Export settings for high quality, high resolution screen cast

I am trying to use iMovie for editing some software demo screen casts, and while my movie looks dandy in iMovie shown full screen, my final export looks like there is a lot of compression and antialiasing going on.
I am starting with a 1920X1080 screen capture via iShowU HD Pro, using Animation as the compression type. For final output I am using the Export using QuickTime option, and I have tried MPEG-4 at Best Quality, H.264 with Best Quality Compression and Multi-pass Encoding, and both look pretty bad. Anyone have any recommendations on the best export settings for a screen cast? Especially one that I would ultimately like to make available cross platform as well as via iTunes?
Thanks,
Gordon

I understand iMovie 6 won't compress the import. Everyone complained when apple changed away from iMovie 6 and but a link to download ILife6 (no cost) but they have since removed the link. I am looking for ILife 6 myself to get an uncompressed import if you find it please post so I can get it too, thx dan

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Hi, I am trying to make video of a musical piece, featuring the score of the piece with pages turning following the progression of the music. I made the video in Adobe After Effects CS5 and exported it so it would be lossless. The video itself is a .mov file and looks great when I view it in Quicktime, but when I import it into FCE the quality goes down a bit. I don't know if FCE is handling the clips correctly or if it's just for making it quicker to view. Any suggestions on export settings from FCE for best quality of a video of this nature, so that the notes are clearly readable.
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Ps. It has to be in a format suitable for Youtube.

Under "Sequence" and in "Settings" and in the tab "Render Control" I have: Frame Rate: 100% Resolution: 100%.
If that is what you were referring to... but under the tab which is called RT and is located left of the timeline and left of the timecode. There I have checked : Safe RT, (Playback Video Quality) Dynamic, (Playback Frame Rate) High.
There might be a way to import the clip in better quality (so it doesn't downgrade the quality).
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Best image EXPORT settings for best quality

What should i have my export settings at when exporting to a jump drive to give to clients for web and printing use???
When i see my images uploaded on Facebook for example, the qulity looks poor which worries me that when printing the quality will be poor as well. Am i missing something in the setting for exporting? What is the proper way to export for the best quality image? HELP!
My settings now under Aperture>Presets>Image Export:
JPG Original size
300 dpi

t_hall10 wrote:
The information provided was helpful, but did not completely answer my question...
Are there specific settings with-in Aperture I can set for exporting so that clients have the ability to print as wanted and post on the web as wanted whithout losing any major amount of photo quality?
No, not for one size fits all.
I do appreciate this may be a frustrating answer, but non-the-less, that's how it is.
t_hall10 wrote:
Should I be gving 2 folders of pictures, one for web use and one for printing use? If I were to do that, what should the exporting setting be set for both folders?
Maybe, it's your choice.
Let's go through the settings.
The only real quality setting is for JPG compression. 12 is virtually no (lossless) compression but gives huge file sizes which may breach a websites limits.
A 16MP images on quality 12 will be about 22MB. 11 brings it down to 8MB and 10 down to 7MB. You'd be very hard pressed to see the difference between a 12 and a 10. But if you want to feel you are giving the best quality without the extreme file size, go for 11.
The the vast majority of web sites, like facebook, will either resize uploaded images and/or re-compress them. They may also crop them to a different aspect ratio to fit their browser software.
Many report the best size for upload to facebook, for small images is 960 pixels on the long side. For large images it's 2048. For different websites it may be different. It is discussed on many photography sites and blogs. You will find some promoting the 960 / 2048, and others with their own preferences. Here's a good one which also shows you many ways FB will mess with the images:
http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimens ions-types
The safest colour space is sRGB (Mac profile: sRGB IEC61966-2.1) as it will more often be right than wrong. You should preview your images on screen with this profile to get a feel for how it will look and avoid unexpected colour shifts in your files. Ideally your screen should be calibrated so you know what you are giving them is accurate.
To understand the printing issue, try this exercise:
If you have a printer installed on your Mac, it probably also installed some printer profiles. In Aperture, look at one of your nicer vibrant images. From the view menu turn on 'Onscreen Proofing' and then from the 'Proofing Profile' sub menu, select one of your printer profiles and look at how the onscreen image changes. Repeat with each of the printing profiles and see how the image changes each time.
This is only a fraction of the colour shifts that will be occuring after you give your file to someone and they print it on their own uncalibrated system with their uncalibrated printer.
Many photographers don't offer full size images to their clients. They will usually give them smaller versions for their own use, which may include small size printing.
They will either do the main printing themself on their own calibrated printer, or work with a print shop, and may have installed calibrated profiles on their system for the shops printing equipment so they can use onscreen proofing to gauge what the pictures will look like when printed on that equipment.
But if you are just giving a file to someone, you lose all control of how they will print it. Even experienced photographers and computer users can struggle to make the prints match close to what they look like on screen.
Most often photos will appear too dark, or the colours look wrong, or it lacks sharpness. There are some settings on the export presets for gamma and blackpoint compensation. Gamma will brighten the image for when it's printing too dark, and blackpoint will try to stop the shadows turning black (within the chosen colour space). But as you don't know in advance whether the images are going to print too dark, or the shadows are turning black, you can't really set these for a one-size fits all scenario.
So there are not many settings to help you here.
You are actually moving into the realm of defining your product. You could, for example, ask the client which site they intend to publish the photos on, research that site and produce files optimized specifically for that site.
You also need to decide what size (resolution) files to give them for printing and whether you are happy giving away your full size images.
These choices will lead you to a number of a different files sizes as 'your product', all should be in sRGB colour space, and all with quality 10 or 11. For any client's who know how to make use of a wider clour space like Adobe RGB for printing, they will probably ask you up front to supply the print versions as such.
Next, for each size and usage, you now need to sharpen these images.
This is because sharpeing is best applied to images that have been resized to their intended output size and should be sharpened in accordance with how they will be viewed. Images displayed on computer screen generally need less sharpening than those that will be printed. Depening on the printer, the images may need some oversharpening in the file, in order to appear crisp and sharp in the print. As you won't be controlling the printing process you should probably avoid oversharpening. The bottom line is, if people are taking on the task of their own printing, they'll need to figure out what they are doing to get good results, or use a commercial printer.
Andy

Export settings for HD-quality video

I'm using Quicktime Pro 7.6.4
I'm trying to create a short time-lapse video from stills from a DSLR.
What should my export settings be to create a video at HD quality?
Being a still photographer I had originally assumed that the image size was the main factor but I see the "date rate" had a lot to do with it.

Image size does matter as QuickTime can make "movies" from your image sequence files that would be too large to fit your display.
You can then scale down the "video" dimensions in the Movie properties window to fit your HD dimension of your choice.
Depending on how many images files you're bringing in with the image sequence import would also determine the "original" frame rate. Lots of large files may need at least a one frame per second during the import. You can then adjust this video "time" by adding it "scaled" to an audio file and then extracting the new video track.
300 large image files at one frame per second would be added (scaled) to ten seconds of audio to give a 30 fps rate. You may not need such a fast rate and adding it to a longer audio file may work better.
I would use the H.264 video codec. The data rate would require some experimentation. I would start at 2500 and move up in 500 increments until you find out what works best (file size versus image quality).
All of these settings also depend on your final delivery media (Web, Computer or local files).

Export Settings for best quality, smaller file size?

I have a one hour movie I made of a concert and exported it using Share --> Media Browser --> 720p. It came out great quality but it's 4.4gb's.
I need to figure out how to get that down to about 1GB while keeping 720p. HD movies in iTunes are two plus hours and only 3gb's from what I've seen. How can I use the same compression settings? There has to be a way to compress it a little more, while staying in 720p right?
What am I missing? TIA!

Compression quality really depends on the type of video that you are trying to compress. If the video is full of motion and noise, it will be very hard to reduce the file size through compression without massive loss. Compression is a trade-off. If you reduce the fame size to 480p, you may increase the quality of the video while reducing the file size versus trying to do the same thing at 720p.

FCE export settings for higher quality video

Hello. I'm a self-schooled newspaper video features producer and relative newcomer to Final Cut Express, shifting from Premium Elements. I've just begun using it to upload videos to my newspaper's finicky web system, which will only accept .flv files of a certain size. My modus operandi has been to export my videos as large .avi files, using Quicktime conversion and DV/DVCPRO/NTSC, with medium quality, with 16 bit sound set at 32 Khz. Then I run that .avi through the Adobe Flash Media Encoder with a frame rate of 15 fps, deinterlacing and resizing the screen to 640 by 480. This procedure (outlined by our former video editor) produces serviceable web quality video (You can see video that results from using these settings at http://wvgazette.com/multimedia). So, two questions: 1) I have created an 8-minute FCE music video for my band and wish to export it at a higher quality (for use on Vimeo) than these newspaper settings. Which of them do I change so that a higher quality video results without waiting all night for a massive file to upload? 2) And wthere might I turn for guidance on better understanding the Sanskrit of FCE video export settings for newbies? Thanks for any help.
Douglas Eye
http://hundredmountain.com

The simplest way to produce good quality video for the internet is:-
1. File>Export Using QT Conversion.
2. The "Format" window should say, "QT Movie".
3. In "Use" select "LAN/Intranet" from the dropdown menu.
4. Click "Save" and when it has finished encoding, upload it.
Do not mess about altering audio settings, frame rates etc.
Using the above settings an 8 minute video would be encoded in around 20 minutes (depending on computer speed) and would be well under 100MB.
Is that too big?
Message was edited by: Ian R. Brown

Best settings for highest quality results, Blu-Ray vs DVD

I am shooting AVCHD 1080p 60fps with a JVC GC-PX100, using a Windows 7, i7-2600 3.40Ghz., 8Gb.RAM, 1 TB HDD with PE11 and a Pioneer Blu-Ray writer drive.
I'm looking to find the best settings for replay on a 55" HDTV. I have tested both BD and DVD without seeing very much difference between the two as far as video quality is concerned,
but I want to make sure I'm using the right settings for the best quality on both drives. Can someone please offer a step by step settings procedure for both BD and DVD, also which do you
think is the better route to take between the two?
Also, I have noticed there is a ghosting image after letters/numbers on faster moving content (like railroad cars) on my video even before transferring it, can anyone give some insight to what that might be and if there may be a solution ??
Many thanks for your anticipated help.

Rikko
Thanks for the reply.
Referring back to your post 4.
Additional info: When I published my test video for DVD I chose “Computer” on the Publish+Share drop-down list, then chose MPEG, Presets: HDTV 1080p 29.97 High Quality.
Saved and burned to DVD. I also did the same choosing AVCHD Presets: MP4 – H264 1920x1080p 30. Saved and burned to DVD
Let us clarify. When the end result is "...burned to DVD" in either case, are saying that you take your saved file to DVD-VIDEO on DVD disc or AVCHD on DVD disc, using another Premiere Elements 11 project on Windows 7 64 bit.
My post numbered 1, contained the step by step for taking your 1080p60 Timeline directly to DVD-VIDEO on DVD disc or Blu-ray disc format on Blu-ray disc.
If you are going to introduce intermediates in your workflow (Timeline content saved to file and then burn to disc), then I would offer the following scheme
a. 1080p60 project preset (project 1)
b. 1080p60 Timeline saved to file via
Publish+Share
Computer
AVCHD
with presets = MP4 - H.264 1920 x 1080p30 (and then under the Advanced Button/Video Tab, customize the export settings for 1080p60 instead of 1080p30)
c. Import that back into Premiere Elements 1080p60 project (project 2) and burn to disc DVD-VIDEO on DVD disc, AVCHD on DVD disc, or Blu-ray disc format on Blu-ray disc..
This is another alternative interpretation to your saved and burned to DVD.....in one project, you are doing two different exports...one to a file saved to the hard drive and after than the burn to disc (be it DVD-VIDEO on DVD disc, AVCHD format on DVD disc, or Blu-ray disc format on Blu-ray disc). If this is the case, there is no "intermediate".
There used to be the discussion about HDV to DVD-VIDEO format on DVD disc - whether HDV file should be imported into the project as source or whether the user should downsize the HDV to DV widescreen in the camera before import into a DV Widescreen Premiere Elements project. As we getting into this type of question with your 1080p60 to DV widescreen?
Please review and consider. And, then please let me know if any of the above addresses your considerations.
Thanks.
ATR

What are the best export settings for a HD video in Premier Pro CS4?

Hi!
   I've been having so much trouble with this issue and it's something that continually frustrates my boss. I have a HD video the settings for it are
FPS 23.98
1920 x 1080, then a few lines down it says 1408 x 792
16 bit,
2 channels
48000 Hz
   What should the settings be when I make a new sequence?
             When I look at it in the window in Premiere Pro I have to contantly 'shrink' the image to fit the window, is that something I should be doing or does it indicate the sequence settings are incorrect?
But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
Vimeo is 500 MB per week, sometimes I upload 4 videos per week. I think Youtube you can only upload 500 MB at a time.
I need to get smaller sizes with loosing the least amount of quality possible AND the best export settings for quality, so I guess I have 3 separate questions-
What are the best sequence settings for HD video?
What are the best export settings for HD without loosing any quality?
What are the best export settings for the size to come out around 500 MB with loosing the least amount of quality possible?
Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

Best Export Settings For Fast/Low-Res QuickTime Movies

I couldn't find a discussion room for FCP 7 so I figured if anybody is proficiant with FCP X, they could help me.
Hello,
I really could use some help with my export settings using FinalCut Pro 7. Most of my shows are no more than 20 minutes and I pretty much know the best QuickTime export settings for uploading to Vimeo, Exposure Room,YouTube...etc. But now I am trying export a lengthy project at 53 minutes.
The footage is mixed and some of it was not converted to ProRes but it plays great and renders fine in the timeline. The sequence settings were picked automatically at 1920x1080 because of the main footage that was brought in.
This upload is for client viewing purposes ONLY so I really don't care about the quality as much as the export speed. As far as what I’ve tried - I am using the H.264 codec. I tried lowering it to NTSC 720x480, then tried 1280x720 HD. I set the compressor lower than medium and the Kbps (?) settings to AUTOMATIC when I typically set it manually, between 3000 and 5000. My audio is set at AAC.
It’s a crappy project because of the way it was frankenstein’d together in the field (I’m just cutting it), but I'm committed now and have a huge deadline. I'm getting a bit nervous because of how many hours it’s taking to export. The client is going to make inevitablec hanges and will want to see those changes quickly again - online.
NOTE: My Compressor does not work and I’ve never needed to use so far so that option is not available.
I could really use could some wisdom today!
Thanks so much to whomever can steer me in the right path.
`Patrick
Message was edited by: prepstein

Try here
https://discussions.apple.com/community/professional_applications/final_cut_stud io

Best PE7.0 export settings for Youtube HD, Vimeo or Smugmug?

Hi all,
I'm really new to video editing and I can't find any recommendations on the best Premiere Elements 7 export settings for Youtube HD, Vimeo or Smugmug. It seems like most of them want you to upload in 1280x720.
My original source is 1920x1080 30p AVCHD from a Canon HF100. Obviously, I would like to keep it at the same frame rate. There doesn't appear to be a preset in PE7 (or a way at all) to output 1280x720 30 into an MPEG container with H.264 encoding. When I go into the advanced properties of a preset like "H.264 1920x1080i 30" or "MPEG2 1920x1080i 30" and choose 1280x720, I no longer have an option for 29.97 fps - the only options are 23.976 or 24 fps. It seems bad to change this, right?
I see the preset for "HD 720p 30" which appears to be MPEG encoding of the video stream instead of H.264. This seemed to work OK, but I wasn't sure about it, because when I choose it I see in the description a line that says TV Standard: NTSC. A number of web sites indicate that H.264 is preferred, but I don't really understand why.
I also found a way to do H.264 in a Quicktime container. This seemed a little suboptimal because you can't do variable bitrate. When I unselected the "select bitrate" checkbox, it seemed like a quality of 50 yielded a .mov file with a bit rate of 2.87Mb/s, and a quality of 100 yielded a .mov file with a bit rate of 26Mb/s. It is confusing to me how the quality setting affects the bitrate on the quicktime containers.
I'm leaning towards using the "HD 720p 30" preset and working with the bit rate choices, but am open to comments. What do others think?
And on a related question - assuming we choose the "HD 720p 30" preset as a starting point, given the 1GB file restriction at Youtube, it seems to make sense to choose a bitrate that allows both good quality and reasonable file size. I don't know much about whether VBR 1 pass, 2 pass or CBR would be best for this kind of online HD video. Google is a little unhelpful here: http://www.google.com/support/youtube/bin/answer.py?hl=en&answer=132461
This page (http://webvideotechniques.com/123/bigger-and-better-encoding-for-youtube-hd) seems to indicate aiming for a bitrate of 8Mbps with a minimum of 4Mbps, including 2 pass VBR.
So, basically, I'm confused and a little overwhelmed. I think I have solutions that work, but it's hard to tell. What does the greater community think? Thanks.

Thanks very much E Mann, that was a very helpful thread. I think it actually would apply for youtube as well. For other users, here's a direct link to the settings for Premiere Elements:
http://eugenia.gnomefiles.org/2007/12/08/exporting-with-adobe-premiere-in-720p/
Roughly, the answer is:
Quicktime container
Video codec: H.264
Quality: 80 (I used 100 and it just takes longer to encode)
Frame Rate: 29.97 (I guess if you are shooting in 24p, this might be different)
Bitrate: 5000 (I might try 8000)
Audio codec: AAC
Output channels: Stereo
Frequency: 48kHz
Now, my own personal changes to this recipe are:
Quality: 100 - takes longer to encode, no file size difference
Bitrate: 8000
Frequency: 44kHz (recommended by youtube)
One final note is that for Vimeo it appears you may have to try encoding in 29.97 or 23.97 and test to see which you like better. Apparently Vimeo caps fps at 24.
The nice thing about this is that you can get a quality video directly out of Premiere Elements and you don't have to pipe it through another program.

Best export settings for HD video playback on computer?

I have shot my video on 1080p witha DSLR and edited it in premiere pro. I exported the video in .mp4 format.
Now i imported the video in after effects and added loads of animation. I want to export it to the best quality for playback ON COMPUTER ONLY. Which is the best export settings for this purpose.
I rendered it in .avi and my 12 minute video had a size of 55GB after render and did not play smoothly in the computer.. PLEASE HELP WITH THE BEST SETTINGS for the above purpose.

You messed up. You should NOT have rendered MP4 out of Premiere to use in AE. You're adding compression and quality loss in between stages. BAD video person!
The easiest thing to do would be to import your Premiere project in AE. That way it can use the original footage too. If, for some reason, you can't do that, you should render a lossless file out of Premiere. Speaking of lossless files, that's what you rendered out of AE. This page explains your large AE file issue.
Anyway, take that large file you render out of AE into the Adobe Media Encoder and render out your final compressed file. Either H.264 or WMV should work well for playback.

FCE-HD export settings for slideshow

Hey dear specialists,
I need to have a help for the export settings for a slideshow
I am using FCE-HD 4.01 on either MacBookPro with Mountain Lion or on my old G5 with 10.6
Input are slides in JPEG with 15MByte Pixel.
As soon as I am using transition of a picture the result in export in all setting I can choose from FCE, which I found out is very bad, because picture has the interlacing effects at the borders
What can I change to get a good result
Thanks in advance for the feedbacks
Best regards
FJ
N.b.: screenshot abstract >>>> see right hand video lines

Hey Russ,
the video rate of the object does not change when I manipulate on the easy setting
If I import pictures, I do this directly from pircture folder into the BIN, and that should be independently from video input setting
The frame rate should also not be a problem for me here in Germany, because working directly from MAC to flatscreen
I put you a screenshot of the new sequence
The Mov output looks not that bad, even if one looks into detail see picture attached, the steps between one and next frame creates problems
I try also to send you the latest version of a slide transiltion example in iPhone quality ( this can not be attached ) it is a 2MB file. If you like I send you by email.
looks a bit improved vs the morning, but I do not feel confident.
What do you think?
Best regards and will come back tomorrow
FJ

Best export settings for dvd

Im sure this question has been answered already but i dont see it anywhere. So what is the best export settings for getting the highest quality from my original footage for making dvd in encore? My original footage is recorded in AVCHD

>require this much memory
Just a comment to help with future communication... memory is RAM, file storage is on a hard disk
Glossary of Terms http://forums.adobe.com/message/2276441 to help w/communication
My 3 hard drives for video editing are configured as...
1 - 320Gig Boot for Win7 64bit Pro and ALL program installs (2)
2 - 320Gig data for Win7 paging swap file and video project files
When I create a project on #2 drive, the various work files follow,
so my boot drive is not used for the media cache folders and files
3 - 1Terabyte data for all video files... input & output files (1)
(1) for faster input/output with 4 drives
- use drive 3 for all source files
- use drive 4 for all output files
(2) only 60Gig used, for Win7 & CS5 MC & MS Office & other smaller programs
Search Microsoft to find out how to redirect your Windows paging swap file
http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
Drive C space http://forums.adobe.com/thread/1007934?tstart=0

Best export settings for DNxHD?

Hey guys,
I'm working with R3D files (4KHD) in CS6 and need to export them for grading/editing in DNxHD at 1080p. Any tips on the best export settings for this?
Also - is it necessary to downconvert the 4KHD in some way to 1080p before the export process? The files I'm ending up with are a noticeably poorer quality than the original; I'm not sure if this is due to an error I've made during the conversion or if its a natural part of using the codec?
Thanks if you can help!

For now, it would be on my own website or a clients website. But there may
be another possibility, I have a client that already has some videos
available for viewing on their website, looks like they are YouTube videos
that play on their site, and there is an option to "Watch on YouTube". So I
guess I would love some recommended export settings for a straightforward
video clip on my website, and if I need to explore the YouTube preset in
Premiere, let me know. Thank you, I really appreciate your answers and
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Export settings for high quality, high resolution screen cast

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