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Okay, so using the client, here is the MIME data:
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Return-path: <[email protected]>
Received: from ip-smtp-bulk2.seek.com.au ([202.58.38.80])
by mail.ism.net.nz with ESMTP; Sun, 22 Jan 2012 02:40:18 +1300
DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed;
d=seek.co.nz; [email protected]; l=7235;
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hrDu2eWaeCjDfaLVkI6vDDF+c+gj8eP8DBRX5aAKaFQJeREYXLFsa3VzH
w=;
Received: from unknown (HELO APPSK04) ([10.6.240.19])
by ip-smtp-bulk2.seek.com.au with ESMTP; 22 Jan 2012 00:40:17 +1100
From: "SEEK" <[email protected]>
To: "ScorpionSting" <[email protected]>
Message-ID: <[email protected]>
Date: Sun, 22 Jan 2012 00:40:18 +1100
Subject: SEEK JobMail - 1 new jobs for NZ/OZ FT Jobs
MIME-Version: 1.0
Content-Type: multipart/alternative;
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Content-type: text/plain; charset=Windows-1252
Content-Transfer-Encoding: quoted-printable
Having trouble viewing this email? Subscribe to the text version=2E htt=
p://seek=2Eco=2Enz/myseek/myaccount=2Eascx
------C1FA7770D8F548DDB49624E31D1EC9AB
Content-type: text/html; charset=Windows-1252
Content-Transfer-Encoding: quoted-printable
<html xmlns:fo=3D"http://www=2Ew3=2Eorg/1999/XSL/Format" xmlns:xs=3D"ht=
tp://www=2Ew3=2Eorg/2001/XMLSchema" xmlns:fn=3D"http://www=2Ew3=2Eorg/2=
005/xpath-functions"><head><META http-equiv=3D"Content-Type" content=3D=
"text/html; charset=3Dutf-16"><meta http-equiv=3D"Content-Type" content=
=3D"text/html; charset=3Diso-8859-1"><title>SEEK JobMail</title></head>=
<body><div style=3D"width:748px;text-align:left;padding:0;font:11px ari=
al;color:#999"><div style=3D"margin-left:20px">Having trouble viewing t=
his email? <a style=3D"color:#06c;text-decoration:none" href=3D"http://=
seek=2Eco=2Enz/JobSearch?catarea=3D2831&catlocation=3D1019&cato=
ccupation=3D6282,6285,6293,6303&catindustry=3D6281&catworktype=3D=
242&DateRange=3D999&chkUnspecifiedchildlocation=3Dtrue&cid=3D=
jobmail">View these jobs online on SEEK</a> or change to plain text in =
<a style=3D"color:#06c;text-decoration:none" href=3D"http://seek=2Eco=2E=
nz/MyAccount?cid=3Djobmail">MyAccount</a>=2E <a style=3D"color:#06c;tex=
t-decoration:none;font:11px arial" href=3D"http://seek=2Eco=2Enz/MyAcco=
unt/unsubscribejobmail?code=3DHY77BN116BY7701N&cid=3Djobmail">Unsub=
scribe</a> from this Job Mail</div><br><img src=3D"http://seek=2Eco=2En=
z/content/images/email/jobmail/seek_JobMail_header=2Egif" alt=3D"SEEK J=
obMail" border=3D"0" width=3D"748" height=3D"75"></div><br><table width=
=3D"748" cellpadding=3D"0" cellspacing=3D"0" border=3D"0" style=3D"font=
:12px arial;color:#333"><tr valign=3D"top" align=3D"left"><td valign=3D=
"top" style=3D"padding:0 10px"><div style=3D"border-bottom:1px solid #e=
9f4ff;margin-bottom:20px">
Hi ScorpionSting=2E Here are <strong>1
new jobs</strong> listed in the past 24 hours that matc=
h your JobMail:<br><h1 style=3D"font:normal 18px arial;color:#f00a81">N=
Z/OZ FT Jobs</h1></div><ol style=3D"margin-left:20px;padding-left:0;col=
or:#999;font:normal 12px arial"><li><div style=3D"font:normal 16px aria=
l"><a style=3D"color:#053788;text-decoration:none" href=3D"http://seek=2E=
co=2Enz/job/21335304?cid=3Djobmail">Architect =96 SOA Focus</a></div><s=
pan style=3D"color:#06c;font:normal 12px arial; line-height:20px">ninet=
wenty</span><br><table cellpadding=3D"0" cellspacing=3D"0" border=3D"0"=
><tr valign=3D"top" align=3D"left"><td style=3D"width:125px;color:#000;=
font:12px arial"><div><span style=3D"color:#868585;font-size:9px;">Well=
ington</span><br>Wellington Central</div><div></div></td><td style=3D"c=
olor:#333;padding-left:5px;font:12px arial">Architect =96 SOA Focus<div=
><a style=3D"color:#79AE6D;font-size:11px;text-decoration:none" href=3D=
"http://seek=2Eco=2Enz/JobSearch?catarea=3D2831&catlocation=3D1019&=
amp;catworktype=3D242&DateRange=3D31&chkUnspecifiedchildlocatio=
n=3Dtrue&catindustry=3D6281&cid=3Djobmail">Information & Co=
mmunication Technology</a> > <a style=3D"color:#79AE6D;font-size:11p=
x;text-decoration:none" href=3D"http://seek=2Eco=2Enz/JobSearch?catarea=
=3D2831&catlocation=3D1019&catworktype=3D242&DateRange=3D31=
&chkUnspecifiedchildlocation=3Dtrue&catoccupation=3D6282&ca=
tindustry=3D6281&cid=3Djobmail">Architects</a></div></td></tr></tab=
le><br><br></li></ol><br><div style=3D"text-align:right;border-top:1px =
solid #e9f4ff;padding-top:20px"><strong><a style=3D"color:#f00a81;text-=
decoration:none" href=3D"http://seek=2Eco=2Enz/JobSearch?catarea=3D2831=
&catlocation=3D1019&catoccupation=3D6282,6285,6293,6303&cat=
industry=3D6281&catworktype=3D242&DateRange=3D999&chkUnspec=
ifiedchildlocation=3Dtrue&cid=3Djobmail">View all matching jobs</a>=
</strong> online on SEEK
<br><br><a href=3D"http://seek=2Eco=2Enz/JobMail/Edit?savedSear=
chID=3D3099652&cid=3Djobmail"><img style=3D"border:none" src=3D"htt=
p://seek=2Eco=2Enz/content/images/email/jobmail/jobmail_nz_searchbysala=
ry=2Epng"></a><br><p style=3D"margin:0;padding:0;text-align:right;displ=
ay:block;">Not getting the jobs that you want? <a style=3D"color:#06c;t=
ext-decoration:none" href=3D"http://seek=2Eco=2Enz/JobMail/Edit?savedSe=
archID=3D3099652&cid=3Djobmail">Edit your JobMail profile</a></p></=
div><br><br><table cellpadding=3D"0" cellspacing=3D"3" border=3D"0" ali=
gn=3D"center"><tr valign=3D"top" align=3D"center"><td><a style=3D"color=
:#06c;text-decoration:none;font:12px arial" href=3D"http://seek=2Eco=2E=
nz/MyAccount/unsubscribejobmail?code=3DHY77BN116BY7701N&cid=3Djobma=
il">Unsubscribe from this Job Mail</a></td><td><a style=3D"color:#06c;t=
ext-decoration:none;font:12px arial" href=3D"http://seek=2Eco=2Enz/cont=
act-us?cid=3Djobmail">Contact Us</a></td><td><a style=3D"color:#06c;tex=
t-decoration:none;font:12px arial" href=3D"http://seek=2Eco=2Enz/privac=
y?cid=3Djobmail">Privacy</a></td></tr><tr valign=3D"top" align=3D"cente=
r"><td colspan=3D"3" style=3D"color:#333;font:12px arial">New Zealand's=
=20
#1 job site, as measured by Nielsen/Netratings, copyright 2011
</td></tr></table><img style=3D"border:none" src=3D"http://stat=
ic=2Eseek=2Ecom=2Eau/content/images/other/track-email-open-rates=2Egif?=
ea=3Dben@ism=2Enet=2Enz&et=3Djobmail&un=3DScorpionSting&s=3D=
SEEKNZMAIN_USR&pi=3D3099652&ds=3D22012012"></td><td valign=3D"t=
op" style=3D"width:200px;background:#e5f2ff"><div style=3D"padding:0 10=
px;"><br>Don't let <strong>your next job</strong> get caught in your <s=
trong>spam filter</strong>!
=09=09=09Add <span style=3D"font-size:11px;">'noreply@jobmail=2Eseek=2E=
com=2Eau'</span> to your address book=2E<br><br></div><div style=3D"pad=
ding:0 10px"><br><div style=3D"color:#669acd;border-bottom:1px solid #6=
69acd;padding-bottom:3px;margin:5px 0;font:bold 12px arial">Job Hunt Ti=
ps</div><span><a style=3D"color:#06c;text-decoration:none" href=3D"http=
://seek=2Eco=2Enz/jobs-resources/get-your-dream-job/salary-neg?cid=3Djo=
bmail">Got the job? Time to start talking dollars?</a></span><br><br><s=
pan>Do research before the job interview - ask intelligent questions=2E=
</span><br><br></div><div style=3D"width:200px; text-align:center"><a h=
ref=3D"http://www=2Eseek=2Eco=2Enz/MyAccount/Profile?cid=3Djm:til:jsp">=
<img src=3D"http://seek=2Eco=2Enz/content/images/email/jobmail/jobmail_=
jsp2=2Epng" alt=3D"Create a SEEK Profile" border=3D"0" width=3D"168" he=
ight=3D"168"></a></div><br><div style=3D"width:200px; text-align:center=
"><a href=3D"http://www=2Etechday=2Eco=2Enz/netguide/news/netguide-web-=
awards-winners-announced/20922/1"><img src=3D"http://seek=2Eco=2Enz/con=
tent/images/email/jobmail/jobmail_netguide_winner=2Ejpg
 =
" alt=3D"NetGuide Award Winner" border=3D"0" width=3D"168" height=3D=
"168"></a></div><br></td></tr></table></body></html>
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On 1/23/2012 9:06 PM, ScorpionSting wrote:
>
> Michael Bell;2169918 Wrote:
>> On 1/22/2012 10:16 PM, ScorpionSting wrote:
>>>
>>> Okay, so using the client, here is the MIME data:
>>>
>>>
>>> Code:
>>> --------------------
>>> Return-path:<[email protected]>
>>> Received: from ip-smtp-bulk2.seek.com.au ([202.58.38.80])
>>> by mail.ism.net.nz with ESMTP; Sun, 22 Jan 2012 02:40:18 +1300
>>> DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed;
>>> d=seek.co.nz; [email protected]; l=7235;
>>> q=dns/txt; s=mar2011; t=1327153218; x=1358689218;
>>> h=from:to:message-id:date:subject:mime-version;
>>> bh=v78VZVfzi1RsCH7FUlBFzJqkaxXkOBjfgwR7tgG8QIY=;
>>> b=JHssBlcxE9Jj0zd5lBvIJcFNR+utC0BvuMjrw7Gdmtzg3E/cgaGHosJR
>>> 0KFDRoMjACsXNEZQ//bCDzDdjMFzbBikG2+HJdPpzn/GTpGkwub8K7WwJ
>>> hrDu2eWaeCjDfaLVkI6vDDF+c+gj8eP8DBRX5aAKaFQJeREYXL Fsa3VzH
>>> w=;
>>> Received: from unknown (HELO APPSK04) ([10.6.240.19])
>>> by ip-smtp-bulk2.seek.com.au with ESMTP; 22 Jan 2012 00:40:17
>> +1100
>>> From: "SEEK"<[email protected]>
>>> To: "ScorpionSting"<[email protected]>
>>> Message-ID:<[email protected]. co.nz>
>>> Date: Sun, 22 Jan 2012 00:40:18 +1100
>>> Subject: SEEK JobMail - 1 new jobs for NZ/OZ FT Jobs
>>> MIME-Version: 1.0
>>> Content-Type: multipart/alternative;
>>> boundary="----C1FA7770D8F548DDB49624E31D1EC9AB"
>>>
>>> ------C1FA7770D8F548DDB49624E31D1EC9AB
>>> Content-type: text/plain; charset=Windows-1252
>>> Content-Transfer-Encoding: quoted-printable
>>>
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>> version=2E htt=
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>>>
>> &catlocation=3D1019&catoccupation=3D6282,6 285,6293,6303&cat=
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>> industry=3D6281&catworktype=3D242&DateRang e=3D999&chkUnspec=
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>>> il">Unsubscribe from this Job Mail</a></td><td><a
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>> =
>>> " alt=3D"NetGuide Award Winner" border=3D"0" width=3D"168"
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>>> "168"></a></div><br></td></tr></table></body></html>
>>> ------C1FA7770D8F548DDB49624E31D1EC9AB--
>>> --------------------
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>>> Code:
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>>> --------------------
>>>
>>>
>> Offhand I'd guess it's the UTF-16 encoding inside the html....
>
> How about a usefull response such as "known bug" or "fixed in release
> version"??
>
>
How about a polite response to someone trying to help you? We are
volunteers here. And that would be a rude comment to a full time
employee as well.
I tried loading your mime, and it doesn't display in thunderbird either.
Do you have a zip of it, as it may have been corrupted.

Similar Messages

Not able to display data in different columns using Unicode encoding

Hi,
Iam using Unicode encoding in my Java appln to support Japanese characters while downloading CSV report. But using the Unicode encoding displays all data in the first column of Excel sheet.
Please let me know how to display data in different columns using Unicode encoding in Excel sheet.

Hi Venkat,
After extracting data into DSO check the request whether active or not.
Check data in DSO in contents.
If is there any restrictions on info providers in Queries.
Let us know status clearly.......
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Not able to display data in separate columns using Unicode encoding

Hi,
Iam using Unicode encoding in my Java appln to support Japanese characters while downloading CSV report. But using the Unicode encoding displays all data in the first column of Excel sheet.
Please let me know how to display data in different columns using Unicode encoding in Excel sheet.
This is an urgent need. Please help me out.

Hi,
I have no problem with item :P15_EV_LCL this is having a value my probem here is i am using java script to display the value in different color based on the condtion case
eg:
select
case
TRUNC((
( (NVL(Z."AEWP",0) - NVL(Z."BEWP_Final",0) ) / DECODE(Z."BEWP_Final",0,NULL,Z."BEWP_Final") ) * 100
),2)
= :P15_EV_LCL
then
span style="background-color:lightgreen"
|| TRUNC((
( (NVL(Z."AEWP",0) - NVL(Z."BEWP_Final",0) ) / DECODE(Z."BEWP_Final",0,NULL,Z."BEWP_Final") ) * 100
),2) || '%' || /span
else
span style="background-color:yellow"
|| TRUNC(
( (NVL(Z."AEWP",0) - NVL(Z."BEWP_Final",0) ) / DECODE(Z."BEWP_Final",0,NULL,Z."BEWP_Final") ) * 100
),2) || '%' || /span
end "Effort"
from actuals Z
If i dont use this <Span style="Background-color:color"> i am able to generate data in excel sheet if i use this color coding i am not able to get data in spread sheet.
Please suggest
Thanks
Sudhir
Edited by: Sudhir_N on Mar 23, 2009 10:00 PM

Encoded bounds vs display bounds ...

what's the difference between encoded & display bounds? for example my sequence has an encoded bounds of 960x720 and a display bounds of 1280x720. this is dvcpro hd media that's "supposed" to be HD. however if it's 960x720, then that's 4x3 as opposed to 16x9 and therefore not really HD. what am i missing? thanks.

Are you unhappy with the quality of your image? "HD" or "not HD" is less important than just what the image looks like.
The technical explanation here is that DVCPRO HD records 960x720 in an anamorphic image, so if you looked at it at 960x720 everything would be tall and skinny. When it is displayed at 1280x720, everything looks right. FCP should deal with all that automatically. Anamorphic images are very common in video & film and have been used for many years to squeeze extra resolution out of a limited format.

VLC Player will not Display Subtitles for AVI/SRT Files and Some MKVs

For some reason, I have never been able to play AVI files in VLC with SRT subtitle files. If I drag-and-drop the subtitle onto the video while playing, I see the entry add to the "subtitles" menu in VLC and I can select that but nothing shows up on the video itself. Subtitles seem to work fine in ISO DVD images, DVDs during playback, and an MKV file I acquired from a friend. I recently started using mkvtoolnix to mux MKV files from the pairs of AVI files and SRT files I have but it seems the subtitles never work on those either. On the Windows build of VLC, the subtitles for the exact same files work fine. I have tried changing the line breaks in the SRT files from Windows-style to UNIX-style but it hasn't helped. On Linux, I am using all the newest versions of the software from core/extra/community. Does anyone have any ideas? Is anyone else having this problem?

Pinqvin wrote:I've always found VLC's softsub support being piss poor. It usually crashed on me while watching softsubbed mkv's and SRT subs were rarely shown correctly. Guess it has gotten a bit better over time, but..
I hate VLC: here's the vlc haters manifesto!
Gentlemen, I like VLC.
Gentlemen, I like VLC.
Gentlemen, I love VLC!
I like AVI, I like RMVB,
I like 120fps, I like interlacing,
I like rainbowing, I like the dot crawl, I like blocking.
I like the ringing, and I like tinny audio.
On a computer, a DVD player, a PS3, on a Mac, on an Archos.
I truly love each and every kind of artifact man can encode to a file.
I like the broken ASS support when even the simplest of lines fails to render correctly.
When the translator's notes overlaps the main dialogue, it makes my heart dance!
I like when an encode displays like it is corrupted!
It always left a warm feeling in my chest when they would check the CRC, only to find it is correct.
I like it when #darkhold encoders post on AnimeSuki and RAGE about the topic at hand.
I recall how much it moved me, seeing how epic longposts were made, how they would
shun the subject again and again, even though it wouldn't die. And it's painfully exciting
when a leecher posts about how great it is in the same thread.
And how wonderful it is to have 120fps for a show that is a constant 23.976!
And that pitiful resistance, encoding to h264, despite it being harder on the CPU.
I even remember when XviD had a 10:1 leecher ratio!
I like it when the MKV fanboys are thrown into chaos. And when the VFR feature they
are supposed to be promoting is violated repeatedly... oh how very sad it is.
I like it when the detail and sharpness in HD encodes are crushed and obliterated!
And them being filtered, smearing and ghosting and looking worse than a standard DVD.
Gentlemen, what I want is a low bitrate hell.
Gentlemen, my compatriots, leechers, you who abuse my XDCC bots... gentlemen, what
o you desire? Do you also want eyecancer? Is a return to the age of VCDs what you want?
Do you yearn for a VHS encode that stretches the very limits of poor quality, the artifacts
so intense that it makes Stevie Wonder cringe?
Very well then, we shall have VLC.
It's funny because it's true
For watching videos that don't have their subtitles burned in to the image I would prefer MPlayer. With a few settings it works really well (or has worked for me, so far.) The only problem with MPlayer is that by default, it uses it's own font for subtitles. This is easily fixed, however. Edit your ~/.mplayer/config as follows:
embeddfonts=yes
ass=yes
This will fix the problems with MKV's atleast. I can test this with SRT / avi combo really soon too. I know this isn't really an fix to the problem at hand, but VLC just isn't too good with softsubs.
embeddedfonts works only for fonts embedded into mkv containers for use with ssa or ass stylized subtitles, I think.
The man page state it's enabled by default if you have a recent fontconfig:
-embeddedfonts (FreeType only)
Enables extraction of Matroska embedded fonts (default: dis‐
abled). These fonts can be used for SSA/ASS subtitle rendering
(-ass option). Font files are created in the ~/.mplayer/fonts
directory.
NOTE: With FontConfig 2.4.2 or newer, embedded fonts are opened
directly from memory, and this option is enabled by default.
ass means mplayer uses libass to render ssa and ass subtitles; srt subtitles aren't affected by this option.
I agree with you though that where windows has CCCP, linux and mac have mplayer
edit: fixed quote
Last edited by carlocci (2008-05-26 17:32:47)

Convert smart quotes and other high ascii characters to HTML

I'd like to set up Dreamweaver CS4 Mac to automatically convert smart quotes and other high ASCII characters (m-dashes, accent marks, etc.) pasted from MS Word into HTML code. Dreamweaver 8 used to do this by default, but I can't find a way to set up a similar auto-conversion in CS 4. Is this possible? If not, it really should be a preference option. I code a lot of HTML emails and it is very time consuming to convert every curly quote and dash.
Thanks,
Robert
Digital Arts

I too am having a related problem with Dreamweaver CS5 (running under Windows XP), having just upgraded from CS4 (which works fine for me) this week.
In my case, I like to convert to typographic quotes etc. in my text editor, where I can use macros I've written to speed the conversion process. So my preferred method is to key in typographic letters & symbols by hand (using ALT + ASCII key codes typed in on the numeric keypad) in my text editor, and then I copy and paste my *plain* ASCII text (no formatting other than line feeds & carriage returns) into DW's DESIGN view. DW displays my high-ASCII characters just fine in DESIGN view, and writes the proper HTML code for the character into the source code (which is where I mostly work in DW).
I've been doing it this way for years (first with GoLive, and then with DW CS4) and never encountered any problems until this week, when I upgraded to DW CS5.
But the problem I'm having may be somewhat different than what others have complained of here.
In my case, some high-ASCII (above 128) characters convert to HTML just fine, while others do not.
E.g., en and em dashes in my cut-and-paste text show as such in DESIGN mode, and the right entries
    –
    —
turn up in the source code. Same is true for the ampersand
    &
and the copyright symbol
    ©
and for such foreign letters as the e with acute accent (ALT+0233)
    é
What does NOT display or code correctly are the typographic quotes. E.g., when I paste in (or special paste; it doesn't seem to make any difference which I use for this) text with typographic double quotes (ALT+0147 for open quote mark and ALT+0148 for close quote mark), which should appear in source code as
    “[...]”
DW strips out the ASCII encoding, displaying the inch marks in DESIGN mode, and putting this
    "[...]"
in my source code.
The typographic apostrophe (ALT+0146) is treated differently still. The text I copy & paste into DW should appear as
    [...]’[...]
in the source code, but instead I get the foot mark (both in DESIGN and CODE views):
I've tried adjusting the various DW settings for "encoding"
    MODIFY > PAGE PROPERTIES > TITLE/ENCODING > Encoding:
and for fonts
    EDIT > PREFERENCES > FONTS
but switching from "Unicode (UTF-8)" to "Western European" hasn't solved the problem (probably because in my case many of the higher ASCII characters convert just fine). So I don't think it's the encoding scheme I use that's the problem.
Whatever the problem is, it's caused me enough headaches and time lost troubleshooting that I'm planning to revert to CS4 as soon as I post this.
Deborah

Ripped DVDs show much darker than source. Any ideas on how to fix it?

Ok, so this is not quite an ATV question (since I see the darker image when playing directly on iTunes on the Mac) but a lot of people are talking about this topic on this forum...
I've tried everything (or almost everything):
I tried Mac The Ripper + VisualHub (with the "go nuts" option)
I tried Handbrake (up to 8000kps)
I tried MediaFork (up to 8000kps)
Regadless of the framerate, options, different combinations possible on each of those applications, the image generated is considerably darker than when viewing the DVD itself. I'm happy with the rest (resolution, "smoothnes", "chopiness", "blurriness", etc.) but it's killing me that I can't "increase brightness when ripping", so to speak, in order to get something much closer to what's displayed through the DVD.
Does anybody know how to compensate for this? I've seen other people complaining of the same thing but havein't seen any suggestions yet.
Thanks and Regards,
Julian
Dual 2.7 GHz PowerPC G5 Mac OS X (10.4.8) 2.5 Gb RAM
Dual 2.7 GHz PowerPC G5 Mac OS X (10.4.8) 2.5 Gb RAM

Would you mind sharing the settings you use (or would use) to rip a movie with the highest quality possible (i.e. quality as close to as what you see in the original DVD) but still playable by Apple TV?
Since many of my commercial DVDs are themselves only encoded in 4 to 5 Mbps range and since H.264 represents a more efficient codec than MPEG-2, I personally do no fee obligated to use video data rates equal to the original nor the maximum the profile will allow simply because it is available. I do, however, like the Context-Adaptive Variable Length Coding (CAVLC) approach of QT Pro and have adopted its "break points" as, at the very least, starting points for manual conversions. Video data rates for some popular 16:9 encode display H.264 "Main" profile formats appear to include:
720p24 (1280 x 720 @ 23.98/24 fps or 25 fps.): 5.0 Mbps
540p30 (960 x 540 @ 23.98/24 fps, 29.97/30 fps): 3.8 Mbps
480p30 (854 x 480 @ 23,98/24 fps, 29.97/30 fps): 3.0 Mbps
405p30 (720 x 405 @ 23.98/24 fps, 29,97/30 fps): 2250 Kbps
360p30 (640 x 360 @ 23.98/24 fps, 29.97/30 fps): 1850 Kbps
Usually recommend testing a 2-4 minute segment that includes a brightly lit scene/a darkly lit scene with rapid vector motion (preferably compound vector motion)/rapid transitions and then adjust the video data rate/quality (quantimizer) settings as needed.

Strange quicktime codec export behavior

I was trying to make a movie from an image sequence using "export quicktime movie" today and had some odd results. The goal was to get the best quality for the least file size, and I needed alot of compression, so I tried many combinations of codecs and quality settings. The first oddity, was that the file size of the movie using "least" quality was higher than that of "low" quality for several codecs, including H264, MPEG and Sorensen 3. The second oddity was that if I scaled the movie during the export, I got a file that was the same size as the unscaled movie. If I scaled first in another program (ImageJ) and then made the movie, it was smaller than the unscaled. Comments?
BTW- the winner was Sorensen-3-low

Not sure what you mean. The codec used and quality setting have dramatic effects on the final file size. Just try rendering a movie with different quality settings and you will see the difference. I have done this many times and know it is true. I just never went to "least" before.
Some codecs have independent controls to restrict the data rates and set "quality" (i.e., reiteration of certain processes) while In others, the data rate may be incorporated into the "quality" control. The Apple Animation codec, for instance will increase the video data rate in proportion with increases in the "quality" setting but H.264 has independent/active control settings for each.
In more concrete terms, think of the data rate as the speed of a traveling car, the duration of your clip as the time a car travels, and the file size as the total distance traveled by the car. It is easy to see that a car traveling 100 mph for 4 hours covers a total distance of 400 miles while a car traveling at 50 mph only covers 200 miles. In a similar manner a clip having a total average data rate of 4.0 Mbps is twice as large as the same clip having a total average data rate of only 2.0 Mbps. Thus, if you really want to compare the differences in your file storage sizes, compare their their total average data rates and not their quality settings.
I scaled the movie from about 600x400 to 400x200.
Still not sure if you are referring to a change in the display dimensions or a change to the encoding matrix. This is important since it affects how different devices/applications deal with the content. Any clip can be re-scaled independent of the the encoded resolution. I.e., you can simple grab the lower right-hand corner of a QT player and drag it to change the clip's display dimensions. (Alternatively, you can change the properties window using QT 7 Pro). However, this action does not change the "encoded" resolution of the clip even if the scale change is saved in the file. On the other hand, if you exported or transcoded the modified file to video compression formats not having a "standardized" encode data matrix (e.g., like NTSC MPEG-2 or DV content has), then both the default scale and encode matrix are changed.
In the first case, where a file is simple rescaled, QT 7 would open with the display defaulted to the "Current Size" dimensions stored in the file and, if converted to a different video compression format, it would use the "Current Size" to set the target dimensions for the conversion. QT X, on the other hand, would not. It would ignore the "Current Size" setting and use the encoded dimensions for a "save" conversion.
To complicate matters, some conversion processes are device aware and may additionally restrict export/conversion dimensions. For instance, let's say I have a 640x360 file encoded at 29.97/30 fps. If I scale it to 1280x720 and then export the resulting file to the QT TV preset, I will end up with 960x540 encoded/display file. But, If I do the same thing to a 640x360 23.976 fps file, I would end up with a 1280x720 encoded/display file.
BTW: you do realize you are changing the 3:2 aspect ratio of the 600x400 file to 2:1 in the 400x200 file. (Or are we also taking about "cropping" as part of your work flow?)
In one case, I scaled the original data with ImageJ and then used the reduced size image sequence in Quicktime to export a movie... If I scaled first in another program (ImageJ) and then made the movie, it was smaller than the unscaled.
This is what I would normally expect in QT 7 Pro if the "scaled" clip has a changed "Current Size."
The second oddity was that if I scaled the movie during the export, I got a file that was the same size as the unscaled movie... In the other, I imported the full sized images sequence into Quicktime and set the smaller size with the size dialog during movie export.
You would have to provide more detailed information regarding your work flow here -- i.e., specific QT Player and/or target compressor and size settings if both options were available in your work flow.

Broadcasting a satellite TV to website?

Hello,
I have a Twinhan satellite TV installed on my PC, I want to use it as a broadcasting source to Adobe Flash Media Live Encoder. Adobe Flash Media Live Encoder displays this device "DTV-DVB 1027 analog video capture", and gives me a blue screen. Any suggestions ?
Thank you

1) Yes. It is best if it is on a second tv. If you change the channel it will change for them & viceversa. The administrator can disconnect whoever is watching, if they need to.
2) The box is connected to the receiver/DVR unused outputs, either s-video, RCA jacks or RF. You can even connect an antenna directly to it if you only want OTA reception. It needs to be connected to a router/modem via eithernet. You load the Slingplayer software on your computer to watch within a window or full screen. You will need a Finder ID for the Slingbox you are trying to watch.
3) I have the Classic and have had it for over a year. It looks like the AV would work for you unless you want HD. Then you would want the Pro. Any of them will work with the Mac Slingplayer software.

What's the optimal output for web?

i have quicktime Pro - i'm trying to extract video footage from a dv file (my cinematographer's reel) and post it on my website. is MPEG4 the best i can do? and if so, how do i optimize that? if the footage was shot in dv - do i set it at 29 frames in the export Options? what about "key frames" - do i set that at 24 (default) or some other number? looking to get a decent movie file that doesn't look like rubic's cube w/ all the pixel squares.
Thanks!
Steve

Thanks Jon,
just a few questions to your reply:
H.264 would provide
better quality at given data rate and scales much
better but requires QT 7 for both you and your
viewers.
Do most people have QT 7 at this point or is it best to post the movie in the most accessible format and sacrifice some rez? My H.264 is greyed out - perhaps because i'm not using HD footage? any idea?
Optimization
depends on many things such as target encode display
dimensions, amount of storage space/bandwith
available, and even the actual content itself. Since
you have not indicated your goals here, it is
difficult to provide concrete guidelines.
i'm not that technically advanced to know the answer to this. i'm basically posting this to iWeb - i have maybe half a gig of storage on my website so i don't have to be that frugal. just want something to be decent quality but probably no more than 20 MB
In the absence of other,
overriding needs, it is generally best to set the
frame rate to "current."
what about "key
frames" - do i set that at 24 (default) or some other
number?Key frame rate is
dependent on the content. Rapid motion, transitions,
and the like require more key frames while slow
motion, non-changing scenes require fewer. Generally
speaking it may be best to use the "Automatic"
setting for "average" videos. This setting applies
the basic "Rule of Five" or a frame rate equal to
five time the frame rate. The advantage here is, if
there is a large inter-frame change in data, QT will
insert extra frames as/if needed. Basically, the more
key frames, the better the quality but larger the
file size or greater the compression between frames.
that makes sense. i don't have any slow motion so i'd like to make it look
as smooth as possible.
Thanks,
STeve
looking to get a
decent movie file that doesn't look like rubic's cube
w/ all the pixel
squares.Pixilation can still
occur with MPEG-4 when target compression is too high
(i.e., the data rate drops too low for the encode
display dimensions and content). This is one of the
ares where H.264 really stands out. It can usually
produce fairly good HD 720p (1280 x 720 progressive
main profile) quality at even iPod "LC" compatible
data rates.
G4 Mac OS X (10.2.x)

Mp4: sometimes smaller, sometimes bigger

I have a large collection of TV ads gathered from different sources. Some are very old and they use a lot of space. So I am trying to export them into mp4 (using Quicktime) in order to make them smaller and web-friendlier.
Some times, the output is great, reducing size to 1/7th of the original, with barely visible quality loss.
But sometimes -using the same settings- the export process results in a file that's bigger than the original.
Is there any friendly tutorial I can read? Any advice?
Thanks a lot.
PowerBook G4, 1.6Ghz Mac OS X (10.4.2)

Is there any friendly tutorial I can read?
Undoubtedly there are hundreds and thousands of tutorials. articles, books, podcasts, etc. covering the various codecs, their strengths, their weaknesses, as well as, "tricks of the trade" for getting the most out of them. Unfortunately, I don't have or keep a list of them. Maybe others can yelp you more here.
Any advice?
With regard to file size, they are only two things you really need to know to compare the relative size of one file to another. And that is "the combined average data rate of the file per unit time measure" and "the total length of the file in unit time measure." The product of these two numbers determines the size of the file for any given key frame rate. Thus, if your source and target files are to be of the same length, all you really need to do is compare the data rates to know which file will be larger.
But sometimes -using the same settings- the export process results in a file that's bigger than the original.
Based on your results and assuming source and target files are of the same duration, it goes without saying that your source file had a lower combined data rate than the data rate setting used to create your target file. Therefore, if you want your target file to be smaller than your original file, its total data rate per unit of time must be less than that of your source file. Other settings, such as frame rate, encode display size, etc., merely determine how the data is distributed on a "per pixel" basis and, thus, will affect the various quality aspects of your file.
For example, reducing the frame rate increases "per pixel" quality but reduces the quality of motion vector rendering. Increasing frame rates improves the rendering of motion and transitions, but reduces the "per pixel" distribution of data. Reducing the encode display size increases "per pixel" quality but does not reduce the rendering quality of objects in motion while increasing the encoded display size tends to soften the overall quality of your file. Thus, by combining various changes in your settings you can, to some degree, decrease file size and keep loss of quality to a minimum for each specific file. However, there is no such thing as a "magic" setting. Each clip should be handled individually based on its own unique content.

NEED movie to iPad export in Q.T. Pro

Quick Time Pro desperately NEEDS to add an export format:
"Movie to iPad"

As far as the "in touch programer" goes.......I still believe someone would see this problem and within QT Pro create a link from .Mov to iPad only whereby the source file is somehow popped up to the higher dimensions so the output on the iPad is clear and not distorted.
A 320x240 display might be referred to as a 240p or 240i 4:3 aspect ratio frame containing 76,800 pixels.
A 640x480 display might be referred to as a 480p or 480i 4:3 aspect ratio frame containing 307,200 pixels.
A 960x720 display might be referred to as a 720p or 720i 4:3 aspect ratio frame containing 691,200 pixels.
As you can see from this progression, linear increases in the display dimensions increases the number of pixels (data) exponentially. That is, doubling the dimensions increases the number of pixels by a factor of 4, tripling the dimensions increases the number of pixels by a factor of 9, etc. Therefore, magnifying the 320x240 file to 640x480 pixels, means the encoding application must come up with 230,400 pixels from nowhere. Similarly, to increase the dimensions from 320x240 to 960x720, the encoding application must "manufacture" 614,400 pixels to "fill in" the display. Most applications simply replicate the original source pixels for scaled encoding or scaled display use. I.e., 640x480 encode or display would simply use 4 pixels arranged in a 2x2 matrix to represent each of the originally decoded source pixels in the new file or display or 9 pixels in a 3x3 matrix to represent the scaled encode/display for 960x720 target dimensions.
As an example, here is a sample 320x240 display which contains a reasonable amount of detail.
If you click on the above imaage, I believe you will see the 640x480 rendering. (If I have this figured out correctly.) In any case, this image is beginning to lose detail and texture. While the encoding of data at one set of dimensioins and displaying at another is a frequently used trick to save bandwidth, most users stick to a 2x limit.
Hopefully, clicking on this image will display what the original 320x240 file would look like encoded/displayed at 3x the original dimensions. If you look closely at the frames on the eyeglases shirt edges, you may note some pixellation along with a loss/smearing in details and textures.
In any case, Apple has a long standing tradition of not allowing most "presets" to upscale clips larger than their source dimensions since this work flow can greatly increase file size without producing better quality than the built-in player-device scaling feature. Still this is easly gotten around by merely performing a manual encode using QT 7 Pro or GarageBand. In fact, the manual encode would allow you to access the "Sharpen" feature which might be useful.
My little Nikon would NOT take videos at those size dimensions. I knew when I was taking the demo, it made funny sounds. When I loaded it on my computer, it was NOT a video but still frames that skipped mightily. So, that camera was out as far as larger size.
Our big Canon digital did take a video. It was larger when viewed in QT and nice and clear. BUT when I went to QT and exported to Movie for Apple TV, the output was BLANK. TWICE with 2 different demos.
Can't help you here without additional information. As previously stated, MOV merely refers to the container—not the data contained in the file. Different digital cameras recoderd using different compression formats which may or may not be stored in an MOV file container. Further, some digital cameras may use different compression formats for different recording modes. A "muxed" MPEG-1 file conversion would normally lose the audio using QT conversions. Many Lion users are complaining that Motion JPEG clip convert with a "black" display screen which may be the result of a lack of native support for this video format as indicated on the Apple web site.

Japanese characters display with wrong encoding all of a sudden...

I had no issues before when it came to typing in Japanese in DW using the windows language bar , I would just change the keyboard to JP(japanese) and then start typing within DW code view, but then one day after doing updating my main template and using the find and replace feature in DW all the Japanese characters turned into question marks, diamonds with question marks and ASCII alphanumeric codes..
also the spaces in my documents turned into blocks. It was a mess,
*I don't know if it was something I triggered accidentaly or if it was some type of bug....I also remember copying and pasting text and Japanese characters from another website that I created(but I had done that a dozen times before and it was never a problem).
Long story short, after not being able to find a solution I decided to manually delete the weird symbols and start over, I typed in Japanese using the windows language bar as always and began typing away inside the same pages that displayed those weird characters (sorry I don't know what the proper name for them is)and it accepted the Japanese characters with no issues, it was working just like it did before.
but my question is "What happened?" was that a bug in DW or was it something on my end?
I would like to know so I can fix the problem incase this happens again.
I've always had utf-8 as the charset and it's never been an issue. (and I all my pages are saved as utf-8 as well)
--Which is why I am confused why all the Japanese got messed up.
Here is the head code of one of the pages that had the problem:
Thank you.

Without seeing an actual page, it's impossible to say what happened, but the most likely explanation is that you did something wrong. Asian characters, such as Japanese, require correct encoding. If the encoding is incorrect, you end up with mojibake.
I suspect that what happened is that you copied and pasted from Shift-JIS or EUC-JP encoding into a different encoding. It's quite possible that your page was set to iso-8859-1 (Western European) without realizing.
By the way, your head code didn't show up in your post.

FLVs created with ADOBE MEDIA ENCODER CS6 do not display thumbnails in ADOBE BRIDGE CS6

Could you please attempt to shed some light on why FLVs created with ADOBE MEDIA ENCODER CS6 do not display thumbnails in ADOBE BRIDGE CS6, yet apple finder is able to display thumbnails for these same FLVs without issue?
I'm running CS6 Production Premium with ALL updates installed on 10.6.8
I appreciate any input and help provided the input is provided by someone who either
A) knows the answer because they actually work for adobe
B) actually tried this themselves before attempting to provide a solution
If the conclusion is that it is a codec issue or a header issue with the FLVs You'd have to present a very strong case to back that claim up as it makes no sense whatsoever that CS6 is unable to generate thumbnails for media encoded using CS6, yet Apple finder can without issue. NOT to mention the FLVs in question are CREATED on the same machine with the same codecs installed that is trying to generate previews in Bridge.
Apologies if my frustration is showing, I've gotten and seen several... incompetent replies on this forum regarding this issue and it has never been actually addressed properly as far as I can tell by Adobe support.

We are all just incompetent users here. As pointed out before this is just a user to user forum, Adobe rarely checks in.
I was hoping by now you would have gotten to the bottom of this problem and were offering a solution.

Aspect Ratio in Compressor - Display bounds vs. Encoded bounds

I am late on getteng a file to a client that needs a program stream anamorphic mpeg file at 720x480 from me so I am using Compressor. I thought I had the aspect ratio settings right but when i sent them the file they said this: +*the aspect ratio is at 852 x 480 and we’re losing information on the screen. To correct this, we’ll need the files uploaded again either letterboxed or anamorphic at 720 x 480.*+
When I drag the file into compressor to look at the settings i see that the encoded bounds are 720x480, but the display bounds are 853x480, the pixel aspect ratio is set at NTSC CCIR 601/DV (16:9).
What am I doing wrong, and what can I do differently to give them what they need?
If you need any more info from me just let me know
Thanks!!

I don't know, I'm no expert so I am not sure why they see it as a problem. But again they are saying
+*"the aspect ratio is at 852 x 480 and we’re losing information on the screen. To correct this, we’ll need the files uploaded again either letterboxed or anamorphic at 720 x 480."*+
Do they just not know what they are talking about?

Encoding Display

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