Export same XDcam format and media menagment

I finished the project and I want to make a master file of the same format that was recorded.
In fcp7 I had the option Export ... Same format. How to do Export same format in FCP X?
How to make arhive project only. As media menagment in FCP7. So I have 100 GB of videos in the Library, I used about 20 GB in the Project, and want to save the project only with those shots + / - 1sec of each clip.

Okay, this was bugging me a bit so I went back to project from yesterday and did the following:
1) exported the last version of the project (with filter applied)
2) duplicated the sequence, opened each clip (5) and turned off the filter, re-rendered and exported.
#1 with filters = 452MB, #2 without filters = 535MB.
Most interesting difference: QT reports #1 has a bit rate of 30.5 Mbps, while #2 has a bit rate of 36.1Mbps. Why the codec "chooses" a different bit rate is odd, but clearly very sensitive to picture content!

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Itunes plays purchased HD videos fine, but constantly stalls while trying to play home created videos converted to the same file format and bit rate?

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Adobe Flash CS4 export image default format and dialogue default option

Dear Adobe users and programmers,
I would like to ask You whether there's a way where I can set default format of exported image from Adobe Flash CS4. Here's image describing what I mean:
And than I want to have default dialogue window set to "Yes" except "No" in rewriting old data:
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Fcp export in ntsc format and burn into IDVD

i need help, when i export my fcp , i have set the settings for ntsc but in IDVD, when payed, it keeps jumping. although i did another one in pal, and things are ok, what setting do i have to put and also mpeg will work also or not. is pal regular in all the dvd players or ntsc?

First, what is your sequence ntsc or pal? ntsc is the standard for north america. and pal is the rest of the world (for the most part). most pal players will play ntsc disks without a problem. and computers will play either pal or ntsc.
You need to describe your workflow from shooting, thru capture, and editing. If you start with ntsc, stay with ntsc. If you start with pal, stay with pal. If you have pal material and need to create an ntsc dvd or vice-versa you need to do a standards conversion to your finished sequence.

How can I export an image from Illustrator same canvas size and custom resolution?

Hey all. i am using Adobe Illustrator CS5 for creating images for iPhone app icons the size of image 374 px 374 px and 264 ppi. i created an image same size and ppi .the problem after export the image file size changing to 1371px x 1371px and 264 ppi pixel dimension.How can I export same canvas size and same resolution file from illustrator

10111980,
If you just forget about PPI and use Save for Web, you will get the 374 x 374 pixel size.
The 1371 x 1371 pixels is because you somehow increase the resolution by 264/72.
You should never mix pixel by pixel sizes and PPI.
The 374 x 374 pixels is the actual image size. At 264 PPI that will be about 1.417 inches. At 72 PPI that will be about 5.194 inches.

How to make colors look same in illustrator and Flash Builder

We had a designer build out our UI using Adobe illustrator, and then tried to replicate the same hex color and alpha codes in Flash Builder- colors are looking very different on the same machine
We have used basic web colors but the problem persists. Any pointers on why this could happen?

Thanks Joan... we managed to figure out the cause to a large extent- problem
arisen by the way the layers were built in Illustrator vs Flashbuilder. I
still have the following questions, that we are currently handling via a
workaround
a) when I try to skin the container using SkinnableContainer, the skin
doesn't take effect- but works, when I use same skin with a BorderContainer.
Any idea of why this is so?
The code used is as below
<s:BorderContainer id="Banner" height="15%" width="100%"
skinClass="mySkins.newskin1">
<mx:Image id ="logo" source="assets/graphics/logo.png"
x="{0.018Banner.width}" y ="{.09Banner.height}"
height="{Banner.height*0.7}" maintainAspectRatio="true"
width="{Banner.width*0.085}"/>
<s:Label x="{0.065Banner.width }" y ="{.293Banner.height}"
fontFamily="Copperplate" fontSize="34" kerning="on" color="#666666"
text="EUREKA WORLD"/>
<s:Label x="{.88Banner.width}" y ="{.293Banner.height}" fontFamily="Arial"
fontSize="14" kerning="on" color="#666666" text="Help | Log Out"/>
<s:Label x="{.865Banner.width}" y ="{.45Banner.height}" fontFamily="Arial
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</s:BorderContainer>
Skin attached
b) we are trying to replicate the design from Illustrator(exported in fxg
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and shadow
Regards

Export into multiple formats in one single task

Ever so often I have to export the same files in various Formats, for example one client wants a small JPG in low quality for layout, a full size JPG in 100% Quality and a DNG in case they still have to make corrections before going to print.
To this day I have to start 3 individual exports to fulfill that task.
Besides the fact that it would be much more comfortable to combine the three into one export with different formats and seperate subfolders - doesn't it take much longer that way?
As the exports start at different times I assume the RAW-files have to be loaded 3 times for each of the exports. Would make quite a difference if one has to export 600-700 images a day.

+1 vote.

Premiere and Media Encoder will will no longer export my edit to any file format.

This is on a Windows 8.1 PC.
The edit exported fine until I made one big mistake.
I created a Nested Edit to make a quick alteration.
Since then the following is now the case and I cannot go back to an earlier edit to fix this.
Premiere and Media Encoder will will no longer export my edit to any file format. Using either the Export Option or Media Encoder. Get a dialog that says "Unknown Error Compiling Movie"
There is nothing wrong with my footage. This edit worked fine and I export through Media Encoder many times until I made a Nested Edit within the Premiere Project.
I have tried all sorts of searches on the net for a fix to this but nothing seems to be current or indeed works.
Any help would be appreciated as this is a show stopper.

Thanks for the reply Mark, appreciated.
I have found a work around but it still leaves a long term issue for Adobe to fix.
As to your first solution:
1). The nested edit is already in its own timeline panel. It will not export or encode via media encoder. This is the problem.
2). I will try the KEM roll feature but I have a work around see following.
3). No I do not have a nested edit within a nested edit.
I did a lot of research on the net on this issue as it happened to a colleague of mine on his machine about two weeks ago. It took me six hours to get a fix and in his case there were six video clip that had read errors. When I overwrote those clips from the original backup master it fixed the problem. However I was never able to use Media Encoder again to export his project without it failing. I could only use the Export feature. Again he had used a nested edit in his project.
I my case I do not have any nested edits within a nested edit. All I did was drag my main edit onto the New Sequence icon at the bottom of the Project Bin. This of course created a nested edit in a new Timeline Panel which is what I wanted. I then slid the entire nested edit to the right in the timeline by two seconds as all a wanted to do was add two seconds of black at the head of the edit. That was it. From that point of creating the nested edit Media Encoder and the Export option failed every time with the fore mentioned error.
The final work around was one of those I found previous mention of during my research. I created a new clean Premiere Pro CC 2014 project, I then used the import option under the file menu. I imported only the original main edit which brought in that edit along with all the required footage. This would then export to disk using the Export feature. However, Media Encoder will still not encode this new edit, it fails the same way every time, 'Unknown Error Compiling Movie'.
As a test I loaded the old corrupt edit project back up and deleted the nested edit sequence completely and re-saved it. This had no effect and did not fix the problem. This particular project file will no longer export directly or via media encoder at all no matter what I do.
This seems pretty serious to me. I worked on this edit for a whole month without issue, encoding out roughs as a went without any issue, it was only yesterday after I made the nested edit that the project file is now useless as it will not encode out at all. Yes I have a work around and was able to salvage my project and get it rendered in time for my deadline but the fact I have a partially working Project that Media Encoder will not touch does not instill me with confidence for long term use of Premiere Pro if this is going to happen again.
Is there some place I can send this project file to Adobe to see if they can find out what is wrong with it? I am not the only person having this issue I have seen other post going all the way back through CS6 it seems.

I have trimmed some R3D flies in Premier Pro and I want to export the trimmed versions in full res to my hard drive, i.e. I want to export the files so that they end up on my hard drive in the same native format. I don't see an option for this in Premier

I have trimmed some R3D flies in Premier Pro and I want to export the trimmed versions in full res to my hard drive, i.e. I want to export the files so that they end up on my hard drive in the same native format. I don’t see an option for this in Premier Pro when I go to export. Any help would be appreciated. Thanks!Premiere Pro

Aperture has the ability to work with files in their existing location. They are called "referenced masters." When you import images, you should select the "In their current location" in the "Store Files:" drop down box. Have a read of the documentation for full specifics. Unsure how you can resolve your duplication; might be some work but next time have a read of the manual first
Information for versions is stored in the Aperture database (library file). The masters can be inside the library file itself, or they can be somewhere else.

Premier Pro CC and Media Encoder crashing on long file export.

Please forgive the length of this inquiry. But it is complicated and has a lot of variables.
I have an hour long mixed format timeline both Red 3K footage and Black Magic ProRes 1080P footage that I want to make a DVD from and it takes forever and crashes half way through. I have tried doing it every way possible and the only way I was able to get even a partial export was using the "MPEG 2 DVD" export option in Premier CC. It goes fast at first telling me it will take about 2 hours but even though it starts quickly doing about 15 fps it slows down to less than 1 fps and finally just stops and crashes my Cuda Core enabled Macbook Pro Laptop.
I really don't know who to ask about this since there are so many different variables. I never had a problem like this on my MBP with PP6 on a 4K timeline exporting to DVD or Blue Ray or to H-264 or Even Prores. But I wasn't mixing formats either. But on this project the first 20-30 minutes of footage goes through fine in a couple of hours but something seems to be bogging down the system on longer projects. My work around was to break the project up into multiple exports and combining them on the DVD timeline but I can't do this on every project. I thought maybe it was a corrupted clip somewhere in the timeline but when I broke the timeline up into several parts I had no problems.
I did notice a dramatic variance in the time it took to export footage based on the sequence settings. A one minute timeline comprised Red 3K footage and ProRes 1080P footage Here are some sample export results:
From a Red raw 3K timeline 2880x1620 with 1080P Prores footage upscaled 150%)
to .m2v Mpeg 2 720x480 format    1:48 Minutes ***
to .mov Prores 422HQ 1080P                         22 Minutes
to .mov H.264 1080P                    22 Minutes
to .m2v Mpeg 2 1080P                                                22 Minutes
From a 1080P timeline Prores footage at 100% (Red footage downscaled to 67%)
to .m2v Mpeg 2 720x480 format                         13 Minutes
to .mov Prores 422HQ 1080P                             13 Minutes
to .mov H.264 1080P                                                             14 Minutes
to .m2v Mpeg 2 1080P                                                            14 Minutes
Since I am going to DVD, I chose the fastest option Red to m2v Mpeg 2 720x480 format which only took 1:48 per minute. Why? I have no idea. Maybe someone here knows the answer. But again these numbers are for a ONE MINUTE clip when I tried to convert the whole hour timeline to the 720x480.m2v DVD File the Red timeline froze my computer after several hours even though I had set sleep mode to “Never” and turned the display off manually and I had to convert it in multiple chunks. In 20-30 minute chunks it did go fast about 1:48 per minute like the test indicated. But I would like to be able to convert the whole hour and not to have to try to stitch the clips together in my DVD authoring program.
I don’t want to have to avoid using multiple formats on the same timeline or waste time transcoding everything to the same format.
Can anyone give me any suggestions as to why the computer is crashing or bogging down in long exports and what timeline settings I should be using?
I have plenty of room on my Scratch Disk and 8 Gig of RAM and according to my Activity Monitor during the export process have about 800 Meg of System Memory during export but the CPU Usage is 98% and in my Activity Monitor I see under “Process Name” ImporterRedServer flashing up at the top of the list about every second during export.
Why .720x480 mpeg DVD setting is so much faster than all the other export codecs?
And if there are any other settings I can use to get higher speed exports in HD? 14x1 seems a little slow especially since every time it crashes I have to start over.

Hi,
Since a long time I did not encounter the crash of Media encoder with
long file export.
But I take care of a lot of details before the export :
- clean up Media cache and Media Cache Files within PP CS6 and/or CC,
- delete all render files with Preview Files,
- rendering of sequences until the rendering is completed,
- PP CS6 and/or Pp CC opened during export to AME and/or Encore CS6,
I guessed to leave Adobe but this company remains the last with a
serious authoring software (Encore CS 6).
I tested :
- Avid Media Composer, Final Cut Pro X, both are very good software but
no really authoring software for these video editing softs.
Th only way is to "flood" Adobe with "bug reports" and "wish forms"
which are not very easy to use.
And also to call the Adobe support day by day until they send they
escalate the bug.
Le 16/05/2014 16:51, alainmaiki a écrit :
>
      Premier Pro CC and Media Encoder crashing on long file export.
created by alainmaiki <https://forums.adobe.com/people/alainmaiki> in
/Premiere Pro/ - View the full discussion
<https://forums.adobe.com/message/6384665#6384665>

How to export a video at a moderate certain format and size in premiere CC 2014: No Huge File Results!

I have the latest version of Adobe Premiere, CC 2014 but whenever I want to render and export a video that is typically 70 megabytes in size I can't seem to always see how big the file will end up being for all the formats and I don't want to end up with a video larger than 250 to 300 megabytes in size just for the extremely best or highest quality even though I want the video to be well polished and in better quality than I usually get thee, These videos are usually imported as mp4. What file version of mp4 or otherwise would give me an originally imported video of 70 megabytes an output of no more than or around 300 megabytes or even less without compromsing video quality? I don't want a huge file size as I am uploading it to my YouTube channel via their web interface on another person's machine and they don't have Premiere and only has a DSL connection. So what video output settings should I use for a good quality video that isn't smaller than the original but the same size or a bit higher and not extremely large like MOVs and sometimes mp4s usually are depending on what you do to it and it is outputted.?

Export
Format: H.264
Preset: YouTube (make sure this matches the dimensions of your sequence)
You could further adjust the Target Bitrate but the preset is already setup for a good quality file for upload.
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Premiere Pro CS6 and Media Encoder CS6 Color shift on export

Hello,
I am working on an early 2008 Mac Pro with 2 X 3.2 GHz Quad Core Intel Xeon Processors 32 GB of RAM a NVIDIA GeForce 8800 GT 512 MB Graphics Card and I am running OS X 10.8.2.
I have the updated Version of Adobe Premiere Pro CS6 and Media Encoder CS6 through the awesome Subscription program that Adobe has started.
My footage is shot with the Canon 1D Mark IV shot 1920X1080 at 24 FPS
I am importing the camera files and then exporting them after I cut them up in to Quicktime Pro Res 422 HQ files
With the technical explination out of the way here is my problem. I have color right from the camera files that I like. and with out doing any thing to change the color I export the footage and get a dramatic color shift. The exported file looks desaturated and slightly green.
I have tried using Media Encoder CS6 to export my footage and that has the same result.
I started my career as a photographic retoucher and use photoshop and light room constantly so I am pretty confident that i know color. I also calibrate my Lacie 526 and Lacie 324i montiors monthly as well as have a sensor that will slightly shift the profile depending on the time of day.
I have attached three screen shots that show the color shift exactly. Now what I need is a solution. What I am not seeing is color settings for Premiere. I am totally open to any suggestions on what I might be doing incorrectly.
Ben

Benjamin Peterson wrote:
I started my career as a photographic retoucher and use photoshop and light room constantly so I am pretty confident that i know color. I also calibrate my Lacie 526 and Lacie 324i montiors monthly as well as have a sensor that will slightly shift the profile depending on the time of day.
I've been doing this for a few years now, and have come to some conclusions. Basically, the difference between still photography and video is like the difference between playing the trumpet and the sax. What you bring to the sax from playing trumpet is your ability to read music, what you know about composition, blending while playint with others, ect. But playing trumpet tells you nothing about how to physically play a sax. So it is with still photography and video.
For starters, your carefully calibrated computer monitor is just that, a computer monitor. It doesn't display the correct working space for video. What you need for WYSIWYG in video is a monitor that can show you the Rec.709 working space. Rec.709 has a different gamut, a different gamma, probably a different white point (D65), different phosphor colors, etc., etc., etc. Enought differences that it's difficult to make a computer monitor that can successfully display Rec.709. Yet there are a couple of computer monitors that can do this (a few Eizos, one HP). The vast majority of people doing serious color correction work in video use a production monitor for just this reason.
But a production monitor isn't enough. You also have to make sure that the signals you're sending the production monitor are correct. There's a sub-industry making signal converters for signals from NLE video cards (usually RGB based) -> signals for production monitors (usually YUV based).
That said, it is certainly possible to get a very good match between your NLE suite and a DVD / BD as displayed on an HDTV. But it's not as simple or easy as a calibrtated computer monitor for still photography use.
This is probably part of your problem. But Quicktime is probably the root of it. Quicktime is, well, I guess the polite way of saying it is that Quicktime is problematic. It gives all kinds of problems. Most people have abandoned it. You should too.

To Send HTML Format and excel file attachment in same mail

Dear All,
        Have requerment ,to send a mail options HTML table format and same data in excel file attachement.have capable to do the html format using methods BCS .but how to send excel format attachment in same mail.
Please guide me how to do it.
Regards ,
Santhu
Edited by: santosh jajur on Apr 9, 2010 1:54 PM

Santhosh,
please check the code:
report bcs_example_7.
This report provides an example for sending an Excel
attachment in Unicode Systems
constants:
gc_tab type c value cl_bcs_convert=>gc_tab,
gc_crlf type c value cl_bcs_convert=>gc_crlf.
parameters:
mailto type ad_smtpadr
   default 'ur mail id'.                    "#EC *
data send_request   type ref to cl_bcs.
data document       type ref to cl_document_bcs.
data recipient      type ref to if_recipient_bcs.
data bcs_exception type ref to cx_bcs.
data main_text      type bcsy_text.
data binary_content type solix_tab.
data size           type so_obj_len.
data sent_to_all    type os_boolean.
start-of-selection.
perform create_content.
perform send.
form send.
try.
      send_request = cl_bcs=>create_persistent( ).
    create document object from internal table with text
      append 'Hello world!' to main_text.                   "#EC NOTEXT
      document = cl_document_bcs=>create_document(
        i_type    = 'RAW'
        i_text    = main_text
        i_subject = 'Test Created By BCS_EXAMPLE_7' ).      "#EC NOTEXT
    add the spread sheet as attachment to document object
      document->add_attachment(
        i_attachment_type    = 'xls'                        "#EC NOTEXT
        i_attachment_subject = 'ExampleSpreadSheet'         "#EC NOTEXT
        i_attachment_size    = size
        i_att_content_hex    = binary_content ).
    add document object to send request
      send_request->set_document( document ).
    --------- add recipient (e-mail address) -----------------------
    create recipient object
      recipient = cl_cam_address_bcs=>create_internet_address( mailto ).
    add recipient object to send request
      send_request->add_recipient( recipient ).
    ---------- send document ---------------------------------------
      sent_to_all = send_request->send( i_with_error_screen = 'X' ).
      commit work.
      if sent_to_all is initial.
        message i500(sbcoms) with mailto.
      else.
        message s022(so).
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endtry.
endform.                    "send
form create_content.
data lv_string type string.
data ls_t100 type t100.
columns are separated by TAB and each line ends with CRLF
concatenate 'This Is Just Example Text!'                  "#EC NOTEXT
              gc_crlf gc_crlf
              into lv_string.
header line
concatenate lv_string
              'MSGID'    gc_tab
              'MSGNO'    gc_tab
              'Language' gc_tab                             "#EC NOTEXT
              'Text'     gc_crlf                            "#EC NOTEXT
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data lines
select * from t100 into ls_t100
    where arbgb = 'SO' and msgnr = '182'.
    concatenate lv_string
                ls_t100-arbgb gc_tab
                ls_t100-msgnr gc_tab
                ls_t100-sprsl gc_tab
                ls_t100-text gc_crlf
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endselect.
select * from t100 into ls_t100
    where arbgb = 'SO' and msgnr = '316'.
    concatenate lv_string
                ls_t100-arbgb gc_tab
                ls_t100-msgnr gc_tab
                ls_t100-sprsl gc_tab
                ls_t100-text gc_crlf
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try.
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          iv_codepage = '4103' "suitable for MS Excel, leave empty
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          et_solix = binary_content
          ev_size   = size ).
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endtry.
endform.                    "create_content
Thanks.

Can I export in different formats at the same time?

Most of my pictures are in different formats. When I choose ones of different formats and then try and export them at the same time, I have to choose what format to put them in(TIFF, JPEG, etc.) Is there an option to export each one in it's original format or do they all have to be exported in one format of my choosing?
Maybe I just don't understand formats and how Aperture makes adjustments from Masters to Versions.
Please help if you can.
Thanks,
Brian

i do all the time. Select the images you want to export and start to export. Once the export begins, select a second set of images and start to export. You can watch the exports through Activity Monitor under Window Menu.

Export same XDcam format and media menagment

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