Export to Matrox DV

Is it possible to export from FCP to Matrox DV format? I can do It from Sony Vegas by installing Matrox codec to my PC, but is it possible from FCP or Compressor. I would need this feature because I should send rough cut as a data transfer to a broadcast comppany who will make fine tuning. They use hardware matrox based premiere and would not like to make any file format transformations.

Yes, I have to try if they can handle some other codec (like quick time dv) in real time. If they can not, I think I use Vegas when I am editing something for them. Vegas is OK, just the "real time preview" is not so real time and that is why I would rather work with fcp. Sertainly I could go with the tape, but it is too slow and expencive way to go, day after day.
MacBook Pro 1.83GHz   Mac OS X (10.4.7)   Final Cut Studio

Similar Messages

  • Timeline Won't Export Using Matrox or Adobe Media Encoder

    Ok, this is a really strange problem. I made a sequence, then once I was finished editing I made a second sequence and dragged the first into it so I could easily add broadcast safe to all of my video.
    The problem was that when I went to export that second sequence nothing would happen. We have a Matrox RT.X2 card and it give me the option for either Matrox Media Encoder or Adobe Media Encoder. Neither would export. When I would click the OK button nothing would happen, the options would just sit there. So, for the heck of it I went back to the original sequence, tried it, and it worked.
    So then I was thinking that there was a problem because I had nested sequences (maybe Adobe doesn't do well with that). I made a 3rd sequence, copied and pasted the audio and video from the 2nd and tried again. This time it worked. I don't know what's going on with that second sequence, but this got really frustrating.
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    This is a first for me. But it sounds like you got things working again.

  • Premier Pro Shuts Down when trying to EXPORT

    I am a new editor, only at it for a couple month now. The problem I have is when I attempt to export, Adobe closes without warning.
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    I can however export just using MOVIE but it looks like crap and I am using HDV..
    Help?? Suggestions?

    Thanks, I'll have to give that a try if there isn't an easier answer out there somewhere. If I pull the card will I have to reload the software and drivers?
    If my project is saved and I have a copy of the project saved will I be able to reload Adobe without losing anything? What I mean is will I be able to just import my whole project once reloaded?
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  • CS5 and Matrox RT.X2 very slow

    Hi all,
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    - GPU ATI FirePro V4800
    - 128 GB OCZ IBIS
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    Magnus is correct - here's the relevant info lifted from the MXO release notes:
    Adobe Media Encoder
    ¦ Note If you’re using Adobe Media Encoder with a Matrox MXO2 product that
    has the Matrox MAX option, see also “Matrox MAX H.264 encoding (MAX
    option)” on page 10.
    • When you export a Matrox PAL sequence to MPEG2-2 DVD format using
    Adobe Media Encoder, set the Field Order to Upper under Basic Video
    Settings in the Export Settings dialog box. Otherwise, your export may
    be blurry. (Ref# 51007)
    • If you find that switching the export format in the Export Settings dialog
    box sometimes takes a long time, such as when you switch from Microsoft
    AVI to MPEG2-DVD, rename the SurCodeWrapper.vca file on your system
    (for example, rename the file to SurCodeWrapper.vca.bak). This file is
    usually installed by Adobe Premiere Pro in the following folders:
    $ \Program Files\Adobe\Adobe Premiere Pro CS5\MediaIO\codecs\
    $ \Program Files\Adobe\Adobe Media Encoder CS5\MediaIO\codecs\
    Be aware that after renaming the SurCodeWrapper.vca file, you won’t be able
    to export audio to SwCode Dolby Digital, but you will still be able to export
    audio to Dolby. (Ref# 55279 and Adobe Ref# 2603943

  • CS4 won't export old prem pro2 projects

    I have CS4 with Vista 64.
    If I start a brand new project in Prem CS4 then all is fine and Matrox renders are no problem
    However I have many old Premiere Pro 2 projects (avi's, stills, sound tracks) which CS4 says it is updating on opening.  All  works fine until I try to render out the timeline.
    If I try to export using Matrox AVI settings the Matrox choices for exporting are greyed out. If  I use Microsoft  AVI settings the Adobe Media Encoder crashes.
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    Emma

    Try importing the old projects into CS4, instead of just opening them.  That usually produces better results.
    -Jeff

  • Matrox RT.X2 5.0 Beta Release for use with Adobe CS5

    http://forum.matrox.com/rtx2/viewtopic.php?t=8560
    Baz

    Magnus is correct - here's the relevant info lifted from the MXO release notes:
    Adobe Media Encoder
    ¦ Note If you’re using Adobe Media Encoder with a Matrox MXO2 product that
    has the Matrox MAX option, see also “Matrox MAX H.264 encoding (MAX
    option)” on page 10.
    • When you export a Matrox PAL sequence to MPEG2-2 DVD format using
    Adobe Media Encoder, set the Field Order to Upper under Basic Video
    Settings in the Export Settings dialog box. Otherwise, your export may
    be blurry. (Ref# 51007)
    • If you find that switching the export format in the Export Settings dialog
    box sometimes takes a long time, such as when you switch from Microsoft
    AVI to MPEG2-DVD, rename the SurCodeWrapper.vca file on your system
    (for example, rename the file to SurCodeWrapper.vca.bak). This file is
    usually installed by Adobe Premiere Pro in the following folders:
    $ \Program Files\Adobe\Adobe Premiere Pro CS5\MediaIO\codecs\
    $ \Program Files\Adobe\Adobe Media Encoder CS5\MediaIO\codecs\
    Be aware that after renaming the SurCodeWrapper.vca file, you won’t be able
    to export audio to SwCode Dolby Digital, but you will still be able to export
    audio to Dolby. (Ref# 55279 and Adobe Ref# 2603943

  • CS5 - publishing AS2.0 SWFs very slow

    Having just recently started to work with CS5 I can't help noticing that publishing/exporting SWFs is very slow compared to CS3. A file that takes 3 seconds for CS3 to publish takes, on average, 12 seconds to publish in CS5... 4 times slower!
    Anyone know of anything we can do to reduce the amount of time needed to publish? This is a pretty powerful kit - 2.67GHz quad-core CPU with 6GB of RAM so it shouldn't really be having any performance issues!
    Or is this just a 'benefit' of 'upgrading' to CS5?!
    Any suggestions (other than 'move to AS3.0', thanks!) gratefully received...!

    Magnus is correct - here's the relevant info lifted from the MXO release notes:
    Adobe Media Encoder
    ¦ Note If you’re using Adobe Media Encoder with a Matrox MXO2 product that
    has the Matrox MAX option, see also “Matrox MAX H.264 encoding (MAX
    option)” on page 10.
    • When you export a Matrox PAL sequence to MPEG2-2 DVD format using
    Adobe Media Encoder, set the Field Order to Upper under Basic Video
    Settings in the Export Settings dialog box. Otherwise, your export may
    be blurry. (Ref# 51007)
    • If you find that switching the export format in the Export Settings dialog
    box sometimes takes a long time, such as when you switch from Microsoft
    AVI to MPEG2-DVD, rename the SurCodeWrapper.vca file on your system
    (for example, rename the file to SurCodeWrapper.vca.bak). This file is
    usually installed by Adobe Premiere Pro in the following folders:
    $ \Program Files\Adobe\Adobe Premiere Pro CS5\MediaIO\codecs\
    $ \Program Files\Adobe\Adobe Media Encoder CS5\MediaIO\codecs\
    Be aware that after renaming the SurCodeWrapper.vca file, you won’t be able
    to export audio to SwCode Dolby Digital, but you will still be able to export
    audio to Dolby. (Ref# 55279 and Adobe Ref# 2603943

  • Exporting Matrox HD Project To MPEG-2 DVD Taking Very Long

    Project: Matrox HD 1920 x 1080i. 2 hours on timeline. The files are original files taken from AG-HMC150 AVCHD camcorder in .MTS file format.
    If I export the timeline to MPEG-2 DVD format with CBR, render with maximum quality option enabled, and render with maximum depth enabled, this process takes 8 hours.
    If I export the timeline to MPEG-2 DVD format with VBR 2 passes, render with maximum quality option enabled, and render with maximum depth enabled, this process takes 16 hours.
    I wanted to ask is this normal for exporting to take this long on my computer with Matrox MXO2 Mini w/ MAX? Is there a problem with my computer, settings, or something else? What can I do to improve export speed of MPEG-2 DVD files?
    Below are the specs of my computer. Windows 7, Adobe CS5, and Matrox are updated to latest versions. MPE GPU Acceleration is hardware enabled.
    Operating System
    MS Windows 7 Ultimate 64-bit SP1
    CPU
    Intel Core i7 920 @ 2.67GHz
    Bloomfield 45nm Technology
    RAM
    24.0 GB Triple-Channel DDR3 @ 534MHz (8-8-8-20)
    Motherboard
    ASUSTeK Computer INC. P6T DELUXE V2 (LGA1366)
    Graphics
    ASUS VH236H (1920x1080@60Hz)
    2048MB GeForce GTX 460 (EVGA)

    Jim-You can speed things up (and keep that quality) by ensuring you have Hardware Acceleration turned on and doing a Direct Export, instead of Queuing it up through AME
    According to Adobe that is incorrect Jim. Here's a quote...
    Adobe Media Encoder
    Premiere Pro and other applications employ Adobe Media Encoder, a standalone encoding application. When you specify export settings in the Export Settings dialog box and click Export, Premiere Pro sends the export request to the Adobe Media Encoder.
    From the Export Settings dialog box, click Queue to send Premiere Pro sequences into the standalone Adobe Media Encoder queue. From the queue, you can encode sequences into one or more formats, or take advantage of other features.
    When the standalone Adobe Media Encoder is rendering and exporting in the background, you can continue to work in Premiere Pro. Adobe Media Encoder encodes the most recently saved version of each sequence in the queue.

  • Exporting Settings (Premiere Pro CS4 with Matrox)

    Premiere Pro CS4
    Canon XHG1 camera (HDV/Mini DV/NTSC)
    Matrox RT.X2
    HP Z800 with 2.4GHz Intel Xeon processor, 12GB RAM, and running Windows 7
    I have experience with digital video editing in Premiere, exporting up to 40-minute videos (that took maybe 2 hours to export), but the last version I used was maybe Premiere 7 and I didn’t have the Matrox card (and was using a computer much less capable than this one). I was also just using a consumer-level camera, not the big Canon. Now I’m trying to export video and there are way more choices than I had before, and it seems like the estimated time to export is quite high, despite having a good machine and the Matrox card.
    So my question is, is there a chart anywhere that says what settings to use for the particular output you are looking for? For instance, what should I pick for the web that is good enough quality but not a giant file? What should I pick if I want to make a DVD? Is there a way to directly export to a DVD if you aren’t manipulating the video at all? I’ve been told I should be able to utilize the Matrox card to reduce the export time, but it seems like it takes at least 5 times the length of the video to export no matter what.
    I guess an important question here is, what is the normal amount of time I should expect something to take to export? I have a 2-hour video that just needs to be transferred from the mini DV tapes and burned to a DVD – no effects necessary. The lowest export time estimate I can get is around 10 hours, and I have no idea what that will look like in terms of quality when done.
    In the future I will be doing mostly short (2 minutes or less) videos for web, so export time should be short, but I’d still like to know what the best settings are and how long it should take.
    I hope this makes sense – thanks for your help!
    Genevieve

    Thanks for your help. I have copied and pasted my results below. It seemed to get through that queue very quickly, so perhaps the slowness is do to something more specific in the project I am working on. Perhaps a large mismatch in what I am capturing vs. what I am exporting? The camera is recording in HD.... I don't know much about hardware at all, and only know very basic stuff about exporting, so I know it is probably difficult to understand what I'm looking for. The last version of Premiere I had basically allowed you to choose format, size, quality, and codec whereas this version has so many different export settings I can pick from, it is hard to just guess and check which ones work best.
    Hewlett Packard,  Computer Manufacturer
    HP Z800 Workstation,   Computer Model
    132.2,  secs Total Benchmark Time
    32,  secs AVI  Encoding Time
    46.2,  secs MPEG Elapsed Time
    54,  secs Rendering Time
    Intel,    CPU Manufacturer
    Xeon E5530,    CPU Model
    2.40,    GHz CPU speed
    1,    Number of CPU chips
    4,    Total Number of Cores
    12GB,    GB RAM
    Premiere Pro CS4,    APP Version PPBM4 DV
    Win 7 (64),    OSVersion
    SAS,    OS Disk Interface
    500xR1E,    GB OS Disk Capacity
    15,000,    OS Disk Speed
    Same as OS,    Project Disk Interface
    Same as OS,    GB Project Disk Capacity
    Same as OS,    Project Disk Speed
    Same as OS,    Preview Disk Interface
    Same as OS,    GB Preview Disk Capacity
    Same as OS,    Preview Disk Speed
    Same as OS,    Output Disk Interface
    Same as OS,    GB Output Disk Capacity
    Same as OS,    Output Disk Speed
    NVidia Quadro FX 1800,    Graphics Board
    Using a Matrox RT.X2 Capture Card,    Comment

  • Export from CS4 to Matrox MX02 LE to Betacam deck

    Hi,
    I'm attempting to export a sequence to tape. I think I have all my inputs and outputs set up right but I can't seem to record my sequence onto tape. I have no problem capturing footage from tape but going the other way won't seem to work. I have a Matrox MX02 LE connected to a Sony Betacam deck. Not even sure where to start as far as diagnosing this problem. Any ideas?
    Thanks,
    Kevin

    Well, the first thing is to confirm that you're getting a signal out of the s-video port on the MXO.  Plug it directly into a monitor to confirm a signal.  If that's not working, it's probably a Matrox MXO panel option or something similar (i vaguely remember in the past that you had to choose between s-video or component out, although that might be not required anymore).  If you are getting a signal out, then it's likely a deck setting somewhere.
    One thing that trips people up with betacams is that there's an EE mode that allows passthrough so that, if you're monitoring the output of the deck, it'll pass through the input.  If that's off (ie PB mode), you'll only see black when you put the deck in record mode.

  • Adobe Premiere CS2 Export Problem.

    I'm running Adobe premiere CS2 on a windows XP machine, and I'm having trouble exporting are Sunday services. I'm encoding them into Adobe with a Matrox RT. Here's my problem, I can export the message part of the service fine which is about 20 to 30 minutes long. But one are trying to export the entire thing worship and the message. It gets to about 3000 to 4000 frames and stops. If you click cancel the whole thing locks up and you have to restart the computer. If I try rendering the same thing again it stops but it doesn't stop in the same place. I have three gigs of RAM and 2 dual Xeon 1.8 gig processors in PC. And more than enough hard drive space. Does anybody have any idea on what's going on how I can fix it.

    try that. it's all most like its something in the video. is there a max time you call export?

  • Question? Best Workflow HD/HDV and Reframing/Scaling to Export to both HD and SD when working in an HD Timeline?

    Just wondering, what is the best method for working with HD Footage both HDV 1440x1080 and HD 1920x1080
    Not long been using Adobe Premiere Pro CC, just switched over from Grass Valley EDIUS 6.08 and atempting my first Stage Show Multi Camera.
    Source is 5 HDV PAL and 1x1920x180 60fps MP4 file from a Sanyo Handy Cam.
    Final delivery is going to be DVD.
    Have done a few smaller projects prior to and normally have edited in HDV 1440x1080 50i PAL and exported to whatever format I need.
    Slightly different this time, I need to I need to crop/reframe some video from a couple of the Static locked off cameras. I know what to do but at moment though, I'm very much undecided which method to use for best results.
    Doing some testing I notice that if I import the footage and edit in my usual  HD Timeline as said above, then I go into Motion and Scale and reframe to suit, then the picture still
    looks better still Full Screen on my 2nd Monitor in the HD Timeline than if I switch the Sequence Settings to SD DV PAL.
    I am wondering how the scaler works when exporting. Say I go with the original HD Sequence, scale the Locked off Shots as I want them, then export to SD DV PAL then does the Adobe Media Encoder take into account that I am working in a HD Sequence (HDV 1440x1080 50i PAL) and then Scale to suit or does upscaling go in an HD Timeline then Exporting to SD make things worse, I am asking this as I still like to have the option to output an HD file for the Web and possible Bluray or Mobile Device later on.
    I also still prefer working in an HD Timeline as for the other Camera Angles, then it is easier to judge focus since the image is sharper, as apposed to working in an SD Sequence.
    I guess the other option I suppose is to edit in HD and then switch the Sequence Settings later on to SD before Export, but not sure that would work with the scaling? Or is that the same as working in an HD Timeline anyway and then selecting an SD Preset in the Adobe Media Encoder anyway?
    I guess what I am saying is, if I say for example, Scale a HDV source to 130% or then export to SD in the AME then, is the AME upscalling the original HDV Source to 130% Loosing Quality firstly (making less pixels that to begin with), then downscaling back again to 100% SD Resolution, loosing quality once more, or does it see that the source is HD and has more pixels to use and take that into account? If you get what I am saying. Obviously if I am exporting to any HD Format then, I understand that where will be some quality lose with any amount of HD scale.
    I also read that it is less CPU resource full working in the native resolution of the media when editing, especially on an older system.
    The other option is to work in an 720 Preset possiblely?
    At the moment I don't have a proper Preview device and am making do with the 2nd Display on my Graphics Card GTX 760.
    I was looking at getting a Blackmagic Device for preview, or possible one of the Matrox.
    It is a shame really, since I already have the Canopus HD Storm in the PC, which I was using with EDIUS for a lovely full screen preview to a 32" TV, since looked great, so since switthcing to Premiere, I can't use it and am having to make do with the GTX 760. Which isn't as good.
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    I am not sure if this is because my computer is not quiet fast enough? Maybe I should post this in a seperate thread in the Hardware forum, but I thought it was worth mentioned in this post aswell.
    SYSTEM SPECS
    Gigabyte EP45-UD3LR (Socket 775) Motherboard
    8GB DDR PC-800 RAM (4x2 Sticks)
    Intel Core2 Quad CPU Q9650 @ 3.00GHz
    60GB OCZ SSD (FM-25S2S-60GBP2 ATA Device)
    2 TB 7200 Sata 300 Hard Drive - For Video (Hitachi HDS722020ALA330 ATA Device)
    Windows 7 SP1 x64
    So in short At the moment I am undecided which method is best to use

    Your Creative camera is not the best one could wish for. Open a 1280 x 720 sequence, import some Creative footage, use motion scale to fit it in and judge the quality for yourself. My guess is you will be disappointed in the quality. Then when outputting to DVD you will reduce the resolution and quality again, making it even worse.
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    Ultimately you will end up with 720 x 576 material for your DVD. You already need to upscale your Creative footage, and change the PAR and take serious quality hits, do not increase your problems by upscaling and then downscaling again.

  • How to Export UYVY 4:2:2 8-bit Uncompressed AVI?

    I've been doing a lot of testing in Premiere Pro CS5 (on Windows) but cannot figure out how to export video to a generic 4:2:2 8-bit uncompressed AVI file. Here's some background - I've captured some video to an uncompressed Matrox AVI file (via an MXO2 I/O Device). Now I've done some simple cutting and need to get the video off Premiere's timeline (and into another yet-to-be-determined multimedia application). I don't want to lose any quality - hence my requirement for 4:2:2 uncompressed AVI. Also, the file needs to be a standard/generic AVI that doesn't require any special CODECs installed.
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    Frame Rate: 25
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    Sample Rate: 48000 Hz
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    Sample Type: 16 bit
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    Width: 720
    Height: 576
    Frame Rate: 25
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    Audio Codec: Uncompressed
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    Hi Jim, I too am confused!
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    http://www.fourcc.org/yuv.php#V210
    http://help.adobe.com/en_US/premierepro/cs/using/WS398C372B-B748-4ef6-BA0D-396D2E360707.ht ml
    I would have thought that the UYVY option was the correct choice for 8-bit video.
    http://www.fourcc.org/yuv.php#UYVY
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  • CS 5.5 Export - Error Compiling Movie - Unknown Error

    I am running CS 5.5 and every time I export in Premiere or in Media Encoder - I get this message:
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    Hm-m,
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    You do have the 64-bit version of Lagarith installed, don't you?
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  • Adobe Media Encoder CS4--Missing part of interface in Export Settings

    Hi,
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    There should be more options.
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    I cannot guarantee that it is not a software issue. Sometimes Matrox is an easy "target." However, with several other Matrox users having similar issues, it does seem that Matrox might be the common element.
    One of the issues with troubleshooting Matrox issues with PrPro is that few of the normal responders here have Matrox. Many tried the cards, and most unplugged them for various reasons. Some, like me, have never used them. That kind of limits the responses here, unless a Matrox-user, who has addressed such issues successfully, drops by with some tips.
    Good luck, and please update the thread, especially if you do get a "fix." Others will benefit, and I will learn something new!
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