
> As far as I can tell I can only set one value for easing
and in the easing
> graph I can't add more points.
>
> The only way I've been able to have both ease in and out
is to create another
> keyframe in the middle and apply and ease out on that.
>

How can I pass a file refnum into and out of external c++ code? What type does it convert to in c++?

I am trying to write external c++ code that will read a file already opened by Labview and therefore assigned a refnum. (Unfortunately, I definately can't use the standard Labview vis.) However I am not sure what c++ type to use in order to manage the refnum.
All help and thoughts appreciated. Thanks,
Joanna

You could do ALL your file handling in C or C++ (MFC CFile for
example) and pass Microsoft file handles into and out of LabVIEW
instead of LabVIEW file references into and out of C. This may be an
easier way to attack the problem.
You could create a DLL in MSVC that exports a FileOpen function, a
FileClose function and a FileRead and/or FileWrite Function and then
call that DLL from place to place as required in your code.
It would help us if you would explain what kind of data you are trying
to read or write and what the application is. Is it binary data?
text files? Do you need some special Win32 file system feature like
file mapped memory? I guess what I am asking is what is your
motivation for doing file handling in C or C++?
Douglas De Clue
LabVIEW developer
[email protected]
"Rolf" wrote in message news:...
> A LabVIEW file refnum is an internal Magic Cookie to LabVIEW and there is no
> way to directly extract the actual information assigned to that Magic
> Cookie.
> However the CIN Reference Manual describes one function which allows to
> retrieve a lower level "File" handle and at least on Windows 32 bit and
> LabVIEW
> from version 5 up to and including 6.1 this "File" LabVIEW datatype directly
> maps
> to the Win32 API "FILE" Handle.
>
> The function to use is
>
> MgErr FRefNumToFD(LVRefNum refNum, File *fdp);
>
> It is declared in extcode.h or one of its dependant headers and exported
> from "labview.lib"
> all located in the cintools directory and you can link this lib also to a
> normal DLL project.
> However calling this DLL then from any other process than LabVIEW or a
> LabVIEW
> executable will not initialize the DLL anymore correctly.
>
> Your best option if you need to write in C(++) should be to use the LabVIEW
> file manager
> functions described on the External Code Manual (manual/lvexcode.pdf) on
> this File handle.
> If you need to use directly some Win32 API functions with it please note
> that although currently
> the "File" in the LabVIEW file manager functions matches the FILE in Windows
> 32 bit API
> functions this is an undocumented and hence unsupported feature. The next
> LabVIEW version
> may actually use a different datatype for its "File" parameter to the
> LabVIEW file manager calls
> and your use of assuming File == FILE may simply crash.
>
> Also operating on a file refnum in LabVIEW which has been accessed directly
> with Win API
> functions may result in strange behaviour such as the file read/write mark
> not being updated as
> you would maybe expect it.
>
> "Jo" wrote in message
> news:50650000000800000016520000-1023576873000@exchange.ni.com...
> > How can I pass a file refnum into and out of external c++ code? What
> > type does it convert to in c++?
> >
> > I am trying to write external c++ code that will read a file already
> > opened by Labview and therefore assigned a refnum. (Unfortunately, I
> > definately can't use the standard Labview vis.) However I am not sure
> > what c++ type to use in order to manage the refnum.
> > All help and thoughts appreciated. Thanks,
> > Joanna

How do I run a script so that the user does not have to click into and out of a read-only calculated numeric field?

Hi all
I have a read-only calculated field, and I want to build actions on it, dependent on what the answer to the calculated field is.
I have used action builder, and it works, but only if the form filler clicks in and out ("exits") the field, which they didn't have to enter in the first place, because it populates as a result of a previous script.
To be more precise, The questions asked before this field are:
Date of submission (submitdate):
Date of event (eventdate):
Calculation occurs (days between event and submission), and answer is populated in a field called 'daysbetween'
Now I have a set of conditions:
If the daysbetween is < or = 14, then I want a message to come up saying ineligible to apply
If the daysbetween is >14 and < or = 28, then I want a message to come up saying a fast track fee will be applied, and I want the fast track fee box to be populated, and I want the fast track fee box to appear.
I used the action builder to get all of this to work, except that it only works if the user then clicks in and out of the 'daysbetween' field, which they shouldn't have to, because it's already calculated for them
I feel like I have to put this script in an earlier field...but I don't know where - action builder won't let me do it in the 'eventdate' field
Thanks in advance

Put a shift register on the border of your loop. Have a case statement that contains the "Get time" function in one case of the case statement. Make that case = 3 and wire the loop iteration to the case selector. Have the time value loaded onto the shift register in the "2" case (interations count from zero), have the shift register passed through on all others ("Default"). Then subtract this time from current to get elapsed time. You probably want to put the subtraction/comparison in a "sub-case" in the "default" that only is valid for interations > 3 or you will get some really ugly "times" until the shift register is loaded, or you could initialize it from outside the loop with the time, but this will cause it to show elapsed times from the beginning that suddenly jump back to a low number after iteration 2.
P.M.
@ Corning? Which one? I was doing LabVIEW at Corning back in '96
Message Edited by LV_Pro on 09-23-2005 10:07 AM
Putnam
Certified LabVIEW Developer
Senior Test Engineer
Currently using LV 6.1-LabVIEW 2012, RT8.5
LabVIEW Champion
Attachments:
elapsed time.vi ‏24 KB

How do I move data from a DAQ into and out of loops and structures?

I have a set of RTD probes set up to read data into LabView through a DAQ. This block of code is in a while loop
that executes alongside of several other loops simultaneously. I need to use the data from the RTD probes in other
loops and case structures specifically for logic tests.
The problem is that I can't seem to bring the dynamic data out of the DAQ containing while loop or into the other structures.
Any ideas?
I have had some success with using multiple DAQs and stopping all others while I need the data inside of a case structure.
Is there a way to reference data from a DAQ or to run multiple DAQs that read the same data from the same channels without getting a "Task in use error"?
Thanks,
-David

Search the forums for Prodcuer/consumer architecture.
This uses queues to pass data from the producer loop (such as your data acquisition loop) to other "consumer" loops. These are the other loops where you want to use the data.
You won't be able to use multiple DAQ Read functions at the same time. As you've seen you get error -50103 about the resources already being in use.

Ease in and out

Right click a keyframe in motion 5 and you can choose 'ease in' 'ease out' and 'ease both' without using bezier curves. Number 1 feature for me! Just had to share my exitement.

Right Click on the Key Frame marker and you will get the options you require . (Eases)

Workflow into and out of After Effects

I’m just starting to learn how to use After Effects CC, with the help of the associated Adobe “Classroom In A Book” to get me started. Naturally, I’m keen to start using AE myself with my own projects, but this raised a question I can’t find the answer to.
First, apologies if I’ve posted to the wrong forum, I’ve target the AE forum because this is where I’ve become stuck, and hence the question. Basically it’s about overall workflow. Before I ever used After Effects, I’d organise my video clips, and do whatever was needed completely within Premiere Pro. Ultimately, my finished Premiere Pro project would be exported off to Media Encoder and job done!
If I’m working on a clip in Premiere Pro that I feel needs work done to it in After Effects, do I stop working in Premiere Pro and work on that clip in After Effects, bringing the finished clip back to Premiere Pro? Do I complete my project in Premiere Pro, and import the finished video into After Effects, resuming work on the sections of the finished video that require it?
Workflow wise, I’m just not sure how the process should be followed. I always work out in advance what I want my (finished) video to be, and when I was working just with Premiere Pro, it was pretty straightforward. I’m just now sure how to proceed efficiently when After Effects becomes involved.
Any advice most welcome.
Steve

As Mylenium said, you basically work on your effects shots the way effects shots have always been worked on. Since the days of Georges Méliès and other pioneers in the film industry, you edit the material you have to create your first cut or rough cut of your movie, then you decide what shots or sequences need effects, then you send those shots to the effects department for them to work on it. Only the tools have changed. What was originally a couple of rewinds, a viewer and a splicing block has become the NLE. Animators, matte painters, and special effects departments have been changed to compositing and motion graphics products like AE and Nuke. The workflow, has not changed. Beginners usually foul up the workflow and don't work as efficiently as they could, but an efficient production process is still the same. Script, plan, schedule, rehearse, block, shoot, rough cut, add special effects, refine the cut, do the final sound mix, do the final color grading, and render the movie.
For simple effects you can use dynamic link to simplify moving your effects work to AE and back to Premiere Pro, but I would recommend that any effects shot that requires more than a half hour to complete be rendered and the footage in AE be replaced with your render. Make sure you include enough handles on your effects shots so you can fine tune the editing for the final cut.

Getting into -- and out of -- Gnome

I've never been a Gnome user and don't really plan to become one, but I would like to install Gnome -- or enough of Gnome as is necessary -- to try out how Metacity handles current-generation 3d effects. I need a little advice, though:
(1) Can I try Metacity without going whole-hog with Gnome? Or is it part-and-parcel of Gnome?
(2) If I do install Gnome, how complex is it to uninstall everything later? Is pacman -R enough to do the job? I know, of course, that I can simply leave Gnome installed and chose not to use it, but I'll be wanting to get rid of Gnome and everything Gnomish after my trial -- unless I'm just blown away, which is always possible.
I currently have KDE4.1 and Xfce4 installed, and I don't plan to remove them.
Thanks.

Well, I'll say this much for Arch. You can get Gnome up and running in under five minutes, if you have a reasonably fast internet connection (I needed 40+ packages).
As far as the Gnome/Metacity compositing effects go: they're, shall we say, understated by by comparison with KDE4/Kwin and Compiz-Fusion. Nice shadows along window edges, a generally more lush appearance than vanilla Gnome and perhaps than KDE4.1, plus some very basic Alt-Tab window switching with a little transparency. That's all I've discovered thus far.
Either they're aiming at a different target -- i.e., trying to be light on resources while intentionally downplaying the razzamatazz that you can get with Compiz and Kwin -- or they're just behind in their development. Since I have the choice of Compiz and Kwin, I really don't mind if Gnome moves along a different path. But then I don't know a thing about the Gnome roadmap for special desktop effects and haven't yet attempted to find out.

How do I get my book/pdf files into and out of iBooks?

There was a time when I my iBooks App appeared under the shared files section of my iPad app list, and when it did I could get my books/pdfs from my ibook App to my iTunes on my PC and vice-versa. But iBooks no longer appears in that list so I can't transfer new books/pdf files to read on my iPad. The iBook App is still on my iPad with all the old Books and FTP files, it just does not show up under the list of apps whose files can be shared. What must I do to get that functionaity back?

Okay Chris, thanks. I may have misremembered getting the other pdfs via the shared conduit. I may have dragged them from my PC -- it's been a long time since I used this system.
One more thing. Somewhere along the things I was doing recently I asked to sync the Books. It was then that I received a message that more than one library was synced to this iPad! It asked whether I wanted to erase this iPad and sync with the current iTunes library! I did change my Apple password a few days ago -- could that explain it? It could explain why only some of my books are visible in iTunes. But I don;t want to erase my current iPad!
I think I will exit and go back in again afresh.

Have been going into and out of Firefox since 1530GMT without problems but message on main screen has change to normal one from stating "Upgrade to latest version" and I'm puzzled how that can have happened ?

This is a follow up to my message sent around 1529GMT where very time I started Firefox, it would show the message "Upgrade to latest version. So I did - every day for last four days - but the Upgrade message would still be there. Suddenly, today from 1600-ish GMT the problem has disappeared. Has someone changed something somewhere ?

this is total bullshit. so frustrated with this nonsense.

How Can You Disable Ease-In and Ease-Out Of Ken Burns

It seems that along with everything else that has changed with iMovie version 10, when you add photos to the timeline it automatically places an ease-in and ease-out to the Ken Burns move. For those of you who have been on a Mac for a while, this was how iMovie behaved in version 6 and earlier, and it feels rather dated.
If you are putting together a video slide show with multiple photos back to back, having the zoom ease in and out for every image is incredibly obnoxious. I can see situations when you are providing a narrative that it might be important, but often photos are just being animated to music. Is there a way to disable the easing or am I just best keeping to iMovie 9.0.9?
Thanks!

Hi Douglas,
Thanks for visiting Apple Support Communities.
It does look like this is the default behavior for imported pictures in iMovie 10, and can't be disabled from the iMovie preferences. The best workaround is to select all of the pictures in your timeline and turn off the Ken Burns effect using the Adjust menu.
iMovie Help
http://help.apple.com/imovie/mac/10.0/#mov26d3f6a6c
Modify a crop, rotation, or Ken Burns effect
In the timeline, select the photos you want to modify or restore to their original state.
Click the Adjust button in the toolbar.
The adjustments bar appears above the clip in the viewer.
To show the cropping controls, click the Cropping button.
In the cropping controls, change Style from Ken Burns to Fit to display the pictures in their original size. From there, you can crop them individually as needed.
Best,
Jeremy

Can I turn off "ease in" and "ease out" on the Ken Burns Effect?

Keyframing used to be so much more precise in FCP but all keyframes seem to have ease in and out by default. Is there a way to just have a constant speed when panning my images using ken burns (or any other way)?
Thanks!

I'm looking for the same thing. Even if you use the position setting it always starts from a stop and eases in.. And not a great ease.. When I right click the keyframes in the viewer and alter the handles, it still does a wierd move. I miss the old controls...
What I usually do (which takes more time, is add time to the in and out of my shot, then fade them out and fade them in after the move has already started.. Creates a bit of a mess on the timeline but it works..
My guess is that Apple is trying to move everyone to Motion5 to do ANY thing cool.. But it still doesn't intergrate properly.

Tabbing in and out of a Flash component

I'm not a Flash developer, but I was wondering if any of you could answer a question that I have so that I can pass the info on to my Flash developer.
He has created a Flash component to put on one of my HTML pages, but I can't tab in to it from the other HTML elements on the page. When I navigate the page using the tab key, it just completely jumps over the Flash component, even though the Flash component has active elements in it. Also, when I use the mouse to click inside the Flash component, tabbing works, but then I can't tab out of it -- after the last active element, it wraps around back to the top of the Flash component.
I'm very interested in ensuring that this Flash component is accessible to people that can't use a mouse. What can I tell the developer to do in order for people to be able to tab into and out of the Flash component.
Thanks for your time.

Hi Jack,
This isn't a feature of iPhoto currently (let Apple know if you want it added apple.com/feedback). However, you can achieve a similar affect with Keynote under iWork 09. Drop the picture you want into a keynote slide. Go to the inspector. Go to the build inspector. Choose Effect > Scale. Raise the Scale slider to the desired amount of "zoom".
Hope that helps!

Easing into and out of transitions

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