Exporting to SpeedGrade | Learn Premiere Pro CS6 | Adobe TV

In this video you'll see how to send a Premiere Prosequence to Adobe SpeedGrade for color grading and get a very brief overview of applying a look in SpeedGrade.
http://adobe.ly/JfKneI

The voice goes way too fast here... consider people from all over the world will look this video, talk slower, less robotic.. thanks

Similar Messages

Working with audio | Learn Premiere Pro CS6 | Adobe TV

This movie introduces the robust audio tools in Premiere Pro. Abba Shapiro shows how to preview and trim audio in the Source Monitor. Whether it’s an audio-only file or the audio channel of a video clip, Abba shows how to enable sub-frame audio scrubbing and trimming. He also shows how to interpret clips to combine or separate stereo channels. At the same time, he introduces fundamental audio tools that are essential to working with audio in Premiere Pro.
http://adobe.ly/To00IZ

Is it possible to specify what audio channels to capture during capture from tape? It seems Premiere wants to mix the lavaliere mic and camera mic into a stereo track all the time, and then I have to modify audio settings and force it to mono in the project. In Final Cut pro 7, I am able to specify which audio tracks to capture, and this simplifies things in editing. I cannot see anywhere to do this in Premiere....

Send work from Premiere Pro to After Effects | Learn Premiere Pro CS6 | Adobe TV

There are several ways to send your creative work from Premiere Pro to After Effects, and this lesson will walk you through all of them.
http://adobe.ly/VwbyvH

Hi, I was sending project from pr to ae using the way that select clips and right click to create a new ae composition, but when the ae project opens up, the pr clips didn't transferred to the ae project, there was only the composition on the screen. Just wondering which part of the process went wrong?
cheers~

Editing Faster You Way with Adobe Premiere Pro CS6 | Adobe at NAB 2012 | Adobe TV

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.
http://adobe.ly/HImtcE

Sleek revamped UI?
Until the UIs across all CS products are consistent, the UI as a whole is a complete failure.
It is astounding how after all these years, the CS products STILL have different UIs and UXs. Even the way the user accesses basic functions for layers (rename, duplicate, etc.) are not consistent from one app to the next.
So please hold the comments about the UI, other than "We realize we have completely failed, and our different product groups do not care at all about a unified experience across the suite, and each just want to do their own thing. And nobody in Adobe was willing to beat our groups up to force them to have some consistency. That is priority #1 for our next release."

Exporting DPX Sequence from Premiere Pro CS6

I edited a .mov premiere sequence from my 7D and 5D MK II in SpeedGrade by using the "send to adobe speedgrade" option. I exported the grade as a .dpx sequence and brought it back into premiere. Now when I try to export it in h.264 "for youtube hd 1920x1080 23.976", I get a huge loss in color range and blacks become so pixelated and I even lose a lot of darkness in the blacks. The grade no longer looks good. The preview monitor looks great in premiere but it does not match the final export. I need help with this one!
Software: Production Premium CS6
Footage: 1920x1080 / 23.976fps
Camera: Canon 7D + 5D MKII
System Specs:
W7 Professional 64-bit
i7 930 (stock)
Gigabyte X58A-UD3R
12gb G.skill Pi Series 1333mhz
EVGA GTX 470 SC
180gb Corsair Force GT SSD (boot)
1TB WD Caviar Black (production premium program files)
2TB Seagate Barracuda (speedgrade .dpx files)
750gb Seagate Barracuda (source footage/scratch disks + cache)

Use the MPEG2-DVD preset
CS5-thru-CC PPro/Encore tutorial list http://forums.adobe.com/thread/1448923 may help

Export Media in Premiere Pro CS6 ONLY produces an Audio File in Media Encoder

First, all the system info:
Windows 7 Home Premium Service Pack 1
Intel HD Graphics 3000 Display Adapter
I’m using Premiere Pro CS6 Version 6.0.5 (001 (MC: 264587)) “Mighty Kilt”
Version 6.0.3.1 (64 Bit) of Adobe Media Encoder CS6
Other Adobe applications installed: AIR, Creative Cloud, Download Assistant, Encore CS6 Library, Flash Player 12 ActiveX, Flash Player 12 Plugin, Help Manager, Premiere Pro CS6, Premiere Pro CS6 Functional Content, Reader XI
I’ve run check for updates on both Premiere Pro and Media Encoder and everything is up to date
I'm producing a two disc, dual layer DVD set for 100 families of my son's marching band.
I have a half hour "masterwork" of interviews, performance segments, rehearsal sequences, credits, etc that I've edited together complete with sound, etc.
I also then have various other video segments from the season, some high quality (1920x1080) and some lower quality.
Rather than import everything into Encore and have Encore transcode them all at the same quality, I wanted to ensure that the half-hour piece and certain other segments were transcoded as high quality as possible and given the largest file sizes I could and then transcode other segments at lower quality levels as needed so everything would fit on the discs.
The company I'm using to duplicate/replicate the 100 DVDs from my Master DVD advised me to encode them FIRST in Premiere Pro as desired, and THEN import those files into Encore.
I've used Adobe Media Encoder a lot to export the individual segments into files I could upload to Youtube and have had no problem for the last several months.
But now, two things happen:
1) AME automatically designates the "Output File" with an .aac extension (see attached)
2) When I do an "Import As" of the AME encoded file in Encore it only loads an audio file (obviously)
Huh?
Here are the settings I use in my Export Media dialogue in Premiere Pro CS6:
Format: MPEG2-DVD
Preset: NTSC Widescreen High Quality
Output Name (and filetype): ______ name with Save as Type of "Video Files(*.mpg)
BOTH the "Export Video" and "Export Audio" boxes are checked (see attached screen print)
Filters Tab: left as is, don't do anything here
Multiplexer Tab:
choose the "DVD" button (vs the "None" button)
Bitrate Type: left as Variable which is what is selected as a default
Video Tab:
Codec: Reads MainConcept MPEG Video
Quality: increase it to the max of 5
TV Standard: NTSC
Frame Rate: 29.97
Field Order: None (Progressive)
Pixel Aspect Ration: Widescreen 16:9
Render at Maximum Depth box checked
Bitrate Encoding: I choose CBR for my high quality segments and VBR 2-pass for my lower quality segments
Bitrate: kick it up to the max for high qulaity segments, adjust as needed to get the filesize I want for my lower quality segments
Audio Tab:
Audio Format: Dolby Digital
Codec: Dolby Digital
Bitrate: At least 320, sometimes higher for the segments I want to be the highest quality
I check the "Use Maximum Render Quality" box
I chose "Queue" for everything and then let it run overnight
And yes, the original media has BOTH a video track and an audio track that works (see Screenprint)
So... what am I doing wrong, helpful experts????

Larry, Mark, Jim & Bill -
It is 1 am Tuesday morning and I'd do a primal scream if my family weren't all sleeping upstairs.
Somewhere along the way, I either read or was given the advice to just skip AME, load my videos as timelines in Encore, and just do the transcoding there.
I spent almost a day trying to figure out how to get "buttons" for my menus I was building (they weren't appearing in Encore's library like they should) and eventually found a simply workaround.
So I then spent the last 24 hours or so building all my menus, creating small clips for my "motion menu" buttons, getting all that straightened away.
Got really excited earlier tonight since it seemed like I was nearly finished and coming down the home stretch.
I hit "build" in Encore, went away for a couple hours, and came back to find a big error message awaiting me telling me that "Encoding Failed."
I have read a lot of posts, and the outlook is not good, or at least the possible solution not simple or short from a time perspective.
I have a 100 families awaiting their DVD they've paid for that they initially were told they'd have by mid-February. I've been telling everybody that they would have it - guaranteed - by this weekend when there's a band festival that would be ideal for distribution. The DVD duplication company says they have to have it by Wed morning at the absolute latest. Meaning I've got about 24 hours to figure this out and burn my dual-layer masters of the two DVDs or once again tell people "I know I guaranteed you'd have it by this weekend, but I don't have it ready yet."
Almost as importantly, I can't afford to keep spending the hours and hours and hours on this that I have. It's impacting my personal and professional life.
Thus the primal scream.
The posts I read about the encoding failure all pretty much advise that I use AME to do all the transcoding work. Which of course brings me squarely back to my original problem: I cannot get a video file out of AME.
I'm embedding a screenshot of what I see when I click on the pull-down menu in the AME dialogue window. The problem: there is no MPEG2-DVD option listed to be chosen.
Although I'm relatively new to forums, I've read enough posts by now that it seems like most people are in crisis mode when they post. So I realize my situation is not all that unique. But from a newbie rookie in the field to you experts, I REALLY could use some assistance right now, because between this and the long, cold winter we've had, I'm about to lose it. :-)
P.S. Mark, in answer to your question about frame rates, I have 18 different videos/films/projects that I'm including in my two DVD-set. There have probably been nearly 6-7 different cameras that have contributed footage to one or more of those films by borrowing camcorders of different brands and types and quality levels from people. Nearly every one of those 18 films have multi-camera sequences in them. And many films are collections of sequences which themselves are "nested sequences" sometimes three deep. In otherwords, there is no way I can tell you all the various frame rates that may be represented among these 18 separate projects and I certainly can't go back and hope to change them all to the same one.
Help. Please. :-)

Premiere Pro CS6 exports Blackmagic 10-bit 444 codec at 8 bpc

Color depth is automatically set to 24 bits (8bpc) when using the Blackmagic 10-bit 4:4:4 codec to export a file from Premiere Pro CS6 (Win-7). Is it possible to render from Premiere Pro using a higher bit depth so that the output isn't clamped? After Effects allows higher depth, but it is not an ideal workflow to export complex Premiere projects from AE.

Thank you for responding. Yes, I exported test files from Premiere and After Effects, and compared the files to the source sequence using scopes and a difference matte. The After Effects CS6 32bpc export showed no differences to the source sequence at 0.0% matching tolerance. The Premiere Pro CS6 export was different from both the AE file and the source sequence at matching tolerances below 0.5%, but was the same as an uncompressed 8-bit AVI at 0.0% matching tolerance.

Premiere Pro CS6 to DaVinci Resolve Workflow

In his article at the link below, Walter Bicardi notes that because of errors generated when he attempted to export an EDL from Premiere Pro CS6 for import into Resolve, the EDL kept causing Resolve to crash and he had to send a flattened file of his timeline to Resolve and then use Resolves auto-scene detect feature to chop up the flattened file. He then sent a flattened file back to PP CS6.
http://www.biscardicreative.com/blog/2012/07/continuing-tales-of-an-fcp-switcher-cs6-workf low-for-now/
Is this the only way to send a project to Resolve from PP CS6? Is it possible to use XML, AAF, or EDL export to send the timeline to Resolve, or does this feature of PP simply not work the way it is supposed to? Or is the problem with Resolve?
Any information on how to export the timeline to Resolve without resorting to a flattened file would be greatly appreciated. The flattened file approach would work to a degree, but it is not really an adequate workflow in this day and age.
Thanks,
Kevin

I have been giving DaVinci Resolve 9 (Lite) a trial run this week.
So far, I have noticed it handles FCP-style XMLs better than EDLs. As long as you strip out any APP-based effects (Warp Stabiliser etc), and any Dynamic Links (AFX) it seems to handle general dissolves/levels just fine. I haven't tried it with mixed codecs yet (I've tried H264, XDCAM, ProRes and DPX so far). One potential work around, if you want to convert your entire timeline to DPX and not use Scene Detect, is click 'Send to Speedgrade'. It generates labelled bins with DPX sequences for all your clips. If it's short-form but high quality (say an ad for broadcast), you can swap the files around in the Conform room in DaVinci.
I noticed a few bumps with the EDLs, namely the timecodes not syncing up properly. This might be due to the footage (the project I tried had been shot on a 5D). Hence using the XMLs instead.

Importing graded footage back to Premiere Pro CS6

I am trying to color correct/grade my clips. I sent it to Speedgrade through Premiere Pro (CS6) but after rendering it out as a DPX, and trying to send it back to Premiere Pro (DPX as image sequence), not all graded clips were there. (Clip is 4:40 min) but only 1:39 min is what was imported back to Premiere Pro.

I've found on occasion that I've tried to export and didn't catch that the export dialog thought I was only trying to export something highlighted or had another setting for "area selected". I would guess you've run afoul of something similar ... or a box that was checked you might not even realize was there. As I just found trying to (for the first time in a year) export an EDL from PrPro to Sg. I had to puzzle out something like three different places the two programs were trying to help me before I could get the blasted EDL and footage both imported to the same Sg timeline.
As an alternative to DPX there is of course two different EDL processes ... one where you simply export an EDL and then after creating your Sg project, navigate to that through Sg's Media panel, drag it to the timeline, then using the Media Panel navigate to the folder containing your clips, then use the "load from desktop" option to populate your timeline.
The other ... you export both the EDL and the sequence from timeline, and then put one on the new Sg project timeline, drag the other on top. It takes a bit longer to do the export from PrPro of the footage which is probably not needed most of the time.
I've just put up on the forum an explanation of how to do this with progressive footage and avoid the hiccups the two programs can throw at you. The first one ... if all your media is in a single folder-tree ... is very quick & easy. That EDL export is nearly instantaneous, and the clips load over it just bango ... now, I used to have problems at times exporting (rendering) a timeline out of Sg. I don't know if an EDL process can work sending grading back to PrPro, I think you'd have to render out. But many people did that all the time without problems.
Neil

IMac and Premiere Pro CS6 compatability

Hi
I am currently importing HD footage off a DSLR Canon 60D (h.264) into an old macbook with PP CS4. I have to render every bit of footage before I can view it without juddering. Every time I add a transition or title etc, I have to render again to view it cleanly.
It's time to upgrade.
I'd like an iMac. I know the cost arguments, but I am not interested in buying a PC. An iMac is cheaper than a MacBook Pro, and I'd like the extra screen space.
But I'm getting confused about what will actually happen if I try and work Premiere Pro CS6 on an iMac.
1.Will it simply not work? Or will it just not have as good as performance as it could?
2.Does it mean I would only lose out on the GPU processing? With my DSLR footage, will I be able to watch it, judder free, without having to render it first?
3.If it does still fundamentally work, at what point would it start to falter? How much would I have to have going on in a project for it to need the power of the merucry playback engine?
4.Does anyone know IF a new iMac came out in the next two months, would it likely have the 1GB VRAM or would Adobe offer an update so that it worked with whatever the new iMac had. (eg the current top end iMac has AMD Radeon HD 6970M with 1GB, yet is not supported by CS6 - why?)
Finally, why do Apple and Adobe have to make this so difficult?
Many thanks for anyone's help.

nepmedia wrote:
We need to make CS6 compatible with AMD 6970M, on an IMAC, thats all there is to it. Any ideas?
You could do some experimentation and see if the OpenCL text file works the same way as the CUDA text file. I'm betting it does, but I have no direct experience. I think it's worth looking into tho...
Open a new Finder window and navigate to the Adobe Premiere Pro CS6 folder.
Right-click on the Adobe Premiere Pro CS6.app icon, and chose "Show Contents" from the menu.
A new window will pop open; open the Contents folder.
Double-click on the file named: opencl_supported_cards.txt. If it asks you what application to use to open it, select TextEdit.
Now... be VERY CAREFUL what you type here. Add a new line to the file and on it: ATI Radeon HD 6790M
That's it. COMMAND-S to save the file, COMMAND-W to close the file, and COMMAND-Q to quit TextEdit.
Alternatively, if you're comfortable in the UNIX environment like I am, open a Terminal.app window and do the following:
cd /Applications/Adobe\ Premiere\ Pro\ CS6/Adobe\ Premiere\ Pro\ CS6.app/Contents
sudo vi opencl_supported_cards.txt
Perform the above edit in vi, then save and close the file.
Start Premiere Pro back up and see if you have MPE available in hardware mode. Bear in mind: you're not going to be supported by Adobe if any issues pop up due to MPE stuff... this is an aftermarket "modification" to your software.
jas

Premiere Pro CS6 freezes during loading

Having used thsi programm several times successfully all of the sudden since today, after a few seconds of loading process of Premiere Pro CS6, loading process always starts freezzing at loading stage : "loading ExporterQuickTimeHost.bundle" (Mac OS). Deinstallation and reinstallation didn't help.
Can someone help me?

The following is the crash report (extract) of Adobe Premiere Pro CS6. Maybe some of new has some system knowledge.
Process:         Adobe Premiere Pro CS6
Path:            /Applications/Adobe Premiere Pro CS6/Adobe Premiere Pro CS6.app/Contents/MacOS/Adobe Premiere Pro CS6
Identifier:      com.adobe.AdobePremierePro
Version:         6.0.0 (6.0.0)
Code Type:       X86-64 (Native)
Parent Process: launchd
Date/Time:       2012-10-03 22:54:32.002 +0200
OS Version:      Mac OS X 10.6.8 (10K549)
Report Version: 6
Interval Since Last Report:          -6877 sec
Per-App Interval Since Last Report: 457 sec
Per-App Crashes Since Last Report:   3
Anonymous UUID:                      C1440D44-6720-4316-9D5B-DA9C509698E4
Exception Type: EXC_BAD_ACCESS (SIGSEGV)
Exception Codes: KERN_INVALID_ADDRESS at 0x0000000000000000
Crashed Thread: 0 Dispatch queue: com.apple.main-thread
Thread 0 Crashed: Dispatch queue: com.apple.main-thread
0   com.adobe.premiere.frontend       0x000000010c6c8e38 FE::Application::AttemptPanicProjectSave() + 18
1   com.adobe.premiere.frontend       0x000000010c7207cc UnixInterruptSignal(int) + 44
2   libSystem.B.dylib                 0x00007fff83bf01ba _sigtramp + 26
3   libSystem.B.dylib                 0x00007fff83b8fdc2 semaphore_wait_signal_trap + 10
4   libSystem.B.dylib                 0x00007fff83b9540d pthread_mutex_lock + 469
5   com.adobe.QT32Client.framework    0x000000010d0895d6 ASL::SingletonSupport<ASL::InterfaceRef<QT32Client::QT32Client, QT32Client::IQT32Client> >::CreateClassRef() + 54
6   com.adobe.QT32Client.framework    0x000000010d05f747 QT32Client::Create() + 23
7   ...rterQuickTimeHost.framework    0x0000000133e1b01e ExporterQuickTimeHost::OnStartup(exportStdParms, exExporterInfoRec) + 28
8   ...rterQuickTimeHost.framework    0x0000000133e1e6fe PrExporterModule::ExportEntry(int, exportStdParms, void, void*) + 68
9   ...rterQuickTimeHost.framework    0x0000000133e1e4e1 xSDKExport + 81
10 ...dobe.ExporterHost.framework    0x00000001047f71b3 ML::CallExporterModuleGuarded(int ()(int, exportStdParms, void, void), int, exportStdParms, void, void*, std::basic_string const&) + 131
11 ...dobe.ExporterHost.framework    0x00000001047f7483 ML::ExporterPluginModule::CallExportModule(int, void, void) + 405
12 ...dobe.ExporterHost.framework    0x00000001047f6fe3 ML::ExporterPluginModule::StartupFromDisk(unsigned int, bool) + 353
13 ...dobe.ExporterHost.framework    0x00000001047c162c ML::ExporterModuleFactory::CreateUnknown(ASL::InterfaceRef&) + 308

Premiere Pro CS6 crashing after RAM upgrade

I just got Premiere Pro almost a week ago after using FCP for years. I was just getting accustomed to it and thought I would upgrade my RAM to help Dynamic Link run smoother. I doubled it from 4 GB to 8 GB today and now Premiere Pro crashes either immediately or after about 20 minutes. My computer is a 2009 Macbook Pro 2.4 GHz. The new ram is from OWC.com. I ran a RAM test in Tech Tools and it passed as having no problems. Can anyone suggest anything? I would hate to have to go back to 4 GB and be limited to that.

UPDATE:
This problem is not fixed at all. I went about 2 hours without a crash then had about 5 of them in a row. I have been reading everywhere trying to find a place to start. A full system rebuild and reinstall would take me a day or 2 that I don't have. The crashes happen any time, sometimes at startup, sometimes when I'm editing, sometimes when I am not doing anything. I get the "serious error" message and sometimes just get a "quit unexpectedly" along with this log:
Process:
Adobe Premiere Pro CS6
Path:
/Applications/Adobe Premiere Pro CS6/Adobe Premiere Pro CS6.app/Contents/MacOS/Adobe Premiere Pro CS6
Identifier:
com.adobe.AdobePremierePro
Version:
6.0.2 (6.0.2)
Parent Process: launchd [171]
User ID:
501
Date/Time:
2013-01-17 17:42:42.309 -0800
OS Version:
Mac OS X 10.8.2 (12C60)
Report Version: 10
Interval Since Last Report:
77432 sec
Crashes Since Last Report:
60064
Per-App Interval Since Last Report: 32612 sec
Per-App Crashes Since Last Report:   9
Crashed Thread: 2 Dispatch queue: com.apple.libdispatch-manager
Model: MacBookPro5,1, BootROM MBP51.007E.B06, 2 processors, Intel Core 2 Duo, 2.4 GHz, 8 GB, SMC 1.33f8
Graphics: NVIDIA GeForce 9400M, NVIDIA GeForce 9400M, PCI, 256 MB
Graphics: NVIDIA GeForce 9600M GT, NVIDIA GeForce 9600M GT, PCIe, 256 MB
Memory Module: BANK 0/DIMM0, 4 GB, DDR3, 1067 MHz, 0x857F, 0x483634353155363446373036364700000000
Memory Module: BANK 0/DIMM1, 4 GB, DDR3, 1067 MHz, 0x857F, 0x483634353155363446373036364700000000
AirPort: spairport_wireless_card_type_airport_extreme (0x14E4, 0x8D), Broadcom BCM43xx 1.0 (5.106.98.81.22)
Network Service: Ethernet, Ethernet, en0
Serial ATA Device: ST95005620AS, 500.11 GB
Serial ATA Device: MATSHITADVD-R   UJ-868
USB Device: Built-in iSight, apple_vendor_id, 0x8507, 0x24400000 / 2
USB Device: Hub in Apple Extended USB Keyboard, apple_vendor_id, 0x1003, 0x06200000 / 2
USB Device: Apple Extended USB Keyboard, apple_vendor_id, 0x020b, 0x06230000 / 3
USB Device: Apple Optical USB Mouse, apple_vendor_id, 0x0304, 0x04100000 / 4
USB Device: Apple Internal Keyboard / Trackpad, apple_vendor_id, 0x0236, 0x04600000 / 3
USB Device: IR Receiver, apple_vendor_id, 0x8242, 0x04500000 / 2
FireWire Device: GoFlex Desk Mac, Seagate, 800mbit_speed
FireWire Device: d2 Quadra v3, LaCie, 800mbit_speed

69 Free Tutorial Videos to Help You Learn Adobe Premiere Pro CS6

This is a link to Creative Cow Youtube channel for 69 Free Tutorial Videos to Help You Learn Adobe Premiere Pro CS6, I feel it would help somebody Also like to thanks Creative Cow for the valuable resource and give them credit
Adobe Premiere Pro | Creative COW - YouTube
[Link corrected]

Looks like they're not all for CS6.

Problème vitesse exportation Adobe Premiere Pro CS6

Bonjour,
Je viens d'acquérir Adobe Premiere Pro CS6. J'étais auparavant sur Adobe Premiere Pro CS5.5.
Dans la précédente version, lorsque j'exportais des vidéos d'environ 10 minutes au format H.264 destiné aux Ipad en grand écran, 25 images par seconde, mon exportation se faisant en 10 minutes à peine avec un fichier de 100Mo à peu près.
Maintenant, pour un export au format H.264 pour Ipad 480p 25 images par seconde, le poids reste identique mais c'est plus 10 minutes mais 1 heure d'exportation !!
C'est juste pas possible donc j'ai sans doute loupé un épisode, je vois pas d'autres raisons. Est-ce possible de retrouver la rapidité de CS5.5 ? Je suis du coup extrêmement pénalisé dans mon travail, obligé de faire tourner l'ordinateur toute la nuit pour exporter 10 vidéos.
Merci pour votre aide.

You still want to apply the hack in order for Premiere Pro to use your card for GPU acceleration.
With Premiere Pro closed, delete the following file. Then reopen Premiere Pro and in Project Settings, ensure that you have it set for CUDA.
C:\Program Files\Adobe\Adobe Premiere Pro CC\cuda_supported_cards.txt

Adobe Premiere Pro CS6, format for exporting video to web.

On the Adobe Premiere Pro CS5.5 I used the format "H.264" and preset "Apple Ipad 400x224, 16x9, 29.97, 400kbps." That preset isn't available in the Adobe Premiere Pro CS6 edition. What would you recommend that would be comparable and good for exporting a one-hour video for use on the web (Vimeo, to be specific)?

You're in the wrong forum.

Exporting to SpeedGrade | Learn Premiere Pro CS6 | Adobe TV

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