Export settings Quality slider stuck at 90% ?!

Im trying to export my final project and in the BASIC VIDEO SETTINGS dialogue box the quality slider is greyed out and stuck at 90%.
How do I get it to 100%? I've worked so hard to get everything to look great... I dont want to give up 10% at the final export!
Thanks!
R

Jim was correct. Some codecs are infinitely adjustable, while others are "fixed" because they are a distinct specification. For instance, the "DV" codec does not offer any quality changes. The specs are just so, and that is that. DV is DV, period. You can not change it to higher or lower quality of DV with a different bitrate. So goes it for ProRes - choose LT, 422, or HQ quality and be done with it.
Thanks
Jeff Pulera
Safe Harbor Computers

Similar Messages

Best export settings for slide show

I created a 3 page slide show in photoshop that I would like to burn to a DVD. The slides include copy, photos and a few logos. They look beautiful in photoshop. I've tried importing them to Final Cut Pro in order to add music and some transitions, but when I export to compressor or quicktime and burn to a DVD using Toast, everything is really fuzzy, even on my HD TV.
So I thought maybe I should do this in Motion. I exported to quicktime and used the animation codec and it looks fantastic in QT but loses some quality when I burn it to a DVD in toast.
Is my problem with Motion or Toast? And is this the way to go about it? I know FCP way better than Motion and would like to stay there. Is it possible to get the same results in FCP?

Tommyjamg wrote:
Basically I created a "powerpoint" presentation in photoshop, a series of photos with copy, etc.
I imported those slides into FCP and added transitions between slides, had some photos fade
in/out, nothing spectacular.
You left out the critical information: what size is the sequence?
Tommyjamg wrote:
And from what I've read on this post, it won't matter how I send it to compressor or qt, it will only
look as good as the DVD lets it because it's SD. Although that doesn't make sense to me because
I've had good luck sending movies I've made in FCP to a DVD and the video, as well as the titles
look pretty good.
Could be but your other movies were probably created using more DVD-friendly sequence settings and codecs.
Tommyjamg wrote:
What is the difference between a DVD and a DVD-ROM?
ROM is read-only-memory. It's just a disk with some files on it. DVD is a tightly spec'd MPEG2 video format.
bogiesan

What are highest quality export settings from iMovie to FCE 4.0?

I am using iMovie '08 to create Ken Burns effect movies from iPhoto photos to import into FCE. I want the least amount of loss from iMovie to FCE.
What are the highest quality settings for exporting from iMovie to FCE.
I do not care about size of file etc. Highest quality is all that matters to me.
Cheers,
Chuck

Well here are the facts.
My original question rephrased: "I want to know what are the settings to export Ken Burns created movies (therefore using photos) from iMovie (in this case iMovie '08) with the least loss and regardless of file size for importation into Final Cut Express".
I went to the local Apple store and some of the users (employees) of Final Cut Pro mentioned appropriately they thought .DV would be the best. However when we played some created videos they looked horrible when compared to .MOV with H.264. This just did not make sense, but we went by what we were seeing. Not being able to think with this I did more research and found this article which explained why .DV lookes like pooh pooh compared to H.264 video.
The article http://docs.info.apple.com/article.html?artnum=93002 explains a setting in Quicktime preferences that if not selected some videos appear pixelated.
So, when this preference in Quicktime is selected (never thought to try playing on VLC) the .DV movies look better than those using H.264. So with this resolved then my trial and error testing was realistic. That is I could try different export settings and see which ones looked better to determine the best export setting.
I tried what I thought was everything as far as "Export using Quicktime..." settings. Then I read in "iMovie '08 & iDVD: The Missing Manuals" under "The Video Codecs: A Catalog" an explanation of every type of compression when using the settings under "Movie to QuickTime Movie". Finally someone wrote more data on the codecs. I never found such explanation on the apple website (discussions etc). I really got tired of reading how H.264 is the better than sliced bread "greatest quality for the file size" which I think is true but did nothing to answer my original question. The book then mentioned the option "none". I was like I don't remember this option for "Compression Type". (BTW this all applies to iPhoto '08, Final Cut Express 4, and QuickTime Pro). So I tried "None".
Wow! Zero pixelation! Vivid colors! So I created three videos. One using H.264, DV/DVCPRO - NTSC and None (I had already tried many others but for this last experiment just these three). I also maxed out the Quality for each compressor. Results:
- H.264 colors looked a little faded from the original photos and minor minor fuzziness, file size about 6 MB
- DV/DVCPRO - NTSC colors a little more vivid and less fuzziness, file size about 60 MB
- None...Bam! absolutely photo quality resolution and color, file size about 600 MB. I didn't care about the size.
So, bingo "None" as as the compressor settings in Quicktime to export iMovie '08 Ken Burns effect slide shows for importation into Final Cut Express (FCE) with minimal loss and who cares about the file size. Yeah, this is mammoth file but this allows me to make snappy Extremely High Quality Ken Burns effect videos in iMovie for FCE. Then when I export from FCE I don't make a copy of a copy but make my first compression of the video.
That is my answer!
I consider this thread closed and will only open if I find any of this is incorrect. BTW I already imported the iMovie '08 video with compression "None" into FCE and after rendering it looks awesome and plays well.
Cheers,
Chuck

Please help with highest quality export settings...

I have searched the forum and web for hours (no joke!) and I am still trying to figure out what are the best video settings to give me the highest HD quality video in daylight. I am using a Canon HF200 and the latest updated version of FCE. My problem is that I am unable to produce an HD quality video at 1920 x 1080 Full HD without being "jagged". I have two questions; what do you suggest to be the best FCE import and export settings to produce the best HD video, and what settings do you have your HF200 set to (for normal daylight conditions), to produce the best HD video file? The file will be played directly thru my computer to a plasma HDTV.
I have tried several settings, but using anything above 1280x720 16:9, makes the video "jagged". Again, I don't care about the size of the file or how long it takes, I just want the best. Is there something I am missing?
My FCP settings are the following:
I log and transfer the video from the camera into FCP (on a black MacBook; 2.16 GHz with 4 GB RAM) using the AVCHD Apple Intermediate Codec 1920 x 1080i source. I then export the video using the following:
Export using "Quicktime Conversion".
Quicktime options video settings are:
Frame Rate set to "Current"
Key Frames set to every "24" frames
Compressor quality: "best" (Encoding set to "best quality")
Data Rate set to "automatic"
Quicktime options video size are:
"HD 1280 x 720 16:9" (anything higher produces the jags!)
Deinterlace source video is NOT checked
My Canon HF 200 settings are the following:
- P mode
- FXP (17 Mbps)
- 60i framerate
all others are set to the normal default
I have read some reports saying the above is good and others suggesting changing FXP to MXP (24 Mbps) and/or the framerate from 60i to PF30. I don't care about the size of the file, I just want the highest quality HD file.
Any suggestions for the best FCE settings and/or HF200 settings would be very much appreciated!
Thanks for your help,
Evan

Thanks again for the feedback
Let me try my best to answer the above (I'm new at all this and I appreciate you guys taking the time to try and help me out).
First off, I tried rendering and that did not help.
Here is my sequence. I am not going into FCE from the camera directly. I have archived the video file from the camera using iMovie (as well as just making an exact copy of the camera files; they both appear to me to be the exact same, both can be logged and transferred into FCE, and both files give me a jagged FCE result).
Once I log and transfer the file(s), I then take the clip and add it to a sequence file (rendering or not rendering the clip(s) at this point does not make a difference), and then click/highlight the sequence file in the browser and export it.
As for "editing the video in a 1920x1080i60 sequence", I think I am. I am not doing any editing to the clip. It is logged and transferred using the AVCHD Apple Intermediate Codec 1920 x 1080i and then exported using either as a Quicktime Movie or Quicktime Conversion (set for 1920 x 1080 using H.264 compression; both ways still result in a jagged video).
That's about it...log and transfer, add clip to sequence, and then export sequence...
I hope this answers the above, but if not, I apologize; I'm still learning!
Also, if I use iMovie, with similar export (share) settings, I get a non-jagged video (I have tried with deinterlacing and not deinterlacing, and both video results are fine)
Thanks again,
Evan

Quicktime Export settings for projected slide presentation

I'm looking to find the best quicktime export settings to use in order to have a Keynote 3 presentation as a stand alone movie. I will be projecting the movie from a PC onto a large screen at 1024 x 768 resolution. The project is for a photography club public presentation, and needs to be top quality.
Thanks for your input
iMac 2.0GHz Mac OS X (10.4.6)

Barbara,
The 640X480 vs 720X480 dilemma is an interesting subject! DV Video and Video DVDs use 720X480 resolution. TVs do not have square pixels, but computer monitors do have square pixels - so some adjustment is needed, and 640X480 is the square pixel down-converted equivalent for computers to the 720X480 in non square pixels used by TVs......make sense?
iDVD supports high definition video
Well what this means is iDVD can read HD video files, and convert them to standard definition Video DVDs. It does NOT mean that iDVD can produce HD DVDs. HD DVDs and HD DVD players are not on the market yet.
Today's Video DVDs are not high resolution, they are 720X480. The only way to get higher resolution is to avoid the Video DVD standard, and just make a data DVD. This will not be playable on commercial DVD players, only on computers with the right software and codecs. If I needed to make professional presentations on large screen high resolution monitors, I would not use Video DVDs. Bring a new powerbook and use H.264
If you want to go the DVD route anyway, then 720 X 480 is the best you can get. I'd tell FotoMagico to export in HD (720p). This is a bit of overkill, as iDVD will encode at a lower resolution, but I've gotten good results that way.
You may have to use the anamorphicizer to get iDVD to realize the movie is Widescreen.
http://homepage.mac.com/sith33/FileSharing34.html
hope this helps
John B

Export settings for best quality for pages with letters etc.

Hi, I am trying to make video of a musical piece, featuring the score of the piece with pages turning following the progression of the music. I made the video in Adobe After Effects CS5 and exported it so it would be lossless. The video itself is a .mov file and looks great when I view it in Quicktime, but when I import it into FCE the quality goes down a bit. I don't know if FCE is handling the clips correctly or if it's just for making it quicker to view. Any suggestions on export settings from FCE for best quality of a video of this nature, so that the notes are clearly readable.
Thanks in advance
Ps. It has to be in a format suitable for Youtube.

Under "Sequence" and in "Settings" and in the tab "Render Control" I have: Frame Rate: 100% Resolution: 100%.
If that is what you were referring to... but under the tab which is called RT and is located left of the timeline and left of the timecode. There I have checked : Safe RT, (Playback Video Quality) Dynamic, (Playback Frame Rate) High.
There might be a way to import the clip in better quality (so it doesn't downgrade the quality).
Was mostly trying to find out with the export but it might have something to do with this.
Thanks

Export Settings for Optimum HD Quality

I'm getting back into editing after a couple of years away and having worked up until now with SD DV tapes. I now own a Sony HDR-SR10E Hi-Def camcorder, a brand new iMac with huge screen and more than enough memory/hard disk space, and a copy of FCE updated to work with AVCHD files. (Before the update, although I could preview the camcorder's files in the Log & Transfer window, for some reason FCE wouldn't actually import them when commanded, always giving me the dreaded Error; No Data message. Thankfully, the update fixed that. I work with the preset "AVCHD Apple Intermediate Codec 1920 x 1080i60")
I've just edited my first sequence; a three minute short, and ultimately intend to burn most of my movies to Blu-Ray. I monitor on the iMac, and whereas I used to monitor externally via DV deck and monitors, I've become used to this. My problem, I guess, is what are the ideal export settings to use to achieve a near loss-less movie at the other end of the editing process? "Export To Tape" is obviously redundant for me, so I'm left with "Quicktime Movie" or "Quicktime Conversion". The trouble is, nothing seems to give me the desired result. Plain old Quicktime Movie isn't good enough, leaving the exported movie looking under-resolved and full of horizontal artefacts, especially with moving objects featured. Neither can I find any presets/permutations within Quicktime Conversion that leave me with a half decent result; I'm basically left with files that are better or worse than each other depending on their varying degrees of artefacting!
I'm in the market for a quality external BD Burner and, probably, a copy of Toast Titanium 10 Pro, but there's no point in considering purchasing these until I can export good quality versions of the movies I edit in FCE. Can anybody please advise me as to the best export settings to use?
Thanks

FYI
To anyone interested in this thread, Tom's advice regarding export settings was good;
I exported as a QT movie. I then took a gamble, and bought Toast Titanium 10 Pro, and an LG BE08 external Blu-Ray rewriter, (although it doesn't officially support Mac), thinking that it's "plug-and-play" USB2 connectivity would be pretty universal. Luckily, it seems I was right. I burned the disc using Toast's Blu-Ray plug-in, and the HD playback quality on my PS3 is superb. To my eye it looks pretty much loss-less when compared to an HDMI feed straight from the camcorder to the TV.
The only niggle is that the disc shows up as an "Incompatible Disc" when I try to play it on my three-year-old Sharp Blu-Ray player, so be warned that the older machine may encounter problems!

Export settings for HD-quality video

I'm using Quicktime Pro 7.6.4
I'm trying to create a short time-lapse video from stills from a DSLR.
What should my export settings be to create a video at HD quality?
Being a still photographer I had originally assumed that the image size was the main factor but I see the "date rate" had a lot to do with it.

Image size does matter as QuickTime can make "movies" from your image sequence files that would be too large to fit your display.
You can then scale down the "video" dimensions in the Movie properties window to fit your HD dimension of your choice.
Depending on how many images files you're bringing in with the image sequence import would also determine the "original" frame rate. Lots of large files may need at least a one frame per second during the import. You can then adjust this video "time" by adding it "scaled" to an audio file and then extracting the new video track.
300 large image files at one frame per second would be added (scaled) to ten seconds of audio to give a 30 fps rate. You may not need such a fast rate and adding it to a longer audio file may work better.
I would use the H.264 video codec. The data rate would require some experimentation. I would start at 2500 and move up in 500 increments until you find out what works best (file size versus image quality).
All of these settings also depend on your final delivery media (Web, Computer or local files).

FCE export settings for higher quality video

Hello. I'm a self-schooled newspaper video features producer and relative newcomer to Final Cut Express, shifting from Premium Elements. I've just begun using it to upload videos to my newspaper's finicky web system, which will only accept .flv files of a certain size. My modus operandi has been to export my videos as large .avi files, using Quicktime conversion and DV/DVCPRO/NTSC, with medium quality, with 16 bit sound set at 32 Khz. Then I run that .avi through the Adobe Flash Media Encoder with a frame rate of 15 fps, deinterlacing and resizing the screen to 640 by 480. This procedure (outlined by our former video editor) produces serviceable web quality video (You can see video that results from using these settings at http://wvgazette.com/multimedia). So, two questions: 1) I have created an 8-minute FCE music video for my band and wish to export it at a higher quality (for use on Vimeo) than these newspaper settings. Which of them do I change so that a higher quality video results without waiting all night for a massive file to upload? 2) And wthere might I turn for guidance on better understanding the Sanskrit of FCE video export settings for newbies? Thanks for any help.
Douglas Eye
http://hundredmountain.com

The simplest way to produce good quality video for the internet is:-
1. File>Export Using QT Conversion.
2. The "Format" window should say, "QT Movie".
3. In "Use" select "LAN/Intranet" from the dropdown menu.
4. Click "Save" and when it has finished encoding, upload it.
Do not mess about altering audio settings, frame rates etc.
Using the above settings an 8 minute video would be encoded in around 20 minutes (depending on computer speed) and would be well under 100MB.
Is that too big?
Message was edited by: Ian R. Brown

Imovie08 export settings for good quality

I'm using iMovie08 with my Canon HF100 but cannot find the best export settings for my MP4-files. The exported movie needs to run on my PS3 and my macbook. I want to export in 720p and 1080p format, using H.256 and ACC, but I'm not sure what bitrate to use for my movies to get acceptable quality. Tried using 5000k for 720p but that left me with lots of compression artifacts.
Any hints?

For 1080p try unlimited bitrate or a minimum of 16000.

Best image EXPORT settings for best quality

What should i have my export settings at when exporting to a jump drive to give to clients for web and printing use???
When i see my images uploaded on Facebook for example, the qulity looks poor which worries me that when printing the quality will be poor as well. Am i missing something in the setting for exporting? What is the proper way to export for the best quality image? HELP!
My settings now under Aperture>Presets>Image Export:
JPG Original size
300 dpi

t_hall10 wrote:
The information provided was helpful, but did not completely answer my question...
Are there specific settings with-in Aperture I can set for exporting so that clients have the ability to print as wanted and post on the web as wanted whithout losing any major amount of photo quality?
No, not for one size fits all.
I do appreciate this may be a frustrating answer, but non-the-less, that's how it is.
t_hall10 wrote:
Should I be gving 2 folders of pictures, one for web use and one for printing use? If I were to do that, what should the exporting setting be set for both folders?
Maybe, it's your choice.
Let's go through the settings.
The only real quality setting is for JPG compression. 12 is virtually no (lossless) compression but gives huge file sizes which may breach a websites limits.
A 16MP images on quality 12 will be about 22MB. 11 brings it down to 8MB and 10 down to 7MB. You'd be very hard pressed to see the difference between a 12 and a 10. But if you want to feel you are giving the best quality without the extreme file size, go for 11.
The the vast majority of web sites, like facebook, will either resize uploaded images and/or re-compress them. They may also crop them to a different aspect ratio to fit their browser software.
Many report the best size for upload to facebook, for small images is 960 pixels on the long side. For large images it's 2048. For different websites it may be different. It is discussed on many photography sites and blogs. You will find some promoting the 960 / 2048, and others with their own preferences. Here's a good one which also shows you many ways FB will mess with the images:
http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimens ions-types
The safest colour space is sRGB (Mac profile: sRGB IEC61966-2.1) as it will more often be right than wrong. You should preview your images on screen with this profile to get a feel for how it will look and avoid unexpected colour shifts in your files. Ideally your screen should be calibrated so you know what you are giving them is accurate.
To understand the printing issue, try this exercise:
If you have a printer installed on your Mac, it probably also installed some printer profiles. In Aperture, look at one of your nicer vibrant images. From the view menu turn on 'Onscreen Proofing' and then from the 'Proofing Profile' sub menu, select one of your printer profiles and look at how the onscreen image changes. Repeat with each of the printing profiles and see how the image changes each time.
This is only a fraction of the colour shifts that will be occuring after you give your file to someone and they print it on their own uncalibrated system with their uncalibrated printer.
Many photographers don't offer full size images to their clients. They will usually give them smaller versions for their own use, which may include small size printing.
They will either do the main printing themself on their own calibrated printer, or work with a print shop, and may have installed calibrated profiles on their system for the shops printing equipment so they can use onscreen proofing to gauge what the pictures will look like when printed on that equipment.
But if you are just giving a file to someone, you lose all control of how they will print it. Even experienced photographers and computer users can struggle to make the prints match close to what they look like on screen.
Most often photos will appear too dark, or the colours look wrong, or it lacks sharpness. There are some settings on the export presets for gamma and blackpoint compensation. Gamma will brighten the image for when it's printing too dark, and blackpoint will try to stop the shadows turning black (within the chosen colour space). But as you don't know in advance whether the images are going to print too dark, or the shadows are turning black, you can't really set these for a one-size fits all scenario.
So there are not many settings to help you here.
You are actually moving into the realm of defining your product. You could, for example, ask the client which site they intend to publish the photos on, research that site and produce files optimized specifically for that site.
You also need to decide what size (resolution) files to give them for printing and whether you are happy giving away your full size images.
These choices will lead you to a number of a different files sizes as 'your product', all should be in sRGB colour space, and all with quality 10 or 11. For any client's who know how to make use of a wider clour space like Adobe RGB for printing, they will probably ask you up front to supply the print versions as such.
Next, for each size and usage, you now need to sharpen these images.
This is because sharpeing is best applied to images that have been resized to their intended output size and should be sharpened in accordance with how they will be viewed. Images displayed on computer screen generally need less sharpening than those that will be printed. Depening on the printer, the images may need some oversharpening in the file, in order to appear crisp and sharp in the print. As you won't be controlling the printing process you should probably avoid oversharpening. The bottom line is, if people are taking on the task of their own printing, they'll need to figure out what they are doing to get good results, or use a commercial printer.
Andy

Export settings for high quality, high resolution screen cast

I am trying to use iMovie for editing some software demo screen casts, and while my movie looks dandy in iMovie shown full screen, my final export looks like there is a lot of compression and antialiasing going on.
I am starting with a 1920X1080 screen capture via iShowU HD Pro, using Animation as the compression type. For final output I am using the Export using QuickTime option, and I have tried MPEG-4 at Best Quality, H.264 with Best Quality Compression and Multi-pass Encoding, and both look pretty bad. Anyone have any recommendations on the best export settings for a screen cast? Especially one that I would ultimately like to make available cross platform as well as via iTunes?
Thanks,
Gordon

I understand iMovie 6 won't compress the import. Everyone complained when apple changed away from iMovie 6 and but a link to download ILife6 (no cost) but they have since removed the link. I am looking for ILife 6 myself to get an uncompressed import if you find it please post so I can get it too, thx dan

Premiere Pro CS4 "Export Settings" window does not show up.

Hello,
I've run into a new problem with Premiere Pro CS4. Basically, when I select "File > Export > Media" my Export Settings window doesn't show up. If I click on the Premiere window I hear the beeping sound and nothing happens, if I hit Enter the Export Data window pops up and then Media Encoder opens. So, it seems that my Export Settings window is still open but I can't see it and make the necessary setting changes. It does not appear to be minimized and I can not locate it on my desktop anywhere. This is really frustrating because I was able to see the Export Settings window just a few weeks ago when I was exporting my last project. I've tried changing my screen resolutions but that didnt reveal the Export Settings window.
Does anyone know what is going on here and, more importantly, how I can fix it? I am really stuck here and am working against a deadline. Any and all help is greatly appreciated!
-Ben

Ben,
THANK YOU!!!! For two days I have been struggling with the exact same issue. And of course it was simple to fix, if I had just thought about it. Thank you for taking the time to post your experience. I had tried all sorts of stuff trying to get everything onto my #1 monitor, with desktop & workspace resets, resizing my display, etc. After reading and printing your post,
Hitting ALT+Space,
Down Arrow,
Enter,
and then pressing the left arrow and watching my Export window slide into view, I was laughing so hard, that I was tearing up. It would have been a month waiting for my second monitor to get repaired to get to see what was still being displayed on this ghost monitor. Each week, I video and edit our church's service and then post three versions (Windows Media Player, Ipod-MP4, MP3 Audio) of it to our web site. I would have been four weeks behind were it not for your post.
Again, a BIG Thank You!!!
Tony Salso
[email protected]
Cedar City, UT 84720
Tony—Professional Digital Pictures
--Videographer and Webmaster
Red Hills Southern Baptist Church
Serving Jesus in Southern Utah
[email protected]
www.redhillssbc.org

How to Export High Quality Adobe Flash Professional CS6

Okay, here's the situation. I've created a series of separate files of animations using .PNG images, and JPGs. Each animation is less than 1 minute long - and are separate files.
I have tried exporting various ones, and have had absolutely no luck in getting anything resembling high quality. I mean the first animations made by humans were better quality than this.
It's utterly ridiculous how bad this program works.
Anyways...
I've tried altering the frame rate, dimensions of the document, different export files, different players to view, I've gone into the settings and made sure the highest quality option is selected, etc. I've combed the internet for weeks and have read EVERYTHING on the subject (not much!!). I've also watched every relevant youtube video and nothing has worked!
I am losing my mind over this.
I even tried opening the files in Premiere and exporting them and they look even worse! What the hell is going on??
The whole reason I began using Flash is because research led me to believe it was made for this purpose but it clearly can't do...anything.
Is there any solution? Or should I just look into a different program?

What Image Export Preset settings are you using? (See and edit these via "Aperture→Presets→Image Export".)
16-bit TIFF is the highest quality Image Format. If you are using JPEG, set the Image Quality slider all the way to the right ("12"). Make sure size is set to "Original Size". "DPI" has no bearing on image quality -- it is just a setting that some apps use to determine how big to display the image on the screen.

FCE-HD export settings for slideshow

Hey dear specialists,
I need to have a help for the export settings for a slideshow
I am using FCE-HD 4.01 on either MacBookPro with Mountain Lion or on my old G5 with 10.6
Input are slides in JPEG with 15MByte Pixel.
As soon as I am using transition of a picture the result in export in all setting I can choose from FCE, which I found out is very bad, because picture has the interlacing effects at the borders
What can I change to get a good result
Thanks in advance for the feedbacks
Best regards
FJ
N.b.: screenshot abstract >>>> see right hand video lines

Hey Russ,
the video rate of the object does not change when I manipulate on the easy setting
If I import pictures, I do this directly from pircture folder into the BIN, and that should be independently from video input setting
The frame rate should also not be a problem for me here in Germany, because working directly from MAC to flatscreen
I put you a screenshot of the new sequence
The Mov output looks not that bad, even if one looks into detail see picture attached, the steps between one and next frame creates problems
I try also to send you the latest version of a slide transiltion example in iPhone quality ( this can not be attached ) it is a 2MB file. If you like I send you by email.
looks a bit improved vs the morning, but I do not feel confident.
What do you think?
Best regards and will come back tomorrow
FJ

Export settings Quality slider stuck at 90% ?!

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