Exporting Not Taking In/Out Points

I hope I can explain this clearly. When I create a video in Final Cut Pro (6.0.6) I use In and Out points for the various clips. When I preview the video in the viewer it plays correctly. However, when I export the video there are some random clips that begin prior to the In point that is set. It does not seem to happen with all clips (nor if I use the same original file more than once)...so I can't find a setting affecting this.
Any ideas on how to prevent this?

Not sure I understand exactly what you mean. You set an in point and export and you see a shot in the export that is not in the timeline?
Is it possible you have some small stray clips after the in point on a higher track or on the same track that you are not seeing because the timeline is zoomed out?
Only other thing I can think of is to try deleting render files and re-rendering.

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Prelude not creating In/Out points when ingesting P2 footage

I'm working on a Windows 7 (64bit) machine and I'm ingesting footage off of a P2 card reader (connected via usb). In the Ingest panel I marked In/Out points on several P2 files using "I" and "O" keyboard shortcuts. I ingested the footage with the transfer options set to transfer to a new directory on the hard drive (no transcode) with the verify transfer checked. The files seemed to transfer fine and they showed up in the Project panel. When I played them in the monitor I discovered that the In/Out points I set prior to the ingest were ignored.
Prior to ingesting the P2 footage I ingested some AVCHD footage with a transfer and transcode to P2 Movie. In that case the in/out points that I added in the ingest panel were respected when I played them back in the monitor after the ingest.
So, does the setting of in/out point in the ingest panel only take effect if you are transcoding footage?

Current input suggests creating subclips would be acceptable. So the net result you would see in the project panel after ingesting a clip with In/Outs set would be a master clip (representing the full clip) and a subclip representing the In/Out range specified.
Is this what you would also expect?
Michael,
Thanks for your quick response. Yes, making subclips makes sense...although I guess I don't see much advantage of creating subclips prior to ingest vs after...especially when after ingest you can establish multiple subclips on one master clip. On this specific project I had lengthy pre and post roll on several shots which I was hoping to eliminate by setting in/out points prior to ingest - so that after injest I would have only clips with relavant action.

Capture not ending on out point

I logged a clip with an in and out point. When the capture reaches the end it passes the out point and reaches the end of the tape, which voids the entire capture. Why is FCP all the sudden passing my out point during capture?

When's the last time you had the camera cleaned? Could be that it's got some dirt on the playback head where the TC is getting read, and just doesn't know when to stop...?
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Looking for note taking software to use with a graphics tablet

Hello folks,
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When exporting a small area using in-out points, why does Premiere render audio for ENTIRE sequence?

I'm trying to export a small section of my timeline using in and out points... but it looks like Premiere wants to render the audio for the entire sequence and not just my in-out points.
I added a bunch of audio effects to the entire sequence so it's taking 10 minutes to render this audio. When I click on the cancel button, Premiere just freezes and I have to force shut it down.
Is it possible for premiere to only render the audio in the in-out points I originally asked for to cut down on export times?
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In and Out points not showing in source monitor

I've noticed this in the past couple of days: setting in and out points in the source monitor, the indicators don't show in the time ruler. In other words, even though I set the in and out points, it looks like nothing has been selected.
If I put the clip into the timeline, the in and out points I chose are respected, but they just don't seem to register in the source monitor, so I can't have confidence in what I have selected.
If I open another clip in the source monitor, then go back to the one I was working on, magically the in and out points are there again. Strange...
At the same time, if I apply audio gain to a clip in the source monitor, it sometimes doesn't "take". It shows that gain has been added, but there is no change in the sound volume when I play it back in the source monitor. Again, if I put the clip in the timeline, the volume is as it should be and the waveform reflects this.
So, is there some underlying bug affecting how clips are dealt with in the source monitor?
I'm on the latest version of Premiere CC 7.2.1 on Windows 8

Thanks for these suggestions. I'll try and answer each one:
Is the Source Monitor zoomed out to show the whole clip? If not, please zoom out to see if the In/Out points are getting painted in the wrong place initially.
Yes, it is zoomed out.
Do the clips have non-zero start timecode? If so, please try with a clip with zero-based timecode. (If you don't have one handy, you can create one fairly easily by exporting a sequence with start TC of 0;00)
The problem is intermittent and in this project all the clips are DSLR .mov files. The problem occurs with some of these and not others.
Have you done anything like setting a custom start timecode or interpreting footage to change the frame rate?
I haven't set a custom timecode. It's true that there is a mix of 24p and 25p clips in the project, but surely this only presents issues in the timeline rather than the source monitor? In any case, I haven't gone to interpret footage on these clips.
Is this happening with all types of project items, including simple clips on disc, or only with certain items like merged clips, multicam sequences, subclips...?
In this project, the only type of clip I'm using is simple clips. There are nested sequences; I'm not sure, but possibly the problem has also presented itself when these are brought into the source monitor - but not exclusively with those.
I hope this helps. This is the first project I have worked on since the latest upgrade and I didn't come across this problem before. As I say, it is intermittent, and it's hardly crippling - just annoying when it happens!
Thanks

Out of sync in/out points when exporting from FCP

When I import a sequence from FCP6 as both an XML and straight into using Send to, a lot of the clips in my timeline contain incorrect in/out points.
On some clips it is a completely different shot altogether although the durations are correct.
I have read the release notes about issues with importing sequences and the boxes are checked this end.
Has anyone been experiencing these problems too? If it helps, this only seems to be on sequences shot on the Panasonic HVX200 at: 720p25
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Has anyone discovered the source of this problem? I just ran into this today. This is a VERY serious problem in my opinion. The whole benefit of Color (from my point of view) is to allow high end color correction without having to re-export your clips into an external app, adding another layer of degradation to your clips, or having to deal with huge uncompressed files. This bug makes that workflow useless so I sincerely hope this is fixable.

Compressor 3.02 In and Out Points Not Correct

This is a follow up to my compressor truncating movies post. I'd like to reiterate that my workflow has not changed and no new software has been added to my system. This work flow used to work like a charm, however after the most recent pro applications update this bug surfaced.
If i drag and drop any uncompressed .mov into compressor, compressor incorrectly detects the in and out points for that clip and truncates the file on output. It seems to be by the same amount every time.
Example:
Clip 1 is a 320x240 uncompressed .mov file created and exported directly from final cut pro (exported as self-contained). the file is 1:53:32 in duration.
Drop that clip into compressor and it sets the in-point at 59:56:09 (it does this every time no matter what clip i try to compress...) and incorrectly reports the duration of the movie as 1:53:05. these in and out times and duration are found in the preview window. no in and out points are set in compressor.
this being said, the resulting output file (same size, same frame rate - no changes to timing) is truncated and the last 4 seconds and change are cropped off the end of the clip.
Any ideas? anybody else have the same kind of problem and find a fix?
I've trashed preferences to no avail... help!
karl

right - the question is... what do we do about it?
i have been able to narrow this down to a problem with footage that's 23.98 fps only however as this is part of my 24p workflow - and because it's the only reason i'm using fcp at this point -- in essence, this problem renders the entire final cut studio useless.
so frustrating!
who's found a workaround/fix for this?? i've been using this same workflow successfully for years and in previous versions of final cut. this problem only surfaced in the past couple of weeks.
AAARGH!
k

Sequence plays right on canvas but exports clips at wrong in/out points!

This is driving me nuts.
I've made a 90 second sequence the way I always have: previewing the clip in the viewer, setting in/out points, then dragging it down to the time line. It plays perfectly when I watch it from the time line/canvas but when I export to QT the clips are all wrong (sometimes a whole second off)! The cuts all happen in the right places in regards to matching the music, but the clips inside the cuts have become skewed one way or another.
I hope that made sense.
I'm working with files from a 7D, it's my first time messing with HDSLR stuff.
Any help would be appreciated.

I couldn't figure out MPEG Steamclip (it was a little late haha), so I imported into iMovie as a HDV 720p project and then pulled the converted files from inside the project. It came into FCE fine with no rendering needed so I figured it was fine until I watched the sequence after it was exported to QT.
Sequence is good in FCE "canvas" but all wrong in the exported QT movie. I don't understand how it would get screwed up between the perfect preview and the final output.
Another note... the thumbnails in the time line are wrong in regards to the canvas. What the canvas shows as the first frame of a clip is not the first frame on the time line clips thumbnail. The thumbnail is the actual first frame that is exported to the final QT file though. I'm bewildered.

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nicoleking wrote:
... I heard that if you bring in your old iPhone, they will give you a new one with some kind of fee, but I don't know how that works.
https://discussions.apple.com/message/22920500

Ipod 4g 32G not turning on, not charging (on multiple cords, both comp and wall, 4 20min), not being detected by Itunes or Windows 7 64bit OS, will not reset, tried taking it out of "DFU", NO DMG, Itunes up2date, All I'm getting is a blank black scrn

Ipod Touch 4th generation 32G not turning on, not charging.
I have used multiple cords on both computer USB and wall USB converters. I let it sit there for over 20 min with each attempt.
It is not being detected by Itunes or my Windows 7 64bit OS. I have tried all 4 of my USB ports (both USB 2.0 and 3.0), with 3 different chargers.
Holding home and power button will not reset.
Tried taking it out of "DFU" mode but Itunes won't detect it, I didn't think that would work anyway.
NO DAMAGE, I have been very careful with it, aside from a few minor scratches. (that you can't even see unless the light reflects them)
My Itunes is up to date, as is my OS.
All I'm getting is a blank black screen. It has been working fine on this computer before. I have no idea what could have happened. I'm at my wits end here.

See if you missed anything here:
- iOS: Not responding or does not turn on
- Also try DFU mode after try recovery mode
How to put iPod touch / iPhone into DFU mode « Karthik's scribblings
- If not successful and you can't fully turn the iOS device fully off, let the battery fully drain. After charging for an least an hour try the above again.
- Try another cable
- Try on another computer
- If still not successful that usually indicates a hardware problem and an appointment at the Genius Bar of an Apple store is in order.
Apple Retail Store - Genius Bar

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What VTR? How is it controlled?
What are your capture settings? Firewire Protocol?
x

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http://feedback.photoshop.com/photoshop_family
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Hi,
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The only way to do this is creating in-/out points or setting the working area (what is the English translation for "Arbeitsbereichsleiste" (German)...?)?
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Thanks, Carlos

For exporting chunks of the Timeline, I set a Work Area and then export. If you want to export between markers, that would be a feature request: http://www.adobe.com/go/wish

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Exporting Not Taking In/Out Points

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