Easy set Up for Cannon HV30 & Final Cut Pro

What is the proper set up, for the Cannon HV30 and final Cut Pro 7. I typically shoot at 30P,
since this is a Cannon Product I set the rate at 29.97, and firewire basic. Here is my confusion, do I select the 1080i60 setting or use 1080p30 setting since I set my camcorder to Progressive. I have seen the comment that the camcorder shoots the video in a 60i (interlaced wrapper) does this mean that I first set up my sequence as 1080i60, then send my footage to compressor to change it to progressive?

There's Cannon Beach, Oregon.
http://www.cannonbeach.org/
And Canon camcorders and FCP.
http://www.hv20.com/forumdisplay.php?18-Mac-Computers-Editing-and-Software

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How do I swap one clip for another in Final Cut Pro 7?

How do I sway one clip for another in Final Cut Pro 7? I am doing what it says in a book but it is not working. Thanks.

You drag the clip from the browser to the clip on the timeline. Wait till the timeline clip goes white. Drop it and pick from the menu that appears the replace option you want.

HT204382 how to convert movies from flip for use in final cut pro

How do you convert movies from a Flip video camera for use in final cut pro?

DVDs are in a socalled delivery format (mpeg2), which isn't meant and made for any processing as editing...
in recommended order, choose one of the following tools/workarounds:
DVDxDV (free trial, 25$, Pro: 90$)
Apple mpeg2 plugin (19$) + Streamclip (free)
VisualHub (23.32$)
Drop2DV (free)
Cinematize >60$
Mpeg2Works >25$ + Apple plug-in
Toast 6/7/8 allows converting to dv/insert dvd, hit apple-k
connect a miniDV Camcorder with analogue input to a DVD-player and transfer disk to tape/use as converter
http://danslagle.com/mac/iMovie/tips_tricks/6010.shtml
http://danslagle.com/mac/iMovie/tips_tricks/6018.shtml
http://karsten.schluter.googlepages.com/convertdvdstodvs
(advice is for imports to iM... )
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Which Mac Mini is best for Editing in Final Cut Pro X i5 or i7 ?

Hey guys plz suggest me a good mac mini machine for editing in Final Cut Pro X. Is there any difference in i5 mac mini or i7 in terms of rendering or editing, and what is the use of an SSD drive in terms of editing in mac mini either than its 5400rpm HD, or should i buy imac i5 with ssd ?
Lets see if i buy mac mini i5 with 16gb ram and a ssd drive, Will it work better than mac mini i7 with 16gb ram but without ssd drive ?
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Your budget?
Take a look at this: http://www.barefeats.com/minivmp.html
The 2012 Quad-Core i7 Mac mini is a real contender when it comes to CPU power compared to our examples of a Quad-Core Mac Pro and Quad-Core iMac. We plan to add some other examples of Quad-Core desktop Macs (including a faster Mac mini) to these graphs in the days ahead but the point is made.
However, the GPU in the 2012 Quad-Core i7 Mac mini is weak in comparison to the Mac Pro (and iMac) as you can see from the "Heaven" graph.
That's going to affect its ability to handle advanced Pro Apps that make use of the GPU for certain types of effect rendering.
These apps include Apple's Final Cut Pro and Motion as well as Adobe's Photoshop, Premiere Pro, and After Effects.
The Mac mini's Intel HD 4000 GPU will also hamstring hard-core gamers.
The Mac mini is also weak in support of OpenCL as you can see from the "LuxMark" graph.
It is forced to render the model using only CPU while the iMac and Mac Pro GPUs are able to render the model.
Why does this matter? Because apps like Final Cut Pro, Motion, and Photoshop use OpenCL acceleration for rendering certain effects.
http://www.barefeats.com/imac12p1.html
Even a Mac Pro (refurbished special 4-core 2.8 is $1819 and can be upgraded to more RAM, 4x4TB w/o going into Thunderbolt storage) and have multiple SSDs as the choice or need arises.)
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What is the best file converter for Panasonic HC-X900M camcorder for use on Final Cut Pro X?

What is the best file converter for Panasonic HC-X900M Camcorder Mts files for use with Final Cut Pro?

This camcorder records in several ways, including AVCHD2, mpeg4 iframe, and 3d, at least that seems to be the case from a quick reading of its specs.
If you get the latest update for fcpx, it will handle video shot in 60P. That is 10.0.4
Here is what Apple says it supports, and one version of the 900 seems to be supported.
I think the Apple site is a little behind its own software update, as one advantage of the new update is that it handles 60P.
Maybe I am missing something, but I wonder what would happen if you get the latest update for fcpx, and try your card again. I did find that fcpx now supports my sony dslr at 60P.
Here is a thread with one person saying they can now use their 900.
Hugh

Internal or External Hard drives for MacPro and Final Cut Pro Suite

We are purchasing a new MacPro with Final Cut Pro Studio to edit High Def video (1080x1920) in a professional sports setting. Initial storage will equal 12 TB. I've always felt original internal hard drives are more desirable: higher quality, fully compatible with Mac, and faster I think. Others feel that external storage is "safer." Should we get a MacPro with 8TB internal or go with all external? What are the advantages/disadvantages with each? Thank you very much in advance.
LifeisRich

A hard drive is not going to change.
An external case has its own PSU and cooling.
SATA II is not going to change.
"Sharing" one channel for multiple drives is the only way it would be slow, using Port Multiplier.
There are very nice rugged storage racks for 8-12 drives and $600 range controllers. Take a look at what Fibre Channel offers. What the Apple XRAID once was.
I'd put the system on 10K 600GB WD probably, and not worry too much about internal storage. Also, you say "initial storage" so that assumes your needs are in the 20TB and you never using more than 60%. A good RAID can maintain performance to higher %.
Disk drives have made port multiplier less useful until SATA III chipsets arrive.
http://www.macgurus.com/productpages/sata/BurlyPortMultiEncl.php
http://www.macgurus.com/productpages/sata/BurlyRAID.php
The quality of the drives, buying 'spares' as well.

TS1233 How do I get chapter markers for iDVD from Final Cut Pro X?

It seems like a tremendous short-coming that Final Cut Pro X doesn't allow for chapter markers that can be used in iDVD or DVD Pro. Surely there is some way to get used-defined markers from Final Cut Pro X or at least re-define the Final Cut Pro X markers in the DVD authoring applications. Does anyone know how to do this?

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Catalogs too new for iMac's Final Cut Pro Computer

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Thank YOu for your help,
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How do I set duration on stills in final cut pro as I can in iMovie by just typing seconds?

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What is the song used as backing for the new Final Cut Pro video ad?

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iBook G4 Mac OS X (10.4.6)

Thanks Brian, I was only half joking. I've been wondering how I'll get used to them in the edit suite.
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Enough of this old guy talk, we're going to start depressing people. (;
rh

No End Condition for clips in Final Cut Pro X?

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Copy and paste.

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I've been using iMovie 09 with these files but because the image quality is pretty poor I need the image correction functions of FCP. I can import the .mpeg4 files to FCP OK and work with them but I seem to spend all my time rendering. This is why I began to wonder if my initial file format and sequence settings were what they should be (and I am completely lost here).
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Is Lightroom any good for preparing stills for export to Final Cut Pro?

I am a fan of Lightroom. I am running ver. 3.0. I am wondering if it might be practical to use Lightroom to prepare stills for import toFinal Cut Pro when I don't need a layer. It really is good to use Lightroom if you can, right? In the past most people have used Photoshop for this task. Here are a few notes I have made from a tutorial which shows how to do it in Photoshop, it seems very good, title: "Final Cut Studio 2, Moving on Stills" is by Larry Jordan and is at Lynda.com:
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I doubt you'll notice the difference if you are not watching on a
reference TV monitor. I took a few sRGB images into Photoshop and
assigned the HDTV profile. I don't see any difference at all.
2010/8/10 Dorin Nicolaescu-Musteață <[email protected]>:
>> if you look at the HDTV (Rec. 709) profile in Colorsync utility, it is exactly equal to sRGB. This makes sense as the standards are based on each other and they have the same primaries. I doubt there is any point in using the HDTV profile.
According to http://en.wikipedia.org/wiki/Rec._709#Transfer_characteristics, both share the same primaries and white point, but have a different gamma. Doesn't it mean that same pixel data should look different (slightly lighter and darker) in each space?
>

Easy set Up for Cannon HV30 & Final Cut Pro

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