Experiencing Resonance Recording Vocals Advice Welcome :D

Hi guys
my signal chain is Rode k2 tube mic to Apogee Duet preamp/converter to Logic.
When recording vocals I experienced some kind of harsh resonance at certain point on certain notes and by doing a sweep in the Channel EQ found it to be around 2350 Hz. Although I could surgically remove this with a very narrow cut this isn't ideal at all and wonder what advice people may have. Use of Space Designer reverb was found to emphasise the problem.
I guess it is down to poor mic technique (I do have a pop-shield) I dont suppose it is down to any of my gear...?
Any advice appreciated

One other idea is "room" related. The surfaces around your Mic can have a noticeable impact on your sound. Try hanging a blanket or large towel behind and around you to help deaden any frequency spikes due to room sound reflection.
Yes, the dreaded "cone of silence".....

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    but the location of the computer really isn't a suitable space for recording vocals in.
    Is there any other room that would work better at your location? If so, consider buying a snake.
    The idea is that I'd do a stereo reference mix of the music in Logic Pro, bounce it and copy that audio file to a project on the laptop (using Garageband or Logic Express to save cost).
    Or reinstall Logic Pro on your laptop, but without all the content. Your license permits this, as you're not using two copies at the same time.
    First question - would this work?
    Yes. I do this often. Just be sure that both files begin at 1 1 1 1. Additionally, as I usually have many takes tracking o'dubs, I always record to WAV (BWF) files so I can use the 'move to original record position' command to align less than complete audio files.
    Second question - if so, can anyone recommend any portable, Firewire 800 audio interfaces
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    I had a singer come down Spring 04, and I knew nothing about compression. Did a few mixes, vocals sounded a bit thin, a bit uncontrolled - when compared to anyone elses vocals sounded RUBBISH : 0 ( . I spend some time playing with stuff, thinking about stuff and reading some stuff. I take a look at the session a year later, and with
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    I'd record them all dry (no need to affect signal chain when recording, if you apply effects post recording the effect will be the same) and then cut 'em up, pick the best bits and try variations of the above, try chorus effects, odd eqs, hi pass filters, even things like reverse reverb...
    Harmonies - most important thing is being in tune and in exact time. Make a few different ones and play around with them, cut them up, compress them more than any others to get that tight "backing vocal" that's so warm and sits perfectly with your lead vocal.
    My best advice would be to search the net for tips on making "professional sounding vocal", read and re-read the articles and experiment from there. I know a few producers who think they have a grasp on compression but don't really understand it... read and re-read until you get it!
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