Effects side-chain problem

I need to use the side-chain of the compressor and control it using the output of am instrument track, but the only sources that are displayed in the side-chain window are audio inputs and audio tracks. How do I correct this?

David Toppel wrote:
...or just use a bus send from the instrument track, without an extra auxiliary channel. That seems to work!
That's exactly what I said! Logic automatically creates the aux track for the bus for you when you change the output to the bus but I thought I would explain it that way so it was easier to understand...

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    Without specifying what you actually want to do (side chaining is a technique to achieve certain effects, not an effect in itself) here's some general things to read:
    http://discussions.apple.com/thread.jspa?messageID=3927558
    http://discussions.apple.com/thread.jspa?messageID=5137845
    http://discussions.apple.com/thread.jspa?messageID=5081924
    http://discussions.apple.com/thread.jspa?messageID=3706436
    http://discussions.apple.com/thread.jspa?messageID=3007887
    http://discussions.apple.com/thread.jspa?messageID=3946575
    http://discussions.apple.com/thread.jspa?messageID=4650819
    (Yes, I stuck the word "side chain" into the forum's "Search" function...)

  • Side-chain filter does what exactly?

    I'm sure this must be covered somewhere, but I can't find specifics in the manual or previous posts here.
    Which signal does the side-chain filter in LP8's compressor affect--the side chain signal (i.e., compression only occurs when certain frequencies are present in the sidechain source signal) or the audio that's being compressed (i.e., only compresses certain frequencies in the track in which the compressor is inserted)?
    If it's the former, how does one compress only specific frequencies using a side-chained signal? I'm asking partly because I want to use a kick drum to compress a somewhat bright bass, but I'd like to try compressing only the lower frequencies of the bass, down where the kick drum's frequencies overlap.
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    Randall--thanks so much for all your info. Like Dalek, I initially thought the side-chain filter does what I needed to do, but I guess not. The solution is a bit complicated, but that's not your fault; you didn't write the software, and at least you thought of a clever way to do selective-frequency ducking in Logic. I haven't had time to try it yet, unfortunately, but hope to tomorrow. I've taken the liberty of pasting below your post that you linked to on the Logic Pro Help board (hope this is OK), mostly so that anyone else with this same problem can find the answer all in one thread.
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    . . . a couple of people asked me if I'd write up how to do selective frequency bandwidth ducking to improve a signals presence in a busy mix. So I thought Christmas day would be a good time to write this up and create an example as I'm deliberately not doing any "real" work today!
    So here's the typical problem. A bunch of noisy guitars driving along and you want to inject an acoustic guitar or vocal lead in there once in a while. But you can't get the track hot enough or eq'd enough to overcome the noisy guitars. Ducking the guitars with either automation or a sidechained compressor might be too noticable, so this trick allows you to just duck the specific frequency range that is masking your lead track. Here's how to do it:
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    3. Assign your lead track to your main outputs. Create a Send on this track to bus 11 and set its level to unity, (ctrl-click the send).. This will also create an aux in your mixer. Delete this aux.
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    Attack, Hold & Release: 0mS
    Hysteresis: -20dB
    Lookahead: 20.000mS
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    When the acoustic plays, the body of the guitar sound comes through the mix a bit more as I'm attenuating the noisy guitars just in that band and just while the acoustic is playing. So your guitars can keep driving along!
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    Have posted about this before but hoped upgrade to SP3 would fix the issue relating to routing external side chain signals.
    The noise gate (and I see the Ringshifter too) have side chain options that seem to offer the use of external signals to control the audio, but I can't find a way to route audio into these plugins.
    It appears the noise gate only allows the use of the side chain filters on the original input signal (to help to narrow the frequency that is to be gated without actually affecting the main signal). However the pdf manual (that was hidden in the app package so was unsearchable by Spotlight before) has now become an Apple Help file, and has indeed had some level of rewrite, including a bit about the noise gate..but it still states that "When no external side chain is selected, the input signal is used as the side chain." which infers that use of an external signal is possible.
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    I am working on a dubbing project and need to copy the original soundtrack so that the new vox 'ducks' the music/fx slightly.
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    The STP manual mentions usage of the sidechain (pg54) relating to working with an external drum signal but it appears that this section has been lifted from the Logic Studio manual...
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    P.S. the side chain info is in the STP Effects Reference pdf not the user manual

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    Hi
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    Solved the problem,
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