Electro magnetic radiation
Is there a list of all nokia's with the radiation produced? i found one for almost all phones but not all nokia's i wanna know the radiation for the N96
This is very interesting! most people never think about it but some phones have insane high radiation!
here is a list of all phones that are on the list:
NOKIA 9300 0,24
NOKIA 9300i 0,29
NOKIA 6170 0,34
NOKIA 7650 0,35
NOKIA Thr 850 0,35
NOKIA 7200 0,36
NOKIA 8800 Sirocco 0,36
NOKIA 3230 0,39
NOKIA 7390 0,41
NOKIA 3500 0,43
NOKIA 8850 0,43
NOKIA 8910i 0,43
NOKIA 7270 0,46
NOKIA N95 8GB 0,47
NOKIA 5100 0,48
NOKIA 9500 0,49
NOKIA 5500 0,5
NOKIA 8800 0,5
NOKIA 6020 0,52
NOKIA 8910 0,52
NOKIA 7710 0,53
NOKIA 2650 0,54
NOKIA 7610 0,54
NOKIA N93 0,54
NOKIA 2100 0,55
NOKIA 2610 0,56
NOKIA 3200 0,56
NOKIA 6300 0,57
NOKIA N95 0,58
NOKIA 6230 0,59
NOKIA 6100 0,6
NOKIA 7250 0,6
NOKIA 7360 0,6
NOKIA 7250i 0,6
NOKIA 5210 0,62
NOKIA 6800 0,62
NOKIA 6610 0,63
NOKIA 6680 0,63
NOKIA 7210 0,63
NOKIA 2310 0,64
NOKIA 3250 0,64
NOKIA 6125 0,64
NOKIA 7380 0,65
NOKIA 6220 0,66
NOKIA 8510i 0,66
NOKIA 1100 0,67
NOKIA 2626 0,68
NOKIA 2630 0,7
NOKIA 6030 0,7
NOKIA 6230i 0,7
NOKIA 7600 0,71
NOKIA 6021 0,72
NOKIA 6820 0,72
NOKIA 7373 0,73
NOKIA 6610i 0,73
NOKIA 6270 0,74
NOKIA E65 0,74
NOKIA 3660 0,75
NOKIA 6103 0,75
NOKIA 3100 0,76
NOKIA N72 0,76
NOKIA 3300 0,77
NOKIA 5140 0,77
NOKIA 5140i 0,77
NOKIA 1110i 0,78
NOKIA 3220 0,78
NOKIA 3120 0,79
NOKIA 3210 0,79
NOKIA E61 0,79
NOKIA 2600 0,8
NOKIA 5300 0,8
NOKIA 6233 0,8
NOKIA 6280 0,8
NOKIA 6600 0,8
NOKIA N5300 0,8
NOKIA 3410 0,81
NOKIA 6310 0,81
NOKIA 1600 0,82
NOKIA 3110 0,82
NOKIA 6101 0,82
NOKIA 6301 0,82
NOKIA 6810 0,82
NOKIA 8310 0,82
NOKIA 6310i 0,82
NOKIA 6630 0,83
NOKIA 3510i 0,83
NOKIA 6080 0,84
NOKIA 6111 0,84
NOKIA 6070 0,84
NOKIA 6131 0,85
NOKIA 6500C 0,87
NOKIA 6555 0,88
NOKIA 8600 0,88
NOKIA 5200 0,9
NOKIA E61i 0,9
NOKIA 6210 0,92
NOKIA N70 0,95
NOKIA 3330 0,96
NOKIA N81 8Go 0,96
NOKIA E50 0,97
NOKIA 8210 1
NOKIA 6151 1,02
NOKIA N76 1,04
NOKIA 5310 1,07
NOKIA 6500 Slide 1,1
NOKIA 6500 1,1
NOKIA N73 1,12
NOKIA 5610 1,14
NOKIA 6085 1,15
NOKIA N81 SD 1,15
NOKIA 6110 1,16
NOKIA 6120 1,18
NOKIA 6120 Classic 1,18
NOKIA 6086 1,2
NOKIA 5700 1,24
NOKIA N'Gage 0,37 (of 0,57)
NOKIA 3650 0,71 (of 0,72)
NOKIA 3310 0,81 (of 0,96)
NOKIA 6500 Classic 0,95 (of 0,87)
Never had someone on the phone for half an hour and after hanging up thought... gsus my whole head is warm? well thats because of this radiation wich is the same as from a microwave oven! The lower the rating the better!
Hope this helps people choosing a good phone with less radiation
Message Edited by sygys on 14-Oct-2008 10:49 AM
Hope this helps.
Nokia N96 (Type RM-247)
CERTIFICATION INFORMATION (SAR)
THIS MOBILE DEVICE MEETS GUIDELINES FOR EXPOSURE TO RADIO WAVES.
Your mobile device is a radio transmitter and receiver. It is designed not to exceed the limits for exposure to radio waves recommended by international guidelines. These guidelines were developed by the independent scientific organization ICNIRP and include safety margins designed to assure the protection of all persons, regardless of age and health.
The exposure guidelines for mobile devices employ a unit of measurement known as the Specific Absorption Rate or SAR. The SAR limit stated in the ICNIRP guidelines is 2.0 watts/kilogram (W/kg) averaged over ten grams of tissue. Tests for SAR are conducted using standard operating positions with the device transmitting at its highest certified power level in all tested frequency bands. The actual SAR level of an operating device can be below the maximum value because the device is designed to use only the power required to reach the network. That amount changes depending on a number of factors such as how close you are to a network base station. The highest SAR value under the ICNIRP guidelines for use of the device at the ear is 0.91 W/kg.
Use of device accessories and enhancements may result in different SAR values. SAR values may vary depending on national reporting and testing requirements and the network band. Additional SAR information may be provided under product information at www.nokia.com.
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To be sold in the US, computer and other consumer equipment must pass stringent standards for Electro-Magnetic radiation, Radio Frequency radiation, and other radiation. If it does not pass when initially tested, it cannot be released, but must be re-designed and re-tested before it can be sold.
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Shock Therapy - An Athlon64 / FX Power Supply Guide
I used to make a hardware list of all the components I would like to incorporate in my next
computer build. Normally...at the bottom of that list would be the power supply, not that I
didn't think it was important, it's just that my other hardware was so interesting! Today, power supplys
seem to take a back seat to blazing-speed CPU's, Dual-Cored processors, glitz and glamour
video cards...not to mention supersonic, heat-sinked RAM and modular, gizmoe'd PSU's promising not
only over-achiever specifications, but eye-candy as well. The lowly PSU....tucked up somewhere inside
it's dark and lonely loft....effortlessly supplying us with the energy required for important 3D imaging
or just funning with the latest games.
What a power supply does is rather simple. It converts your office or home's socketed electricity to
usable 3.3v, 5.0v and 12.0v energy...that's all. A power supply that cannot efficiently do this will-
over time-cause computer crashes, continuous reboots and shutdowns, and worse...expensive component damage.
And now, with faster processors such as AMD's Athlon64 and FX line of CPU's, never has there been a time, when
choosing the right power supply is so important! This article is written for those using these high-powered CPU's!
Well...Do we have your attention!?
If you are experiencing these problems, or still scratching your head over that last RMA....could be
your PSU is trying to tell you something.
To begin with, a power supply's ratings refer to its maximum output under ideal conditions. No power
supply is 100% efficient. In high-quantity manufacturing, power supplys may not put out any more than 60% of
their advertised specifications. In any PSU, that rating can be further reduced by the effects of heat
and electro-magnetic radiation. That's where "switching" power supplys come in. A switching power supply draws
only as much current that is needed from the AC input. Buying a hefty PSU with this feature will guarantee
that you will be paying no more for electric service, than you would with a cheaper, less powerful unit.
One of the most common causes of power supply inefficiency, and ultimately failure is dirt. Dust and
foreign materials can cause the beginning of the end for a power supply, by attacking the fan first.
It begins by slowing the fan down...thus creating heat through friction, then ultimately burning it out.
PSU's with high-quality ball bearing fans are a must. They are far more durable, and not as likely to
become noisier as time goes by.
As a general rule...a failing PSU will usually emit abnormal sounds, followed by unstable voltage readings....
then the computer crashes or lock-ups, with random shutdowns, and sometimes...refusal to even power-up.
If you think your power supply is on its last leg...better to deal with it now, or face the more serious dilemmas later on.
APM (Advanced Power Management)
APM is a feature originally developed by partners, Microsoft and Intel. It relates to a systems ability
to utilize different states in regards to a systems utilization of power. On, Off, Standby and Suspend
are examples...these are BIOS features, not PSU functions. APM only requires of the power supply, the
function to turn power on or off through an electrical signal, and the presence of stand-by voltage.
All ATX power supplys are required to incorporate this feature. However, if some components in a computer
are not APM-compliant, your system may encounter errors or freezes when going into hibernate or stand-by
modes.
ACPI (Advanced Control Power Interface)
It's the latest power management control that was developed by a conglomeration of IT corporations. This interface
is O.S. derived, rather than BIOS, and all ATX power supplys should be ACPI-compliant. You should not have to be
concerned about this feature.
Line-Conditioning Circuitry
A power supply component that helps control power levels, spikes and surges in
the most unreliable of home sockets.
EMI Filter
This circuitry smooths the fluctuations of incoming AC currents, also known
as Electro-Magnetic Interference - EMI filters are usually found in higher-end power supplys.
PFCC
Power Factor Correction Circuitry...smooths out sudden, initial spikes in power
delivery - reducing amplitude and preventing circuit overloads.
Connectors
There are five main connectors found on the latest version ATX power supply.
1) ATX main power connector - 20-pin, 24-pin, and 20 to 24-pin adapter.
2) ATX 12v power connector (4-pin to CPU)
3) Molex peripheral power connector
4) Floppy power connector
5) Serial ATA power connector
On newer SLI-certified power supplys, you'll find two 6-pin video card connectors.
Know What You Need
When purchasing a power supply, make sure your parts list is all-inclusive...know ahead of time, what you expect to
install in your system. You should also visit the motherboard manufacturer's site, as well as the CPU's. Most of the
products will have specifics regarding power supply requirements needed for that specific component. Unfortunately, you
really won't know how well the PSU performs until it is installed and running your system (hopefully!) This is the main reason we
recommend the most popular brands - power supplys that have shown a duration of manufacturing quality over the years. Those are
as follows: Antec, Enermax, OCZ, PC Power and Cooling, Tagan, and a few newcomers such as SeaSonic and Silverstone are
worth looking into.
If you believe you have found the PSU of choice, remember this: AMD recommends a minimum 350 watt power supply to run
Athlon64 and FX CPU's. To that, add the 30% for power lost to heat, and the subsequent electro-magnetic radiation. Hold on with that
calculator...throw in an additional 40% to 60% for the "potential" inaccuracies of specifications inherent in mass-produced electronics.
Pay special attention to outputs on either single, or dual rail +12v lines. A motherboard, CPU, and graphics card can consume up to
150 watts alone - before hooking up your remaining components. If running an SLI configured board, look for a PSU that is certified
to run that configuration...there's only a few PSU's that lay claim to that!
Broken down, you can look at it this way: An Athlon64/FX processor can use up to 90 watts off the +12v rail. High performance RAM
can take in about 25 watts for each stick of 256MB system memory from the +3.3v line. PCI cards will use about 10 watts each, while
an AGP video card can consume about 50 precious watts alone from the +5v or +12v. Hard drives? A 7,200 RPM drive...about 15 watts
each, taken from the +5v and +12v rail. Finally, but not absolutely is the optical drives...robbing about 20 watts each, also from
the +5v and +12v lines. So you see....not only is the +12v amp ratings of concern, but also the +5v line!
In doing the math...on a system incorporating an Athlon64 (say a 4000+), 2 sticks of high-end RAM, 2 or 3 PCI cards, 1 mid-to-high
end AGP video card, 2 ~ 7,200 RPM hard drives, and a couple of CD/RW or DVD/RW opticals...you're looking at a "base" requirement of 270 to 325 watts. That's for a running system...now figure boot-up loads, 30% for heat and radiation bleed-off, then a 40% safety factor for manufacturing inconsistencies...you've got a power supply in the 450 to 520 watt range!
Modular Power Supplys:
The pins that are used for the modular plugs are not very good at passing current. It's basically electrical resistance between the male and female components, and voltage "drops" are likely. In real world events, they will become loose, dirty, corrosive, and eventually burn. You can figure about 10% less efficiency with a modular power supply.
Now you can understand how manufacturing "tolerances" that are inaccurate by 40% to 60%, can have such a devastating effect on
the performance of your new system. If you follow these simple guidelines, bearing in mind the hardware you will be using, and what
your intended use of the computer is for...then it will be one less dramatic incident when pushing the power button for the first time!
Here's a neat little tool....a bit out of date - that can give you a basic idea of what you'll need in a PSU.
You can apply the percentages above, for an even more accurate assesment of your PSU requirements!
http://www.jscustompcs.com/power_supply/Power_Supply_Calculator.php?cmd=AMDQuote
In doing the math...on a system incorporating an Athlon64 (say a 4000+), 2 sticks of high-end RAM, 2 or 3 PCI cards, 1 mid-to-high
end AGP video card, 2 ~ 7,200 RPM hard drives, and a couple of CD/RW or DVD/RW opticals...you're looking at a "base" requirement of 270 to 325 watts. That's for a running system...now figure boot-up loads, 30% for heat and radiation bleed-off, then a 40% safety factor for manufacturing inconsistencies...you've got a power supply in the 450 to 520 watt range!
Well, except the CPU, my system has all that you mentioned there (I even have 3 optical drives). And my 350W PSU has been rock solid for more than a year (BeQuiet, = Tagan, IIRC). I don't think a 4000+ needs 100W more than my 3200+ . And that link you posted says that the minimum recommended PSU for my system is 506W xD. Come on.
Oh, and in the place I work there are 6 amd64 with GeForce 6800 GT and 2GB RAM with 380W Antec PSUs. All 100% stable, of course.
I would only go for >400W if I wanted to do extreme OC (with overvolting), or SLI. Otherwise, a good brand 350W PSU is more than enough. -
Im Apple Mail using iMac G4 and G4 tower. Both will recieve an send mail find via dial-up but will not send mail via dsl connection.
We get our mail via ethernet > router > antenna > atenna > another router > antenna > ten miles away at another antenna then to dsl source.
So our dsl connection/signal is going threw three other antennas and at least one router here in office before we get it.
My ISP provider says we need to talk to our DSl provider.
Any ideas? Our computer tech is out of office touch for a week.
RanThanks but this doesn't answer my question.
Allan, I am 99% percent sure that my ISP is not the same ones who supply our ethernet/broadband/DSL.
Is your internet service provider (ISP) for your
dial-up connection different from the ISP for the DSL
connection?
Yes, I believe that they are differrent, however, I have new info.
At first my G4 tower with Earthlink account would not send out over etherner/broadband/DSl, but now it does! I, nor anyone else, has made any changes to the outgoing address that works for dial-up connection and is what we have always used until yesterday when we first tried the dsl/braoband
Kind of a different situation and not typical or the
norm to have a company that provides a DSL connection
not be the internet service provider for the
connection.
Someone new came into our building for office space. He had the router, ethernet cables and antenna installed. He/we get electro-magnetic radiational signal from a larger business across the street who has a tower --soon to be a taller tower-- and they get there radiational signal from 10 miles away.
Knowing who your ISP is for connecting to the
internet regardless if using a dial-up connection or
a DSL connection (DSL is considered a broadband) is
important and if the email account and SMTP server
being used is provided by the ISP being used for your
internet connection or by a different email account
provider not associated with the ISP used for
connecting to the internet.
Yes, I understand that is the case. Maybe I'm wrong and by some coincidence the DSL provider is Earthlink and that is why the G$ tower account began working for the outoging mail.
Im still having the sam problem on the G4 iMac which is a local.com account they have told us the same as you have, that we need to know who the DSL provider is and what info they require in the outgoing( smtp ) line.
You mentioned Earthlink which is an internet service
provider that offers dial-up access and/or DSL access
so does the Earthlink protocol you mentioned mean you
are having problems sending with an Earthlink email
account and SMTP server?
Earthlink account is working now so again perhaps the DSL provider is coming through Earthlink and ergo we didnt need to make changes to the outgoing( smtp ) info line.
Thats the only way that one can be explained.
I take it you use the dial-up connection at home
(which is provided by Earthlink?) and the DSL
connection is used at the office?
Thats correct. The inital DSl source for the business that is 10 miles away, must use Earthlink. I'm now presuming this is the case with this new info.
However, there is another --3rd-- business on other side of street and he uses --Apple mac just like me-- and his ISP is "host centric". I looked at his mac preference accounts outgoing ( smtp ) line and his is
"mail.the business name.com:his email address",
i.e. he does not use Earthlink but he has no problem sending out mail via the same DSl/broadband connections we have
The only reason he has his address in the outgoing mail liine is bceause he too is in larger business building with several differrent computers and email address's.
I've tried all kinds of combinations that are similar to the Earthlink outgoing and the hostcentric outgoing
but none work for the local.com account.
The exact error message provided when trying to send
messages is also pertinent information.
"message delivery failed" "the attempt to read data from the server 'server-name' failed"
Then it gives me option to try differrent server names.
Thanks for your efforts Allan and ohters.
Ran -
an unfinished " story " yet to be written as a script... and storyboarded etc ( not to mention revised a zillion times ).
Its the nature of my several unfinished projects to be sorta... well...
unfinished.
this could be the first " ever " ... " Movie Made In A Forum " !
ITS BEER THIRTY ! YIPEE !
ROBODOG, SPACE ALIEN, SAVING PLANET EARTH
Early Spring
'Robodog, Space Alien' by Rodney Bauer
1
Nobody expected, in their wildest dreams, the appearance of Robodog. The third planet from the sun had been spinning around lackadaisically, introducing another Springtime in the Northeast of North America with orbital regularity, giving everyone with the time or inclination to notice a feeling of mathematical certainty. On this particular day, where millions of earthlings could be seen driving about from high above the planet's surface, in Northeast North America that is, not one of them thought such a thing as Robodog even existed, let alone this was the day he would appear.
Dave was driving to work on the expressway in his car-like truck, listening to a news station on the radio. He wasn't concerned with electro-magnetic waves even though that's how he was able to chuckle in his self satisfied way at all the moronic things going on in the world, which the news was happy to focus on. "Ha Ha,” said Dave, after the news guy said, "The president of France has announced that America is arrogant.” Then Dave laughed again, "Ha Ha,” as the news guy said, "Germany doesn't want to go to war.” Meanwhile Dave was driving about 10 times faster than everyone else, weaving and dodging through traffic. He wasn't in a real hurry. This was the way he always drove. After 15 years of living too far away from where he worked driving 10 times faster than everyone else was just his way of catching up on having a life. Some of those he passed also thought about their lives, and how lucky they were the jerk who just sped by didn't slam into them. Dave didn't worry much about getting a speeding ticket, cause he had a little shield pinned to the inside of his wallet. Whenever he opened his wallet to get at his license the shield sorta popped right out, it was so shiny. That's because he had family members who were cops and firemen. Not long ago a lot of those guys got killed trying to rescue people trapped in the World Trade Center’s twin towers on 9-11. Nobody expected, in their wildest dreams, that someone would build the world's tallest buildings out of toothpicks and wood glue and then turn that model into a real structure that couldn't support itself. Oddly enough nobody caught on afterward there's a good chance many other buildings of the same impossible proportions are just as questionable. In fact, the owner of that part of the world wanted to build something just as big, maybe even bigger ! What a great idea.
Dave didn't feel the world spinning around. To him everything was steady and only his car and the slower cars around him were moving.
The feeling of normalcy which was unknowingly mathematically mushed into everyone's head by the planet's steadfast activity of spinning in space was shared by those whom some might say had lives hardly worth living. The hungry expected, as usual, to be hungry. The homeless, homeless, the wretched, hopeless, and so on. Most people are like bees. Bees are hard workers and collect pollen. Dave was like a worker bee insomuch as he would soon be working, and that would turn into honey, or food as the case may be, a mortgage payment, car payment, insurance payment, and so on. From way up it looked like everyone was moving around, some fighting, some laughing, some hanging out, but generally looking sort of busy. Lots of movement.
For thousands of years (nobody knows for sure) all the busy humans like Dave had fights over who was really in control, who ate the most. How to act. What's right. Who deserved what. That sort of thing. In the beginning it was brutal and in a way easy to figure out. Might makes right. Then people got civilized. Dreams like the ones that made a really tall building out of toothpicks started to make people less diligent about what is responsible and what is really silly. That's the nature of dreams. Some are great and some are silly. Some are a little of both. Throughout 'history' the on again off again advent of people who had big dreams, thinking the world was their oyster, and that it could be utopia, managed to amass great armies and kill a lot of people they didn't consider having lives worth living. That still goes on. Dave listened to news snippets about those things as he drove to work.
He listened to a snippet about how some jerks who didn't have two nickels to rub together murdered a neighboring family because they didn't have the same dot on their forehead, in some far away country, thank God, with rifles and ammunition that cost about three thousand dollars. Dave didn't even wonder how someone who can't afford to dig a well for water, so they can irrigate some land, and make a farm so they don't starve every few years, happened to have a three thousand dollar rifle and ammunition. How weird is that? Thinking of firearms Dave remembered how a few days earlier he had seen the president of the National Rifle Association, on the news, in an argument with some protesters who had disrupted his meeting of thousands of members, say, "I'll KEEP my rifle, YOU DAMN APE!” The N.R.A. president had been in a movie once about apes who ruled the world. The funny thing is, even though a lot of people only see movie stars on the news or in movies, they really feel they know those people. Someday someone might see the president of the National Rifle Association and say, "Ha Ha, YOU DAMN APE!" And the NRA president wouldn't have a clue what the heck the person was talking about, and might even have a bodyguard drag them away.
Way up in the sky, looking down on stuff, there's all these busy bee humans and mostly they are making ends meet, miraculously, since not a single one of them knew how the economy really worked, how someone who doesn't farm for a living can actually manage to eat anything. They manage by making cars that spew out poison gases, and zip around really fast in them. They get fat doing that, going fast, eating fast food, on the go. Why is 'fasting' a word for not eating? Should be the opposite, a word meaning 'gobble'. Also, they make do with producing things like movies and entertainment shows. They show people doing the most outrageous things, lots of killing and explosions. Lately there has been a shortage of utopia minded dreamers with the wherewithal to do anything about this crazy behavior. A shortage of Napoleons, Stalins, Hitlers, people like that. A lot of people like Dave, who do think of it once every 5 years or so, how the level of humanitarian diligence seems to be slipping, usually because of some family crisis, like some family member under 18 got pregnant out of wedlock or arrested or addicted to drugs or something, push the question aside as soon as possible, cause they don't know the answers and they hope they can just make enough money to get out of the rat race and then everything will be OK. "Ha Ha,” said Robodog. But he hasn't shown up yet, so nobody heard him.
Robodog's been around longer than people. But he hadn't been paying attention to earth during most of the time people have been spinning through space. He was busy elsewhere. He just got brought up to speed on things here recently. It didn't take long, because Robodog is smarter than humans. He can do just about anything. He doesn't show off, of course, and doesn't even consider that much of an option. He won't say where he came from, how old he is, what he can really do. But I'm getting ahead here.
When Dave parked his car-truck in the Silvercup East stage parking lot in Queens he stopped thinking about anything. This was an art he developed over the years, like driving a million miles an hour. It was simply the mental survival technique best suited to deal with the most curve balls thrown his way during the work day. In most businesses 'working' follows more or less the same predictable patterns and activities week after week. In the film business anything is possible. Most normal people can't survive long in this sort of atmosphere. Dave thrives in it.
In any normal business it follows that those most likely to successfully lead others will rise to the leadership positions. Like the military, where officers with the most experience and know-how will rise to higher rank to lead those less familiar with the rigors of war, most commercial business will also adhere to a common sense hierarchy. In the film business, contrary to the rest of the world, you will find people who normally wouldn't be given the responsibility of standing in a field shepherding a few sheep in charge of an entire department of men. In short anything is possible not only with regard to who is in charge but what will happen with the day's schedule. Dave's genetic and experiential qualities enabled him long ago to approach any film job, as soon as one foot hit the pavement out of his car cocoon, with a totally blank mind. A somewhat dead smile was the only indication his mind was blank, as he could function more or less normally even without thought.
On this particular day, much to Dave's credit, he is not the boss of his department. Instead someone else is boss, who is already racing around inside his own head with an overwhelming sense of fear and futility for the coming day's schedule, mostly worried about how to do twelve pages, and who is eating a breakfast burrito at the stage door Dave steps over to.
"Morning Tom,” says Dave.
"Mmmphh,” replies Tom.
Dave continues inside to the grip room, where he puts his coat, bag and morning paper down. Everything gets an immediate coating of sawdust. He goes outside again and says hi hi hi to everyone as he gets coffee from the catering truck and after a while, filled now with brief social pleasantries and coffee in hand, follows the slowly milling crowd of crew and extras into the stage to find out what is going to happen first. Meanwhile, his mind is still fairly blank.
"Well, it looks like we're just going to start with the same scene we were doing last night at wrap,” says Tom the key grip to the few grip crew members inclined to be next to him and find out what's going on. "Oh,” "OK,” "Ahhh, time for more food,” they mumble in response. There's nothing to do, it's lit already, everyone is content to find someplace to wait for the scene to be over so they can strike it and get on to the next one. Tom and some other department heads and production people mosey over to the set and mill about, some talking about what fun stuff happened in the last 10 hours since they left this same set the night before. The A.D. makes jokes and several walkie talkies are squawking away while someone tries to find out if talent is going to show up soon. The house lights go off, set lights on. Dave moves over to the camera dolly, his job on this show, and puts his coffee on the back. The brief thought, "It's a dolly, not a deli,” goes through his almost blank mind. It's not the first time he's had vagrant thoughts like that go flitting through his mind while on the job.
"OK, everybody, listen up!” says the A.D. Everyone tries to listen to those things that effect them or their departments. It’s hard to actually get a whole crew to listen to everything all day long. Minds wander.
"Talent will be here in 10 minutes, we're going to start off with scene 5….ugh…Mary?" Mary the script girl, right there when needed as usual fills in with, "Scene 5, take 4,” looking now over toward the camera guys, one of whom is doing the clapper and nods, while the others snicker over private jokes, and build the camera.
Suddenly, like a special effect nobody was anticipating, a gold colored dog appeared with a popping noise right in the middle of the set ! "POP!” Nobody moved except for heads turning in the direction of the popping noise. Then everyone just stared, frozen in their various attitudes, all suddenly quiet on the set.
"I am Robodog,” said the dog.
It's voice was electronic, not screechy or synthetic. Dave's mind went from blank to totally full in about 1 nanosecond. "Holy ****!" said Dave. He was the first to talk and that started the panic. Everyone yelled and a couple screamed, and all but Dave ran off the set in a rush, pushing and yelling more as they screamed at others on the stage what had just happened, more and more noise rising from outside the set walls, as a stampede of people exited the building in fear and confusion. Robodog just stood there, hadn't moved an inch since it first popped in, hadn't even moved its head or nothing. Dave was just like Robodog, he didn't move either, and even his mouth, when he said, "Holy ****,” had barely moved. The only thing that moved, and this with lightning speed, was Dave's thoughts, which came from out of nowhere, just like the dog.
A tingling sensation washed over Dave, like static electricity, as he stood transfixed behind the camera dolly, motionless as a statue. He began to look more closely at the dog's features, while slowly his head full of thoughts began to turn from confusion and nonsense to half formed ideas with beginnings and endings. The dog still didn't move. It was as if the thing was waiting for something. Dave hoped it wasn't waiting for him to make some movement, at which point it would do something awful and unexpected. Meantime Dave figured (the first real coherent thought since the dog's arrival) it was best not to move. Except his eyes. He moved his eyes, just a little, and started to try and figure out what in the hell this dog was. It wasn't real. That much was definite. Not a flesh and bone dog. It had skin like gold. Smooth. It looked like liquid almost. No joints were obvious, where it's legs, head, tail were connected. The legs just melted into the body sort of. There were no eyes. No mouth. It had two ears and also very thin antennas, two of them, one behind each ear, on top of it's head, with, and this he faintly thought amusing, a little ball of black material at the tip of each one. Like antennas you might buy for your kids at some space play land. Outside the set, somewhere near the doors to the stage, people were murmuring. Someone was explaining what had happened. Some authority had arrived maybe. Who? The stage manager? That wouldn't be much help Dave thought. This was something very different than a 'problem with the stage' sort of thing the stage manager was used to.
Then the dog moved. Just as Dave was thinking the stage manager wasn't going to be much help, that someone really important should deal with this thing, the dog's tail wagged. Several times, back and forth, just like a real dog! Dave almost jumped, did jump, inside, but outwardly he was still a statue. His hands were holding onto the dolly steering post as if he'd been doing the most difficult and tricky dolly move in the world, his knuckles almost white. He thought, "boom up" and "beam up,” in quick succession, more vagrant thoughts, of little use. He took a slow, deep, silent breath trying to make himself relax. Then his thoughts got back to normal. Not normal for a job, in which case he would be thinking nothing except "as needed.” Now he was really thinking normally, which in Dave's case was pretty good.
As if the dog sensed Dave's new found mental equilibrium, it's tail began wagging more, this time keeping it up, like a metronome, back and forth. It made the dog look friendly. "What are you?" asked Dave. Nothing. Then it's antenna vibrated slightly and it turned it's head toward the noises coming from beyond the set walls, toward the stage doors, toward where some people might be on their way back in to see what was going on. "Hey, anyone out there?" called Dave. "Hey, Dave is that you?” someone yelled back. The dog looked at Dave. Look is not really accurate. It had no eyes. It turned it's head toward him. It's head was like a short cylinder on a small cylindrical neck, connected to it's cylindrical body. All of it like liquid gold, reflecting lights and stuff like a mirror. It's head was now pointed at Dave. "****,” thought Dave, not having any idea what to make of this business. Robodog's feet were not like regular feet at all, but small flat rounded silver discs. "Hey, this thing is moving a little, and it's looking at me I think, and whatever you do, do it slowly,” called Dave to whoever was out there on the stage beyond the set walls. "OK,” said the voice out there. It was louder and closer. The dog looked away from Dave toward the set doorway, and just then the stage manager stuck his head into the doorway to see what was going on. He saw the dog and his eyes got wide. He sorta froze like that for a moment, no longer thinking this was some kind of joke everyone had been telling him outside. "What's that Dave?,” asked the stage manager. "How the hell should I know?” replied Dave.
"Well, look, it's wagging it's tail,” said the stage manager.
"No ****"
"Where'd it come from? Is it a prop or something?"
"Nope,” Dave said. Dave moved away from the dolly and the dog turned it's head to him. Dave stopped moving. The tail still wagged. The stage manager came slowly into the room, the dog turning to him now. Then, as if it suddenly lost interest in these two humans, the dog just walked around the set sniffing things, just like a real dog, wagging his tail, moving it's head around objects and the floor, making electronic sniffing noises! Dave took the opportunity to get the hell out of there and went outside. When he looked back, the dog was following him! It sniffed things on the way, but it was definitely following him. Everyone gave Dave and the dog lots of room, backing away, some running for a bit, before stopping to see what was going to happen. Everyone thought more or less the same thing, which was, "Wow!"
"OK, don't follow me, nice dog, go away now, go home now,” said Dave. Robodog acted like Dave hadn't said anything at all, but looked at him and stopped wagging his tail. They were just outside the stage door now, and Dave could see his car. Dave wanted to get in that car and be in his own space. He didn't know how big space really was, how he was in fact spinning through space on planet earth. Dave had bought the idea of car cocoons a long time ago, when he had his first car and turned on the radio and bobbed his head to the rhythm of his favorite music. That was a long time ago, before he started to drive really fast to catch up to something. The stage manager, thinking he was an authority over weird **** happening in his domain, walked briskly over to Robodog, emboldened by the dog's obvious affinity for Dave. When within a few feet, extending his arms as if to shoo the dog away, he said, "Hey, nice doggy, how bout we just get you…” Zap! That's what it sounded like. Everyone jumped, but mostly it was the stage manager who jumped, because this thin line of blue light went from Robodog's antennas right into the stage manager's chest, who got knocked backwards in mid stride and now sat on his butt on the pavement with a shocked look on his face. Everyone thought the same thing, "Wow!"
Then there was the sound of sirens coming closer. Dave thought that was predictable, here come the cops. Maybe they will know what to do. The A.D. said, "I called the police, everyone go over to stage B and wait, while they take care of this. Then we'll get back to work, but for now just go over there and wait, OK everyone?" The A.D. thought the show should go on. He wasn't sure what to do but this seemed a reasonable request. Some people were moving away toward their cars, and the announcement arrested their movement. Now they were interested in what the cops could do about this alien creature, sure they might witness some totally new event in the history of the world. Someone was taking pictures with a little video camera and speaking into their hand, just in case anyone watching later on couldn't figure out what was going on by image alone. The camera did not record any images though, which became apparent later on. Dave moved backwards, toward his car, slowly, still watching the dog who hadn't moved since zapping the stage manager. The dog matched Dave's movement, slowly moving forward, wagging his tail. Dave stopped, and 2 police cars came into the parking lot, their lights flashing and sirens droning down to a low rumble. When they stopped 4 police people got out and moved toward the crowd of crew people with the gold dog in the middle. They stopped, staring for a moment, as they became part of the crowd, all thoughts of normal police work out the window.
"My name is Robodog,” said the dog.
"What's going on here?” asked the most senior of the police officers. He addressed the dog but was half looking at the crowd, the sitting stage manager, and Dave, who was the one closest to, and the focus of the dog. Everyone started talking at once, some yelling louder and arguing a little about what happened, and the policeman had to yell "Stop!” to make everyone calm down. Dave was surprised that with all the noise, arm waving, pointing, and near panicky voices the dog hadn't seemed disturbed. It stood there now, looking at him, without wagging his tail, just waiting. "That dog stung me!” said the stage manager, still afraid to get up off the pavement.
2
"What? You don't say, uh huh, yeah, Oh, OK, sure, it did what? OK, hmmm.”
Nancy the secretary could hear what the assistant director of the F.B.I. was saying because the door to his office was open, as usual, and her desk was close by. Sometimes the door would be closed, but only when really important people came by to talk about sensitive things, or if Dick, her boss the assistant director, had to make some important phone call. This call had come to her through the switchboard operator and the person on the other end was a captain of a police precinct in Queens, which was unusual, and she wondered why a policeman would want to talk to her boss, an assistant director of the F.B.I. in Manhattan.
"You must be joking,” said her boss. "Right.” "Uh huh.” "OK, bye!” and he hung up the phone with a loud thump. "Nancy!"
"Yes sir,” said Nancy, as she scrambled out of her chair and hurried to the open doorway.
"Call information, get this Queens precinct on the phone, then ask for, uh, this officer, oh here, get this guy on the phone,” and he handed her a sheet of paper. On it was a precinct number, a name and several doodles of a small dog with lightning bolts coming out of antenna on its head. Nancy was used to weird things from her boss, so she didn't think twice about it, and dialed information, got the number for the police station, asked for the person on the paper, and heard a man say, "Yeah! It's me! See? It's NOT A JOKE!"
"Please hold on, sir, the assistant director will be with you in a moment, sir." She took a couple steps to the open door where her boss gave her an incredulous look, looked at the phone on his desk as if he were reluctant to pick it up, and then grabbed for it.
"Alright," he said, "So you're who you say you are, and this isn't a prank call. You expect me to believe an alien dog landed in Queens and you want me to do something about it? Are you OUT OF YOUR MIND?!" After a moment of silence and obvious discomfort from what the other man said Dick looked at Nancy and told her to tape the call, get the director on the phone, and call Bill Fenly. "OK, Captain, you've made your point, and now we're going to calm down and begin again from the beginning. I am taping this call now, so we all have a nice clear record of this conversation, OK? Good, now please state again what you believe has happened in your precinct, how you and your men have dealt with it and how you are asking for our assistance, just like you said earlier…for the record. When that's done I'm going to talk to my director, and some field agents who will be dispatched to the scene, and we'll also get in touch with the agencies we feel are necessary to contact, OK?"
Nancy thought, "Wow, something weird is going on,” and did as Dick had asked, first calling the Director’s office in Washington D.C. and then calling Bill Fenly. She got through to their secretaries only and they promised to have their respective bosses call the assistant director as soon as possible, which wasn’t fast enough for Dick but would have to do.
3
"Are you getting all this?” asked Deputy Director Bates over the shoulder of the technician on console 30 below Cheyenne Mountain.
"Yes sir,” and the technician wiped his forehead with a free hand while his other moved the mouse that moved the space based telescope and sensor array to keep up with his "bogey.” The unidentified object, now labeled "bogey 3,” was being looked at in real time, and a bunch of numbers on the large computer screen at console 30 gave constant data updates as to the objects location, speed, distance and so on.
"Good, you're doing great, just take it easy and stay with it,” Bates said, as he turned on his cell phone and dialed the White House.
Hundreds of miles out in space, looking down at earth, was a very large space ship. It had appeared out of nowhere, and surprised a whole lot of earth based space oriented spy equipment and personnel who ran the equipment. Several governments had alerted their armed forces and were scrambling around to respond to a military threat of some unknown source. About 30 seconds after the initial appearance of the spaceship 1/5 of the world's military establishments had gone bonkers and put into play all sorts of wild plans to save themselves from the unknown. 4/5th of the world had nothing they could do about it anyway, so they watched what the other guys did. If anyone had thought to fire something at the spaceship it wouldn't have had any effect, but nobody did that. For the first time in thousands of years humans acted with restraint. It didn't matter.
"Ugh, let me just confirm this with you, son, since we're both seeing this data here,” said Bates, now looking at the screen again. "That data I am seeing says this object is roughly 3 miles long, is that right?"
"Yes sir.”
"And it's in a stable orbit now?"
"Yes sir. Geosynchronous. I am hardly moving our sensor array any longer to keep up with it's movement. It is stationary now. I've never heard of anything like this before, sir. It didn't need to establish an orbit by increments, but appeared to just be there, if you know what I mean, sir.”
"Yes, I guess I do. Stay with it son, you're doing great.”
The room where console 30 was situated was very large. Cavernous. It was full of computers, consoles, screens, maps, and every high tech electrical gadget necessary for impressive global snooping and deployment of forces. It also had the average TV in a few places, usually so management could keep an eye on sensitive news around the world, which sometimes helped give them a well rounded view of what was going on from different points of view. At this time the TV picture that was on was replaced by a TV picture of what console 30 was looking at and tracking. Someone noticed it and brought it to everyone else's attention. All the TV's had the same image of what was on console 30. It was a public TV, and when someone changed the station, all the channels had the same thing. All the data and the image that console 30 saw was on all the TV channels. This was true around the whole world, though nobody knew that yet.
"Hey !” yelled Bates, "What the heck is going on here! This is supposed to be a secret !"
4
In Washington the House Of Representatives emptied out, everyone running for cover, except Senator McCain, as if a new dose of suspicious white powder had been discovered in someone's mailbox. They left messages on their answering machines, saying things like, "We're not in at the moment, but please leave your name and a message and we'll get back to you as soon as possible.” The White House smuggled various people out of town to house them in secret subterranean camps, safe from threats and able to carry on as the new government if something terrible happened to the old government topside. Alien spaceships appearing out of nowhere constituted a “threat” according to the protocol covering generic situations where nobody knew what was going on but things were far from normal.
Everywhere around the world people were talking about the alien spaceship. A lot of people, who had been fans of U.F.O. stories for many years, kept saying, "I told you SO!" They were no more prepared for what to actually DO now that one had appeared as anyone else. However, despite a lack of knowing how to react to the appearance of a spaceship those who always believed in them felt superior to those who didn’t believe in them, for the first time. Some of them thought they could now boss their family members around and wound up in fist fights. It was a short lived feeling of superiority for most. Many people kept looking up, although they couldn't see anything new, and many imagined seeing things that weren't there. From way up in the sky, looking down, the busy people rushing about with their daily lives seemed much the same as before. Only now a lot more faces could be seen (a few with black eyes), where before only the tops of their heads were visible.
Emergency meetings and high level talks rushed into session all over the world, but nobody saw those people on a day to day basis anyway, so they weren't missed. It seemed to those in the meetings and talks that the separations that existed between them and the rest of the world got more noticeable, and some of them wondered if whether it was a good thing to be "in control" at this time, because nobody was in as much control as they thought. Aliens with a giant spaceship put a very big question mark over everything. In some ways civilization was a very fragile thing.
Looting in Los Angeles began in earnest when the TV's started broadcasting console 30's images. Nobody knows why the people of Los Angeles go on a looting rampage whenever something of significance happens in the world. The city was unable to deal with it and called out the National Guard. There were a few National Guardsmen in California rather than in Iraq, and they came to Los Angles to watch people loot the city. Eventually everyone looting got pretty tired carrying heavy appliances and went home.
In isolated cases those who were angry got angrier. These, the disaffected people of the United States in particular, started yelling about how the government was corrupt, the President was evil, Corporations ran the world (not too far off on that one - but even a blind squirrel will find a nut sometimes), and now the aliens were probably going to demand free trade and further erode the working man’s ability to make a decent living. Luckily this sort of person stays home mostly, as few people in public places have much patience with them. Their spouses suffer the most. Some of these people couldn’t wait to ask the aliens what they thought about gay marriage and stem cell research.
The stock market plummeted and the exchanges had to stop trading to keep it from crashing. Gold prices soared. Many rich people thought they could go anywhere they wanted with their pockets full of gold, which they could trade in for food and so on.
The gold dog would change that, but not yet, and not in this story.
Some of the more far out alien worshipping church groups demonstrated in front of the U.N., appearing so suddenly and quickly after the TV showed the spaceship many people wondered how they could possibly get there so fast. The demonstrators chanted slogans about "Aliens Are Here To Save Us.” Oddly enough they were right. Some of the demonstrators wore little antennas on their heads. New Yorkers ignored them as they rushed back and forth trying to make money, which is just about all New Yorkers do nowadays. Well, not the younger ones so much, as they are generally living with roommates and have tons of social activities and boundless energy. Within an hour of the spaceship sighting the U.N. called together an emergency meeting of the General Assembly to address the issue. They could be seen making their way through the hundreds of alien worshippers, some of whom tried to sell alien antenna headgear to the diplomats, without much success.
Dave was still standing outside the stage, hoping against hope he could reach the safety of his car, with Robodog sitting close by, watching him.
5
Dave took out his cell phone and tried calling his home, to tell his wife everything was OK, which it wasn't, and for her to tell the kids not to worry, cause he was, and that he would be home soon, which was unlikely. If he had got through she would have seen through this typical Dave stuff right away, but she wouldn't have let on. As it happens his cell phone didn't work. He wasn't surprised, and looked at Robodog.
"Are you making my cell phone not work?” asked Dave.
"Affirmative,” said Robodog, which surprised Dave, since the dog didn't talk too often. It also surprised the crowd of people and police officers standing around wondering how long it would be before something solved this mystery of the dog's appearance and purpose, and when it would go away. Everyone knew about the spaceship, thanks to the fact the whole world was seeing it and talking about it. At the moment the dog was of more interest to these people than a spaceship hundreds of miles up in the sky. This dog, they figured, was certainly connected with the spaceship, or they would eat their hats.
A bunch of black cars drove into the now police protected gates to the stage complex and parked nearby. Some men in black suits got out and walked over to the crowd and one of the men in a black suit talked with the senior policeman near the crowd. As usual the newcomers had that bewildered look after seeing Robodog. Robodog didn't turn his head or move, but kept looking at Dave. The policeman introduced the stage manager to the man in the black suit, who turned out to be an F.B.I. agent. There was also a State Department agent, a D.E.A. agent, a C.I.A. agent and other agents who preferred to remain anonymous, who had come in the newly arrived cars. They all tried making calls on their cell phones, but found the phones didn't work. One went back to a car, but came out again quickly, because the car phone didn't work either. There was some muttering and mumbling and general conversation about procedure, plans and priorities. One of the men in black looked up into the sky but didn't see anything unusual. It was becoming a sort of nervous tic, looking up.
"Hey you guys,” said Dave.
Everyone looked at Dave now, instead of the dog.
"I'm going to get in my car and get out of here, if you don't mind. I've had enough of this standing around, and I don't care what the dog does, I'm getting in my car now.”
"You can't do that, sir,” said the F.B.I. man. "Nobody is going to do anything until our van gets here so we can get the dog in the van safely and without incident."
Robodog looked at the F.B.I. man. That made the man nervous, cause he hadn't seen the dog move before, hadn't seen how the reflections and skin of the dog shimmered and flowed when it moved. He was certain the dog was an alien now, there was absolutely no doubt the dog was not from anywhere on earth.
"Can you understand me, sir?” asked the man of Robodog.
"Yes,” said Robodog. "My name is Robodog. I am going with Dave in his car. Dave will be OK,” and Robodog looked over at Dave and wagged his tail, to reassure him. Dave thought, "Oh God, this is really one messed up day.”
Robodog said to Dave, "Come drive me in your car. I am a friendly dog. I won't hurt you or anybody, and you can't hurt me either, so don't worry." With that the dog just walked right over to Dave's car, whereupon the two front doors opened all by themselves, and Robodog jumped into the passenger seat, looking for all the world like a regular dog wanting to go for a ride. "Don't do it, sir, Stand where you are!” said the F.B.I. man. For some reason that bossy attitude bothered Dave, and the thought of driving away with the dog didn't seem such a terrible idea. Now he really wanted to get away from all these official agents and police people, and if the dog wanted to go with him, fine. He walked over to his car, and as he did a few of the agents started to move toward Dave, but stopped short as they felt themselves blocked by some kind of mushy invisible force. Like walking into a giant invisible marshmallow. "Don't go anywhere, that's an order!" they yelled at Dave. Dave got in the driver's side, closed his door, rolled down the window and said to everyone, "Look out, I'm driving out of here!"
Most of the crowd of film people moved aside and even started to think about getting in their cars too, and head for home, where they thought they might find out more about what was going on. But for now they couldn't budge from wanting to see what would happen to Dave and the dog. Some thought, "Poor Dave, he's bewitched or something by that dog,” while others thought, "Poor Dave, he's going to be alien-knapped.” But the agents and police people thought only one thing, and it was shared without variation by all of them, "That damn idiot and that dog are deliberately disobeying our orders!" The F.B.I. man, still trying to walk through the invisible marshmallow, drew his weapon and yelled, "Oh no you don't mister, GET OUT OF THAT CAR NOW!" The pistol went flying out of his hand and up in the air about 4 stories, where it veered over to land on the roof of the stages.
"Don't worry,” said Robodog, "We won't be harmed or stopped. Just drive out and take it easy, and head east when you can."
"OK,” said Dave. And he started his car, put it into gear, and headed slowly out of his parking spot, toward the front gate. What Dave saw as he drove slowly out was a magical invisible force moving everyone and everything slowly and carefully out of his way, as if a giant invisible hand was simply moving people and cars to the side. People's feet didn't move, but their whole bodies just kind of slid easily off to the side, staying in the same pose they were in when they began to be moved. It reminded Dave of a Christmas gift he gave to his mom one year. It was a music box with skating figures, and a little winter park scene around a frozen pond. The figures had steel disks for feet and inside the music box were magnets that moved under the pond, making the figures move about like gliding statues. The cars moved out of the way like that, the crowd, the agents, the police people at the gate, everything just slid away to the side. Their shouts and orders to Dave sounded muffled, as if he were surrounded by invisible cotton. "Oh boy,” said Dave, as he thought maybe he would take it easy driving for once, and not try to race anywhere to catch up with his life. He felt like everything was starting fresh. He sighed deeply, and thought, "Why me?” and drove away from Silvercup Studios.
After the shock of coming under some weird force field control was over, all the people in the Silvercup complex became themselves again, shouting wildly and waving their arms and running in circles as Dave's car drove out of sight.
"Did you SEE that?” said the stage manager to the script girl. She was crying and terrified and trying to get out of the crowd to her car, but she forgot where she parked it, and she got more terrified, thinking her forgetfulness was the result of alien stuff screwing around with her brain. The stage manager grabbed her, shook her like a rag doll, "I said, Hey, pay attention damn it," shaking her more, "This could be the end of the whole world, do you REALIZE THAT?!" The stage manager was losing control. He looked wild.
The police and many agents from all the agencies ran frantic to their cars and jumped in them so they could race after Dave. Some were already on their cell phones, yelling into them, "It's an alien DOG I say! It's loose! It's in a car now! It took control of us and moved us around with some kind of force field!" The people on the other end of these calls started to feel the panic of the callers. They wanted to be where the agents were so they could get things under control, since apparently the agents already there had failed to do so. "We are in pursuit now, and will keep you updated. Meantime, get the president to declare the city in a state of emergency, get the mayor on it, the governor, get the command center on it!" The cars screeched out of the Silvercup complex, a couple of policemen at the gate jumping out of the way just in time. The cars disappeared from view, but their sirens, horns and screeching tires could be heard for some time. Everyone they left behind also ran to their cars and starting talking on their cell phones, and with only a couple of minor fender benders, and a little screaming at each other, managed to get the hell out of there and head for home. The stage manager stared after them all, and yelled at them, saying, "It's the end of the world I tell you!” his eyes crazy.
6
Bates, at console 30, under the mountain, held a red phone to his ear as he watched the screen over the shoulder of his technician. The TV's still had the image of console 30, even after they tried to turn off console 30 and cut power off to console 30. For some reason console 30 would not be turned off and the TV's would not show anything but the image and data that console 30 saw through the space telescope and sensor arrays it was monitoring.
"Yes, Mr. President, It is a live image, real time, and it hasn't moved for the past 90 minutes. Yes, sir, we have patched all this data through to our space based platforms and several are within range of the U.F.O. Yes, Sir, I understand."
Just then, just when Bates was on the point of feeling confident about the president's calm sensibility, the alien space ship turned about 30 degrees in half a second, as if it had simply snapped around, and then shot off so fast it almost looked like it disappeared. As Bates tried in vain to think something could possibly move that fast, especially in space, the president asked if what he just saw on TV was what Bates saw on console 30.
"Yes, sir. Uh, yes, it just turned and shot off. The last data on it's speed, before it went off the scale, or out of range, was something like close to half the speed of light, sir. I think it was still accelerating, by the figures we see here, sir. No, nothing has it anymore,” Bates was looking around the cavernous room and everyone was waving and saying "it's gone from here,” indicating nothing under the mountain had any more contact with the space ship, "It's just gone I guess.” He hung up the phone, the president had hung up already, and asked the technician, "Do you think it was accelerating when we lost it?" "Yep,” said the technician. Then he whistled like he was very impressed. The TV's switched back to their regular channels and on the closest one to console 30 there were several people wearing gym clothes exercising on tubular frames with giant rubber bands. Some of the people in the room got embarrassed, thinking, gee, I hope the aliens don’t see this ****. They would think we're a bunch of morons.
7
"Get the dog? Yes sir, we're trying, I mean, we're looking for it sir!” the F.B.I. man said into his cell phone. His driver was speeding along Queens Blvd heading east, with his siren wailing away. Pedestrians jumped and ran out of crosswalks as the car and those behind roared through the intersections, the bruised pedestrians screaming after the cars, "You idiots!" Luckily the pedestrians had a lot of practice diving out of the way of cars in the intersections, due to the almost death a day rate of pedestrians being struck by cars. The road was a virtual highway through the most populated residential areas of Queens. "I feel we may have lost it though, just to let you know, sir.” The F.B.I. man hated to say that, and he winced as he did, knowing that his boss on the other end of the cell phone was going to explode like a stick of dynamite.
Dave drove as if it was a perfectly normal day on the expressway heading east, the dog sitting on the floor of the passenger side, his head resting on the seat. His little antennas vibrated now and then from bumps in the road, but otherwise he was motionless. Now and then Robodog would issue a little electronic sounding "woof.” As if it was thinking aloud.
"Sooo,” said Dave, still looking straight ahead, thinking now would be a good time, not knowing how much longer he would be alive this day, to get to know the dog a little, "Do you think you could tell me a little about yourself before the authorities catch us and we end up dead?"
"We won't be harmed, Dave, Don't worry.”
"OK, let's say that's true, sooo, tell me about yourself anyway. What are you doing here, for example? What ARE you, for example? Call me crazy, but somehow I don't think it's going to be a simple answer, and I'm not the smartest guy in the world, so could you tell me without getting too technical? Keep it simple?"
"Sure. I am Robodog. I am from another planet. Your planet needs some help. I am here to help."
Dave glanced at Robodog, who was still in the same position, his head resting on the passenger seat. The voice of Robodog seemed to come out of the front of the dogs head, where you would think he'd have a mouth, if he had a mouth. But it's head was a solid cylinder, even though it didn't look solid really, being made of that weird gold material that wasn't earthly. "Are all the, um, people from your planet like you? Are they all your shape?"
"No. I am not a people or anything like the beings on any planet. I was made. I am a robot. I am half dog, and half junk yard, Ha Ha Ha Ha,” laughed Robodog.
Dave thought maybe the dog was going nuts, and glanced at it again. At this point the dog also glanced at Dave and a very quick, darting 'smile' appeared on the front of Robodog's head. It was uncanny. The skin or substance of it's head simply morphed into a quick smile, with teeth and dog lips, and then disappeared, to become the cylinder again. Dave swerved but got control swiftly and took a deep breath.hehe.. yeah, i have to admit when I saw this " super pee wee IV " I was flabbergasted...
chapman is cool.. emailed them and a tech guy ( on the road no less -- out of office ) called me and we had a nice chat ...he explained quite a lot of stuff on phone..and will send me pdf attached to email etc..( manual ).
he answered the most pressing questions I had re: the new stuff on it.
very cool ... nice company.
like theres this " lever" thing that I found out is to basically " correct" for different wheel positions to line up the " round " steering radius... know what I mean? so the rear wheels match the correct radius of round 'radius' at different angles OUT from the chassis....maybe you have to see it to get this...but anyway, when I saw this lever I had no clue what it was...
luckily that job was locked off burning some stupid door frame keyed against black...and all I had to do was put camera on and roll it somewhere and put brakes on...and boom up and down now and then...to line up shots... easy. Otherewise I woulda been screwed...the dolly is so new...which is why I pursued the issue today...
moving on to the next thing... shiny text stuff is ( odd but I shoulda known this already ) only really effective when its moving and the reflections are 'changing'... once it settles.. to a still frame... it loses a lot.. ( separation from background etc then becomes an issue , plus levels of text etc at that end frame ).
see sample...end frame...new deal... ( new camera title safe area etc )
SOOOO, this adds more challenge... the end (static) frame of shiny text as titles.
I tried moving the " light" ( animated ) to see what happens with surface .. and lo and behold.. guess what? NOTHING HAPPENS ! LOL.... wasted about an hour on THAT baloney....so I am learning and figuring out what I can do and so on.. having fun... last night thought up all sorts of crazy " title sequence " and " trailer" scenarios... but I'm still in the extremely baby stages of this..
At least I made a new camera and got the thing positioned for basic title safe frame.. and got a bunch of nasa and hubble images... and will test some more now...and guess what ??
ITS BEER THIRTY ... YIPEEE ! -
A few days ago, I was working on a restoration of a 100-years-or-so-old Calculus book on one of my Linux based computers, while my other computer with the Microsoft Windows Vista operating system was serving as Broadcast TV receiver with its USB HDTV tuner
in the afternoon. The weather in Los Angeles was summer-like in November, with clear skies and 90 degree Fahrenheit temperatures. All of a sudden, my Linux based computer halted in the middle of the processing it had performed hundreds of times
before in hotter days. It would not restart. The entire boot block of the disk seemed to have been garbled. This did not seem even feasible at all, so I decided to shut its power off for a while. It came back up after a while,
and everything looked normal. Then, it did the same thing again. I decided to open its cover and check on its multiple fans as there was nothing else that could go wrong.
I then noticed that the computer with the Microsoft Windows Vista Operating system which had been receiving the broadcast TV, was displaying a freshly-booted log-in screen. It had "Blue-screened" while I was working on the other computer
across the large room. This again did not seem any feasible as there had been utterly no connection between these two computers. Even the AC power line circuit was different. Furthermore, this computer had the most extensive air-cooling system
I had built to have it work through 107 degree Fahrenheit temperatures indoors. Anyway, I logged back in and started the broadcast TV reception again. Sure enough, after a while it "blue-screened" one more time...
I went back to the Linux-based computer and found all of its fans operating, but with somewhat hotter disk drives. The problem was that in hotter days, the same computer had cooler disk drives with nothing different. I concluded that somehow
the 80 mm fan mounted in the front side of the case, with its side with rotating blades clamped on the perforated part of the steel case serving as the fan grill, was starting up fine. But, as the time passed the spring-loaded rotating hub was slowly
drawn toward the perforated steel case by two means: The partial vacuum formed by the suction generated by the blades of the fan, and by the magnetic attraction of the rotating hub with electro-magnets in it to the partially magnetized, perforated steel casing.
The first effect was always there, so it was not the real cause, but once something else came along, it really helped the latter. The hub was slowly drawn to the perforated steel casing due to magnetic attraction, with the holes in the casing
inducing a huge air-drag on the hub blades as there was no by-pass around to supply the extra-air needed to reduce the partial vacuum. In addition, the rotating hub with the electro-magnets now was very close to the conducting metal surface and the induced
eddy-currents in the metal by the moving electro-magnets had added even more drag on the rotating hub, causing it to come nearly to a halt. The disk drive electronics was heating up and was causing DMA access faults which in turn caused the Linux kernel
to panic and halt.
Well, this was nearly unbelievable, but true... I had not brought any magnets into the room and I still do not know how the computer case got magnetized. It has been working at the same location for years. The solution was to move the fan
away from the perforated steel casing a little so that some air could come in through the gaps on the sides of the fan (hence supplying a by-pass), reducing the partial vacuum in front of the fan. This kept the rotating hub far enough away to prevent
the massive induced eddy-current drag from slowing the fan down to a halt. The computer now works perfectly with the very same fan as it has had been doing for years.
The real solution is to saw the perforated part of the steel casing in front of the fan away, and to replace it with a better fan grill. The best fan grill material I have found is the finely perforated, thin, black aluminum sheet that is usually
used as a car audio speaker grill. In fact, I use these in my Microsoft Windows Vista based computer. The fans are quieter, with more air flow. It also keeps dust away and you can brush the collected dust off easily.
The next problem was the halting of the computer with the Microsoft Windows Vista operating system with a blue-screen. The fans in it could not be the cause of this, as it had already had the best improvements I could put in it, with even
externally powered fans that did not load the computer power supply. And, all of the fans were working well. In the meantime, the Microsoft November 2014 updates for the Microsoft Windows Vista came out, and as usual I told the computer to
load and to implement them. Sure enough, the computer again "blue-screened" in the middle of the update procedure.
That was somewhat too much, but there was nothing else I could do other than to debug it. I had not changed anything in the computer and its power supply, completely internally updated by myself a few years ago, was working perfectly. Whatever
was causing it was not in the hardware. It was not in the November 2014 software updates either as it "blue-screened" before those were announced. I brought the computer back up after several disk and other software checks and after the
completion of the updates, I gingerly turned the network modem on. I then sent the reports on the six failures (three "blue-screen" type failures and three "Anti-malware Executable" failures) to Microsoft with all of details
requested using the Microsoft Windows Vista problem reporting system. Within minutes, the Microsoft came up with a diagnosis that the USB driver code in the system had a serious bug. I had not changed this code in years. It suggested that
I should use the "Microsoft Fix-It" for this problem and it pointed to a link to download it. I did download it. It ran and the "blue-screen" problem just went away, as if it had never been there...
-- YektaI ordered the capacitors on Friday and they arrived on Monday, November 17, 2014. I removed the motherboard from the machine, by removing all PCI and AGP boards, drive and fan connectors and the computer power supply first. The motherboard then
simply unbolted from the case and came out with the CPU fan assembly still attached.
I wrapped the solder side of the motherboard with aluminum foil and set up a work place with the aluminum foil under the motherboard and myself electrically well grounded. Here came another surprise: There were four more capacitors of the same
kind just behind the CPU fan assembly and their tops were also deformed with one of them leaking the electrolyte inside from the the top. Luckily, I had ordered more than two capacitors to get the quantity discount and the lower rate of shipping.
I do use them in other circuits I occasionally build.
Technically, the only thing one needed to do was to unsolder the six old capacitors from the motherboard and to solder six new ones in in their place with the correct polarities. However, due to fact that the capacitors span the 3.3 V power plane and
the ground plane in the multi-layer motherboard, it is nearly impossible to unsolder these capacitors using regular, fine-tip soldering irons. The thick copper of the power and the ground planes carry the soldering iron heat away very fast, preventing
the solder from melting quickly. Continuous application of heat at this point will simply burn the internal insulating epoxy layers and cause shorts inside the motherboard which are impossible to fix in any reasonable amount of time.
The only reasonable way to remove these capacitors was to dismantle the capacitors from the top leaving their already soldered leads in place. The new capacitors were then tack soldered to these stubs using lead-free, hard solder. However, the
CPU fan assembly and the CPU itself had to be removed from the board to be able to work on these capacitors.
To dismantle the capacitors from the top, I first drilled small holes at the tops of the capacitors at the intersections of the indentations using the tip of a hobbyist's knife. I then used needle nosed pliers to peel back the triangular sections
of aluminum from the center at the tops to their bases at the top edges of the capacitors. Next, I removed the plastic layers covering the outside of the capacitors by scoring the plastic layers first from the bottom to the top using the tip of
the hobbyist's knife and peeling the plastic layers off starting at the cut. The following step was to cut the aluminum cans of the capacitors from the top to the bottom using the hobbyist's knife like a can opener. One could not use a saw like
tool here to accomplish the feat as the saws generated very fine metal chips which were very hard to remove and were certain to cause shorts in the densely populated mother board. The cans were then peeled off the rest of the capacitors starting from
the top at the cuts using needle nose pliers, revealing the spiral-wound metal-paper layers of the capacitors.
The wound layers of the capacitors were peeled off layer by layer by cutting into the layers from the top to the bottom, leaving only the two aluminum electrodes which were crimped and soldered to the leads of the capacitors. The picture below shows
the six capacitors with one of them dismantled (left) and with all of them dismantled (right):
The black disks below the aluminum electrodes are the rubber plugs covering the bottoms of the capacitors. The rubber plugs were then cut in half using the hobbyist's knife and removed using the needle nose pliers. It was not possible to
solder to the aluminum electrodes, so these were trimmed at the point they were crimped on the leads of the capacitors, leaving only the stubs of the capacitors' leads soldered to the motherboard.
The new capacitors with suitably trimmed leads were then soldered to these stubs with the correct polarities using lead-free, hard solder. The capacitors were lightly bonded together using a flexible glue to prevent them from moving. The picture
below shows the new capacitors as installed into the motherboard:
I then assembled everything back together and turned the computer on. The BIOS complained on the boot screen that the CPU was out of its socket and it needed to be reset. I set BIOS parameters correctly to their original values. The computer
came up and worked without any problems. I typed this message on my newly repaired computer running the Microsoft Windows Vista operating system.
By the way, the manufacturing date on the motherboard is 09/12/2002 and the CPU is a Socket-478, 2.4 GHz, Intel Pentium-4.
-- Yekta -
Macbook pro screen freezing/flickering peripheral failure
Hey guys
I use my Macbook Pro both at home for music production and live as an instrument. Recently I have been having problems, but for some reason these have never materialised at home - only in the live situation. I shall try to give as much info as possible, but I'm no use with Macs having been raised with windows machines.
Mac OS X 10.6.8
2.5 GHz Intel Core 2 Duo
4GB 667 MHz DDR2 SDRAM
I have around 13GB free HD space
It is second hand and therefore I have no idea about warranty. I have had the machine for over a year.
I THINK it's a 2008 17" model, although I am not sure.
Peripherals at home:
Digidesign Mbox 2 - USB
USB Mouse (third party)
M audio Oxygen 8 V2 keyboard - USB
HD TV as a second screen - DVI - VGA adapter
Live:
Novation Nio 2|4 uadio interface - USB
Novation Launchpad - USB
M audio Oxygen 8 V2 - USB
(Software wise I a running ableton 8 suite with izotope stutter edit. I average about 6% cpu usage)
Recently, my audio interfaces have begun to fail, but only in the live environment. I can switch the Mbox for the Nio at home and there are no problems whatsoever. 2 shows in a row this had failed, so I made sure to test all the equipment extensively. After 2 days of using the Nio as my soundcard using a different USB cable and slot, I assumed the problem was fixed.
On friday night we were playing a show, and mid set the screen froze with glitchy sections - looked like someone had broken the matrix. The screen began flickering in and out very fast in a strobe like fashion. My peripherals were still working fine, so I continued with the show in the hope that I could just control the session from them. Moments later, the audio failed, ad the system eventually cut out. I attempted to buy time and boot up again, but the same thing happened almost instantly.
Now that i've had a chance to get home and try it out, it has been working for hours at a time until eventually doing the same thing. I have found that most the time my usb mouse will remain responsive, yet I am unable to click on anything. Again, the sound generally keeps working, but one by one the peripherals fail. The screen flickering has only been temporary in the home setting, and does not sustain throughout the failure.
I'm generally poor with electronics, but the general consensus seems to be that it may be some kind of electro magnetism/static/I don't know effecting it live? I have never had a single problem with the machine until now. These failures have occured both running on battery and from mains power.You may be right that a part of the problem is due to external electro-magnetic interference, but could also be heat build up, and the fact that at home it runs for hours before an issue starts, heat is probably a part of the problem. If you can, stop by an Apple store genius bar and let the techs run some diagnostics, explain what is happening and see if they can isolate the issue. You may want to leave it with them for a few hours and let it sit there and run to see if heat is an issue.
-
Question about CPU usage for video playback
I've asked a related question already on the Safari forum, but would like some clarification, please.
The speed of this iMac is 400 MHZ and whenever I go to YouTube or almost any other site that requires video I see that the CPU usage can peak way up at 80% or more. I have Flash 9 installed which has a minimum of 500 MHZ, so I get pretty choppy video, but that's not the issue here. I can live with that. I keep any other applications closed. I'm often running a small fan over the top of the iMac to help vent the buildup of heat. I can monitor the temperature at the Hard Drive and I suppose that gives me an idea, of sorts, about general temperature conditions inside.
The answer I got was that this kind of CPU usage could be detrimental to the processor as it builds up excessive heat and to keep this kind of video to a minimum.
My question is can anyone roughly suggest what a maximum time on YouTube, for example, would be, 2 minutes, 5 minutes, is 10 minutes too long? I have plenty of RAM at 768. Some guidelines?
Thanks.Hey WZZZ,
Thanks for the star and kind words.
I'm the de facto Mac guy at my kids' school and we have around 25 iMac Slot Loaders working there. You can imagine they get abused quite a bit. There are 10 running Garage Band in the Music Department. That puts a tremendous strain on the CPU and I'm actually surprised that they run it so well. My son had a 600 iMac running GarageBand, he was complaining that it was getting jumpy and when I looked at it he was running 10 unlocked tracks simultaneously! So now he has an eMac G4 800 and that of course runs a lot better.
So to sum up, with all the abuse of those machines in terms of the CPUs the problems I have with them have nothing to do with that. The problems have more to do with parts of the OS that they toss, headphone jacks abused, CDs jammed in the slots, and the like.
A couple of other related things. I've got Hardware Monitor, demo, installed and I think it reported it could only find the hard drive sensor, if I'm not mistaken - nothing else on this Mac with a sensor. Is that right?
I see references to CPU sensors on 400 iMacs but on the 400 I have here for repair Temperature Monitor reports no sensors. Perhaps there were different versions of the 400.
But very good to hear that the fan is a good idea for CRT related things. Should I keep the fan running-mostly for that hard core CRT stuff- even if the computer is sleeping and the room temp. is only around 62-64 F.? (We need to put on warm clothes to sit in front of this thing now, but worth it to keep this old machine happy).
On the one I did the fan pushed the airflow in the direction of the passive flow of the iMac - in at the bottom and out the grill by the handle.
One more question, more out of curiosity than anything else: If I move this small clip-on fan close to the case - right now it's about 3 feet away and the image is stable - the screen begins to flicker and flutter quite a lot. My theory is that that's happening not necessarily because of electro-magnetic interference from the fan motor, but rather, because the back of the tube is getting cooled unevenly. What do you think?
Well the classic failures that I see in the iMac are in this order:
1) Dielectric breakdown of the flyback transformers internal insulation. This is heat/age related and a common problem with CRTs in general.
2) Breakdown of high voltage electolytic capacitors and regular high voltage capacitors on the neck board and PAV supply.
3) Solder problems with the flyback itself. This is diagnosed by the upside down boot technique.
I used to repair these problems but now it's easier for me to swap the Firewire boards into working 350s. I've got 12 of those in the basement currently.
Richard -
Best wired solution to control an iMac from 2 other screens/KB/mice
Hi, I've got an iMac model 12,2 installed upstairs in my house and I want to be able to control it (use the OS and the data) from downstairs and from the attic, using a keyboard, a mouse a screen and speakers.
Both "consoles" will be used to avoid having to change floors to get something from the computer or to keep contact with who I'm chatting with. The downstairs' console will used to watch TV (via streaming or a USB TV tuner), watch movies (from the computer's files), and play video games (from the computer or from a standalone game console).
I'm not fond of wireless solutions such as WiFi because they are harmful. It also cannot rely on internet because it needs to work even when internet is down.
The dificulty is that 9 meters of cables and audio are required but the iMac's miniDisplayPort only outputs DVI or VGA (which don't support audio, Thunderbolt being out of question).
The way it looks now I would have to use (for each console) a DVI cable, an USB cable, a jack/optic cable and an amplifier in front of each of these.
In your experience what would be a good cheap solution ?
P.S. I will choose the screens depending on the type of cables that must be used."In your experience what would be a good cheap solution ?"
In my experience good solution is not cheap most of the times.
You will need professional installation to works the whole thing right with all these amplifiers and cables.
You have to be careful with electro-magnetic interference and Video-Audio sync.
DVI is better than VGA but you will find it only in computer monitors. TV Set has VGA and HDMI mostly.
I'm not sure about optical audio length limits.
Jack must be "ok" (not high expectations) for 10 meters if you use a good quality cable.
Version 2:
Thing about an iPad or even iPhone app (if you have an iPad/iPhone) to use as a mouse and keyboard via Wi-Fi. .
Video and audio still needs cables unless you can stream from iMac to Apple TV.
You will need 2 Apple TV devices so it is not cheap either and maybe not to fast for games.
Message was edited by: cheonweb -
Want to wipe old iMac hard drive
I have an old iMac (circa 1998) with OS 9.2 installed. The thing hasn't worked for years, and it's been collecting dust in my attic. In fact, I no longer use Mac computers at all. Now I'm moving, and want to recycle the thing. Before I take it in, I'd like to wipe the hard drive.
Near as I can tell, this can be done two ways:
1) Boot the computer from a system disc and erase the hard drive
2) Use a firewire connection to hook it up to another Mac, boot from that other computer, and erase the hard drive.
I no longer have any system discs, and I have no access to another Mac to connect to. All I can do is look online (using my Vista machine) to find some sort of software/etc to download and then burn to CD or whatever.
So, does anyone have any suggestions of how I might go about completely erasing my iMac's hard drive? I'd prefer to do this without resorting to the screwdriver and sledgehammer, but that's my last resort...
Any help would be greatly appreciated!
Thanks!!There probably is/was a disk utility for your Windows box that could've
wiped the hard disk drive in the Mac, if the old Mac had FireWire ports
and the PC, also. Then, if the Mac wasn't too old to do it, you'd start
the Mac up, in FireWire Target Disk Mode and plug it into the PC via
FireWire. Then run a disk utility to erase or reformat the drive.
A hammer does OK; but still leaves those data platters inside in fine shape.
An expert could take apart a similar hard disk drive and swap out the platters.
If you have a huge electro-magnet, set it on top of the hard disk drive, awhile.
{A buddy has a hydraulic press and a large forge. The aluminum melts easy
and the rest is easily broken into bits or melted into a metal slush puddle.}
What version iMac G3 was that? There's probably someone in a town
near you who would pick it up for free; just run an ad in craigslist. Or,
there are free plans online to convert an iMac G3 into a dry fish bowl
where you can hang cut-outs of paper fish; for real ones, add a water tank.
Glad to hear you were able to make an impact on settling the initial concerns.
Good luck & happy computing! -
Capturing Sound with Electro magnets
https://www.reddit.com/3epdzn/
https://www.reddit.com/3epf8t/
https://www.reddit.com/3epghp/I've just finished transferring some vinyl to my eMac. I used the Sound Studio application that came with the eMac to do the transfer, and used ClickRepair to get rid of clicks. I haven't burnt the stuff to CD, but I'd probably use iTunes if I did.
I can't comment on the pre-amp thing: I had my turntable connected to a receiver and cabled from Tape Rec to the eMac input jack.
If you go to Audio Midi Setup in your Utilities folder and set it up as pictured here, you'll be able to monitor the sound through the eMac speakers or the headphones, if you want.
eMac Combo 1GHz/1GB/60GB Mac OS X (10.4.7) CanoScan D646U, Canon iP1600, CrossFire 120GB, DSL, D-Link DI-624 -
I am experiencing electro-magnetic interference between two apple products, namely macmini and airport extreme. The speakers are making a continuous ticking noise. The airport is on top of the mac mini as their shape would suggest to be the intended arrangement. How is this possible and is there a solution which does not involve Al foil as per cookie baking instructions. Forgive my sarcasm but I am quite surprised by this occurence...to locate the airport away from the mac mini would involve a bit of furniture rearranging so a simpler solution would be greatly appreciated.
Message was edited by: golem191Changed the frequency for AirPort to "n" from automatic and the EMI went away.
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I am using a X-FI card, but I believe the hum issue I am trying to address is card independent. I want to run iTunes through my computer sound card to my stereo. That worked for a while, but I made some hardware changes and now I get a loud hum when I attach to my home stereo system. Using the same cabling, I can connect the iPod directly to my stereo system its clear as a bell. However, using my PC sound card (or the onboard sound on the motherboard) the hum is present. I suspect there is some sort of electrical field or grounding issue. I am hoping people on this list have some insight as to what that might be and how to address it. Thanks!?Hagen FinleyBoulder, CO
I'm guessing that your screen reduces brightness with some sort of resistor which is applied to it as you turn it down. This resistance then creates more electric build-up (all electro-magnetic stuff I believe, but I'm no expert) and a sonic byproduct in the form of a hum. It may be being pickup by passing audio cables.
I had a hum from a power source that I manage to reduce heavily when I re-organised my cabling. I have audio cables (speaker wires, RCA/phono/jacks etc.) all running in separate parallel courses crossing as infrequently as I could manage. By keeping them separated by a couple of feet, the hum markedly came down. Check your cables aren't running too close, or that the monitor is not too close to the speakers.
If that is not possible, you may want to invest in some better shielded cabling.
May help....
G5 Dual 2.5 with 8 Gig RAM Mac OS X (10.4.8) -
I have a 160 gb iPod Classic that I recieved last month as a replacement for my previous one which was having the same problem. It was working fine until yesterday and songs started to skip, so I plugged it in to my computer which is running on OS X Lion and it said the ipod was corrupted and needed to be restored. When I pushed the restore button, an error came up as 1430, which I tried to troubleshoot for, but nothing works. Any other suggestions or should I take it into a store? Thanks!
Yes bring it back to the Apple Store, and have it replaced.
Do check your habits, to prevent another occurance, especially, where you normally put your ipod classic, (avoid hot places, strong magnets, radiation (iPhones), on hard vibrating surface like bike boxes)
Some people dump their iPod in a bag, and threw the bag against the wall when they get home or school) -
Why is my mouse making noise through my speakers?
Just got a new mac mini. I hooked it up to my M audio firewire 1814 sound card, and I'm getting noise through the speakers every time I move the mouse, every time an application is loading, every time a web page is loading. I presume it's some kind of electro magnetic interference, but does anyone know how I can remedy it? This did not happen with my previous MBP (now dead) or my borrowed Macbook.
Further detail: Through the headphone output, there is no noise. Only through the main output.
Thanks for readingGood suggestions
Ok, just tried those things, but no luck.
I turned off wifi and BT and loaded an application, and still got a lot of noise.
I also tried...
*unplugging the screen and loading something.
*switching the power outlet I was using.
*moving the firewire cable away from all the other cables.
*switching to the second firewire port on my sound card.
More suggestions totally welcome!
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