Export a Premiere Sequence in Pieces

I have a Premiere sequence that is several short scenes. They fade out and in between them and have titles on each scene. I want to export and compress them as separate standalone videos for YouTube. Is there a way I can do this without individually exporting them by changing the in and out points on the timeline, or putting the scenes into separate sequences. What is the best way to handle this in the most efficient manner? Could bookmarks help?

I believe that what you want is the WAB (Work Area Bar), which will allow one to Export segments of the Timeline to discrete video files. For more info on the WAB, see this article: http://forums.adobe.com/message/5170142#5170142 Just be sure to select Work Area, when you go to Export.
Good luck,
Hunt

Similar Messages

Can't export clips or sequences to Audition from Premiere Pro cc 2014.2

I can't get audio tracks or anything to export to audition. If I right click on them the option is grayed out and if I go to the clip menu and select "edit in adobe audition" the "clip" is grayed out and if I choose sequence it opens a dialog box that will not let me click the box "open in adobe audition".
I am watching a how to video but my program will not function as shown in video.

I uninstalled Audition and reinstalled it. I read that it should be installed after premier pro cc. That restored the grayed out links. good, but now other problem.
Now the new issue is the export to premiere from Audition is greyed out.
I will try and get this make sense...
I installed premiere cs6 two days ago to get Encore for dvd burning and menus. After the uninstall/reinstall of audition just now I ran a check on the link and got stuff from premiere cc 2014 to launch into audition, but when I checked how to send it back to premiere pro cc 2014 when I went to export to premiere (and was able to check the open in Premiere box) it launched cs6, but I want it to go to my premiere cc 2014
So I uninstalled cs6 only leaving encore, now the box to send it to premiere is unable to be checked.
I tried another fresh install of audition, but the box is still unable to be checked.
I need help - been up all night and having a rough time here.

What is the best way to setup premiere sequence for export when mixing 24fps and 23.976fps for final

What is the best way to setup a premiere sequence for export when mixing 24fps (CG) and 23.976fps (live action) for final output at 23.976 (vimeo and such).
Right now my sequence is at 24fps, and when I export to 23.976, my dialogues seem to shift.
Should I set my sequence at 23.976fps instead of 24fps?
Thanks in advance for the help, and sincere apologies if this is a noob question.
David

That makes it easy. Remove the CGs from the project. Go to Edit>Preferences>Media... and set the Indeterminate Media Timebase to 23.976. Then when you import the image sequence, PP will assign it the correct frame rate.
Edit in a 23.976 sequence.

Is there a way to set a default "Source Range" in AME when exporting from Premiere Pro CC?

When exporting a sequence from Premiere Pro CC, you are able to toggle between 4 drop down options within Adobe Media Encoder on what Source Range you'd like to export (Work Area, Sequence In/Out, Entire Sequence, Custom) as seen here:
Is there a way to set the default Source Range to something besides Sequence In/Out?
My reason for asking is that sometimes I export multiple sequences at once using AME's Queue. I add my custom presets to each Sequence and hit export, but SOMETIMES I may have accidentally marked an in point on my timeline and by default it's set to export only that In-to-Out part of the sequence.
I know what you may be thinking...well, just don't add any In/Out points to your sequence on the timeline or clear them first. The trouble is that I often don't see them or catch them when working quickly. In Premiere Pro CC, I use the "Lighter Brightness" Appearance setting because it's easier on my eyes after editing 10 hours a day, 6 days a week. Sure, darker looks cooler, but it kills my eyes for some reason. Anyway, PPro CC has a troublesome appearance issue in CC where it's not "optimized" for editing when you change it to a lighter appearance like it was in CS6. I've already contacted Adobe about this and another appearance issue (involving highlighted clips when in Lighter Appearance setting) and they are "actively working on fixing this appearance issue asap".
For reference, here's Premiere Pro CC in/out points in default dark appearance (notice the slightly lighter grey area):
Now here's that same in/out in "Lighter Appearance":
Not exactly optimized. Can hardly see it. Good luck spotting that little guy on a long timeline. Sadly, this affects in/out points in the Source Window as well. Really hard to see.
Conversly, CS6 looked the best (the blue REALLY stands out making things easy to see):
So my question again...is there a way to set the default "Source Range" to something else besides Sequence In/Out so that I don't end up doing what I just did and leaving for several hours while batch exporting only to come back and find that I exported only a "portion" of one of my big sequences?
Thank you!

shooternz wrote:
Here is the solution: Slow down. Give your project some love. Smell the roses.
Agreed about the roses but alas my next project always calls. Actually, I think what happens is I give each project SO much love that when it comes to exporting, I've run out of time.
shooternz wrote:
Then it would not be a default...it would be an option and you already have that option.
Semantics aside, I would love to be able to have it at least default to whatever option was last chosen. Or, perhaps I shouldn't use the word default again...I'd love it to simply remember my preferred setting. That's all.

Adobe Media Encoder timecode doesn't match Premiere sequence

Hi, I'm having an issue when exporting through Adobe Media Encoder. My source sequence is 23.976 fps; I've set the Display Format in AME to 24 fps (options are 24, 25 and 30) and the export setting to 23.976 but the time codes don't match; AME seems to be adding frames. Over the course of a 90 minute export AME is adding about 6 seconds; the Premiere sequence is 01:33:52:13 while the AME export settings show 01:33:58:04.
I'm exporting this in chunks so I'm concerned that when I string them all together with the audio there will be a sync problem.
Version: AME CS6 6.0.2.81 64bit
Using with Premiere CS6; have entire suite installed
Most recent update installed
Mac OS X 10.7.3
Creative Cloud: No.
Working with a mix of RED 5k, 4.5k and 4k footage; all shot 23.976
No error messages
Is the problem only occurring with a specific output format or encoding preset? If so, which one? - same on all outputs; exporting to prores 422 1920x1080 23.976
Running Premiere at same time
Mac Pro, 2 x 2.4 GHz 6-core intel xeon, 64 gb ram, solid state boot drive, red rocket, black magic, decklink hd extreme 3d+
Are you using Mercury Playback Engine GPU Acceleration in Premiere Pro? - yes by default? no cuda / opencl
An unrelated problem I've also been having is when I try to export the full sequence, or even half, the export will freeze around 40%. No error message, just stops.

How are you checking the exports?

Both CS6: Trouble exporting to Premiere from After Effects?

Hello. I'd like to start off by saying that I am new to the community and new to using this software, so please pardon if I come off as ignorant. However, I need help urgently.
I am trying to export an After Effects project into Adobe Premiere (using File -> Export -> Adobe Premiere Pro Project). I am coming up with the following error message when I try to open it using Premiere:
"This project contained a sequence that could not be opened. No sequence preview preset file or codec could be associated with this sequence type".
I would think that my Premiere preferences would be irrelevant as I cannot even access them unless I have a project opened. However, here are my project settings for After Effects:
Time Display Style:TimecodeUse Media Source
Color Settings:
Depth: 8 bits per channel
Working Space: none (could this potentially be the issue?)
Audio Settings:Sample Rate: 48.000 kHz
All of the video files used are .mp4.
I will be willing to rapidly provide more information if necessary. Thanks in advance for helping out.

Don't export!
Open your Premiere Pro project, go to File > Adobe Dynamic Link > Import After Effects Compositon. Then navigate to the aep file, select the compositon and it will import the AE link into your pronect bin. Then you can change the file in AE and when you save, the changes will show in PPro. There seems to be a bug with the dynamiclink.exe server that won't show the compositon as rendered on the timeline. I'm hoping Adobe will fix it soon as I've reported it on the bug site.

Adobe Media Encoder Fails Export from Premiere

AME will not start the render qeue. I have tried Clip notes and different output types. I have embedded After Effects comps in my Premiere timeline. Could that be a cause? This is my first time working with Premiere and AE together.
Error log below:
- Source File: C:\Users\Alex\AppData\Local\Temp\Cosmetics Working_2.prproj
- Output File: F:\Premiere Projects\20090803 Shapiro Cosmetics\From Prem Timeline\Working Copy.pdf
- Preset Used: Custom
- Video:
- Audio:
- Bitrate:
- Encoding Time: 18:16:01
9/17/2009 3:37:39 PM : Encoding Failed
Could not read from the source. Please check if it has moved or been deleted.
- Source File: C:\Users\Alex\AppData\Local\Temp\Cosmetics Working_3.prproj
- Output File: F:\Premiere Projects\20090803 Shapiro Cosmetics\From Prem Timeline\New Pierre Video.avi
- Preset Used: NTSC DV
- Video:
- Audio:
- Bitrate:
- Encoding Time: 18:19:04
9/17/2009 3:40:43 PM : Encoding Failed
Could not read from the source. Please check if it has moved or been deleted.
- Source File: C:\Users\Alex\AppData\Local\Temp\Cosmetics Working_4.prproj
- Output File: F:\Premiere Projects\20090803 Shapiro Cosmetics\From Prem Timeline\Working Copy.wmv
- Preset Used: NTSC Source to Download 512kbps
- Video:
- Audio:
- Bitrate:
- Encoding Time: 18:22:58
9/17/2009 3:44:37 PM : Encoding Failed
Could not read from the source. Please check if it has moved or been deleted.
- Source File: C:\Users\Alex\AppData\Local\Temp\Cosmetics Working_5.prproj
- Output File: F:\Premiere Projects\20090803 Shapiro Cosmetics\From Prem Timeline\Working Copy.avi
- Preset Used: NTSC DV
- Video:
- Audio:
- Bitrate:
- Encoding Time: 18:26:09
9/17/2009 3:47:48 PM : Encoding Failed
Could not read from the source. Please check if it has moved or been deleted.
- Source File: C:\Users\Alex\AppData\Local\Temp\Cosmetics Working_6.prproj
- Output File: F:\Premiere Projects\20090803 Shapiro Cosmetics\From Prem Timeline\Working Copy.avi
- Preset Used: Custom
- Video:
- Audio:
- Bitrate:
- Encoding Time: 18:34:14
9/17/2009 3:55:52 PM : Encoding Failed
Could not read from the source. Please check if it has moved or been deleted.
- Source File: C:\Users\Alex\AppData\Local\Temp\Cosmetics Working_7.prproj
- Output File: F:\Premiere Projects\20090803 Shapiro Cosmetics\From Prem Timeline\Working Copy.pdf
- Preset Used: NTSC Source to 512kbps
- Video:
- Audio:
- Bitrate:
- Encoding Time: 18:36:22
9/17/2009 3:58:00 PM : Encoding Failed
Could not read from the source. Please check if it has moved or been deleted.

Hello, this is terrible problem, which i found in CS 6 softwares ...
solution i found only working, is uninstall and reinstall full package.. but it is not all,
you need to do BRAND NEW admin account in windows, and install it there.
that means, i could not export after repair from encoder in my original account never more (!!)   .. this is really terrible way how to repair this issue, because :
1.by reinstalling of software, client WASTE HIS TIME
2.by necessity to begin work in another windows profile you again WASTE YOUR TIME because of learning and migrating all other profile modifications, which i see really unaccpetable. Adobe means, this solution of repair is ok, and they did not do till today any steps of creating some "clever" solution.
I ask everybody, who will meet this issue in future, guys, please, complain about this situation, give "BUG Report" to them, and write "feature request" to them , in the way of creating some repair tool, which check actual "broken" connections between encoder and premiere, which refuses to "take material" from it and encode, and REPAIR it automatically..
   I am not IT, but ..does it seems so hard to create this ? Adobe IT developers should know their systems, and should create such utility tool really easy.
Steps to reproduce bug:
1. i export anything by button "queue" from premiere to Encoder
2. Encoder will start encoding
3. Encoder does not show the window of media encoding (down left )
Results: sound of sheep occur,
in encoding error file is this reason of canceling the encoding :
01/02/2014 10:10:48 AM : Encoding Failed
Could not read from the source. Please check if it has moved or been deleted.
History of this problem and detailed description, HOW i did "repair" this. With wasting of app 2,5 days of my working time :
1. after repairing "error 5" problem , i solved it by reinstalling the suite from the new admin user profile (profile B) .
I continued my work on my normal working windows profile . (profile A)
Every cooperation (AE+Pr, export media via "queue" to Encoder) was working fine . . .
2. suddenly it stop working (without knowing any possible reason - i did not do installations )
and showed in error export log file :
"Could not read from the source. Please check if it has moved or been deleted."
3.repair via procedure(procedure "a"):
i did this procedure on the profile B (profile from last time installation of repairing problem error 5)
I did these steps :
a-uninstall master coll suite
b-i used Adobe cleaner tool (remove ALL)
c-removed raw directories in locations
•C:\Program Files\Adobe
•C:\Program Files(x86)\Adobe
•C:\Program Files\Common Files\Adobe
•C:\Program Files(x86)\Common Files\Adobe
•C:\ProgramData\Adobe
d-removed these links from registry file
•HKEY_LOCAL_MACHINE\SOFTWARE\Adobe
•HKEY_CURRENT_USER\Software\Adobe
•HKEY_LOCAL_MACH INE\SOFTWARE\Wow6432Node\Adobe
•HKEY_CURRENT_USER \Software\Wow6432Node\Adobe
e-restarted the PC
f- newly installed the Master Coll CS6
g-update the software
result of repair of "3" : problem still exists
4.Ok i find out after coordination with support, it should have been created ANOTHER NEW admin account.
4a:so i did the same procedure (uninstalling) in profile B
4b: and then i created brand new admin profile (profile C)for INSTALLATION of software
4c: restarted the pc (and did not updated it yet)
result :
==exporting of any sequence/raw/AE link video material from premiere via "queue" (Encoder) (profile C) : export WORKS
==exporting of any sequence/raw/AE link video material from premiere via "queue" (Encoder) (profile B) : export WORKS
==exporting of any sequence/raw/AE link video material from premiere via "queue" (Encoder) (profile A) : export DOES NOT WORK ! ! !
(in profile A, is possible to export some raw video material in encoder which is imported to it via "drag and drop)
problem i see:, i have my basic profile A, which i am interested to work, because of all my directory modifications are in there..
this issue should be some "broken" connections between encoder and premiere, which refuses to "take material" from it and encode.
what i expect :
to get from Adobe some repair tool, which automatically checks these connections and repair if necessary, without necessity of founding the new profile and reinstallation of whole software.. this is madness !
what i do NOT expect from Adobe:
to get from Adobe advice of kind : you have to reinstall full software in new admin profile. sorry , we do not know the solution, because we do not know, how do behave our software.

How do I export from Premiere Pro CC to Final Cut Pro X?

Here are my system specs:
iMac (late 2012)
Fusion Drive
Processor 3.1 GHZ Intel COre i7
Memory 16GB 1600MHZ DDR3
OSX 10.9.1
Running
Premiere Pro CC 7.2.1
and FCP X 10.1
Hello there,
I have a fairly complex 3:00minute sequence that I want to export from Premiere using XML and then import into FCP X.
I exported and the tranlation error log was too long so I duplicated, shortenened and simplified the sequence and the translation errors seemed much more manageable. I quit premiere pro and ran FCP X. Import->XML And the XML files were all greyed out! I couldnt even select them. I tried compying the entire project file including a copy of the XML into FCP and still no luck. Am I missing something here?

Jim, some people (maybe not that many) are FCP X editors, so it's a good feature.
Also, I personaly find Premiere 10 years back in terms of editing. FCP X in my opinion has more editing features to make my life easy. The last release has also been a great update.
I have been editing in Premiere the whole year 2013, and I can't go back to the "old fashion" editing since i started editing in FCP X. but that's a matter of preference. The problem is that the other editors in my office use Premiere, so XML exchange is a must.

Export to Premiere Pro from Audition has stopped working...

Hello guys,
When I've finished an edit in Premiere I send it to Audition via Edit>Edit in Adobe Auditoin>Sequence.
But when I've finished in Audition and try to send it back via Multitrack>Export to Premiere Pro (sent as each track as a stem), Audition processes the session and then tries to send it back to Premiere.
The screen jumps back to Premiere as usual, but instead of seaing the pop-up window to insert new tracks as it should do, nothing happens. I've ran lots of tests to see what is going wrong, and can't find it. Somewhere on the journey into Premiere, the process stops and I really, really liked this feature.
Can anybody shed some light on why this has suddenly stopped working? I have made no changes to the installation of either Premiere or Audition, and neither have any plug-ins or extras.
Hope you can help,
Thanks

Hi,
I have the same problem to import files from audition. It save the work in .xml what I can load in premiere but automaticly it will not work.

Closed Captions don't appear when I play my video exported with Premiere Pro CC

So, I've spent some time researching this, but can't seem to get anywhere. I'm fairly new to Premiere Pro and I've created a sequence with closed captions. I've tried exporting several different ways (Quicktime, H264, etc.). I've also been careful to include a sidecar closed caption file or to embed the closed captions within the video when exporting using Quicktime. I've also been sure that both files (the movie and the scc file) are in the same place. I've tried playing different versions of the exported video on Quicktime Player and VLC, but have had no luck getting the closed captions to appear. In Quicktime player I've tried it with the closed captions activated, but that doesn't seem to make a difference. In VLC I've tried the Advanced Open option which enables you to select the subtitles file you want to load with the movie. Once again, no luck. I've tried dragging and dropping the .scc file onto the movie while it plays. I've tried selecting a Subtitle track using the video drop-down menu. Once again, no luck. I've tried exporting from Premiere Pro with the sidecar file as a .mcc file and that didn't work either. I even tried converting the .scc file to an .srt file via some online app.
Anyway, I'm stumped. All I want to do is to get my movie to play with the subtitles with some simple application. Any help would be appreciated. Thanks.
S.@@

Sorry, Fritz. It's been a while since I really looked at the Closed Captioning help page, and I just assumed that the New Caption workflow is covered there. And a second apology because the state of that page is at least partly my fault insofar as I promised our technical writer months ago that I'd help flesh out this page.
You're not doing anything wrong when it comes to adjusting the start/end times for caption blocks. Caption tracks in the Timeline are basically display-only. The apparent handles are really just indicators; they're not interactive. I believe it's on our roadmap to make them interactive, but I have no idea where that enhancement sits in the priority order.
I'm not sure what you mean about "each caption track block [being] limited to just over 30 seconds." If there's a maximum duration for a caption clip, it's probably up at 12 or 24 hours. I've worked with several that are longer than an hour. As for individual caption blocks within a clip, my memory has grown fuzzy in the months since I worked on the feature, but I think the program does not enforce a limit on the duration you can give a block. However, there may be a limit on how long a given caption block will actually get displayed. I thought that limit was 15 seconds, but I just did a test with blocks of 10, 20, and 40 seconds, and all of them had the full assigned duration in the encoded output. Could be that the limit I'm thinking of is standard-specific... Come Monday, I'll have to check with colleagues who have remained closer to the feature set.
Note that if you add a caption clip to a sequence before you've finished adding the blocks, then you'll need to trim out the clip after increasing its duration by adding blocks.
Lastly, although Premiere supports authoring captions from scratch, the feature set was conceived chiefly for importing captions created in a third-party authoring tool and, as needed, revising the content and adjusting the timing.

After Effects export as Premiere Pro project weird PAL/NTSC problem

This post is not a question. It's here, because I've found a solution and want to share with You.
I've noticed a strange problem during export from AE to PR.
Ok, here I go.
AE = After Effects CS3
PR = Premiere Pro CS3
My AE project is D1/DV PAL Widescreen. It is a sequence of slideshow with some video effects applied. I needed that sequence in PR. I was happy to find a new feature - export as premiere pro project (new for me - i am pretty rookie ;). Thaks to this feature I have saved most of my disk space that is always to low. But, like every first try, this one was not perfect too. I had two problems.
Problem no 1.
I opened exported project in PR and saw message like "video effect AE.CC COMPOSITE not present".
Whole composition was working perfectly except that one video effect that was fundamental for this project.
*Solution was as easy as it can be. I've just copied that effect from AE plugin folder to PR plugin folder. It worked for this.
Problem no 2
Like says AE Help "When you export an After Effects project as an Adobe Premiere Pro project, Adobe Premiere Pro uses the settings from the first composition in the After Effects project for all subsequent sequences."
Project settings in PR was exactly D1/DV PAL Widescreen. So where is the problem You ask?
Therefore why my Timeline works in NTSC 29,97 frame rate if all settings match PAL 25 frame rate?! I don't know.
*Solution to fix this annoying bug is to create a new project in PR with all settings for D1/DV PAL Widescreen in this case. Than just import that PR project exported from AE. Now timeline works like it should in PAL frame rate.
That's it.
I hope this post is helpful, because I didn't find any answer for this here in Adobe forum.
Adam

Who's says that Microsoft can't debug?
I used msconfig, first disabling startup items, -same result.
Enabled all startup items, disabled all non-microsoft services - AE worked!
I re-enabled each service in turn until AE crashed.
The fault was related to an item for a video streaming device I have in my house. It was Monsoon-multimedia's Vulkano Service. Sometimes under the old name of Hava, this is an app that acts like a sling-box to send my Cable TV to my screen. It does load a couple of virtual devices in device manager, and uses a proprietary codec.
I uninstalled the vulkano streamer application and rebooted the external Vulkano device. I reinstalled the Vulkano and verified it connected to the device and could stream. Once it did, I tried AE again and IT WORKED!
I wonder if simply rebooting the Vulkano would have fixed it. Its like opening the garage door to turn on the refridgerator.
Thanks for the help!
Jim

Exporting from Premiere Pro into Story

Can the metadata etc be exported from Premiere Pro into Story.
For example in the process of roughing out a documentary idea I'm shooting clips and making subclips in bins and developing sequences in this rough style. It would be useful to document this in Adobe Story if such an interface exists thanks...
Many thanks

The closest I can find is here:
http://helpx.adobe.com/story/help/workflow-movies-script.html
Seems like there is a semi-manual solotion ... has anyone used this reverse workflow in anger I wonder and can describe their experience, the results and the potential?

Problem exporting from large sequences

I'm reposting here becase it could be hardware related (the system is new), and because it wasn't answered on the CS5 forum and quickly got buried beneath 100 other threads. There's usually more in-depth support on this forum. Here goes:
I'm running CS5 5.02 on Windows 7 Professional 64-bit with an X58A-UD3R mobo, i7 930, 12 GB RAM, and a GTX 470. The footage is 4:3 NTSC DV, 29.97fps, 720x480. The sequence is DV NTSC Standard 48 kHz. OS on C drive, media and project on E drive, exporting to F drive.
I often put 100 clips or sometimes even 1000 clips on a sequence.
When I go to File-->Export and start exporting video for a small work area (10 seconds or less), it brings up a dialogue box that says "Encoding Sequence 01" and doesn't make any progress for a painfully long time if there are many clips on the sequence. The more clips in the sequence, the longer it waits before exporting. If I isolate the same clip in another empty sequence and try to export the same small work area, it quickly exports the file. As I add and delete clips from a sequence, the problem waxes and wanes. When there's over 200-300 clips, I've never seen it export the video because it just sits there forever "encoding".
I've tried this with several export formats: mpeg2, h264, quicktime, etc., with the same results. Exporting a still JPEG will quickly work on the large sequence, but it is very slow to export video.
It's as if Premiere is trying to encode the entire sequence first even though I've told it to only encode the small work area. It still only exports the small work area I requested, not the entire sequence.
Can someone please try to replicate this a few hundred clips and/or give me advice?

Thanks for your replies, guys.
I'm under deadline but will try running PPBM5 on Tuesday and post back here to see if you have ideas.
There must be something wrong with my setup, because although the project runs smoothly, the exporting lags significantly even with 100 or 200 clips. Surely CS5 should be able to export quickly from sequences as small as that. I had no problem doing this with previous versions of Premiere Pro.
Can anyone try throwing 100-200 clips onto a sequence to see if it causes any lag before exporting a small work area?

Exporting an image sequence - more that 5 digits in filename

I am trying to export a dpx sequence from AE CS6 to insert into a much larger sequence. I see where I can adjust the starting frame number for my exported sequence, but it seems to be limiting me to 5 digits and the sequence I am trying to drop this piece into has a 7 digit number. Is it possible to change this in After Effects so I can export with a 7 digit number?

It's possible to do this, yes, but it's not wholly intuitive.
First, unfortunately the Starting Number value in the Output Module Settings dialog is locked to a max of 5 digits. Increasing the limit is a good feature request. Please submit it:
http://www.adobe.com/go/wish
Now for the good part: you can get the output you want by setting your comp's start frame number. You may also need to adjust the Output Name to accomodate leading zeroes in your target frame numbers.
To change your comp start frame number:
Open the comp.
Choose Composition menu > Composition Settings.
In the Start Frame field, enter the desired value for the first frame of your comp.
This field will display a timecode value by default. Since you may be thinking in integer frame numbers, it may help to change the display units to frames. Do this by choosing File > Project Settings and change the Time Display Style to Frames, then follow the above steps to set the start frame value.
If you're not exporting your entire comp, but just the work area, make sure to adjust your Start Frame value accordingly.
As long as the starting frame number contains the same number of digits as your desired output, this should work for you.
If the portion of the sequence that you wish to export will include leading zeroes, you'll need to adjust the number of digits that AE writes:
In the Render Queue, click the hot text for the Output To field.
The default file name will display something like CompName_[#####].dpx.
Add # symbols as desired. If you want seven digits, use [#######].
If you need to do this frequently, you can create a template for the output name. See:
http://help.adobe.com/en_US/aftereffects/cs/using/WS3878526689cb91655866c1103a4f2dff7-79f4 a.html#WS3878526689cb91655866c1103a4f2dff7-79e2a
Following the above steps, your output name will include the number of digits you need.

Exporting from Premiere makes my video washed out. Thoughts?

Hey Forum!
Question of about exporting from Premiere CS6.
When I export a video, and open it in Quicktime, the image has lost contrast and color saturation.
Does anyone have a solution to this?
I've heard about x264 but haven't tried it. Has anyone had success? A simple workflow they can walk me through?
I also heard that you could send your sequence to After Effects, change the color space to 709. Has anyone had success
with this workflow?
The only time the video looks nice is playing it in FLV. But in the real world, who actually uses VLC?
The strange part is if I look at the raw video it looks great. Bring that clip into Adobe and export it (no color correcting, or anything done to it) and it comes out desaturated with less contrast. I would think if you did absolutely nothing, it should come out the same right?
Last note, I am not using an external monitor. (Because I know many in the forum willl suggest this) I would like to just get the video out looking the same as it does in the editing system to play back on my desktop. I'm not interested in worrying about other TVs, computers, etc.
Any help would be hugely appreciated:)!!!!

That's my point. Not worrying about other displays.
Why does the raw look one way, on my desktop, then I bring into premiere, export the same clip, and it looks washed out and less contrast on the same desktop, same computer as the initial evaluation of the Raw.
Evaluating with or without the signal conversation, why is there a change when I have done nothing?
Hopefully this makes sense.
Is the 709 conversation relevant?
Is the Gamma conversation relevant?
I de-selected the Gamma (auto default) using the 422 HQ codec, and that did nothing to the color.
I'm wondering if there are other boxes to click/un-click.
Thoughts?! Thanks you!

Export a Premiere Sequence in Pieces

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