Exporting nested sequences from premiere

Hello. I'm trying to export a nested sequence and a separate track that has audio. When I try to export all I get in file is one of the original clips and no audio.

For PC users, of which I am one, the Preview Render codec in the Sequence is usually MPEG so best to avoid it. If you can actually use ProRes, then it's understandable that you'd want to "Match Sequence" if possible.
Check this link - http://www.premiumbeat.com/blog/pro-tip-exporting-a-finished-video-from-premiere-pro/
Thanks
Jeff Pulera
Safe Harbor Computers

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Exporting a sequence from Premiere Pro CC is taking hours

I am new again to Premiere after a 10 year hiatus. I have Premiere Pro CC and as exciting as it is to have the entire suite of products, I feel like resorting to iMovie after trying to export. I was initially getting acquainted with After Effects and solved my render times there after a little frustration, but this seems to be taking me down!
I am creating a "movie" that will be projected on a 4:3 aspect, 20'x15' screen. I created a sequence that's 4 minutes long and it's got a .mov that I rendered from After Effects at the beginning, then a bunch of still images that each last around 5 seconds with a cross dissolve in between each. In the middle there is another .mov from After Effects (bubble effects).
I created the sequence with settings of: Editing Mode - QuickTime DV NTSC, 29.97 fps.
When I try to export the sequence, I use QuickTime for the format; the preset is NTSC DV. This sets the video codec to DV25 NTSC. I've tried rendering with this codec and changing the codec to mpeg-4. I've also rendered with the quality set to as low as 65% with the mpeg-4 codec.
Each time, the "Estimted Time Remaining" just climbs and climbs. I've managed to get to 13% encoded and the time remaining is around an hour, but keeps climbing with each percent rendered.
I have a 27" iMac with 3.1 ghz Intel Core i5 processor, 4gb memory and running OS X 10.7.5
If anyone can help me with export settings or a way to decrease the time, I'd very much appreciate it. I have searched for this topic and each solution I found involves exporting for the web.

Use the MPEG2-DVD preset
CS5-thru-CC PPro/Encore tutorial list http://forums.adobe.com/thread/1448923 may help

Exporting DPX Sequence from Premiere Pro CS6

I edited a .mov premiere sequence from my 7D and 5D MK II in SpeedGrade by using the "send to adobe speedgrade" option. I exported the grade as a .dpx sequence and brought it back into premiere. Now when I try to export it in h.264 "for youtube hd 1920x1080 23.976", I get a huge loss in color range and blacks become so pixelated and I even lose a lot of darkness in the blacks. The grade no longer looks good. The preview monitor looks great in premiere but it does not match the final export. I need help with this one!
Software: Production Premium CS6
Footage: 1920x1080 / 23.976fps
Camera: Canon 7D + 5D MKII
System Specs:
W7 Professional 64-bit
i7 930 (stock)
Gigabyte X58A-UD3R
12gb G.skill Pi Series 1333mhz
EVGA GTX 470 SC
180gb Corsair Force GT SSD (boot)
1TB WD Caviar Black (production premium program files)
2TB Seagate Barracuda (speedgrade .dpx files)
750gb Seagate Barracuda (source footage/scratch disks + cache)

Use the MPEG2-DVD preset
CS5-thru-CC PPro/Encore tutorial list http://forums.adobe.com/thread/1448923 may help

Exporting multiple sequences from Premiere with Match Sequence Settings...

If I individually select a sequence in Premiere and Export Media I have the option of checking Match Sequence Settings but with multiple sequences selected the option goes away. So I have to individually select the sequence, check the Match Sequence Settings box and add to the queue for every. darn. sequence. All I want is to export multiple sequences to Media Encoder with Match Sequence Settings (or add multiple sequences to the Media Encoder queue, same thing). Am I missing something? This seems like it would be used a lot...

For PC users, of which I am one, the Preview Render codec in the Sequence is usually MPEG so best to avoid it. If you can actually use ProRes, then it's understandable that you'd want to "Match Sequence" if possible.
Check this link - http://www.premiumbeat.com/blog/pro-tip-exporting-a-finished-video-from-premiere-pro/
Thanks
Jeff Pulera
Safe Harbor Computers

Only seeing Audio File in AME on Import or Export to Queue from Premiere

Hello All...
I don't have alot of experience with AME... I"ve exported a sequence from Premiere Pro, Selected setting and added to the Queue in AME... all I see show up once the AME window opens is an Audio File.
When I open a Premiere project directly from AME (using the dropdown menu) I get the same result... I've tried this with a few Premiere Projects. Am I missing a step here???
Also... I'm confused as to why I select all the transcode settings in Premiere Pro when exporting media... and then there are presets again in AME... don't the settings carry over from Premiere's export window?
Thyanks for any help...

I'm wrestling with this same issue.
I'm on Windows 7using Adobe Premiere Pro CS6.
I'm producing a two disc, dual layer DVD set for 100 families of my son's marching band.
I have a half hour "masterwork" of interviews, performance segments, rehearsal sequences, credits, etc that I've edited together complete with sound, etc.
I also then have various other video segments from the season, some high quality (1920x1080) and some lower quality.
Rather than import everything into Encore and have Encore transcode them all at the same quality, I wanted to ensure that the half-hour piece and certain other segments were transcoded as high quality as possible and given the largest file sizes I could and then transcode other segments as needed so everything would fit on the discs.
The company I'm using to duplicate/replicate the 100 DVDs from my Master DVD advised me to encode them FIRST in Premiere Pro as desired, and THEN import those files into Encore.
I've used Adobe Media Encoder a lot to export the individual segments into files I could upload to Youtube and have had no problem.
But now, two things happen:
1) AME automatically designates the "Output File" with an .aac extension
2) When I do an "Import As" of the AME encoded file in Encore it only loads an audio file (obviously)
Whassup?
Here are the settings I use in my Export Media dialogue in Premiere Pro CS6:
Format: MPEG2-DVD
Preset: NTSC Widescreen High Quality
Output Name (and filetype): ______ name with Save as Type of "Video Files(*.mpg)
BOTH the "Export Video" and "Export Audio" boxes are checked
Filters Tab: left as is, don't do anything here
Multiplexer Tab:
choose the "DVD" button (vs the "None" button)
Bitrate Type: left as Variable which is what is selected as a default
Video Tab:
Codec: Reads MainConcept MPEG Video
Quality: increase it to the max of 5
TV Standard: NTSC
Frame Rate: 29.97
Field Order: None (Progressive)
Pixel Aspect Ration: Widescreen 16:9
Render at Maximum Depth box checked
Bitrate Encoding: I choose CBR for my high quality segments and VBR 2-pass for my lower quality segments
Bitrate: kick it up to the max for high qulaity segments, adjust as needed to get the filesize I want for my lower quality segments
Audio Tab:
Audio Format: Dolby Digital
Codec: Dolby Digital
Bitrate: At least 320, sometimes higher for the segments I want to be the highest quality
I check the "Use Maximum Render Quality" box
I chose "Queue" for everything and then let it run overnight
So... what am I doing wrong, helpful experts????

Exporting sequence from Premiere CC to Audition CC opens completely wrong clips in multitrack

I export my sequence from PP and Audition opens 100% incorrect video and audio! Nothing is the right clip, totally wrong files are being opened. I have no clue at all what is going on. Can anyone help?
Footage is DV PAL. Audio is single stereo audio file (made in Audition CC) on dialogue track and single stereo music track, both 48KHz 16bit. All audio is going into Audition at 0db with no effects (ie untampered).
I've done plenty of other mixes with the same project in different sequences with no problem at all (starting in CS6 and now working in CC - it's a feature film project with many tracks and over an hour long). The primary feature mixdown has been done and worked beautifully last week. Now I'm working on a trailer which is only 3 minutes long, using the rendered movie as my primary source, so it should be quite simple.
I have had a look at the xml (of which I only have the most basic understanding) and the document clearly references completely wrong files, so I think you are right and it's a PP issue rather than Audition, which just seems to be fed crap to start with!
My specs are:
Mac Pro 5,1 - 6 Core 3.33GHz
48GB RAM
GTX 680 Mac
OSX 10.8.5
Adobe CC - up-to-date
playout via Focusrite Saffire Pro 24 (FW400)
Thanks for any help!
Dominic
PS
This is a copy of a thread I started in the AUdition forum but was advised to ask here instead.

Not a direct reply to your question but...
I have only exported video to Audition as a reference track- preferring to use the PP timeline for the master export. I somehow feel it's less prone to image quality loss (codec dependent!)
To that end, I add the imported Audition mix-down either as a single or multiple stems, depending upon the project requirements, and place them in sync in the original timeline.

I'm having this message when I try to export my video from Premiere Pro: "Error compiling movie. Unknown error"

I'm having this message when i try to export my video from Premiere Pro:
"Error compiling movie. Unknown error" Do anybody knows what to do?

1st, I moved your message to the correct forum
2nd, More information needed for someone to help... please click below and provide the requested information
-Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840
3rd, Error Compiling Movie... some past discussions and ideas
-http://helpx.adobe.com/premiere-pro/kb/error-compiling-movie-rendering-or.html
-http://helpx.adobe.com/premiere-elements/kb/error-error-compiling-movie-render.html
-and nested sequences http://forums.adobe.com/thread/955172
-and WMV files frame rate http://forums.adobe.com/message/4629210

I am having trouble exporting closed captions from premiere cc 2014.

I am having trouble exporting closed captions from premiere cc 2014. I see them in the program monitor but after i export and try to playback in either quicktime or VLC i get to embedded captions. I eve tried the side car file and embedded with compressor and still nothing. Any help would be appreciated.
I only used compressor because i switched from final cut to adobe. easy fellas!

I have latest QT version, do i need to go back to 7? I have tried VLC also, i usually use that to check CC in mpeg files. I am exporting a QT H.264 for just testing purposes, I need a prores HQ, also this is SD so my sequences are set to 720x486.

Exporting Nested Sequence

I'm trying to export a 90 min nested sequence from FCP 4.5 and it keeps giving me an estimated time of 24 hours and then it crashes the program several hours into the export. I nested the sequence because I needed to put a Time Code Reader filter on it in order to give the sound designer a window burn. The same sequence, un-nested, exports fine. Any suggestions? I'm using a PowerPC w OS 10.3.4. Thanks.
-T

I haven't used 4.5 for a long time.
Try this:
Export the sequence as a reference movie.
Bring the reference into a new sequence, add the t/c filter. Render the whole dang thing. Export the rendered movie.
If that doesn't work, post back.
What you really want to do is render the sequence and then export the render. You're trying to nest, apply a filter to the nest, and export while it's being rendered. You'd think FCP could deal with it but the complexity of your upstream media tracking could be causing some trouble.
bogiesan

Export to Encore from Premiere - Set DVD Title?

I am new to Encore.
I tried to Export to Encore from Premiere. The DVD turns out fine, but the DVD is named "Untitled Project" and I'd like to give the disc a custom title.
I saved the Encore project, gave the disc a title, and the titling works out fine, but the DVD has no sound.
I have tried both of these processes two times each, and the same thing happens.
Given the choice between a custom title and sound, I certainly want the disc to have sound. But how do I get both?
Help help help.

Thank you for your reply.
I used a short disc title in Encore, which was PANDORA. The titles winds up on the DVD, but no sound.
But when I export the video from Premiere to Encore, I don't see a place where I can enter a custom name. So it names the DVD Untitled Project. Can you tell me where that is in Premiere?

Sequence suddenly not exporting to Audition from Premiere (5.5)

I've been successfully exporting sections of my feature film (not the entire sequence - work area only), editing in Audition, exporting the mix files and replacing them in Premiere. Suddenly I get a long, drawn out error code below. Now, Audition asks for files it cannot find (nor can I), files that are not even connected with the work area I'm exporting, etc. I'm on a deadline, please help if you can. I'm on a Mac Pro 2.66 Ghz Quad core, 26 GB ram running Mavericks. Premiere and Audition 5.5.
Thanks!

This error message appears to be come from Premiere Pro, not Audition. Can you share a screenshot of the files that Audition is asking for?
Thanks

Media Encoder CC 2014 using cached versions of Precomps in AE and Nested Sequences in Premiere?

I'm seeing this weird thing where Media Encoder is using older versions of certain assets when exporting a Premiere Pro CC 2014 sequence. I'm seeing issues with nested sequences...Media Encoder uses an old version of a linked AE comp or it doesn't render a certain video track. With linked AE comps...I'm seeing Media Encoder use an earlier version of a precomp within the main comp.
When I look at the video in the Export Settings dialogue in Media Encoder, the old version of the AE comp shows .
If I look at the Export Settings dialogue in Premiere, it's up to date and looks right.
Anyone dealing with this or found a workaround? Thanks!
Calvin

I don't think I'd call this issue expected behavior...at best it's anticipated behavior that's going wrong. The only reason I wouldn't call it expected behavior is because what I'm seeing is AME reverting to a cached state on a FRESH LOAD of a sequence to render directly from Premiere. Basically, AME isn't open...sequence looks fine in PPro...load into AME via PPro export...look at export settings dialog in AME and note that the sequence is the old/cached version. So, it's not like the export was already in AME and THEN I made changes in PPro. It appears AME might be incorrectly identifying the newly imported sequence for export as an older, cached version.
However, I didn't get a chance to test your original solution so I'll try that the next time I see it happen. I also fixed the issue by clearing out the media cache and databases. NOT an elegant solution at all and TOTAL overkill...but it did work.
Thanks for the links!

Exported nested sequence does not match previews

I'm currently working on a project in which I've setup my main source video edits in to one master sequence. I have then nested this master sequence in to further sequences to be exported as highlight clips. When previewing the highlight clips within Premiere's work area and within the export tool all appears correct. Once the media file is exported however (no matter my codec choices) - the audio is correctly in sync with my edit but the video is massively out of sync. In fact what appears to be happening is that the video track is reset to the start of the parent master sequence. Now all of my nested highlight sequences export their video from the start of the master sequence. Any suggestions on how to address this would be greatly appreciated.
Many thanks

I'm not sure I fully understand the issue. Perhaps some screen shots?

Exporting an EDL from Premiere CS6 that SpeedGrade can read

I have a long sequence which I now want to grade. I didn't grade the individual clips prior to editing them into a 70 minute timeline. I have tried the following without success:
Exporting to SpeedGrade the Premiere timeline: it will do this, but leaves chunks of clips brown, as blank info in the SG timeline, so if I grade this, I'll have an incomplete graded file to apply back to the Premiere timeline;
importing to SpeedGrade a ProRes 422 file which I then asked SG to divide into clips (the app quit after taking 40 minutes to examine the file, which it did successfully, but when I asked it to make clips, it quit)
exporting from Premiere an EDL which I then apply to the QT ProRes file in SG. This is not accepted because there are certain key commands which SG won't accept, but there's no way to know how to export a "clean" EDL from PP to SG without those commands (I even went into the EDL using TextEdit to see if I could delete certain lines, but that was obviously a losing game)
Suggestions welcome!

Yes, I tried to find that forum and couldn't which is why I posted here, but since I have you on the line, and since you apparently have lots of experience with SG, can I ask you:
Because of the way I've done this documentary I can only grade it now that the picture/sound is locked. If I export a ProRes flattened movie into SG, it will have the effects, titles etc which is not what SG wants, right? So do I duplicate a timeline in Premiere, delete the titles, etc, (what else: effects?) and then export to SG?
If I export the timeline (using a MacPro but not the fastest newest model, 16GB Ram) it takes about three or four hours to export the DPX files. I'm trying it again, but don't hold any hope that it will export without some of those incomplete clips. I don't know what causes them. Could it be sections with effects, with stacked clips which have wipes and other stuff, combining them in the ProRes export to a single image but in a timeline exported to SG maybe its not reading that info?
Whatever you can suggest would be great.

Problem exporting large sequence in Premiere Pro 5.5

So I am currently creating a compilation of many videos for a contest this weekend, and am having trouble exporting it all together.
This is a mix of SD and HD footage, from various framerates, resolutions and aspect ratios that I have conformed (using the "Scale to Frame Size" option) to a 720x480, 4:3, 29.97 fps, progressive scan environment (started with the DV NTSC preset and modified from there).
The project has expanded to become 1 hour and 45 minutes long, with many titles (at least 58). I should also note that it appears to have become very unstable, crashing quite frequently, though other projects will load just fine. And before anyone asks, I have already attempted moving everything into a new sequence and exporting from there, as well as importing the sequence into a new project, to no avail.
My normal export settings are:
720x480 resolution,
4:3 aspect ratio,
29.97 fps,
Render at Maximum Depth checked,
VBR,
2 pass,
Target bitrate: 8,
Maximum bitrate 12
I should also note that I have not prerendered any of the footage.
Now, whenever I try to export it begins the process, and then always hangs at 18%, when the m4v file has become 2.15 GB, and then even after leaving it for several hours it progresses no further, and the file size of the m4v and others does not change. I have attempted a new export now that runs with
VBR 1 pass
Target bitrate 3
Maximum bitrate 6
to see if that changes anything, though I don't expect it will.
Please get back to me about this as soon as possible, as an event this weekend is riding entirely on my ability to create this video.

Never leave empty gaps in the timeline, fill with black. File > New Item > Black Video will create a slug you can use.
When I mention Media Encoder, I do mean exporting direct from Premiere - that is just an integrated version of AME. If you choose "Queue", that then opens AME as a stand-alone app.
Advice on check boxes - boxes that are unchecked by default are in that state for a reason - they only help in certain situations, so if unsure what the result might be, stick with the defaults. For instance "Max Render Quality" sounds like a no-brainer, but in reality only helps when scaling the output. If exporting 1080 to 1080 for example, then no need for that.
In another thread today, someone had poor quality video output and it was a direct result of checking the "Frame Blending" box - for reasons unknown ;-)
Thanks
Jeff Pulera
Safe Harbor Computers

Exporting nested sequences from premiere

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