Export videos with metadata to Final Cut Pro?

I would like to use Aperture 3 for reviewing video footage from my SLR and adding notes, ratings, etc. Has anyone come up with a way to get this metadata exported from Aperture and imported into Final Cut Pro? I can export a simple tab-delimited file from Aperture, but is there a way to get that in a form where it can become a bin in Final Cut Pro. (I think Batch List import in FCP will only work for capturing stuff from tape -- my clips already exist on the hard drive.)

Do you want to reedit them or do you just want to work with material generated in imovie. Not sure about the first, but for the second, export a quicktime movie. IMovie works with DVstreams which can cause problems in fcp.

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    additionally, you might want to export some sample color bars along with your media. I have found there is a rather drastic color shift, that took two CC filters to correct for, when following this workflow.

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  • Exporting after effects files to Final cut pro

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    Please help! Its driving me mad!
    Many thanks in advance.

    glenn Thornley wrote:
    Hello, I'm trying to export some simple AE quicktime movies for use in the 'Final cut pro' application.I'm using AE CS5.5 on Mac OSX and my colleague is using version 5.1.4 of Final cut pro on Mac OSX. My movies arent rendering very well in FCP (my colleague tells me that there is loss of quality). What format should I render my movies as in  the 'Output Module settings' box? And what 'video Codec' should I select from the 'Format options' box in the 'Output Module settings' box? I'm guessing that getting this correct is the issue...and I cant seem to get the right setting!
    Please help! Its driving me mad!
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    I've got a different opinion about 422. I find even 422LT it is completely adequate and satisfactory for 90% of the work I do with my partner. However, we mostly use ProRes4444 when exchanging movie files, even if we dont' need the alpha, simply because it's a good standard that we can always use whether we're coming out of Motion or After Effects or FCP.
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  • Self Contained Final Cut Pro Export Files unreadable in New Final Cut Pro 7

    Has anyone come across this? I was using Final Cut Pro 5, created a self contained file of a current project 1.9GB in size. Uploaded the new version of Final Cut Pro 7 and upgraded to Snow Leopard, and now it tells me that this is unrecognizable as a movie file. Quicktime or Final Cut Will not open this file. I'm puzzled.

    VideoJunkie88 wrote:
    Has anyone come across this? I was using Final Cut Pro 5, created a self contained file of a current project 1.9GB in size. Uploaded the new version of Final Cut Pro 7 and upgraded to Snow Leopard, and now it tells me that this is unrecognizable as a movie file. Quicktime or Final Cut Will not open this file. I'm puzzled.
    Hi VideoJunkie
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    Ron
    Message was edited by: videocrafter

  • Video walkthrough online for Final Cut Pro X when approaching it from a Never Been Used Before scenario?

    Hi there
    I've used iMovie a few times and been quiet successful with it, but I was thinking of getting Final Cut Pro X as I want to do some more advanced video editing now (I really dont know the terms for what I want to be able to do are, but things like be able to stack say 10 different camera angles up on top of each other and decide which part of each one I want to use).
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    What you described isn't really multi-cam editing.
    I think FCP X is idea for what you want because you can AUDITION as many clips as you want then you simply select this or that angle and play it through in the timeline - it's a fabulous feature in FCP X.
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    There is a small fee, but it's more than worth it.
    I just read your follow-up post.
    shippo_uk wrote:
    Does anyone already have the practise media and do they fancy popping it up online to share?
    No they don't - that is STEALING.
    Do you begrudge these people a living?
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  • Best way to export from Motion 2 into Final Cut Pro 5, working in DV?

    I am working in DV in Final Cut Pro 5, and I would like to get the best quality from anything I bring in from Motion 2 into Final Cut Pro 5, I keep hearing use the Animation codec. I would like to hear from the Panel of experts.
    Happy Thanksgiving,
    Sebastian

    The Best way is to round-trip from FCP. Or simply import the .motn file directly into FCP. If you require an alpha channel and for some reason don't want to bring the .motn file in, Animation with millions+ for the colors (+ is the alpha channel) will work, But if you just want straight DV, you should export a DV file.
    Patrick

  • Very disappointed with G5 and Final Cut Pro

    At work we bought a G5 last year for Final Cut Pro to edit plain DV video downloaded from a MiniDV camcorder via Firewire. The machine has 4gig memory, 6800 graphics, and is running FCP 5.0 with all of the Software Updates installed. The G5 is supposed to replace a much older PC that is running Adobe Premiere 2.0 on Windows XP. Even though the PC only has a single Pentium 4 CPU and older ATI X800 graphics, it does FAR more real-time effects than Final Cut Pro does on the G5. Why is this?? Almost everything I do, from titles to minor effects will appear instantly on Premiere Pro, real-time, no rendering needed. But almost everything I do on the G5 will show me a big red X until it has rendered. If I add a title, I still have to wait for it to render. If I add a light blur effect, I still have to wait for it to render. This is very annyoing and very depressing, we spent a lot of money on the G5. In reality, at least for us, it is slower than the older PC it is supposed to replace forcing us to spend a lot of time staring at those big red X'es while Final Cut Pro renders.
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    Welcome to the family.
    Are we doing something wrong? Or is this the case with all dual processor G5s running Final Cut Pro 5.0?? Is there anything we can do to speed up rendering or enable actual real-time effects/titles? < </div>
    Simple failure to understand your new tools. Open the manual, run the tutorials. Study carefully the sections on how to set up all of your preferences for DV. It's easy and when you're done you're going to feel really silly.
    If your company intends to make money with FCP you must invest time to understand what you bought since you bought it without bothering to test drive FCP on a G5. If you liked Premiere on Windows, you may never enjoy using FCP on Macintosh. The switch can be devastating. You could be one of those poor souls who just doesn't get it. Turn your system over to a more open minded person on your staff.
    bogiesan

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