Error with warp stabilizer

I've graded a couple of clips from DaVinci Resolve and exported as ProRes 4444 from sony F55 RAW.
Now I'm importing them in my Premiere Pro CC timeline, edit them and apply warp stabilizer.
The effects analyzes correctly the video, but when I try to export them (via Premiere, Media Encoder or After Effects) I get a generic error.
I tried to export the clips as ProRes 422 files but get the same error. Without the warp stabilizer the timeline renders without issues.
Does someone know how to solve this issue?
Thanks

What firewall/antivirus software are you using?
After Effects communicates with the background camera tracker process using TCP, and some overly aggressive firewall/antivirus software can block this communication. That may be the problem in your case.
See this document for a closely related issue:
http://helpx.adobe.com/x-productkb/multi/startup-screen-hangs-premiere-after.html

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    Thanks for the reply.
    After modif the raytracer_supported_cards.txt file now I can select the GPU option . Here are the settings for the GPU informations.
    Fast Draft:
    Available
    Texture Memory:
    1000,00 MB
    Ray-tracing:
    GPU
    OpenGL
    Vendor:
    NVIDIA Corporation
    Device:
    GeForce GTX 480/PCIe/SSE2
    Version:
    3.0.0
    Total Memory:
    1,45 GB
    Shader Model:
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    CUDA
    Driver Version:
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    Devices:
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    Current Usable Memory:
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    Maximum Usable Memory:
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    Results Event viewer
    Faulting application name: AfterFX.exe, version: 11.0.1.12, time stamp: 0x4fab6f50
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    Fault offset: 0x0000000000002932
    Faulting process id: 0x53c
    Faulting application start time: 0x01cd91cef9878216
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    Faulting module path: c:\windows\system32\hdavasiopx.dll
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  • How to "analyze" multiple clips with "Warp stabilizer"-effect preset

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    https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
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    thanks..will wait and try....thanks for the link
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    The trial version will be available in May. See http://blogs.adobe.com/toddkopriva/2011/04/improved-trial-version-for-after-effects-cs5-5. html.
    >

  • Trouble with Warp Stabilizer in Premiere Pro

    I have one simiple clip that I keep trying to stabilize and I can't see the effect.  I've had this problem for months with several different projects with no luck.  It goes through the motions of analyzing and stabilizing but won't show the resulting effect.  It just freezes on various last graphics seen.
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    That worked!  You rock Bob Peru!  Thanks so much for the reply!

  • The Next Version of Premiere Pro CC - Warp Stabilizer

    With the recent post of what's coming in the next version of PPro CC, I was sad to see no mention of Warp Stabilizer. As amazing of an effect as it is, it needs a bit of help. I know there are improvements and fixes that probably weren't mentioned in the post so I'm still holding out hope. We use Warp Stabilizer more than anyone I know. Several hundred times per week. Yes, per week, no exaggeration. Over the last few years, we've built an entire style of shooting around the strengths of this awesome effect that emulates the use of a slider, steadicam and crane all without having to have them. So we've become really familiar with its PROS and CONS.
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    BUG when saving projects!!! - If this is not a bug, it needs to be fixed because it's awful. - If you have more than one sequence with multiple warp stabilizations added and GPU ACCELERATION IS ENABLED, then after you SAVE a project (or if it auto-saves) when you toggle between the two sequences you are hit with a delay or freeze while the render bar goes from Yellow to Red...and finally back to yellow again. No work can be done during this delay/freeze. The more stabilized clips, the longer the delay. For us, on our larger projects this delay is sometimes 30 seconds to almost a full minute! Once it turns back to yellow, you can toggle between sequences without the delay...but as soon as it saves again...and you toggle between sequences, the delay hits again. If this is a bug, or somehow a result of Premiere Pro's way of CACHING projects after it's saved, then I sincerely hope it's fixed asap. It's awful!
    The third is more of a feature request than a fix - Add the ability to set the maximum scale to work WITH the smoothness control so that if you never want your clips to scale more than say 105%, you can set that and have Warp Stabilizer stabilize the clip and adjust the "smoothness" percentage from the default "50%" down to whatever it needs to be in order for that clip to be fully stabilized and scaled to no more than 105%. Correct me if I'm wrong, but this is not possible currently. Right now we have to manually adjust each clip if it is initially scaled too much by dropping down the Smoothness %.
    Another great feature would be the ability to manually keyframe the scaling so that if you have a longer clip that starts fairly steady, then needs to be smoothed out a bit more in the middle, before it ends relatively steady again, you can slowly and seamlessly ramp up the stabilization/scaling so that the whole clip doesn't have to be scaled to make up for the misgivings of one portion of the clip.
    Minor bug - sometimes when you have extended the length of a clip, the clip needs to be re-analyzed again. However, the "analyze" button is often greyed out. You need to click away from the clip and then click on the clip again to make that button appear again. Nothing big, but still, a small bug.
    After Effects Warp Stablizer VFX feature carried over - It would be nice to carry over to Premiere the ability to isolate what in frame is supposed to be stable (sometimes someone nodding their head can trick the effect into thinking that it's the camera shaking). Great to have it in AE, but would be nice to carry over to Premiere Pro CC.
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    Hopefully this list either reaches someone within Adobe that can do something about them or at the very least inspires others to write feature requests and bug fixes as we have. Even resolving #1, #2 and #3 would be HUGE and would save our editors probably 10 hours per week.  It's an awesome effect, far better than "smoothcam" on FCP7, it just needs a little love.

    CoSA_DaveS wrote:
    All good points, thanks for posting.
    For #1, you can make this work in AE at least. This tip is from my colleague DanW:
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         Simplest way: apply WS, make edits, hit UU to reveal changed params, select all "i-beams" in the Timeline, drag them to the Effects & Presets panel.
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    For #6, Warp Stabilizer will not track areas with zero alpha channel. So you can pre-mask the input to reveal just the parts you want to stabilize. Do this inside a nested sequence, with Warp Stabilizer applied downstream (in the outer sequence). The just-announced masking & tracking capabilities of the next CC version should be handy for this.
    -DaveS, Adobe Dynamic Media, Advanced Product Development
    Hi DaveS!
    Great to hear that you guys are taking a look at this list. Hope it helps make it better.  #1, #2, and #3 are by far the biggest time killers for us so hopefully they'll be able to be fixed/resolved within Premiere soon.
    Regarding your note about #1: Allowing this functionality within Premiere specifically would be very helpful. Would it be possible to eventually allow Premiere to auto-analyze when a saved custom preset is applied to a clip? I tried it in AE as you suggested, and couldn't figure it out. But realistically we use Warp Stabilizer on so many clips that round tripping literally hundreds of short clips to AE would be just as time consuming as going into the settings in premiere for each one and adjusting the parameters. We usually adjust the method and then adjust the smoothness scale so that it doesn't "Auto-Scale" more than 104%. That's where our #3 suggestion would help. I didn't quite understand how to make a preset of specific changed values. I tried, but couldn't follow DanW's suggestion. Granted, I'm not that great with AE. I really just use it for the Warp VFX's ability to isolate what in frame is stabilized (hope that comes to Premiere one day) and that's about it. And I really only have to do that a couple times per project. Anyway, I'm sure I'm doing DanW's suggestions wrong but regardless, I'm not sure it would save us much time when we have several hundred individual little clips that would all need to be sent to AE. Any hope for adding this auto-analyze functionality (hopefully allowing a custom preset on the whole effect and all it's adjusted parameters) in Premiere CC?
    Regarding your note about #4: That is a valid work around for now. I appreciate that thought. Thanks!
    Regarding your note about #6: I think I half understand what you described. I'd have to try it. Although, as I said before, the AE way of doing it is ideal and I just hoped that ability to show the tracking points and delete them over time would come to Premiere CC one day. When the next CC comes out I'd love to try this masking method although I think I'll have to claify exactly what you want me to do just to be safe. Is there no hope to port this added functionality that's in AE's Warp VFX over to Premiere's Warp Stabilizer? Again, not the end of the world for us. I'd rather #1, #2 and #3 be addressed inside Premiere Pro CC for now.
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  • Steps to send a clip to AE to utilize Warp Stabilizer VFX then back to Premiere Pro CC

    So I use Warp Stabilizer for about 200 clips per project. It's effectiveness has shaped how I shoot. It's awesome. Now there's VFX in AE...Can someone layout the steps involved in the following:
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    b) Then how to apply the new Warp Stabilizer VFX (I assume just go to effects>distort>WarpStabilizerVFX ???) ... (if there are tutorials on how exactly to use it, especially detailing exactly how to utilize the new feature of isolating what in the frame is to be stabilized that would be great too)
    c) Then how to send it back to Premiere Pro CC. (I'm guessing I just save it and let dynamic link take care of the rest?)
    I've tried right-clicking on a clip and selecting "replace with AE composition" (is that what I should do?), then applying the effect but I get a "warp stabilizer VFX analysis doesn't work with Collapse Transformations" message so I stopped. If it makes any difference, the majority of my footage is shot at 60p and then interpreted and edited at 23.976fps. Thanks!
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    a) Select a clip in PrPro timeline, right-click and choose 'Replace With After Effects Composition'. Take care of handles if you might need them (that's rather general tip).
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    b) Quite a boring but covering almost all necessary details tutorial on basic work with Warp Stabilizer in AE CC from Adobe TV:
    Some advanced techniques from Lynda.com
    and Mathias Möhl:
    c) When you're happy with your work in AE and going to lock it, render a digital intermediate out of AE, import it into PrPro and replace your dynamically linked composition in the timeline with that DI (see this good old thread on Dynamic Link workflow, pay attention to Todd's comments).
    If you leave the 'Include Project Link' checkbox in the Output Module Settings dialog enabled while rendering your DI, you can easily get back to appropriate AE project so as to maybe tweak some settings: just select your DI in PrPro timeline, right-click and choose 'Edit Original'.
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  • OpenCL warp stabilizer renders in a small box in the top left corner

    Hi everyone,
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    regards,
    Jan

    Thanks for the report. We believe we have identified the issue and are working on a fix. For now the workaround is rendering in Software mode.
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    Peter Garaway
    Adobe
    Premiere Pro

  • Applying Warp Stabilizer transitions?

    I have some experience with warp stabilizer in After Effects.
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    After Effects Help | Tracking and stabilizing motion
    REMOVING TIMELAPSE CAMERA SHAKE: ADOBE PREMIERE TUTORIAL - YouTube
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    There is no KBSC for adding an effect to a clip.
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  • Warp stabilizer counting much more frames than actually exists...

    Hello, everyone!
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    Well, for some random reason, if I replace each file for itself the bug disappear, i had to do this one by one. If anyone have the same problem, try doing this.
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  • Warp Stabilizer in Premiere CS6 is excellent

    I shot some video from a helicopter over Iguassu Falls in South America recently.  The clips were unuseable UNTIL
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    The link below shows how effextive the Stabilizer effect is.
    http://youtu.be/mhNplx5tBQU

    Thanks for you comments. Cam shake is a big devil for us amateurs. I have upgraded from a large Sony FX1 to a tiny tiny Panasonic TM700
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