Export tracks from FCP X to Soundtrack Pro

Recording audio on a Canon 7D as guide track and also on a Zoom H4N (sometimes two sources: mic and wireless).  Syncing them is easy enough in Plural Eyes (I find that syncing them in FCP X is sometimes off a frame or two).
I want to edit the audio in Soundtrack Pro. I need to export all of the audio tracks (including the audio from the Canon in case I need some of it).  Using Share I can't seem to get anything but all the audio sources blended together.  How can I export all of the audio tracks separately but still in sync? I want to be able to work with all of the separate audio sources in Soundtrack Pro?

You'd need- http://assistedediting.intelligentassistance.com/Xto7/

Similar Messages

  • Help! Exporting tracks from FCP to pull into a Compressor 5.1 mix

    Hi all
    I'm having difficulties pulling audio tracks out of FCP 6 into Compressor to create a 5.1 mix for a DVD, and wondered if anyone could offer advice.
    Our sound mixer has given us stereo and 5.1 WAV tracks, which I've laid into separate sequences under picture. (I would love to drop his tracks straight into Compressor, but they have messy heads, and include 2-pops, so I'm first aligning them with the video track in FCP.)
    When I export the stereo tracks, I create a stereo mix, getting one AIFF file, which goes into Compressor's 2.0 process to create an ac3 file. All well and good.
    But how should I export the 5.1 tracks? Bear in mind that I don't want to do any kind of "mixdown" in FCP, which I'm afraid is happening. The tracks are laid in this order: L, R, C, Lf, Ls, Rs.
    This is what I did:
    In FCP, set in and out points where I want to trim the audio
    In Audio Settings for the sequence, set all 6 tracks to Dual Mono and level at 0. (I can't help but suspect this is where I'm going wrong...)
    Export - Audio to AIFF, and set export to "Channel Grouped". This gives me six separate AIFF files. BUT! Files 1 and 2 are blank (although they have the correct duration), file 3 (which I expected to be track 3 - center) has M&E but no dialog. Track 4 (LFE) has all the dialog! And 5 and 6 also sound blank.
    Now, if I set Audio Settings to 5.1 (first pair stereo, 3 and 4 dual mono, and last pair stereo) I can't hear the center track playback (I only have stereo speakers).
    What am I doing wrong? Am I misunderstanding the export process in FCP? Should I just give up and try to trim the WAV tracks outside of FCP (if so, what do you recommend - Soundtrack perhaps?) and then drop them into Compressor?
    Many thanks
    Matt

    OK. I found the solution!
    The six "audio outputs" do NOT automatically correspond to the tracks A1 ... A6. In fact, in my sequence (I don't know if this is default), A1 went to output 3, and the rest of the tracks went to output 4. Go figure.
    To set the outputs correctly, you do have to set six outputs, dual mono and zero levels, which I did, but then right-click in each audio track (between the A1 label and the padlock icon) and set the output to the required file. So track 1 should go to output 1, track 2 to output 2, and so on.
    My outputs now sound right - hooray! I'll mix it down and make a test DVD now.
    Phew. Hope this helps someone else out.
    One question that comes out of this: for a stereo mix, am I safe to export as a stereo mix in FCP? (Which is what I've been doing.) The FCP/Compressor process won't somehow be downmixing it twice? I don't see any way to pull two mono files into Compressor for a 2.0 mix. Thanks!
    Matt
    Message was edited by: Matt Clifton

  • Can't export audio from FCP to Soundtrack Pro

    I'm running FCP 5.0.2 and have Soundtrack Pro 1.0. I'm trying to export audio tracks from a long FCP project I'm working on to ST Pro to clean them up. As shown in Apple's online demo videos, I want to export an audio track and then remove 'pops' and do noise reduction, etc. In FCP I right click the audio track I want and go down to 'Send To' but the option for "Soundtrack Pro Audio File Project" is grayed out and I can't click it.
    If I unlink the tracks and then right click the audio track and 'Send To', the "Soundtrack Pro Audio File Project" isn't grayed out and looks like it would work. But that is only highlighting one audio track, not the other stereo track and not the video track. In the demo video all three were highlighted but when I relink all tracks and try to 'Send To' I get the grayed out "Soundtrack Pro Audio File Project" again.
    Is there something I need to do or a step I'm missing.

    You might be onto something Randy. I noticed in the Timeline if I tried to send an imported .AIF music clip to 'Soundtrack Pro Audio Project' it would allow it and the option wasn't grayed out. So I looked in my Browser window and checked out the file attributes to every clip which are listed to the right of the names. Sure enough, under the AUDIO column the .AIF music files are listed as '1 Stereo' and the rest of my captured video clips are listed in the AUDIO column as '2 Mono'.
    So was there a setting for me to choose during Log and Capture that would have made them '1 Stereo' as opposed to '2 Mono'? Or is this a preference setting somewhere to change that for next time? They were recorded on my camera in stereo I'm pretty sure.
    Now in terms of the massive project I've already captured and edited, should I be able to export these mono tracks individualy and fix them as needed? When I click the 'Send to' 'Soundtrack Pro Audio Project File' for these single mono tracks it asks me to 'Save' the file somewhere, is there a proper place to do this or just anywhere on the HD?
    Thanks

  • Sending a Subclips audio from Final Cut to Soundtrack Pro

    After reading the manual very carefully, I am still unable to send audio to SoundTrack Pro Effectively.
    When I have Several clips in a sequence (or even just one) I can select "Send to Multitrack Project." However, even when selecting a single clip from either the browser, or on the timeline "send to audiofile project" is always greyed out, and at this stage in my audio work that's what I need to do! I'm trying to remove background noise, and do other various post work to individual clips.
    I have discovered that if I unlink the audio and video, I can send either the right, or left track of the audio to SoundTrack Pro as an audiofile project. The audio was recorded as mono on two tracks and captured on an XL2 as DV Footage.
    Can someone please point me in the right direction as to what I need to do? Thanks.

    Jonathan:
    You can only send single tracks to "audio file projects."
    Try saving the two tracks you want to send as a stereo pair.
    Michael

  • Exporting text from fcp

    I have a lot of separate text boxes in my sequence. Since I can' t do a spell check in fcp, I was wondering if i can export all the text boxes out as a plain text document to do a spell check.
    I tried exporting as a xml document, but navigating through all the tags was quite a problem.
    TIA for any suggestions.

    Usual workflow is following.
    1. Put all Text-generator clips to one track
    2. Export sequence to XML
    3. Launch TitleExchange, point to exported XML and say where to put converted file.
    Exporting to STL you'll get text file like that
    +00:01:27:26 ,00:01:29:26 ,They had this idea that+
    +00:01:29:30 ,00:01:30:31 ,behind scary+
    ... which you can open in any spell-checker.
    We use TitleExchange to bring subtitles from FCP to DVD Studio and back (in case we need subtitled DVD and Betacam output)
    Though, this may be much expensive way of checking spelling (135 Euro per TE licence).
    There are lots of subtitle software, I only wanted to mention a way of exporting text from FCP with help of subtitle processors.

  • Export with effect / bus is buggy (Soundtrack Pro 2.02)

    Hi,
    I get a very annoying problem which seems to be a bug.
    I have a bus send on one track, and a Space Designer reverb inserted on that Bus track.
    Some volume automation has been made on that Bus1 track, so that the reverb return
    is tailed as needed.
    While exporting a master stereo track, the result does not match what is heard on playback.
    The reverb return (Bus1) is too loud, the file is too long, etc ...
    I've tried other reverb inserts and settings with no luck.
    Is anyone having the same problem ??
    Thanks very much in advance

    I don't know what you mean by " the elements are the same as the project? "
    and yes, I've tried every kind of export file settings (same bit depth, same resolution, and different ones) and the problem still occured.
    Now the "good" news is I've had one success last night doing one export after quitting and re-launching Soundtrack Pro ... I'm not exactly sure every parameter was respected but I obtained a file with a correct length with the reverb ( Bus1) automation included. So I'll try again and see ...
    I don't know how it could work since I only quit and relaunched but apparently it did ...
    Btw, I do think Exporting at normal speed should be an option, for best audio results. You can't export 5 or so * faster in a so called "pro" audio app ...
    thanks for your help

  • Can the exported video from FCP X play in WMV?

    (1) Can the exported video from FCP X play in WMV?
    (2) If not, can I convert with the help of Compressor 4 to make it to play in WMV?

    No to both. You need third party software to create WMV. Telestream has tools for this.

  • Exporting tracks from Logic 8

    Hi,
    i've figured out that when I'm exporting tracks from Logic ("export all tracks as audio files"). Some of them get automatically normalized and don't have the actual volume of the "mixdown".
    Does anybody now, why this happens? I guess it happens only with Logic's own synths and not with 3rd party plugins.
    Greets

    F~L~E~X~I~S wrote:
    Has anyone found a solution for exporting a Logic 8 session into Logic 7? (Obviously apart from exporting all tracks as audio files).
    Nope, Logic 8 is not backwards compatible with 7.

  • NTSC to PAL - Export straight from FCP or use an mpeg file?

    I was reading this
    http://www.macworld.com/article/49306/2006/02/marchcreate.html
    however it does not mention what to bring into compressor.
    Should I export my ntsc sequence straight from FCP into compressor, or should I drag an ntsc mpeg file I aldeady made into compressor? Ive been trying the latter but can't do much as each step gives me the spinning beach ball for anywhere from 5 to 10 minutes. Thanks much.

    Yes, you should export directly from FCP Using Compressor. Exporting to a heavily compressed MPEG-file, and then converting that from NTSC to PAL makes no sense. You would want your video to go through as few conversions/generations as possible.

  • Exporting quicktimes from FCP to iDVD?

    I am having trouble exporting quicktimes from FCP and bringing them into iDVD.
    How do you make Chapter Markers on an export from FCP?

    When creating chapter markers, make sure nothing is slected within your timeline (click in a blank space before hitting m). Hit m again and click chapter marker button.
    When exporting your sequence, be sure to select Markers > Chapter Markers on the export dialog popup.

  • What's the best compressor setting to export from FCP to DVD Studio Pro?

    I am exporting an 11 minute video from FCP Studio 2 via compressor to go to DVD Studio Pro. It's DV PAL 720 x 576 and I intend the final DVD to be 16:9 so I'll be choosing 16:9 letterbox in DVDStudio Pro.
    As my video is only 11 minutes am I losing quality by selecting Best Quality DVD 90 minutes?
    And is the way I described above the best way to go about it?

    You should try the setting as a start, though there are many tweaks you can do if you do not like the results. One of the biggest tweaks is the frame controls (adds more time but can help.)
    You should send out to a preset for 16:9 (or make your own setting with aspect ratio of 16:9) then flag the track in DVD SP to 16:9 Letterbox
    Some links
    http://dvdstepbystep.com/faqs_7.php
    http://dvdstepbystep.com/faqs_3.php
    And a quick Compressor (2 but same principles for 3) movie here
    http://dvdstepbystep.com/qc.php

  • Audio exporting problems: from FCP to protool/STP and back again

    --------------------------------------------------------------------------------
    Final Cut Pro sound export for mastering.....sync problem
    Hey,
    I'm editing a 30 minute film and I have done most of the sound edit in FCP and Soundtrack pro and I want to now bring all the sound into pro tools to master the sound but every time i export sound into pro tools it seems to stretch by two or three seconds.
    I have tried OMF, AIFF, XML, and Quicktime audio file sut to no avail!!!!
    There are 50 tracks in the file so it is quiet large. It's not that there are handles of the file also as when I sync the file with the audio track with the video it syncs in one place but it is still out of sync in another.........It's as if the audio has been stretched!?!
    If anyone has any advice it'd be much appreciated
    Keith

    Check the timecode rate and sync options in Protools. It sounds like a timecode or samplerate mismatch.
    Especially note that 23.976fps OMFs from FCP (probably STP as well) show up in Protools as 24fps sessions. Change the PTs timecode to 23.976 to realign.

  • Sent FCP project to Soundtrack Pro but how do I get it back into FCP?

    Hi everyone,
    I just sent to project from FCP to Soundtrack Pro and now I am wondering how do I send the Soundtrack project back to FCP with the audio adjustments?
    I know this is possible I'm just having a barin ** moment today.
    Thanks

    this is your work flow...
    1 ctrl click on audio> send to soundtrack pro audio file
    2 in soundtrack pro make the neccessary adjustments (noise reduction by any chance?). apply filter
    3 save the soundtrack project...
    when you save the soundtrack project, it automatically swaps the old audio file in FCP for the new 'sent' audio file... you don't have to 'export' from soundtrack to get the audio to FCP...
    You won't actually notice the change in audio in FCP until you save the soundtrack project, and are working back in FCP.

  • Exporting MJPEG from FCP using aurora igniter

    Hi,
    I'm using final cut pro 4.5 HD with an DVC PRO source file captured via firewire, and a watermark element on another video track. I'm trying to export the file as a quicktime movie using current settings, but I'm getting interlacing or field order problems on the exported video.
    My settings are as follows:
    Sequence Settings
    frame size 720x480 NTSC DV 3:2
    pixel aspect ratio NTSC/CCIR 601 DV
    Field DOminace: Upper Odd
    COmpressor: Aurora Mjpeg A
    Aurora Advanced preferences: field order also set to upper
    Any idea on why this happens? I've tried some other codecs in the compressor tab of the sequence settings (such as DVC Pro) and they export without any interlacing issues, but the quality is not as good.
    Brian
      Mac OS X (10.4.6)  

    Thanks James- simple enough and it worked.
    A bit of a mystery why even the pro version of QT Player wouldn't just automatically pick up the anamorphic flag, as it does when you give it a file created using QT conversion from FCP?
    Little things like this cause headaches. I find the documentation on this basic area of aspect ratio, that everyone has to deal with all the time, to be quite evasive or unclear on the whole and the terminology bizarre.
    I assume once saved once with 'conform aperture' set to 'clean' it will always play in 16:9 on any QT player? The client won't have the Pro version of QT- that's for sure.
    Thanks again very much for your quick help,
    Andrew

  • Conversion settings from fcp to dvd studio pro?

    i have a seven minute short subject that i need to burn to dvd using dvd studio pro. before i export from fcp, wanted to double check my fcp export settings with anyone who's been there before.
    here's my choices: export with quicktime conversion, under standard video compression settings choose none for compression, select best quality and choose millions of colors. also no compression for audio.
    i've got to burn six of these suckers for festival screeners and require the best possible quality so i'd appreciate someone letting me know if i'm heading the wrong direction. btw... the dvd burn on a file this size without a menu seems pretty straightforward, but if there's a pitfall i'm not seeing please let me know that as well.
    muchas gracias.

    Dear Wolfman51
    From my personal experience, I find it's much more efficient to export using QUICKTIME MOVIE, a dropdown menu will ask you these questions: SETTING, current settings; INCLUDE, audio and video; MARKERS (up to you)
    uncheck MAKE MOVIE SELF-CONTAINED.
    save it where you can find it. It will do a quick export. Open COMPRESSION, drag this file into the COMPRESSION FOLDER, check your settings (MPEG2) and let compressor compress.
    Then drag this MPEG2 into your DVDSP.
    You can skip using compressor, and drag the uncompressed QTIME straight to DVDSP, it will automatically compress. I found DVDSP doesn't compress it cleanly, therefore chose compressor to compress my movies before importing them into DVDSP.
    I hope this helps, I look forward to reading more postings, perhaps I'm going thru too many steps.
    Kchen

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