Exporting MJPEG from FCP using aurora igniter

Hi,
I'm using final cut pro 4.5 HD with an DVC PRO source file captured via firewire, and a watermark element on another video track. I'm trying to export the file as a quicktime movie using current settings, but I'm getting interlacing or field order problems on the exported video.
My settings are as follows:
Sequence Settings
frame size 720x480 NTSC DV 3:2
pixel aspect ratio NTSC/CCIR 601 DV
Field DOminace: Upper Odd
COmpressor: Aurora Mjpeg A
Aurora Advanced preferences: field order also set to upper
Any idea on why this happens? I've tried some other codecs in the compressor tab of the sequence settings (such as DVC Pro) and they export without any interlacing issues, but the quality is not as good.
Brian
Mac OS X (10.4.6)

Thanks James- simple enough and it worked.
A bit of a mystery why even the pro version of QT Player wouldn't just automatically pick up the anamorphic flag, as it does when you give it a file created using QT conversion from FCP?
Little things like this cause headaches. I find the documentation on this basic area of aspect ratio, that everyone has to deal with all the time, to be quite evasive or unclear on the whole and the terminology bizarre.
I assume once saved once with 'conform aperture' set to 'clean' it will always play in 16:9 on any QT player? The client won't have the Pro version of QT- that's for sure.
Thanks again very much for your quick help,
Andrew

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NTSC to PAL - Export straight from FCP or use an mpeg file?

I was reading this
http://www.macworld.com/article/49306/2006/02/marchcreate.html
however it does not mention what to bring into compressor.
Should I export my ntsc sequence straight from FCP into compressor, or should I drag an ntsc mpeg file I aldeady made into compressor? Ive been trying the latter but can't do much as each step gives me the spinning beach ball for anywhere from 5 to 10 minutes. Thanks much.

Yes, you should export directly from FCP Using Compressor. Exporting to a heavily compressed MPEG-file, and then converting that from NTSC to PAL makes no sense. You would want your video to go through as few conversions/generations as possible.

Everytime I export from FCP using comressor I am lose my audio, any ideas as to why this is happening. Or do I have somthing turned off and I am just missing it? Dual 2.7 Ghz PowerPC G5 1.5 GB DDR SDRAM, Mac OS X (10.4.6)

Everytime I export from FCP using comressor I am lose my audio, any ideas as to why this is happening. Or do I have somthing turned off and I am just missing it? Dual 2.7 Ghz PowerPC G5 1.5 GB DDR SDRAM, Mac OS X (10.4.6)

Exporting via Compressor may be recommended but it is slow and doesn't fully support all available filters, etc.
Try exporting the timeline as a QT Movie (the "normal" export) using Current Settings and them submit the resultant clip to Compression. Works for me...

Exporting text from fcp

I have a lot of separate text boxes in my sequence. Since I can' t do a spell check in fcp, I was wondering if i can export all the text boxes out as a plain text document to do a spell check.
I tried exporting as a xml document, but navigating through all the tags was quite a problem.
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Usual workflow is following.
1. Put all Text-generator clips to one track
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Exporting to STL you'll get text file like that
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... which you can open in any spell-checker.
We use TitleExchange to bring subtitles from FCP to DVD Studio and back (in case we need subtitled DVD and Betacam output)
Though, this may be much expensive way of checking spelling (135 Euro per TE licence).
There are lots of subtitle software, I only wanted to mention a way of exporting text from FCP with help of subtitle processors.

Can the exported video from FCP X play in WMV?

(1) Can the exported video from FCP X play in WMV?
(2) If not, can I convert with the help of Compressor 4 to make it to play in WMV?

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Exporting quicktimes from FCP to iDVD?

I am having trouble exporting quicktimes from FCP and bringing them into iDVD.
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When creating chapter markers, make sure nothing is slected within your timeline (click in a blank space before hitting m). Hit m again and click chapter marker button.
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Problem exporting from FCP using compressor

Out of the blue - I'm getting batch failures trying to export from FCP for use in a DVD. Immediately after selecting compressor for export, I get an error reading "That file already exists", and a new tab appears in the media browser with a lengthy character string. Compressor opens fine, and I select Best Quality 4:3 encoding for video and aiff48 for audio. When the batch is submitted - it promptly fails and blames FCP for generating an error.
Did all kinds of restarts and work arounds to no avail. The promising news is that this error seems to occur only when exporting from FCP through Compressor.
My work-around is to export a QT movie of the piece, quit FCP, launch Compressor, and then import the QT for batching.
Hope this helps anyone else in similar situations
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G5 PPC Mac OS X (10.4.8) FCP 512 post production

Hi:
How long is your movie?
The best workflow is FCP > Compressor > DVDSP.
You can encode your timeline directly to get MPEG2 video and Dolby 2 (AC3) audio files. Then import those in DVDSP and author your DVD.
Using Compressor you control the full encoding process. You can test with small parts of your movie (those where you got problems with iDVD) and find the best encoding options fopr your footage.
Of course the DVDSP learning curve is longer than iDVD but once you learned ir you probably never go back. Like iMovie and FCP.
To give you detailed info about what encoding settings to use you must post some info about your FCP project.
Hope that helps !
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Recording using Aurora Igniter ... doesn't work

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I have been trying to get STP to record with my Aurora Igniter card and it seems to hang immediately once I hit the record button. I get the first split second of what I am trying to record and then it just loops.
Does anyone have any idea what could be the problem here? I have downloaded the latest drivers from Aurora and I can record through FCP if necessary.
Thanks in advance for any help.
Eric

Aurora doesn't support simultaneous use of the built-in audio and the break out box.

Exporting direct from FCP vs. sending to Compressor?

I've done both, but the choice ends up being a coin toss. So I'm curious if there's any accepted wisdom as to the Pros & Cons of each workflow (using the current versions of each app, and in a hypothetical All Things Being Equal scenario)?
In other words, if you were to create the exact same "Master File" from a given FCP Project using each route (in terms of the finished file's dimensions, frame rate, etc), and you selected the exact same codec/quality options to create that file (assuming the identical options exist to be chosen), would there still potentially be any significant difference between the two files? Either in terms of file size, length of time it takes for the file to be created, or any appreciable difference in image quality (despite the theoretically identical file settings)?
Because a difference in any one of those three categories might be enough to tip the scales towards using one workflow vs. the other, depending on the priorities in a given situation.
(And for the sake of this comparison, I'm leaving aside the issue of which app could still be used for other tasks while the export is in progress. Let's just assume for the sake of argument that in both cases the machine would not be being used for ANY other work during each of the exports.)
Any theories? Real-world experiences? Or has some 3rd-party test site already attempted this kind of direct comparison (using the latest versions of FCP-X and Compressor 4.x)?
Thanks,
John B
Toronto

Without considering every possibility, here are a couple of general thoughts.
Given the same Compressor preset there should be no quality difference between the output from a master fie to Compressor and sending it from the timeline to Compressor. There are speed differences and exporting from FCP X is the fastest workflow. Lately, I've found second fastest to be Send to Compressor. But the inferences differences aren't great.
Most of this depends on one's workflow preferences. The most lengthy workflow is to first export a master file and then bring that into Compressor;. Funnily enough, that is how I work because I want to have an iFrame master file that I can compress for different purposes over time.
One user recently posted that he used Send-to-Compresssor because it gave him the opportunity to pause the processes without losing his work.
In the past (particularly with legacy FCP) the Send-to-Comnpressor workflow was something I avoided. It was slow and unreliable. 10.0.x to 4.0.x was faster but troubled in other ways. The latest versions, however, seem to get it done efficiently.
Final thought: if you do your own tests, check o ensure you have similar amounts of free memory. Otherwise, it's not a "fair fight"/
Russ
edit: override the auto complete

Exporting Widescreen from FCP to mp4...help!

Help! I'm trying to export a 720x480 video from FCP, to upload onto youtube. I feel this should be easy, but no matter what codec i use, the exported video looks stretched. I want the video to stay widescreen, can have black bars at top and bottom, as long as aspect ratio is kept.
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You mean 720x480 Anamorphic, yes?
Here's what I do...
File - Export - QT Conversion
BROADBAND HIGH
Then, click OPTIONS and change size to 420x270.
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Eric P

I was hoping to export MPEG2 directly from FCP, but I used Compressor as you suggested. Now, here's a really silly question: After I "submit" the file, it processed (I can see it processing in the Batch Monitor), but I can't find the file anywhere on my computer!
I thought I changed the destination to my desktop, but even searching the computer for the file name it doesn't come up. Am I overlooking something obvious??
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Eric

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Thanks

David, I just left the below for another user... try this:
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You'll get good results using Compressor.

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Forum,
I sent part of a sequence from FCP to STP, but it's not in sequence anymore. It's broken back down into the original clips.
How can I edit in STP without losing the structure of the sequence that I spent so much time on?
Thanks,
Trey

I remember having to do a mixdown in each of my nests when dealing with this issue in 4.5.
You can also do an end-run around FCP's mis-management of the audio renders by manually throwing away the audio render files for the project in the finder and re-opening the project.
You might also try using the Advanced Format Conversion in Compressor, as that should ignore any pre-rendered material from your sequence.
Also, I have seen this problem when combining 44.1k audio (from a music CD) and 48k audio (from digital video) in the same 48k sequence. You might find it helps in the long run to re-export the CD audio as 48k and replace the music in your sequences.
Hope this helps -
Max Average

Export settings from FCP

What export setings have you found the best from FCP to use in DVD Pro. I keep getting a stretched picture on import.

Export a self-contained or reference movie from FCP (File->Export->QuickTime Movie). Include chapter markers (if any) but do NOT recompress all frames.
For best results, use the appropriate DVD preset in Compressor with the exported file to create an MPEG-2 (.m2v) video file and a Dolby Digital (.ac3) audio file.
Import those two files into DVD-SP of authoring and burning.
-DH

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Hello,
I am currently working on a project in FCP 3. I need to export an .avi-file for use in Adobe Encore on a pc. I have done this before and used the DVpal codec which worked ok, but with this project the image quality is not ok, mostly there seem to be small jumps in a sequence (is on the verge of not running smoothly.. sorry, hard to describe).
I tried all the other codecs I have (BMP, Cinepak, DVCPRO-PAL, DVCPRO50 and no compressor) and all either gave inacceptable image quality or the film does not run smoothly, or took several hours for rendering a 3 minute film.
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Natalie
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I don't know better than you, Randy, but I do have strong opinions.
OS X does tend to avoid file fragmentation, but that can only do so much, depending on how full the volume is and how much file deletion has taken place.
If the volume is very full, and you can't delete enough data to trim it down, the best thing to do is move/copy all the data to another volume, wipe the 1st volume, then move/copy all the data back. This is usually faster than using a defrag utility.
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But the real answer to the defrag question is, don't worry about it . . . as Randy said.
* If you do the math, you'll find that the read/write heads are exposed to about 1/2 of the surface area on the inner tracks as on the outer tracks in a given amount of time. FWIW.

Exporting MJPEG from FCP using aurora igniter

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