Exporting and color conversion for print

I have artwork created in Flash MX 2004 that I need to print.
I have never done this and am concerned about color matching.
I realize that Flash works in RGB; my printers need the file
in CMYK and as Photoshop or Illustrator files. Should I export the
image from Flash and place it in Photoshop? I seem to remember that
Flash can convert to CMYK, but can't find validation. Should I copy
and paste from the Flash file into PS? My primary concern is to do
this as simply as possible as I'm dealing with a lot of art and
don't want to spend the time recoloring if I can avoid it.
Thanks.

Has anyone found a good solution for this? I need to export character art from Flash to use for print and consumer product items. Qualtity vectors are required.
The "best" solution I've found so far is to "Print" as either a .PDF or .PS file, then open that file in Illustrator. It expands all the gradients, and creates very complex vectors, but it's better than the standard export to .AI function, which gives offending operator "bg" errors. Still, it is a sub-par result, and I end up having to recreate art anyway.
(I'm using Flash CS4.)
Dear Adobe, this should be a no-brainer ... Please introduce a true vector export feature from Flash to Illustrator that generates art we can actually use.

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How do I get an SVG file to the same color profile as my illustrator file (U.S. Web Coated (SWOP) v2 and what would be the correct color profile for printing on a shirt?
Thank you.

dadanas wrote:
Hi Simcah, I have a similar problem. Have you found out any solution?
thanks, dan
You need to ask the printing service provider. Dealing with color totally depends on the printing process involved and of course the machines used.

How can I make two copies of the same picture one with my watermark and one without for printing for clients?

how can I make two copies of the same picture one with my watermark and one without for printing for clients?

Export the photo twice, once with a watermark and once without a watermark.

Why do I get white lines surrounding transparencies when exported as a PDF for print - Indesign Vers

Why do I get white lines surrounding PSD or Tiff transparencies when exported as a PDF for print - Indesign Version 9.2?
I recently upgraded creative suite - now I am having issues with white lines surrounding any tiffs or PSDs when exporting for print.
I initially thought it was an acrobat viewer problem, but it seems to be effecting print. Please let me know if anyone knows the answer to this problem. thanks!

PDF settings? Flattener settings? Overprint and trapping settings? You need to be much more specific. Eitehr way, ask in the ID forum.
Mylenium

[AS][IDCS3] PDF Export Preferences Color Conversion setting

I want to set the field of Color Conversion (as equivalent to manual setting under Output>Color>Color Conversion) to "No Color Conversion" in Applescript but couldn't figure it out.
My skeleton Applescript is as follow:-
tell application "Adobe InDesign CS3"
   tell PDF export preferences
       -- I want to set No Color Conversion for Color Conversion here
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   tell document 1
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end tell
I have search through Applescript ID CS3 dictionary but couldn't find the answer. Hope someone can advise. Thanks!

Use:
set effective PDF destination profile to use no profile
Shane Stanley <[email protected]>
AppleScript Pro Sessions <http://scriptingmatters.com/aspro>

Color profile for print

Do I need color profile for print taged in the file?
I need to print some photos at LAB (photo lab) and they print in color space sRGB.
I have created through Adobe Raw a JPEG file, which has untagged color profile.
Is it necessary to have a color profile for a print at photo lab tagged in the file or better not?
Thank you for explanation.

Since you say the printer "prints in color profile sRGB", it sounds as though you should save your images tagged with the sRGB IEC61966-2.1 color profile.
If I'm understanding you correctly "Lab" does not mean "print lab", it's an acronym that describes an alternate color space for representing an image, fundamentally different from RGB. Print houses normally don't expect an image to be sent to them in Lab mode.
http://en.wikipedia.org/wiki/Lab_color_space
In all seriousness, you should ask these questions of their customer service:
1. What format should I provide the image in (JPEG, TIFF, etc.)?
2. Should I tag the image with the sRGB IEC61966-2.1 color profile?
-Noel

Filters for Blown out camera and color shots for CS5

What are some good filters to fix blown out camer and color shots in CS5?
Thanks,

Hi Bill, Here's the link the of the blown out footage. http://www.youtube.com/watch?v=4lxJJN2PgqM&feature=youtu.be
Date: Wed, 18 Jul 2012 17:20:37 -0600
From: [email protected]
To: [email protected]
Subject: Filters for Blown out camera and color shots for CS5
    Re: Filters for Blown out camera and color shots for CS5
    created by Bill Hunt in Premiere Pro CS5, CS5.5, & CS6 - View the full discussion
Well, a few Effects, that might help - a little, would be Curves, Levels and Shadow & Highlight, along with the Three-way Color Corrector. However, the success will depend on the footage. Can you post a Vimeo, or YouTube example, as once one sees what you are working with, they may have other ideas. Good luck, and welcome to the forums, Hunt
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Why do I get white lines surrounding PSD or Tiff transparencies when exported as a PDF for print ?

Why do I get white lines surrounding PSD or Tiff transparencies when exported as a PDF for print - Indesign Version 9.2?
I recently upgraded creative suite - now I am having issues with white lines surrounding any tiffs or PSDs when exporting for print.
I initially thought it was an acrobat viewer problem, but it seems to be effecting print. Please let me know if anyone knows the answer to this problem. thanks!

Thanks Bob, to date I have simply used the High Quality Print default, which is actually Acrobat 4 (PDF 1.3) - I have never had issues before - until now when I upgraded my software..

[FIX] Darker prints and color shifts when printing from Lightroom 2

Hi,
The problem :
When printing RAW or TIFF files from LR2, you get a printer output that
is much darker than it should be and that presents various color shifts.
I'm using an Epson Stylus Pro 3800 with the latest Windows driver
(6.50 - which is rather old by the way). The workaround described below
works for me under Windows XP SP3. It should also probably work with
other systems/printers/drivers. Use at your own (minor) risk.
The "official" procedure for printing from LR is as follows:
1. Do not let the printer manage colors and select "Other..." from the
profile dropdown list and select the ICC/ICM paper/printer profile that
you want to use.
2. Click on Print... in LR which opens the Print Settings dialog.
3. Select the options you need and the paper you're using.
4. **Disable the color management from the driver's side** (in Epson's
drivers, "Mode | Custom | No Color Adjustments").
5. Print
Unfortunately, **this doesn't work** for many of us and this produces a
print that is dark and has color shifts as mentioned above. Note that
the same image prints correctly from QImage or Photoshop CS3 (that is,
the printer output corresponds to what you see on your calibrated
display).
Apparently, although color management has been (allegedly) disabled in
the driver, there's something wrong between LR and the driver which
makes that *both* LR and the driver are still trying to manage colors.
In other words, the "No Color Adjustements" option of the driver doesn't
seem to work with LR.
The workaround (found after hours of hair pulling and paper and
expensive ink wasting):
In step #4,
1. Instead of selecting "No Color Adjustments", set Mode to "Custom |
ICM
2. Click Advanced...
3. Check "Show all profiles".
4. Select Driver ICM (Advanced)"
5. Set **both** the "Input profile" and the "Printer profile" fields to
the very same profile that you specified in LR.
That is, if you specified Pro38 PGPP (Premium Glossy Photo Paper) in LR,
then also select Pro38 PGPP in both "Input Profile" and "Printer
Profile". This has actually the same effect has disabling color
management in the driver (what "No Color Adjustements" should normally
take care of).
That's it. When printing, you'll get exactly the same color results as
when printing from QImage or Photoshop. No more dark prints. No more
color shifts.
One might think that the bug is in the Epson driver but in that case,
QImage would have the very same problem. So I tend to think that the bug
is on the Lightroom side.
Note: Although Photoshop CS3 produces a correct printer output, it
demonstrates the same problem as LR when using the "Match Print Color"
option for soft proofing. But in that case, only the preview colors are
wrong. The printer output is ok. Which also tends to demonstrate that
Adobe has the problem, not Epson. Or maybe both... :-) .
Don't ask me why some users have the problem and other don't.
Hope this helps.
Patrick Philippot
MainSoft Consulting Services
www.mainsoft.fr

A sincere thank you for your reply, Michael. Sorry about the "it just doesn't make sense" shortcut. I have been trying to solve this issue since LR 1.1, spending dozens of hours on different trials and digesting everything written on this forum and the B9180 forum about color management and double profiling. My shortcut was a summation of my experience (and my frustration) but doesn't really advance the conversation. Here are some data that should be more useful in diagnosing the problem.
I am running Windows XP SP2. I calibrate my monitor monthly with the Spyder. The reason I suspect this may be an issue of double profiling is because the results (moderately strong magenta overlay plus an increase in contrast) match what more knowledgeable people than I on this forum describe when double profiling occurs. Perhaps I shouldn't presume it is double profiling, and follow Patrick Philippot's lead in naming the problem "color shifts." Patrick does refer in post #2 of this thread, however, to obvious double profiling.
I certainly do have a successful and consistent print method. With PS CS3, and either my Epson 1280 or my HP B9180, the output is almost always dead on. Here is how I do it. In PS from the print dialog box, under color handling I always choose "Photoshop manages colors." Then under printer profile I select the profile designated by the manufacturer for a particular paper/printer combination. Then in the printer driver I disable printer control of color. With the Epson I check the box "Off (No Color Adjustment)." With the B9180 I choose the option "Application Managed Colors." While I sometimes may tweak the final output, these procedures have served me well with PS for several years.
Contrasted with my positive PS experience, my experience with LR printing has been inconsistent. I regret having to be so imprecise but truly sometimes LR produces accurate results that match the calibrated monitor, but most of the time it does not. I use standard procedures with LR that parallel the PS ones described above. In LR's printing panel, under color management, I specify the correct profile, just as I did for PS. Then in the printer driver I use the same procedures I use with PS. Most of the time the prints have the magenta overlay and too much contrast.
BTW, the inconsistent LR printing only takes place with my HP B9180. I have never had any problem with off-color LR prints with my Epson 1280. Again, I emphasize that I have standard procedures that always work with PS (no matter which printer) and LR (but only with the Epson).
Unfortunately the LR printing problems are intermittent. Some of the time (perhaps 20%) LR produces fine prints in the B9180, indistinguishable from PS prints. When LR is printing well, it will continue to print fine until "something happens" and the output shows the color shift. This means I do not get a random sequence of good-bad-good-bad prints, but rather good-good-x factor-bad-bad-bad. Ths problem is that I do not know what this "x factor" is. Once, when LR was giving me accurate output, I simply changed the default printer (Control Panel-Printers and Faxes) from the B9180 to my Samsung 1430 laser; immediately afterwards the LR output colors shifted. Did LR react to this change in default printers? Another time I had good LR printing success with version 1.2 but ran into the problems described above when I upgraded to version 1.3.
Sorry for the long post. I am hoping that someone will see something that I am missing and provide a hint. I think, though, that Patrick is correct when he states, "I tend to think that the problem is with LR. After all, similar issues (obvious double profiling) are observed only in LR but with various printers."

Exporting Flash vector art for print

I would like to export art created in Flash as a vector
format for print. Exporting as either AI or EPS from Flash seems to
have many limitations: no support for masks, alpha transparency, or
editable text with fonts embedded. Has anyone found a workflow to
create print-ready vector art using Flash?
I have tried many combinations of Flash, Freehand, and
Illustrator with no success. (Freehand will open SWF files, but it
rasterizes the vector art when exporting as either EPS or PDF).
Working in Flash Pro 8, but from the Flash CS3 documentation
it doesn't look like there are additional options for file export.
Is it true that any vector art exported from Flash loses font info,
masking, and transparency?

Has anyone found a good solution for this? I need to export character art from Flash to use for print and consumer product items. Qualtity vectors are required.
The "best" solution I've found so far is to "Print" as either a .PDF or .PS file, then open that file in Illustrator. It expands all the gradients, and creates very complex vectors, but it's better than the standard export to .AI function, which gives offending operator "bg" errors. Still, it is a sub-par result, and I end up having to recreate art anyway.
(I'm using Flash CS4.)
Dear Adobe, this should be a no-brainer ... Please introduce a true vector export feature from Flash to Illustrator that generates art we can actually use.

PNG colour profiles - and this format for print

I know it's taboo to talk about PNG for printing.
But I can't find and I've searched the forums - there was a post made about embedding colour profiles a while ago.
I know PNG is a RGB only format, but I'm 36.8% sure I read something about embedding either RGB or ... wait for it CMYK profiles into PNG files.
If anyone can shed any light on this - and how about PNG for print - I've been against it for a long time - but it is a lossless format, it can carry 64 bit data.
I know I know - but I thought I'd ask anyway - see what people think.

You can't save a PNG with a profile out of Photoshop, but it looks like you can embed one via the image events scripts that ship with OSX (/Library/Scripts/ColorSync/embed). Unfortunately ID ignores the embedded profile and uses the document's assigned profile instead. PNGs do respond to ID's RGB profile and the RGB profile will have an effect on the CMYK separation when it happens.
Here's ProPhoto and sRGB:
From your ID document you can also assign a profile, which conflicts with the doc's profile, by selecting the png and choosing Image Color Settings.... So, you could assign AdobeRGB as your doc's profile and assign sRGB to all your pngs.

Photoshop Black and White profile for printing

I'm a black and white photographer, so this issue is extremely important for me to resolve. I've been looking online and I have yet to find the answer, so I hope someone can help.
I need to know how to set up the black and White profiles in Photoshop for printing. The printer I have is a canon Pixma Pro 9000 a mark II
I need true black and white. Thank you in advance for any help or suggestions. If you need me to provide additional information let me know.

I frequently print black & white work on an Epson, using the Advanced black & white feature in the print driver.
A quick internet search found that there is something similar for Canon - Canon : PIXMA Manuals : Digital Photo Printing Guide : Black and White Printing
I print scanned grayscale files, and have the grayscale profile in PS set to Gamma 2.2.
If you are printing digital photos, they will be RGB, but that will probably not make any difference. But you have to read the documentation for the Canon to find out if it will. IOW - if the image should be Grayscale or RGB.
One very important thing when printing like this is to set the printer to manage colors (not PS) in the PS Print dialog.

Converting to CMYK color profile (for print) in raw format

I am looking to self publish a cookbook in lightningsource. They need the photos in cmyk format. When is it best to convert to this color profile from rgb?
I have bridge CS5
What I'm doing currently:
I click on my .arw image file and select "open in camera raw" which brings me to an editing screen. At the very bottom is says rgb, and 240 ppi
I need 300 ppi at least and cmyk color.
Now I know how to change these things in Photoshop, but I was taught that editing it in camera raw in bridge is better to preserve quality for print.
Should I just edit it in raw and then convert to 300 dpi and cmyk color in photoshop? Or is there a way to do this in bridge? Whats the difference? Any advice will help, trying to make my pictures look amazing in print

Correct me if I misunderstood anything!
You are on the right track except for the ppi story. The ppi settings just are a figure expressing the amount of pixels stored in 1 inch, without the width and height figures of the image itself you can't do much with it and just changing this figure is not changing the total amount of available pixels.
For instance create a new document at 300 ppi and use the international paper size A4 (21 x 29,7 cm). The amount of pixels is 2480 x 3508 (roughly the result of an 8 MP dSLR.
Use the image size option in PS and be sure to not resample (meaning creating new pixels or deleting pixels to alter the original file size that is 24,9 MB). Now change the amount of pixels to whatever you like. If you increase the number the width and height decrease, and vice versa. Yet the amount of pixels and file size stay at 2480 x 3508 and 24,9 MB.
But with the specs of wanted width and height for the end result of 300 ppi starts making sense.
For instance you have a image at the size of a post stamp and an image at international paper size (A4) and both are 300 ppi. The small post stamp size would be in cm about 2 x 3,5 while the A4 size has about 21 x 30 cm width and height.
So you can imagine having both needed to be printed at the A4 size in 300 dpi (printers work with dots, hence they use dpi - dots per inch- and while not the same they both often use the 300 figure and stand for pretty high quality result) the A4 sized original will meet the wanted standards without problems while the post stamp would have to be resampled to the new A4 size and when having still 300 ppi needed there would be a lot of interpolation (creating new pixels to match the new size) and this would often result in pixelated or worse quality print result, because PS has to use guess (albeit quit educated guessing) work to add more pixels that are needed to reach the new dimensions.
ACR has the advantage to set the ppi by default at 300 but as said, as long as you don't alter width and height of the original it is just a figure without any significant importance until you know the complete specs for the output source.

How to create seperate color channel for print of illustrator document

Hi,
I need to print a document with partial UV-spots, and cannot figure out how to make my Illustrator document ready for print!
The online print center guides me to:
create a 'seperate print channel' for the specific elements in my document i want covered, with either a '5th color or a special color' set for 'over-print and 100% color'.
Can anyone help?
Thank you!

Draw the spots you want to use and fill them with a spot color.

Creating new graphics object from a existing one and sending it for print

Hello,
i have a graphics object which is big in size, I am creating a new graphics object from the existing one as given below
//map is a graphic object
Graphic g1 = (Graphic)map.create(x,y,width,height);
Graphic g2 = (Graphic)map.create(x,y,width1,height1);
Graphic g3 = (Graphic)map.create(x,y,width2,height2);
arrayList.add(g1);
arrayList.add(g2);
arrayList.add(g3);
Now I want to send the graphic object g1,g2,g3 for print in the method
public int print (Graphics g, PageFormat pf, int idx) throws PrinterException {
// Printable's method implementation
if (curPageFormat != pf) {
curPageFormat = pf;
pages = repaginate (pf);
if (idx >= 3)) {
return Printable.NO_SUCH_PAGE;
g = (Graphics) arrayList.get(idx);
return Printable.PAGE_EXISTS;
This is not working... what is wrong. can anybody suggest..
I tried standardprint.java to print a object inside a scrollpane, it is not printing the entire diagram. so I am thinking of something like this.... Please let me know what to do....
Thanks
Serj

The easy way to do this is create a copy using Windows Explorer.
Open the project and go to File > Rename.
Then you have your 2013 ready made project.
See www.grainge.org for RoboHelp and Authoring tips
@petergrainge

Exporting and color conversion for print

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