Exporting synced audio with video for further editing

I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
Thanks!

I'd go with UT, DNxHD or AVC-I for this.
http://www.videohelp.com/tools/Ut-Video-Codec-Suite

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  • Export clips to re-import for further editing?

    REF to the following discussion: http://forums.adobe.com/message/4846909#4846909
    Excuse  me for butting in, but this is related to my question. I, too, wanted to export at a 'matching original' format so as not to lose any quality. And noticed the same 50% quality output.
    Some of the clips in my project needed denoiser applied before bringing into a sequence for editing with other clips. but they won't play in realtime, even with CUDA. I thought I might put each clip on its own sequence, apply the effects, and export out the new denoised clip to re-import. But with the matched setting, it seems the quality is noticeably degraded. I can't really tell because my monitor is not professional.
    I also tried the DNxHD format, but it created huge files and poor quality video. Perplexed about that one, as I was expecting a ProRes type quality on the PC.
    So, if the matched setting is not adviseable, what then is the best output format to use for HDV material to be re-imported back in for further editing? I am thinking h264 at a high data rate like 24-25 Mb/sec.  Or is that advisable at all?
    And, I assume the original clips with denoiser effect (red bar) do not need to be rendered before exporting?
    I have a reasonably fast PC, 32 G RAM, NVidia GTX580 Ampd! video card, i7 3.4 MHz processor, separate RAID 0 drives for footage and previews. And CS6 apps.

    Alex,
    I suppose it would not be helpful to suggest a different camera - one with better low light capabilities, but it might be worth considering.
    Cineform will interpolate the 4:2:0 chroma to 4:2:2 and has it's own color correction tools. I imagine that will help you immensely. I used to capture directly to the Cineform codec and need to start doing that again if I ever get around to taking the HDV camera out of the bag again. If you capture to it, there is no time lost to speak of.  I am not sure if I am going to do that much after I buy my new DSLR next month, except to use as a second camera or for b-roll but you never know. If my research determines that I am sticking with Cineform after I change cameras, I will be posting the reasons here on the forum, just to let people know what I found.
    And no. You don't need to render in order to export, but most people do so they can see the video in real time before exporting.
    Lagarith can be found under AVI. You have to change the majority of the parameters from codec to frame size to filed order and more, but you can get there. I have never used UT so I can't help there.

  • Syncing audio with video shot at 23.97fps

    I recently shot a series of interviews on a Canon 7D. We shot the video at 23.98fps and recorded audio on a TASCAM DR-100, the audio format was 16bit interger 48kHz. I have tried syncing the audio and video in final cut, it starts out ok, but begins to lose sync with clips that last over a couple of minutes.
    Is there a way to convert the audio files to remain synced throughout?
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    This may not be satisfactory but it usually works.
    Assuming the audio and video clips are started on a clapper, find the exact length of your video clip. Write that down.
    Open Speed Adjust on the audio clip and enter the time you wrote down. Render and then link.
    If you do this for each clip in a separate sequence you can export the properly synced clips as self-contained media.
    Hope you get it sorted, there is probably an easier and much more efficient way to do this. Back when I was shooting film, the speed of the tape deck sometimes drifted (because the producer was too cheap to get a crystal locked deck or Nagra). We'd spend many frustrating hours syncing by inserting cutaways and tiny chips of blank tape.
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  • Sync audio with video rate

    i have captured video/audio through the deck that I have and it's rate is 48KHZ 16BIT and I have a audio file that is from the actual microphone. I want to sync these 2, but I can't seem to find the right way.
    i've tried exporting the audio file in 48KHZ 16BIT and 24BIT and nothing, its still not synced. I don't know how else to do this. can someone please help me?

    ok heres what i do... we have a youth tv show where this guy talks. we record the video from a canon AXH1. The audio is recorded from the camera but we do not use that audio. The audio from the mic he speaks on is recorded on a laptop using some audio program our audio guy uses. So what i do is align up the audio from the mic/laptop file with the audio from the camera so its synced....does that make sense?

  • Syncing Audio with video

    Hello
    I have a short sequence of clips where I deleted my video, leaving my audio.
    Now I want to bring back the video for each clip.
    `
    So I am looking for the in and out points of the audio clips so I can match them up with the orginal video clip.
    When I look at properties on the audio clip it just gives me duration of the clip.
    When I hover over the audio clip it just gives me in and out points based on where the clip is at the point in the timeline.
    What can I bring up that will let me find the ins and outs of the audio clips so that I can match them up with the same in and outs of the video.
    (I'm getting an inkling of how to do this as I write this question.  But I'll let the others here make their suggestions in case there are various ways to do this, that would be helpful to all.)
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    Rowby

    Use Match Frame. Park the CTI at the beginning of the audio clip in the sequence, and make sure your audio tracks are targeted. Press the M key; this will load the original master clip into the Source Monitor cued to the frame you're trying to match. Mark an in point (I key), and then right-click the time ruler in the Source Monitor and select Go to Clip Marker > Audio Out. Mark an out point (O key). Drag just the video to your sequence, so that it matches your audio. Select video and audio, and Link the clips. Repeat.

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