Export All images with Folder Hierarchy?

Hi,
I use Lightroom all the time but would like to have all my photos available on my Iphone but it is not compatible with raw files. Is there a way that I could export all my images but keep their folder hierarchy intact so I would end up with a duplicate set of folders the same as I have in lightroom but the new set would only contain jpegs?
Thanks
Matt

I do just that with a free tool that has been published on "another" forum.
I'm not so sure if I can put th elink down here, but search for
Preserving Folder Tree Hierarchy using Export Plugins in 2.0
and you'll find a solution. Read the thread to the end, there are a number of improvement that never got into the "official" release.
Cheers, Peter

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Will not export all images to folder

We are having a problem with LR not exporting all of the images when saving to a folder. It errors on some images and will not save them. All of the images are available and LR will export a web photo gallery with all of the images without any problems. Am I missing something?
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C

Updated to 1.2 and all is well.

When I export an image with a Green label, it exports with a "Green" keyword! How do I prevent this?

I've added a Green color label to an image. When I export the image as a JPEG and then upload it to Flickr, I find a "Green" keyword that I don't want. How can I turn off this behavior -- i.e., exporting color labels as keywords -- while preserving the ability to export all the keywords I added manually?
I know the keyword is coming from Lightroom because I temporarily changed the Color label's legend to "GGreen" and the keyword "GGreen" appeared in the Flickr upload dialog.
I inspected the IPTC data of the exported JPEG image with a 3rd-party program (Irfanview) but could not find "Green" (or "GGreen") in the file, but all my manually-added keywords are there.
I've tried all of Lightroom's Export dialog Metadata settings.
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-- Sam

New information and some screen grabs!
The new information is that the unwanted label "Green" (or whatever color label is selected) appears as a Flickr Tag only when no manually entered keywords are attached to the image in Lightroom. Adding even one keyword in Lightroom and repeating the export-from-Lightroom-then-upload-to-Flickr process results in no "Green" tag in Flickr.
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How to get all images from folder in c#?

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How to export all images that don't contain editable text

Hi guys,
Is there any hack, script or general function to export all images from a PDF withouth them containing editable text?
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How can I view all images with Safari on my mac?

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Acrobat DC - export all images

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Is it still possible to do in Acrobat DC ?
Thank you for any answer.

Hi Aline ,
This is absolutely possible in Acrobat DC as well .
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You could select the Export PDF option directly by choosing the Tools option .You will see a Export PDF option either on the right hand side or in the first row after you select tools .
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Filter noise all Images in folder

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Exporting linked images with overlays

Hi,
I'm using InDesign CS5.5 on OS X Lion.
I have linked images in my InDesign document that I want to export as JPG and maintain the original file naming scheme. That part is easy (export as HTML, look in the images folder; export as ePUB, look in the images folder of the archive; etc.). But what I'm struggling with is when there are overlays added in InDesign. Some examples of overlays: part labels (e.g., "a", "b", "c"), text labels, arrows, lines, etc. The only way I've found to export the overlays is to do this:
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-Apply Object Export Options to the grouped item such that Custom Rasterization is checked
-Export via one of the options (e.g., HTML, ePUB)
I get one image per group, which is what I want. The problem is that the filename for that image is now a random number. What I really need is the filename for the original image to be used.
I've also tried exporting to other formats, e.g., PDF (and using the extract all image options) but that doesn't preserve the overlays in the extracted images (which makes sense since the PDF sees the letters as text).
I figure to do this I have to write a script. So before I embark on that quest, I was hoping to get opinions on whether a) such a script is possible and b) whether there is a better way. For specific workflow considerations, moving the adding of these overlays to the images outside of InDesign (e.g., via Photoshop) is not an option.
I envision a script that does the following:
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Obviously, if a script could also do the grouping of objects (e.g., finding a linked image, checking to see if there is anything on top of it, grouping it all together), then that would be even better, but I'm not holding my breath. :-)
Thanks,
Steve

This is where the Adobe DNG could shine.
http://www.adobe.com/products/dng/index.html
Worth the read ... this can save the changes that one
makes.
DNG does NOT help in this case.
There is a huge misunderstanding that this is part of what DNG can or should do.
But if you think about it, what good are the adjustments being stored in DNG if you have to use a particular program to open it anyway?
Think about Aperture's Edge Sharpen for a second. Lets say you store that value in a DNG. Fine, what other program is going to able to reproduce that result EXACTLY to how you were previewing it at 100% on your monitor?
Lighroom is trying to do something along these lines by passing editing commands off to Bridge through DNG. But here you run into another problem - it constrains what editing any one program can do. If Lightroom is limited to only ever having editing commands that are the same as what Bridge offers, and no other program on earth supports them, then what have you really accomplished? Will unknown editing commands simply be dropped without warning?
That's why I think simply exporting projects, which hold master images alongside sidecar files (very like XMP) that describe edits are about as good as you are going to get. If you want to truly preserve editing work and you care about quality, nothing beats a TIFF file where 100% of the pixels are exactly as you reviewed them during editing. I personally trust Aperture enough to back up master images along with edits, and am fine with that.

Export multiple images with random layers

I have this texture file that has many different variations to it. (3 different kinds of pants, different hairpieces, some optional items, etc...)
What i want to do, is export it with random layers selected. (there are also folders inside, it's fine if i have to merge the folder into a single layer, but it would be better if it could treat the folders as a layer)
There are 2 layers that must always be on,
then there are 6 other layers that can be mixed and matched completely at random.
Finally: there are 3 layers that only one of them can be active at one time (if one is active, the other 2 cannot be). Those last 3 layers I wouldn't mind if i had to go through manually and remove the combinations that couldn't work, but it would be much better to have it automatic.
Is there any way to script this so that it exports all of these textures as *filename*_*variation#*.png

-the first 8 lines just make sure there is a valid document open, and if there is, find out the file path and everything
Correct.
But I cut corners, if I were more diligent I would also check for the existence of more than one layer and that the file has been saved at all (otherwise it has no path and an error occurs) etc.
-line 14 just makes sure it outputs no more than 20 images (which i find odd. the texture files are extremely small ~6.82 kb each, so loading them won't be a problem. it would be good if it got stuck in an infinite loop)
Feel free to change it to a higher number.
To create 100 files change to
for (var p = 1; p < 101; p++) {
Why is thearray2 put in thearray, but then never used separately?
The function RandomShow checks if the elements in the Array are Arrays themselves
if (theObject.constructor != Array) {
and just assumes it is a Layer if it is not an Array.
But when it is an Array the function RandomShow is run with that Arrays elements as arguments.
This is intended to enable the various rules – for example if you have two or more Layers of which only one may be visible you could put them in such an Array with minimal and maximal set to 1, which should only make one visible.
But – and again I should have included checks for this – you should not put a Layer in more than one Array.
In the example changing theArray2 to
var theArray2 = [[theLayers[0], theLayers[1], theLayers[2]], 1, 1, "no"];
would mean that 7, 8 and 9 would only be visible individually.
But as theArray2 is itself part of theArray it may be visible or not unless it is set as the baseLayer.
Or rather it would if I had not forget to check the baseLayer item for being an Array itself …
So please change the affected if-clause (should be about line 34) to
// show the baselayer;
if (baseLayer.constructor == Number) {
          var theObject = theArray[baseLayer];
// show baselayer if layer;
          if (theObject.constructor != Array) {
                    theObject.visible = true;
// run function if baselayer is an array;
          else {
                    RandomShow (theObject[0], theObject[1], theObject[2], theObject[3])
          maximal--
-baselayer is defined (but i can't find out where to input what it is, do i put it in place of the "no" on line 15?)
The function takes four arguments,
• the Array
• the minimum number of visible elements
• the maximum number of visible elements
• a layer that should always be visible identified by its place in the Array
So when invoking the function RandomShow and wanting the first layer in the Array to be visible it would be:
RandomShow (theArray, 1, 5, 0);
-for the layer array do I put in the actual layer names?
If you want to address a layer with teh name »Layer 1« by name (top level layers that is, layers in Groups are filial to the Group) you can use
myDocument.layers.getByName("Layer 1")
-If I currently have layers hidden, how would i tel it to not add those to be randomly shuffled and made visible (it was randomizing the texturemap and the other layer that is there for future reference into the compiled pngs)
Whether a Layer is visible or not is irrelevant in the curren tform of the Script, the Layers are addressed in the Array.
Introducing a check for visibility would be possible, but make the function a bit more convoluted as this would also affect the maximum number for example.
I don’t think I answered all questions, but maybe you’ve made progress on your own already and you can always post again if matters are still unclear.
Maybe the function is more complicated than it would need to be or maybe it will not be able to accomodate all your needs currently, but one could for example extend the baseLayer argument to an Array itself to have more than one element (either Layer or another Array) that will always be visible … there are still possibilities but the issue might be a bit complicated.

Deletes all images with same name

Why is it impossible to simply move images from one folder to the other, rather than having to go through the lengthy and awkward process of exporting them to another folder and deleting the originals. In addition, I just had the unpleasant experience that when there are JPG copies with the same name still in the folder with the original RAW images, the JPG are also deleted.
Image management is still a headache in LR. WQhy not use the Bridge folder structure. Why not simply pick up an image and put it in another folder?

I guess the answer is because that is the way
Adobe designed I/O to the DB--which is the core of LR, and as such is always talked about by them in sacrosanct terms. They did make some small changes from 1.0 to 1.1--but far short of what they should have done IMO.
There are better ways to do things, but Adobe is very reluctant to make substantial changes to LR Library to give it the I/O functionality of Bridge or other 'browser' type applications. My guess is that it is not going to change significantly with respect to this issue any time soon.
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How to export all images as 4x6?

Okay, one of the things I absolutely love about Aperture is the ability to export many different versions for different purposes. As a wedding photographer, there are many different purposes to export for.
Here's the glitch that I'm running into though. We've now started only giving DVD images to our clients sized as 4 x 6s at 300 dpi. Anything larger, we'd like them to purchase through us to maintain quality.
I've been trying to figure out a way to get Aperture to export the images we've edited out as these 4 x 6 at 300dpi, but for the life of me, I can't seem to get it right. We crop at 8 x 12 so the ratio is fine, but getting it to come out right it a bugger.
I can't tell it to export at 4 x 6 because that only works for portrait and not landscape orientation. I can have a different export for each orientation since I have to maintain numbering consistency with our web galleries and their DVD copy.
I finally ran it out at 50% of original size, but hardly any of the images come out at 300 dpi. Aperture is just not doing everything I assumed it would.
Any ideas?

Set up an export preset as follows (from memory, so I apologise for any slight wording errors):
Duplicate JPG Original size preset and rename something like 6x4@300
'Size to' 'Fit within Inches' Width 6.0 Height 6.0
'DPI' 300
sRGB colourspace
Because all your images area already cropped to the right aspect ratio (3:2), setting size to 'fit within' will make the longest side 6 inches at 300dpi. It doesn't matter whether they are landscape or portrait. I have done it and it works perfectly.
If you have different aspect ratios and want to crop to 3:2 then export automatically, that is more tricky, but I don't think that is what you want.

Export PNG images with alpha channel from flash

Hi,
I have this FLA with animation and when played, the animation has alpha channel. I can’t understand why when I look in the library I see the frames without the alpha channel and also when I try to export/extract the image again the image don’t have alpha channel.
How is it that in flash this image has alpha channel and how to get it out like that into PNG?
Here is the link to download the FLA:
http://download759.mediafire.com/nb749r29220g/e0636ab0ru6ouoa/Untitled-1.fla

"when played, the animation has alpha channel"
how are you playing the animation? control/enter in Flash, Publishing to a Web page or what?
How can you tell that the animation has the alpha channel? What exactly are you seeing?
What is the aniimation? a series of images, one image moving? Are teweens imvolved?
" when I try to export/extract the image again the image don’t have alpha channel"
How are you exporting the image? is it a single image? or a series of frames that makes up an animation?
What was the file format of the original image? you brought that image into Flash and animated it? Now you want to export as a .png with transparency?
Have you ever tried to export a simple .png before so that you see and understand the dialog box that pops up during export? are you chosing "24 bit with alpha channel" in the "Colors" choice?
For those of us who may not want to download your file, please provide a more detailed describtion of everything related to this question.
Best wishes,
Adninjastrator

Export Simplified Image, with color markers

Hi,
I have a few graphs that i'd like in a report, they need to look neat and will get resized along the way. So i need to export them as vector based graphics (.eps or .emf), i have been using Export Simplified Image (Object Shortcut Menu -> Data Operations ->Export Simplified Image). For most plots this has worked fine.
Problem comes when i make plot with just markers no lines, when i do the export the marker points are always black. I would like to show the differences between some data sets using colour not just marker shape. When i do the same plot but with lines and markers, then both the lines and markers come out in color. Exporting to .eps and and .emf has identical results.
An example is attached, with the two plots (with lines and without). I am using LabView 8.0 on WinXP could it be a version thing? Anyone willing to test on other versions?
Thanks
Tim (LabRat1)
Attachments:
ExportTest.vi ‏126 KB

Hi Topher,
How are you doing this? Are you going to right-click>>Export Simplified Image. I have done this with the code attached on the forum above and this works fine for me using 8.6.1f1. You could try installing the patch for 8.6.1 if you haven't already to ensure we are on the same version. This is available at http://joule.ni.com/nidu/cds/view/p/lang/en/id/1276 although it should not fix anything to do with this. Does this also not work by using the property node as described in the KB at http://digital.ni.com/public.nsf/allkb/5AE4ADCBB65A6D8F86256FBF007A1AC1?OpenDocument
Regards,
James Mc
========
CLA and cRIO Fanatic
wiresmithtech.com/blog

How to filter all images with 16 BIT colordepth?

is there a way in LR (or bridge) to filter all images that are saved as 16 bit images.
i noticed i have a lot of scanned photos/slides that don´t need to be in 16 bit TIFF format.
8 bit is enough for them and would save me a ton of HDD space (even when most of them are LZW compressed).
but i need a way to find them in my 80000 images database.
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>
but this plugin changes a lot in the database right?
Right.
im always a bit fearsome when a plugin changes the database entrys.
Apart from increasing the database file size, I don't think there's
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Export All images with Folder Hierarchy?

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