Editing 5.1 audio on a 2.1 system

This might be a strange question but I really need to ask it to avoid wasting loads of time.
I have got a copy of premiere cs4 to try out and I have a Panasonic SD20 camcorder which records audio in 5.1. I have a TV and surround sound set up at home with 5.1 the trouble is my pc is 2.1. I want to know the best way to edit this and check all my sound channels, I want to be able to check there is nothing really loud or un-needed on the surround channels. Can i play all channels through my 2 speakers or does it just play the front channels? . Im really confused by this as I have only just got this camcorder and it is something I have never needed to worry about so any advice would be great.  Bascially I want to edit my footage with the 5.1 audio and export to play on ps3 so avchd is fine as it plays natively. I will play it from an external usb hdd. If i edit with my current setup do i need to anything inparticular? I dont do any major audio editing just fades and levels really.
A side question when editing avchd when i output will cs4 only render footage i have changed or will it render the whole lot?

I normally associate the recording of "surround" with convert movies. Many are done with this technique, but I assume that you mean "theatrical releases."
Let’s go back to long before there was a Dolby Labs, to the first "surround" movies. Disney’s Fantasia is the grand-father of them all. Now, it was an animated film, but most of the orchestral movements were captured in surround sound.
Spring ahead and both Oklahoma and South Pacific were recorded in surround sound. OK, they were musicals, but also theatrical releases. Some of Star Wars and also Close Encounters of the Third Kind, were shot with surround sound, and obviously heavily mixed for full surround release. Lucas found that getting those explosions in deep space with 6 mics to be really tough. I believe that some of Apocalypse Now was also shot with surround sound.
As far a full features that were shot entirely in surround sound, I’d strongly guess that there might be few, beyond the pure stage-to-screen productions. The logistics and control would be hellacious. Also, as so very much is added in post with Foley and SFX, I’m not sure that it would be worth the effort.
There is bound to be a film historian, who has researched and likely documented this. Good question.
Hunt

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    Case #0183085485
    Updated
    Wednesday, March 21, 2012 7:59:24 PM PDT
    Opened
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    Status
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    Product
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    Support contract
    Adobe Support Program
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