Editing "Hidden" tracks from a CD

You know how some CDs have "hidden tracks? When you import them they come with minutes of silenece - can you devide them? and then delete the silence?
Help? Thanks!

You can't do it through iTunes. I think you're going to need some kind of program that splits audio tracks so you can divide that track into 2 parts. After that it would need to be imported into iTunes and from there to the iPod.
I don't have any experience of any such programs on Windows though.

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How to edit a track from 60mins to 10mins?

I have a 60min track that I only listen to 10mins out of it.
How do I edit out that part and resave that as a separate file? Thanks.

If you don't want the other 50 minutes, just split the region at the 10 minute point, select the 50 minute region, and hit delete, and it'll be gone. If you ever want it back, just drag the 10 minute region from the middle left to the left and it'll come back. Read in the manual about working with audio regions. It should all be explained there.

I just loaded Audition, but when I try to edit an audio track from Captivate the "edit in adobe audi

I just loaded Audition, and already had Captivate on my computer. I'm trying to edit an audio track from Captivate, so I go to Audio>Edit>Slide. But, the window that comes up does not have the "Edit in Audition" button activated. The button is faint, thus doesn't work. How do I sync these two programs so I can edit a Captivate Audio file in Audition?

From the captivate help file:
You can use Adobe Audition to edit audio when you want to go beyond the audio editing options available in Adobe Captivate. For example, to apply filters or remove noise, you need an advanced audio editor such as Adobe Audition. You can either edit the audio files from slides or batch process by opening multiple files in Adobe Audition using the Library panel.
The changes reflect in Adobe Captivate library and the associated slides where the audio files are being used. The saved files are reimported to Adobe Captivate with the slide associations intact.
Note: This feature is available only in Adobe Captivate that is installed as a part of Adobe eLearning Suite.
I think that the last line probably answers your question....

How can I use all tracks from multi-channel source audio with Multicam clips?

I cannot figure this out. Working in Premiere I'm prepping for a 2 camera show, with typically 4 to 6 track dual-system audio recorded by the sound guy. I can sync, and make multicam clips any number of ways–whether sync by timecode, sync by audio, or eyeballing–but whenever I edit using the MC clip, Premiere mixes down all the audio channels into a stereo single track, and I cannot pick and choose which audio track from the original to use. With 2-5 people mic'd on lavs, I need to be able to choose which audio is either cut in or heard at any given shot.
Is there any way to have control in multicam clips over which track of audio gets edited into the timeline, or even: that all tracks of audio get cut in? It's very important for the editors to be able to see waveform (which also disappears for some reason in the mixdown) and pick and choose which audio is heard?
I'm sure this might be a simple fix, but I cannot get my head around it for workflow purposes for my assistant editors. We need to use multicam, but this audio thing is driving all of us crazy. None of us can figure out how to have a multicam clip and use it with control over what audio is cut in.

True, but what I need to be able to do is have my multicam sequence in the source monitor, and cut into my working sequence with either just the audio I need from the sound guy's multi-channel WAV, OR cut in all the sound and from then I can just enable or disable what I need or don't need. But also be able to match back to the Multicam source from my working sequence.
I don't want to have to open the synced sequence, and razor blade the things I need and have to copy and paste into my working sequence in order to have the full spectrum of my multi-channel mono lav WAV files...with their waveforms visible.
Essentially, I want my Multicam clips to load in the source monitor, and the ability to cut them into the working sequence without it mixing down the audio into a single track with no visible waveform–which is what it is doing currently. Can I choose to edit in either ALL of the tracks of the WAV file along with the camera shot I want, or control which audio gets cut in?

Questions on sending audio tracks from a short film into Audition for mastering

Ok so basically I have a 4 minute film in which i need to master the audio. I have a few quesions as to how to best go about this.
1: Some of the clips came with 2 tracks off the camera yet they are both labeled channel 1 on the beginning of the clip on the timeline. Their properties are listed as follows:
Type: Windows WAVE audio file
File Size: 16.0 MB
Source Audio Format: 48000 Hz - 24 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:00:58:09344
Why are there 2 tracks?
2: Some other audio tracks are just labeled on the timeline as L and R. Both these and the other ones labeled Ch 1 are synced with Pluraleyes from an H4N Zoom recorder so i have no clue why they are labeled different. These one have properties labeled as such:
Type: MPEG Movie
File Size: 69.5 MB
Image Size: 1920 x 1080
Frame Rate: 23.976
Source Audio Format: 48000 Hz - 16 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:00:14:20
Pixel Aspect Ratio: 1.0 (1.0)
Yes those are audio files on the timeline.
3: What is the general scoops with these multi track audio files? Do I need both tracks?
4: What would be the best workflow to export all the audio clips into Audition and get them back in the timeline? I heard about importing then in Premiere clicking Undo so you don't have the audio track clips as "Audio Extracted" and you retain the originals, but then just replace them with the Audition audio.
Working with sound is not yet a strong point of mine, i am just a video editor but need to get a grasp on properly handling this.

Cameras although they can record stereo audio often only use a small mono gun mic mounted on the camera. The audio menus on the camera give you the option to record either the mono mic to both tracks (ie. Ch1 input to the camrea is fed to both) or as stereo tracks from a stereo mic or as split tracks with onboard mic via Ch1 to track 1 and, say, a radio mic fed via Ch2 to track 2.
Your first files sound as if they came from the first of those options from an onboard mono mic. You don't necessarily need both trakc as they are identical mono tracks in this case.
The second set of tracks were recorded as a stereo pair on the Zoom, hence L and R. They could be stereo or more likely again are double mono tracks where you will only need one of them.
However, depending on the project, it may be more convenient to keep both tracks if any stereo music or effects are going to be mixed in on the multitrack. The final edited video will probably have two tracks on it anyway even if all the audio content is mono.

Can I convert tracks from one format to another so that the converted tracks appear in the various playlists of the originals?

I have a large number of tracks which I should like to convert from one format to another (aiff to Apple lossless). These tracks are distributed in a large number of playlists. Can I convert a track or tracks from one format to another so that the converted track appears in the playlist of the original track without going through a laborious and error-prone process of converting each track individually, determining the playlist of the original, and allocating the converted version to the playlist (or playlists, because in many cases the original track exists in more than one playlist) of the original track.

I do not believe iTunes will do this. The files created are essentially new media files, not regarded as replacements for old files. There may be ways to trick iTunes if you are good at editing library files but that would be more trouble than it is worth.
You can check the site below but I do not recall having seen such a script.
Dougscripts - http://dougscripts.com/itunes/scripts/scriptcount.php?sortBy=Name&op=y - Many itunes scripts
If you're into writing Applescripts you could try it.

I would like to know how to insure that all track from a CD I rip into i-tunes all go into the same file regardless of the artist on the CD. I was recdently importing an All Time Low CD into i-Tunes for my daughter and because one track featured a guest a

i would like to be able to insure that when i import a CD into i-Tunes that all tracks from that CD go into a single file for that album in their proper order regardless of whether or not there is a featured artist on one or two tracks or whatever. i recentl;y imported an All Time Low CD into i-Tunes for my daughter and because one song featured a guest artist i-Tunes placed that song in a seperate folder and so when i synced my daughters i-Pod Touch that one track is not with the rest of the tracks form the album and has to be listened to seperately. The song is from the same album and should be where it belongs with the rest of that album so she can listen to the entire album with the tracks in the proper order. I am sure that this can be done i just don't know how.

Edit the Name of the problem song to Name [Feat. Guest]
Change the Artist of that song to All Time Low
marley2012 wrote:
... and i want to make sure that from now on all songs from any CD I import into i-tunes all go into the same album file if they are on that album originally. i do not want i-tunes seperating songs from my CD's for any reason. hopefully this is more clear.
What you want cannot be done. iTunes has its quirks, and the above is the kind of workaround needed to make the media display sensibly on any device. The article I pointed you to has others that you may find useful in future.
tt2

How do I extract multiple tracks from a CD into a single file in Audition CS6?

I use Audition to edit my Pastor's messages. The message CD is made with five minute tracks. I want to extract the tracks from the CD into a single file for editing and altering the track lengths. I have done this before in Audition CS6, but I haven't been able to find instructions for it. I only found a note stating this is available in AuditionCC.

I have discovered an answer to my problem. The way to bring multiple tracks into Audition CS6 from a CD is to use the FILE / OPEN APPEND / TO NEW command. This brings the separate tracks into a single file in Audition CD6. Thanks to everyone who commented.

Transferring tracks from Nomad Jukebox 2 to MUVO with Creative MediaSource Player/Organi

I recently installed Creative MediaSource Player/Organizer . When I transfer tracks from Nomad Jukebox 2 to my MUVO the tracks are transferrred as folders, not tracks (which the MUVO cannot play). How do I get the Nomad Explorer to transfer the MP3s as tracks and not folders? I'd appreciate your help.
P.S. I do not have this problem when I use Creative Playcenter to do a similar tranfer.
Message Edited by rrtash on <SPAN class=date_text>0-3-2006 <SPAN class=time_text>02:27 PM
Message Edited by rrtash on 0-4-2006 2:4 AM

PeeBee wrote:
Does the MuVo work with Nomad Explorer? I didn't think it did.
PB
I'm pretty sure it doesn't. Perhaps there's some confusion with the MuVo Explorer, or plain Windows Explorer.

Deleting Tracks from Itunes and from Hard drive

Hiya
I used to click delete in Itunes and it would remove the track from both Itunes and my hard drive.
However no it only deletes from Itunes, any way to get it back to how it was?
Cheers

I was having this problem and managed to find a solution.
I had to change my iTunes folder to the same folder that my music was actually located in.
In iTunes:
Edit -> Preferences... -> Advanced -> (iTunes Music Folder Location) Change..
Hope this helps some people.

Move tracks from one project to another?

I'd like to know if there's a way to move tracks (with or without inserts, automation and other stuff) from one project to another.
I have a project containing a working mix of a song that I've spent many hours assembling. One of my bandmates sent me parts he tracked in GarageBand, two audio tracks and one track using a MIDI instrument. I imported the GB file into LE and made some edits. I'd like to bring those three tracks into my current mix.
I understand that I can bounce each track out individually, then re-import them on new tracks in the mix project, but this means turning off all the inserts and EQ on each track and blah blah blah, it seems like there must be an easier way. Being able to directly move or import the tracks would preserve my editing flexibility in a way that bounces won't.
Please, any suggestions may prove valuable.
Thank you for your time.

...let me also re-emphasize: the GB2 file was imported and converted and tossed. I am trying to move tracks from one Logic Express project to another Logic Express project.
Just to be perfectly clear.

How to upgrade tracks from NetWeaver 7.0 to 7.3?

Hello!
I'm trying to create a Web dynpro 7.3 track from a 7.0 track. It's for a sandbox install of 7.3 so I don't want to change the current track or SC but I want to include all my developed code for testing purposes.
I've read about track migration here:
http://www.sdn.sap.com/irj/sdn/go/portal/prtroot/docs/library/uuid/8061e964-2036-2e10-ee9d-ef21d174fdd9?quicklink=index&overridelayout=true
and here:
Migrating/Upgrading NWDI from 7.0 to CE 7.1
but it's missing some important information. How do I get my current code into the new track? It just says "Import your SCs and required SCs in the new track in NetWeaver 7.3".
My old track is called Extern and contains a SC called ExternSC. The new track is called Portal73 but which SC should it contain?
I can't check in my old SC without adding a dependecy to it.
Should I create a new Extern73SC with dependency to the old one? Then it wants to check in the old 7.0 dependencies as well.
I want to be able to create projects from the old DCs so they can be migrated to 7.3 as well.
The forum thread above suggest changing the dependencies of the current SC to 7.3 components and add that to the new track, but that would break my current 7.0 track, right? I tried to make a new version of the SC with the same name but I still couldn't import the existing code.
Is there a more complete source for track migration?
Please help me if you can
Regards,
Richard Linnander
Edited by: Richard Linnander on Jun 30, 2011 10:39 AM
Edited by: Richard Linnander on Jun 30, 2011 10:41 AM

Thank you for your answer!
Just to make sure I do this correctly.
I have a product called ExternProd (1.0), and an existing SC called ExternSC (1.0) that belongs to the product.
Do I need to create a new product version as well?
Otherwise I do this:
In Software catalog in SLD on the NWDI i click "new software component version"
In the dialog box I select ExternProd 1.0, unit Extern 1.0, enter vendor, name ExternSC and version 2.0 and click create.
I define dependencies to SAP SCs but NOT to ExternSC 1.0.
Now if i go to the product I see two software units for ExternProd 1.0.
I add ExternSC 2.0 to my track and then I should be able to forward the old SC and import it in development, or should it be exported and checked in?
Is this what you meant?

In Logic Pro, trying to import a drum track from the bin to arrange area, the 'follow loop' box does not appear in the inspector

imported a drum track from bin to arrange area. It will not follow tempo of the project even though it was recorded in this project. The 'follow tempo' box in the inspector does not appear even though it is present on other tracks in the file.
how do I set up the track so the 'follow tempo' box appears in the inspector?

Don't drag the midi into an open Logic project. The tracks won't set up correctly.
'Open' the midi file with Logic as if it were a Logic project. Then all the tracks will be set up so you can start editing them and applying better saved sounds and instruments, but you'll be at a starting place where you can hear what's going on.

Import secret/hidden track

Hi guys, new here. I have the self-titled Blink 182 CD that has a hidden track between tracks 4 and 5. I'm trying to rip it, but it doesn't show up in iTunes. When I play it on my stereo, I can only listen to that track during the transition from track 4 to 5. While the hidden track is playing, the stereo counter display counts down to zero then starts counting up again when track 5 starts. Technically, I don't know whether it exists on its own or if is a part of either of the two tracks. I'd like to get the track any way I can, whether it's appended to the end of track 4, added to the beginning of track 5, or on its own. I would call an Apple Expert, but my iPhone is out of warranty, and I can't afford to pay $29 for one phone conversation that might end in someone telling me it's not possible. Thanks in advance to everyone who reads this post.

Use SoundTrack or try the Garageband forum
This forum is Final Cut Pro.

Can I set a track from iTunes as my ringtone?

Can I set a track from iTunes as my ringtone?

You can make a ringtone out of a song that:
1) is or was purchased from itunes
2) has a ringtone icon
Once you have the itunes purchased song in your library and it has the bell icon, then click on the bell icon. Then edit the song to the portion and length of the clip you want to use.
Then select buy( it will cost 99 cents in addition to the original cost of purchasing the song from itunes). It will show up in your ringtones heading in itunes. When you sync, it will be on your iphone.

Editing "Hidden" tracks from a CD

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