Exporting video results in still image with original sound background

I've tried several times to export my home movie (MOV) into smaller formats using the export function. It worked fine on QT 6 but now I'm on version 7 and it's not working. The final product is a still image of the first frame and the original recording. I've tried exporting to various formats as well with the same result. Any help out there? Thanks!!!

Would it matter if the very first file from the camera was an AVI file? I first had QT convert that file to an MOV file which plays just fine.
As long as the MOV file plays in QT, it shouldn't matter at all. In fact, placing it in a known "space" should indicate it is convertible to other target formats even if only on your system configuration.

Similar Messages

Help!!!! when i try to transfer my videos from phone to computer they upload as still images with sound!!!!

hi all,
when i try and transfer my videos from phone to computer they are tranfering as still images with sound! I have tried going through i tunes! quick time and vlc player but they are all coming up the same!
I have bought several apps to aide with this but they all give the same results!
i find it hard to believe that i cannot transfer videos from iphone as i have a samsung monte too and that requires plugging in and selecting phone then selecting what i want transferring and then they are there to watch as i recorded them!!!!!
these are really important videos of my daughters first steps etc so really need to get this right! and as phone memory is low i cant do much on phone till i get rid of the vids!!!!
thanks in advance

Plug your iPhone into your PC, when it is connected open my computer and you will see your iPhone under devices. Double click on your iPhone and a window will open and display a dics drive called "internal storage", double click on internal storage and a folder will appear (might be named DCIM), double click on that folder and another folder should appear. This folder(s) (their may be more then one) should contain all your pictures and videos taken on your iPhone. Simply select the video(s) you want to save to you computer by right clicking on the video, select copy and then paste it where you would like to save it on your pc (click and drag will also work). After you have transfered the videos to your pc see if they play properly.

Using still images with Final Cut (and the apple suite in general)

I have had a re-occuring and long term problem that has caused me many lost hours of head scratching and work arounds, and as of yet I have not been able to come up with a good solution.
Its to do with integrating still images with the Final Cut suite.
If I receive a high quality image from a client to use in their video and I then try importing it into Final Cut and animating it, it always ends up looking like a pile of ahem. Often I will get "swimming" lines appear across fine detail on the image, and parts of it will flicker as it moves across the screen. For instance, if I have a picture of some blinds or other fine detail (especially horizontal and vertical lines), when I add a grow and throw movement to it the detail will become very noisy - buzzing and flickering like mad.
I have found I can counter this by resizing the image in photoshop to a resolution closer to SD video (700w or 500h) - but I always end up losing detail, and the flickering and noise is only reduced, not eliminated. Other things that have helped are blur effects applied at a very low level, like 0.5 blur, so its not noticeable visually, but Final Cut seems to treat it differently and quieten the noise and flicker down.
However, all of these workarounds are ultimately still giving a reduced quality product.
Also, this problem is not necessarily constrained to Final Cut, I am currently fighting DVD Studio Pro because it is murdering the text quality in a stills slideshow I am creating - and in this situation there is no animation being applied. No matter what file type (psd, jpeg, tiff, png...) or size I output the text and images from Photoshop in, the moment DVD studio pro gets hold of it, it turns to cripe.
For a while I was putting it down to the fact that I usually edit in SD (PAL) formats, and there just wasn't the resolution available to reproduce fine detail. However, I do often see other people achieving pin-sharp fine detail on still images and text in SD formats (the Apple templates are a good example)
So, my question to you, oh great and high boffins, if you are dealing with still images and text, how do you do it? How do you work around any noise problems you have, and how do you produce those pin-sharp images (both moving and still) I see in other professional productions?
Quad G5 Mac OS X (10.4.8)

still images with too high a resolution will always cause problems. this is due to the detail of the image being finer than the scanline of the tv can display ... obviously this will caise the image to flicker as these details alternately appear and disappear as and when the scanline can display them. as you have discovered, the answer is to apply a very small blur, the effect being that the detail is spread by the blur such that the scanline can dislay it correctly.
text issues are often rooted in the same problem ... unless the text is placed very carefully (whole even number on the y axis) then the quality may be impaired due to the resulting interlacing/scanline issues

Add still photo with original audio in place

I have an interview with my grandmother that I want to cut away from the DV footage of her talking and show a still image with ken burns effect while the audio continues to play then go back to her talking and still have the audio synced up to her.
In other words, insert an image or video over the original video without touching the audio.
How can I do this in iMovie '08?
Thanks.

In other words, insert an image or video over the original video without touching the audio.
You can easily overlay a photo in iMovie '08 -- you just can't combine it with a Ken Burns Effect.
I have an interview with my grandmother that I want to cut away from the DV footage of her talking and show a still image with ken burns effect while the audio continues to play then go back to her talking and still have the audio synced up to her... How can I do this in iMovie '08?
Only way to do this is to turn off the video clip audio and split the video clip removing a fixed number of frames. You then add a still image sequence with the same number of frames and apply your KBE as desired. Last step is to "extract" (Command-Shift-Drag) the original audio from the original Event clip and pin it to the beginning of your project video clip. As long as the split video + still sequence have the same number of frames as your extracted audio clip, all should be well.

How to make a podcast with one still image with iMovie 09

I'm using trying to transfer my podcasts to Vimeo. I've been using iWeb to create a person web site with video and podcasts. I have embedded Vimeo with "html snippet widge." I want to do the same thing with audio, however Vimeo only accept "video" files.
In my attempt to work around Vimeo's video issues, I had the idea to use iMovie 09 to create a "video file" using a single still image with my audio podcast play in the background. The single image would be consistent for the entire length of the audio. It seems simple...one still image file and one audio file.
All of my audio files are less than 45 minutes in length. The problem is that when I insert an image in iMovie I can't get it to last for more than 10:00 minutes of my podcast. I've had to drag the same image over several times, extend each image's length to 10:00 minutes until I have enough images to last the full length of the audio file.
I'm sure there's a simple way to do this with one image, used one time, and have the audio added.
Anyone understand my situation and have a good idea?

The most efficient method would be for you to do this in iMovie 6. You can download a version if you don't already have it on your computer. http://supportdownload.apple.com/download.info.apple.com/AppleSupport_Area/Apple_Software_Updates/Mac_OSX/downloads/061-3532.20070807.nq3ER/iMovieHD6.dmg
Put all your clips into a new iMovie project, in the order you wish them to play. Use the chapters tab and add chapter markers for each clip (except the first one; iDVD will add that one for you). Close iMovie.
Open an new iDVD project. Use the Media tab, then Movies, to locate your new iMovie. Drag and drop it onto the main iDVD window, taking care not to drop it into a drop zone. You should then see the title of your movie and the two options: Play Movie (which will play all the clips sequentiallly) and Scene Selection (which will take you to submenu(s) where you can select which clip to view).

Still image with motion has flicker pulsating problem

I use FCP 5.0.4
I have read the many threads about this subject and am still not able to succeed in getting rid of the flicker/pulsating in a still image with motion.
I would say about 25% of the stills with motion have the jitters; all the rest look great.
The first thing I tried was
Effects:Video Filters:Video:Field Shift:none
as well as
Effects:Video Filters:Video:Flicker Filter min, med, and max.
Maybe 5% were corrected with this, but the other 20% still had the jitters even after using a combination of the above or by themselves.
I just burned a test DVD using a variety of the persistently jittery stills from my current project and although the jitters change a bit, they were still there so all of these failed:
1. Effects:Video Filters:Video:De-interlace Upper (odd)
2. Effects:Video Filters:Video:De-interlace Flicker Filter minimal
3. Effects:Video Filters:Video:De-interlace Flicker Filter max
4. Effects:Video Filters:Color Correction:Broadcast Safe conservative 115
5. Effects:Video Filters:Video:Flicker Filter max
6. All the tricks together which means
Effects:Video Filters:Video:De-interlace set at Upper (odd)
Effects:Video Filters:Video:Flicker Filter max
Effects:Video Filters:Video:Shift Fields: none
Effects:Video Filters:Color Correction:Broadcast Safe conservative 115
I know this issue has been kicked around a lot and i know some folks are not happy that it has to be kicked around at all. But I am doing something wrong because my DVDs look very un-PRO. Would anyone like to talk me through this nightmare preferably with as many details as possible since I am obviously missing something critical.
Thanks in advance.

There is no 'secret formula'. It just takes thinking through the issues.
1. Set the image size for each image that makes sense within the context of your project. Going significantly larger than the displayed area of that image (including movement) is just asking FCP to do additional work to resize the image. FCP is less sophisticated at resizing images than Photoshop. Use Photoshop and your planning of the movie to get the images to the appropriate size.
2. Wasted effort and totally irrelevant- you could set it to 7200 dpi if it makes you feel better.
3. Good idea - be sure to knock down areas of pure or very bright white. These are the elements that will give you the most trouble.
4. Don't do this unless you want to throw away HALF the picture information. Deinterlace deletes half the picture and then photoshop recreates it through interpolation of the remaining half of the picture. Why do this?
5. Make your determination based on what works. If you have properly exposed and sized the material, the need to blur is greatly reduced. ONLY do it on the images that need it. Why degrade every image if you do not need to do so?
6. See number 5
7. Lay out your time line early, view the work on an external broadcast monitor and only mess about with the images that require it.
In the psycho business they have term for much of the referenced post - it's called superstitious behavior. Basically it comes down to "It worked before so we recommend it to everyone without regard to their situation" ... here's another example:
Many years ago in my architecture practice, we had one of the early 512k macs (upgraded from the 128k!) I needed to show one of the interns how to create a project budget spread sheet in Excel. Inadvertently I clicked on Word, said "oops", closed it and opened Excel and we went to work.
A week later I was walking by the computer and overheard the same intern explaining how to work with Excel to another architect. "First you open Word, close it, THEN you open Excel", she explained. When asked by her 'trainee', why do you have to open Word first, wouldn't it just be easier to simply open Excel? Her answer was just perfect, "Well, it works every time, what's wrong with that?" so it goes ...
good luck with your project.
∏

I am making a video out of still images.

I am making a video out of still images. I would like to start zoomed in on a certain image and have the video show the image as it zooms out. I would like the speed of the zoom to be the same from start to finish. How can i achieve this?
Any help would be appreciated.
Thanks!

Sounds like Ken Burns in the Crop function is exactly what you're looking for.

Still Images with iSight Camera

Hello
Is it possible to capture single/still images with an iSight camera? If yes, with which application? The only I've found is Photobooth, but that is too slow beacause of the countdown before taking the photo...

Try using this tool to take the images.
(19826)

Keeping video proportions during still image export/import

What I'm doing is exporting a still image to the Mac desktop, then dropping it into Photo-to-Movie where I create pans and zooms on it, then exporting the pan/zoom sequence as a Quicktime movie that I drop back into FCE and splice into the Timeline.
Trouble is, the image in the pan/zoom sequence always comes back into FCE distorted (elongated), I guess because the exported still image that it was made from reverts to the square pixels during the export process from FCE.
So, my question is, in what form should I export the still image from FCE so that it retains the proportions it has in the video, so that when I operate on it in Photo-to-Movie and then bring it back into FCE, it still has the proportions of a video (NTSC) image?
In other words, I need to retain the video (NTSC) image's proportions throughout the process of export, then creating pan/zooms on it in Photo-to-Movie, and then reimporting it into FCE.
To accomplish this, I presume I have to either export it from FCE in some special NTSC-video-compatible form, or else convert it in Photoshop to an NTSC-compatible image before I drop it into PTM, create the pan/zoom sequence, and then bring that sequence back into FCE.
I'd be grateful if anyone could suggest a solution to this problem.
Tom

Hello Tom Baker 1
My friend let me tell you something - I TOTALLY share your frustrations, and disgust with the poor results of Keyframe (within FCE).
I am not a software engineer, but my perseverance to try and try again, is far above average.
At the risk of getting on a soapbox, (and I can attest to my excellent equipment capability), please believe me, (like yourself), I've paid my dues trying to get Keyframing to work suitably with stills in FCE.
I think I can safely say, beyond all doubt, if you want to get satisfactory results in regard to pans and zooms, (without being a math major), some options for reliability and smoothness are: 'Photo to Movie' (just as you're doing), Fotomagico, http://boinx.com/fotomagico/overview/, (although I've only heard it's pretty good) - haven't tried it yet.
OR
A recent discovery of mine: Lyric Media Pan and Zoom http://www.lyric.com/fcp-plugins/panzoompro/pzp.htm - The really nice thing about this is that it's a FC, or FCE Plug In, and utilizes FC's keyframe software engine. Why is it different than Keyframe by itself in FCE? Because (so far), what I can see is that it sort of fixes the mickey-mousery, herky-jerky nightmare of Keyframe within FCE. To me it sure looks like it can take whatever pixel size you throw at it, (and without being a math major having to apply cautionary resizing to every darn still), it just does the job. Yes it seems to do the re-sizing for you, and consequently produces smooth, reliable motion to stills.
Of course the advantage to this is that you're finally using an application (within FCE), to create your pans and stills right there. No exporting/importing of QT files as with Photo to Movie, or iMovie. And the parameters of control are more sophicated than Photo to Movie.
Again, I'm still working with it, and I still need to master it, but it sure beats keyframe.
One side note:
I really love the crispness of an iMovie pan or zoom, but we all know by now that it's downfall are the dreaded 'JAGGIES'. As confirmed here on the forum, what seems to make Photo to Movie work so well, is the fact that by it's very nature of design, it automatically smoothes out, and probably reduces or resizes images so that they will NOT produce unwanted glistening (aliasing). And as once said here, your eye will accept this softening of an image, far better than the Jaggies, or the herky jerky.
With all that said, I hope I didn't rant on too much - as I mentioned, there's nothing like 'experience'.
Peace
Mike
(it would be nice to see someone comment on Lyric Media Pan Zoom Pro)
PS- an excerpt from the documentary I'm working on:
http://www.youtube.com/watch?v=jmB0_qiONQs

Slideshow with video files and still images ?

Hi everybody,
As from the title I would like to know if in Captivate 7 (or 8) there is a widget for playing several videos within a sort of slideshow.
Any advise about to sort the problem will be highly consdired.
Best regards

Hi Rick,
tx a lot for your kind advise.
Following your advise I have just created a Slideshow project and inserted still images in it. One per slide.
But I did not get what to do now... Would you please help me going on trying your solution?
(I think it is helpful to specify that I would like to have a slideshow for videos, as an object within one slide, not along several slides)
tx.

Still images turn to black backgrounds in the exported movie

I am still using Premiere 2.0. I produced a ca. 25 min project with still images at the beginning and at the end and short videoclips in between. Still images are only ca. 40-50 kB large. When working on it I occasionally got a few problems (e.g. an audio transition across two clips was making Premiere hanging up) but I could easily get around them and successfully preview the project and export it to a folder and directly to a DVD. However, when viewing the movie on TV I found out that almost all (BUT NOT ALL!) the still images had turned into black backgrounds. I have exported the movie as MPEG, more still images were fine but not all of them. I have tried to drastically reduce the number of still images (max 5) but nome of them were fine. I do not have any error message and this problem is driving me crazy! Does anyone have a brilliant idea?
Last year I bought the new version of Premiere (3.0 I believe, surely not 7.0) but I stopped using it after one week because there was no way to successfully export the project I was working on. I made several videos, always got problems but so far I always found a solution on Premiere forum. Hope this time too!
Many thanks for the attention
fabia (switzerland)

Try sizing your photos to 1000x750 pixels in size.
Also, right-click on each photo on the timeline and select Field Options and check the Flicker Removal box.
These will give you the best quality.
I am also concerned, however, that you are having technical problems and, especially, that you can not use a newer version of the program.
I'd recommend you install the latest version of Quicktime and the newest RealTek drivers, as we recommend in our FAQ.
http://www.adobeforums.com/webx/.3c057647/2
Also, using my recommended computer maintenance will remove temp files on your computer and make it run like new.
http://www.adobeforums.com/webx/.3bc43f9a/0

How do I play a video on a still image - for example - a video playing on a TV screen in a still living room image?

Hi All,
I am just starting to work with video and image and have a question - probably something quite easy but I can't seem to find any tutorials to show me how.
Basically I want to have a video playing on a still image - for example a tv screen in a living room.
I am currently struggling to find out how to resize the video to the exact angle of the screen. I can get it playing but at the dimensions of the original video but can't seem to find out how to adjust the video to be sized at the angle the tv is sat at?
Any help would be appreciated.
Andy

An Opacity Mask plus Corner Pin is what I would use.
I like when an "insert" comes from behind the matte... and also ....this way allows feathering of the edges.

Render high quality 15 minute clip of still images with transitions - After Effects CC 2014

Hello, I am rendering a 15 minute composition comprised of a 3 high quality still images (5 mins for each image) with basic blur fades between each still at a res of 1440x900.
Rendering this out as a Quicktime movie is taking forever and results in a HUGE file size, can someone please recommend an alternative that will not sacrifice video quality?
Thanks!

He can't give you any specific advice because you didn't give us any specific information. How you are delivering your video makes a HUGE difference in what render settings you would use. If you're planning to send it for use in an NLE like Premiere, the advice would be different from if you were wanting to upload it to YouTube. Thus, he linked you to a resource that could best help you based on the limited information you provided.
Also, Todd comes on here in his free time. This is a user-to-user forum, not an official way to contact Adobe. We are grateful for any support we get here from official personnel.

Exporting a 16:9 still image

I imported some video using the anamorphic setup and now I want to take a still frame from it. When I tried it squished it down to 4:3 but I was it to be 16:9 what do I need to do to acheive this. Thanks

the anamorphic flag is just there to tell the clip to display as 16:9 even tho its true aspect ratio is really 4:3 ... this flag doesn't exist for still image formats hence when you export a still and then open it up it displays in its true 4:3 aspect.
just resize/scale the image in photoshop or other image editing app so that the height is reduced by 25%
alternatively:
you could mark in/out a few frames around the frame you want to export, then export using Export > Quicktime Conversion, and in the Options set the size to a true 16:9
[ if original is 720 x 576 then you need 720 x 405 ie (width * 9) / 16 ]
reimport the clip and use that to export your still

How do I export HDV, DV and still images as one HDV sequence?

Hi, my sequence (HDV-PAL) contains mainly HDV footage but also a few DV shots and stills that have a few applied effects. I want to export the whole thing as HDV (because it will be shown on a big screen) and don't mind a bit of lost quality on the DV sections, but would like the best possible outcome. I know it's difficult to mix DV and HDV together, but I've done it, the project is complete, I can't recapture anything (will take too long) and I need to export this thing as beautifully as possible. At the moment any exporting (I've tried lots of different codecs) makes the different fields go crazy, and if I try dump the whole project on a DV50 sequence then all mixed media ratios freak out and become huge. I haven't tried frame blending or blurring yet because I don't know anything about it...
Is there a way to export this project to DVD and also to a DV TAPE without trashing my DV and still images and conserving the high res HDV footage?
Kerrin
PowerMacG5 Quad Mac OS X (10.4.6) 2.5G RAM

To make the MPEG for the DVD and the DV version: Choose file/export/QuickTime Movie... then check ON the "make self contained" option. Open that file in Compressor and choose the lowest time preset you can. Then select another preset to use for that same compression session... from the Advanced Format conversions, choose the DV NTSC preset. The resulting movie will be a DV file you can record to DV tape.
It's pretty likely this will take quite a while to do...
Jerry

Exporting video results in still image with original sound background

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