Experiencing video drift when exporting with AME, suggestions?

Hi,
I am trying to export fairly long videos (1 to 2 hours) using AME as H264/mp4 files. The original footage is an avi file. I have tried any number of presets and several different custom settings, but regardless, get audio and video that start to drift after about 10 minutes. Does any one have suggestions about what causes this, how to trouble shoot it, and how I might be able to remedy it?
Thanks for any input,
Sarah

The avi files have been captured from VHS tapes using sony vegas.
Often, when analog material is captured to digital via an A-D (Analog to Digital) capture card, there will be a tendency to have OOS, though it is usually constant and does not drift. This is also easily spotted in PrPro. This does not seem to be your case at all, as you do not experience any OOS (constant, or dynamic) in PrPro - only upon Export.
I downloaded the Digital Video Repair and it gives me a message that it can't read the files.
That Digital Video Repair cannot read from your DV-AVI files is puzzling. They should open right into that program, without a hiccup. Now, the H.264's will not open in that utility, and that would be expected.
From your screen-cap, I see that your H.264 Audio is AAC. This is a Mac Audio format. In your Export settings, can you choose PCM/WAV?
As another test, Can you Export from PrPro as a DV-AVI Type II file with PCM/WAV 48KHz 16-bit Audio and then Open that resulting file in QT Pro? From there, choose Export and choose the H.264 format. Test the resulting file in QT Player for OOS.
Could you tell me how I determine which H264 codecs I have?
Back in G-Spot, there is Tables for Audio and Video CODEC's. It will list all CODEC's installed on your machine with their names and details. Do not be alarmed, when it shows a bunch of MainConcept MPEG CODEC's as "broken." This is a false positive, because of the naming convention that Adobe uses, when it installs these CODEC's. While there might be other reasons for this, let's basically say that Adobe "hides" these CODEC's, so that other programs cannot overwrite them, or otherwise break them. Again, do not be alarmed by this. All you want to do is find out which H.264 CODEC you have.
The reason for my question is that some folk have had better luck with the Apple, or with the MainConcept, than with the other. There seems no rhyme or reason why one works better for some people, than the other, but reports seem to be about 50:50 on which one works best in the particular instances. If one does not do a good job, it seems that in most cases, the other one will. Why? I haven't a clue.
Good luck, and hope that the meeting goes well,
Hunt

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