Exports differing from timeline/weird stuff

Hi everyone.
A couple of weird little problems going on here that I thought you may have bumped into. We're running FCP 7, AJA Kona LHi cards for I/O, snow leopard.
It is an education institution technically so the machines do get a fair bit of use, but I've checked all usual sequence settings, trash prefs etc..
We're running into multiple problems: clips suddenly having time-code generator filters applied to them out of nowhere (not all clips in timeline), crossfades applied to almost all clips on the timeline (this couldn't be a user error selecting all and hitting command + T since some don't have fades even though there are handles) and most annoyingly, exports differing from the timeline. For instance, I applied a blur to a duplicate of a clip, matted it out to only affect a certain area of the clip. On export, there is a quick grey flash and then the brightness of the whole image drops for one frame. Doesn't do it in the timeline.
We're also experiencing tiny little zooms at the beginning and end of frames on some exports. We think we might have this one solved as it's only happening on footage shot on the Panasonic AG-AF101 which was transferred straight into ProRes without going natively to AVC first, which has resulted in some strange interlacing problems compared with 5D footage in the same timeline, also transcoded to the same ProRes settings. We rendered everything to ProRes LT then exported and this seems to have got rid of it.
ANYWAY, sorry for such a long post but I just wondered if anyone has seen stuff like this, bearing in mind that we're always working with the correct sequence settings with decent editing codecs (usuallly prores), and if anyone has any tips..
Cheers!
Kit

This is months later, I know, but I'm wondering if people are still having problems with this.
I'm shooting on the ag af-101 and transfering the folder in it's entirety to a hard drive, then logging and transfering into final cut 7. Pro res 422.
What I'm getting is, I think, what a previous contributor mentioned - a strange strobing or what I would call a juddering on some footage.
It seems to be on pans and reveals but also on movement of characters within a motionless frame.
It's possible it has something to do with the camera but it seems more likely to be a final cut issue.
Any thoughts?

Similar Messages

Batch Exporting Clips from timeline in Final Cut Pro X

So ive looked at many forums and many sources and I know this isn't the first time this question has been asked.....but I was
wondering how I would be able to batch export clips from the timeline (about 100 or so) to use as Content for VJing (live media manipulation). Is there a simple way to acomplish this in Final Cut Pro X... I have heard remours that you can cut multiple clips in Quicktime Pro 7 but im not sure how eficiant this is, I also have heard that this is allot easier to acomplish in Final Cut Pro 7. If anybody knows a simple (and quick way) to acomplish this Im all ears!

If you want to batch export parts of your project, I believe that you'd better served by an external utility, like QTCoffee. Export your movie to Quicktime, and then use QTCoffee to create the various bits in one, er... batch.

Exporting clip from timeline as QT movie

Hi all
Is there an easy way to export as a QT movie a clip (or series of clips, 'mixed') to a QT movie with the same format as the timeline for easy re-importing? I often find myself wanting to export a group of clips (with matte, text or effects, perhaps) and then re-import it as one easy to manage clip. A kind of 'bounce selected clips to disk'kind of deal. I know I can export the whole timeline, but I often want to export just a bit of the timeline.
I hope that makes sense
Regards
Stephen

Absolutely. It is a basic function and I use it all the time.
Export a Quicktime Movie (first option in the list) making it self contained and using the sequence settings. You will end up with a clip that is independant and has the same settings as your sequence...no loss in quality whatsoever.
Shane

Export MP3 from timeline

My client has asked me to export the audio of there video to MP3 so they can use it as a "message on hold' for there phone system. Any suggestions would be appreciated - PS I've never used compressor and it scares me.
Steve

Actually, I think Compressor is really quite easy to work with... It's a much more robust compression tool than what can be done directly from FCP's exporters, and it can even run in the background while you edit in FCP.. if you export a QT movie from FCP, then open that in Compressor, you can compress there while working in FCP. If you export to compressor as I described above, it locks up FCP. However my gurus say that this is likely the best quality you can get from the Pro Apps software compression wise. Furthermore, you can setup a "cluster" or "render farm" and use the processors in more than one computer to work on the compression speeding it up. (Use the Apple QMaster control panel in the system prefs to set this up.
Jerry

I have made a burn folder with photos exported from I-photo. It now shows in information, that the date is created and modified is different from the original digitized date. How can I get the original date to show in the info from Finder?

I have made a burn folder with photos exported from I-photo. It now shows in information, that the date created and modified is different from the original digitized date. How can I get the original date to show in the info from Finder?

The Finder reports File information. The date and time of the photo are in the Photo's Exif metadata. The Finder has no awareness of this. All photos apps on any system do.
Regards
TD

Exported JPEG differs from Lightroom image

Hi all....
When I export my photos from lightroom as JPG, the colors of the photo are dramatically changed. (image looks much colder)
As first, I thought I may be a problem wiht the colour space, but I have try changing them without any success...
Any idea??
Thanks in advance...

Sorry that I didn't answer sooner. I must have missed this thread and your questions.
I haven't started calibrating my monitor yet (I've left it at sRGB for right now), but what I really want is for what I see in Lightroom to be the same as what I (and others) see on Flickr.
The only way to get other people to see close to the same thing as you see in Lightroom is to calibrate and profile your own monitor and export to sRGB. If you have a good monitor yourself, with a gamut close to sRGB, you will get very close correspondence between Lightroom and unmanaged browsers. If your monitor is one of the wide gamut deals or a crappy laptop with a very small gamut, your display in the unmanaged browser will always be completely wrong, even if you use sRGB. Nothing you can do about that. On such displays you basically have to use a managed browser. The Lightroom display will ALWAYS correspond to your browser if the browser is color managed and you correctly calibrated the screen. Color managed browsers include Safari, Firefox (with some problems) and development versions of Chrome.
because my monitors are set to sRGB
You don't want to do that. It is an OK test for a corrupt monitor profile, but it guarantees incorrect color. LR and your unmanaged browser might look the same, but they are both wrong. Calibrate and profile.
If I properly calibrate my monitor, the colors coming out of Lightroom when exporting to sRGB should still be the same as what I see while working in Lightroom, right, or am I better off with sRGB color profiles so that they're always exactly the same?
As I explain above, the colors when you calibrate and export to sRGB will look almost the same in unmanaged browsers except when you have a display with a gamut very different from sRGB. The problem is that under no realistic circumstance can a unmanaged browser show you correct color.

HDMI out from Timeline

Hi,
I am doing a job for an Art Gallery, in which I have to shoot, and do a quick edit (no effects), and output to a Full HD 1920x1080 TV.
I intend to buy a Panasonic AG-HMC70U Shoulder Mounted Camcorder, which stores AVCHD 1080/60i (NTSC) video in SD/SDHC Cards.
I intend to buy a Sony VAIO F VPCF127FX/B 16.4" Notebook Computer, with Windows 7 Premium 64 bit, processor 1.73GHz Intel Core i7-740QM, 6 GBs RAM, and nVIDIA GeForce GT 330M with 1GB Dedicated.
Will I be able to output directly from CS-5 Timeline to TV, through notebook's HDMI out?
Thank you,
Ronaldo

Thanks a lot robodog2
I have a few questions bellow in red:
I would get 1 Terabyte drives instead...they are not expensive. You might need the extra room if you have to do some exports to files. Get the fastest ones you can for editing...esata better than fw800...make sure you turn off indexing and format NTFS and assign specific drive letters to the externals...put tape on driive with the drive letter you gave it clearly marked. If you dont you will have a hard time swapping them and maintaining links with your project(s).
Agree.
dont partition any drives
Agree.
when you say dvd you mean of course Blue Ray...for HD.... dvd is for SD....just dont forget when you look for disc burners.
Yes...Blue Ray, I keep saying DVD....
There's a program called neoscene by cineform that a lot of people use for avchd footage....you might want to look into having that just in case.
I'll check into it.
Test the tv -- output real footage from timeline to the same HD Tv you plan to use at show ....output to make sure it likes interlaced footage.
Here is the catch, I'm in Brazil, and this work will happen in Grand Rapids, Michigan, and we arrive 1 day before....this is why i'm trying to prepare as much as possible, in theory, before hand....
You'll probably put OS and program on C drive
Agree.
put pagefile on 2nd drive 1.5 x your ram with min and max size the SAME MAX SIZE so it never gets fragmented...do that first thing so the pagefile is near the center of disc. I guess you said 2 internal and 3 external ? so you can put your scratchdisk on disc 2 also...and assets and any exports you need to do on the externals...
I will have 2 Sony VAIO F VPCF127FX/B 16.4" Notebook Computer, with Windows 7 Premium 64 bit, processor 1.73GHz Intel Core i7-740QM, 6 GBs RAM, and nVIDIA GeForce GT 330M with 1GB Dedicated.
So, here you lost me...
1 - How do I - 1.5 x your ram with min and max size the SAME MAX SIZE so it never gets fragmented
2 - How do I do this pagefile to start at center of dics?
I will only have one internal disc, dedicated for OS.
Scratchdisk, assets and exports - I will have 3 external discs in total, one to edit, one for playing to, and the third one for copying....
plan on having an "emergency" helper that REALLY knows whats up with the computer and editing stuff in case you get stuck and have to focus on shooting and need help ...line that up beforehand.
Agree.
go to the gallery and see if you can do anything to enhance the lighting or color correct lights, windows etc beforehand...
test everything .....so you dont have surprises that make you crazy on the day.
That will be impossible as we arrive 1 day before...I'm taking my lights, tripods, color gels...
good luck sounds like fun..
Thanks a lot...
one more reference just in case you want to check it out...
mainconcept mpeg pro hd 4 plug in for adobe premiere url
Excelent tip....
http://www.mainconcept.com/products/apps-plug-ins/mpeg-pro-hd.html

Editing Audio from Timeline in Another Program

Often, one will want to edit the Audio on the Timeline, in another application, like Adobe Audition. Premiere versions allow for this to be done easily, and with exacting control.
Let's say that one has dozens of edited Clips on the Timeline, and they wish to edit ALL of the Audio. * Editing those individual Clips is easy, but how does one edit them all in one file, which will then replace the original Audio in the Clips?
The best way to accomplish this is to Export, or Share the Timeline as an Audio Only file. This Export/Share will be slightly different, depending on the exact Premiere program, and even on the version of that Premiere Program. Often, the Audio-only Export/Share is from the MS AVI Export/Share screen. One would choose Export Audio, leaving Export Video unchecked. If Multiplexing does not automatically set to "None," choose that now.
For this "round-trip" process, the Audio file format is very important. The ideal choice of Export/Share is PCM/WAV @ 48KHz 16-bit. This will yield an uncompressed Audio file, that almost every Audio editing program will easily handle, and is also the format, that one will want to Export, or Save from the Audio editor, for the second leg of our round-trip.
Import, or Open that resultant PCM/WAV in the Audio editing program, and edit, as is needed. When done, just Export, or Save (depends on the program) that edited Audio as a PCM/WAV @ 48KHz 16-bit. In some Audio editing programs, this will be listed as WAV (Uncompressed). The Sample-Rate and Bit-Depth are important, as the 48KHz and 16-bit are the ideal for any flavor of Premiere, and though Conforming will be necessary for editing, it will be easy on the program, and there will be no issues. Stay away from any compressed Audio formats/CODEC's, like MPEG/MP3. You do not want to throw away precious data at any step. That is why we use PCM/WAV for the Export/Share, and then the Export/Save from the Audio editing program.
When done, just Import that resultant PCM/WAV into Premiere. Wait a moment for all Conforming to complete, and then drag that WAV to the Timeline, on a free Audio Track that matches your WAV's Channel-count, i.e. a 2-channel Audio Track for Stereo, or a 1-channel Audio Track for Mono (these must match in Premiere). For more detail on channel-count and Audio Tracks, see this ARTICLE.
Now comes a personal preference for completing this round-trip. I like to leave my original Audio, just in case I change my mind. Gathering up and Trimming the original Audio can be a tedious task. As I have placed my edited WAV onto an empty Audio Track, I just go to Window>Audio Mixer, and Mute any/all Audio Tracks, containing my original Audio. It's still there, if I ever need it, but is now Muted.
Hope that this helps,
Hunt
* Sometimes we want part of the Timeline's Audio, but that part spans multiple Clips. There is no need to Export/Share the entire Timeline, and then Trim it. Just set the WAB (Work Area Bar) to the part that we do want, and make sure to choose "Work Area" in the Export/Share settings dialog.
Also, and especially when doing just a segment, covered by the WAB, I like to position the CTI (Current Time Indicator) or Playhead (CS 5.5) at the beginning of the WAB, with Snap ON. As I drag my edited WAV to the free Audio Track, it will Snap into place, right at the beginning of the WAB.

There isn't any simply way to where you want to go.
You can export each track separately. Switch off the audibility for all the tracks except one. Export the track. Repeat for each of the tracks in the timeline. Export the video for reference.

Songs on iPhone playlist completely different from playlist in iTunes

I have a smart playlist "Most Played." It's pretty simple: Limited to 50 items selected by most often played. Works fine in iTunes, however the playlist on my phone contains 50 completely different songs in no order that I can make any sense of. In fact, they seem to be songs that I rarely listen to. I've tried altering the playlist, and even deleting the playlist and recreating it, but it still picks the same obscure 50 songs. Why would a playlist on the iPhone be different from the same playlist on iTunes?

I have the exact same problem. My "Most often Played" playlist which appears fine in iTunes and fine when viewing the list in iTunes (but on my iPhone) when I disconnect from the computer this playlist is full of songs I have listened to a couple of times and basically don't care for. I've tried renaming the playlist thinking it had something to do with the 'M.O.P.' naming scheme. I've deleted the entire contents of the playlist and re-synced, but nothing seems to change these weird songs from appearing in my most often played list. I noticed this after the 3.1 update, but can't be completely sure when it started. This is annoying. My plain old iPod maintains the library much better than the iPhone iPod. Any suggestions? Seems like every time we want the iPhone to act like an iPod, we have to do a bunch of tricks to get it to sort of work. Personally I blame it on windows compatibility, the more compatible Apple makes their stuff with windows, the less reliable and kludgy their stuff gets. (Sorry didn't mean to blame Windows, just frustrated.)

No more exporting clips from Source Monitor in Premiere CS6?

In Premiere CS4 I used to double click a clip on timeline (to open it in Source Monitor), and then immediately hit File>Export Media. It would then automatically selelct this specific clip for export without the need to set In and Out points. In Premiere CS6 it doesn't seem to work, meaning that if I want to export individual clips from timeline, I need to create In and Out points for each export , which is quite time consuming comparing to CS4, especially when working with many clips. I already found 2 useful features, that were just eliminated in Premiere CS6, and I don't understand why to destry something that works?!
Or is there another way to do it?

Jim Simon wrote:
CS6 works just like CS4 did on this one.
Not in my case (I'm on Mac, maybe in Windows it's different?): in CS4 I double-click a clip in a timeline, it opens in the source monitor, and I click Export. I immediately get only this specific cut selected as a work area without any need to mark in/out, or to define work area. In CS6 just doesn't happen... Can you confirm that CS6 also does it and can you tell me your configuration and version?

Unable to export data from Web Access Data Sheet in Sharepoint to local excel or access file

Greetings and good morning.
I'm going to start off in broad terms with this question because I'm not 100 percent sure what information to provide.
Long story short, we've got a Web Access Data Sheet list hosted in a Sharepoint 2010 environment. It is accessed and used by multiple people throughout the day. It contains several thousand line item entries. I'd call it a large data sheet.
I think the size of the data sheet is casuign some instability in the list. I'd like to be able to export a defined range of data from the list into a local excel or access file. After that, I'd delete the stuff on the Access list to improve performance.
But...when I attempt to use the Sharepoint Action bar to export - Excel locks up/crashes. If I try to export to Access, I get a similar issue.
Any ideas? Could anyone begin by telling me what other information is required?

Hi,
If you would like to export data from Access Web Database in SharePoint 2010, you could go to Design With Access page in Settings. The url in my environment is http://sp/tt/_layouts/accsrv/ModifyApplication.aspx . Then choose the Table and export it to Excel
or Modify it in Access.
Regards,
Rebecca Tu
TechNet Community Support

Help with exporting data from pdf form

I have about 100 pdf forms that I created in adobe forms central and distributed as a pdf form (rather than on the web). I am trying to export the data into a spreadsheet but when I export it, the fields are all jumbled in the csv file, as in they are not in the same order. I need to export the data all together so I'm going to the forms menu and selecting "manage form data" and then selecting "merge data files into spreadsheet". I tried exporting a single file but that gave me something really weird.
Please help, I have a deadline next week to analyze this data and can't make sense of it once it is exported to a spreadsheet.

Would you please share your form with me and send me one of your pdf forms and some of the csv files?
You can share your form by doing the following:
1. Click on the “Share” icon on the bottom left corner.
2. Click on “Add Collaborator” on the popup menu.
3. Enter [email protected] under “People to share with”.
4. Set subject to "Export data from pdf form"
5. Click the “Share” button on the bottom right of the dialog.
Thanks
Ken

Export XML from interactive report

Hi all,
is there a way to export the resulting output of an interactive report as XML (inline and/or attachment), like a normal report can do? (with FLOW_XMLP_OUTPUT_R<region_ID>)
The download option for ir provide only CSV and PDF.
Regards,
Marco

I explain my request.
I have a very complex SQL query, which is (much) more than 4000 characters and it works well in the interactive report.
As the interactive report is quite different from the normal report and the procudure FLOW_XMLP_OUTPUT_R<region_ID> doesn't seem to work, I'm obliged to create a report query in the shared components to get also the XML output, but shared report query accepts query less than 4000 characters long.
Any idea?
Marco

How to export photos from iPhoto to external hard drive keeping Events structure (files and titles)

Hello!
I’ve been looking for a Automator application that does this for quite a while now.
Basically I want to have an Automator application that saves a copy of my iPhoto pictures in a folder, inside Finder. Like a backup. Later on, I can save those “folders and files” on my external hard drive.
What I want it to do is this:
1) Export photos from a selected Album or Event on iPhoto. Using as title: “Event name” – “number” (I mean the number of the file: 1, 2, 3 …)
2) Save them in a folder in Finder that I want.
3) Organize the photos in different folders, the same way they are in iPhoto.
The idea I had, was that it would do this automatically every time I launch iPhoto, as if it was synchronizing the photos into that folder.
And then, every time I connect my hard drive, it copies these “real” folders into my hard drive.
Is that possible? If yes, could you help me creating it, or tell me how I can do so myself, or where to download something like it?
Thank you a lot! Kind regards,
xanacarfran2008

Is this waht you want to do?
It's built into the File Export function of iPhoto 9 (11). Select what every photos you want and use that option to put each photo in a folder with the Event title it came from as in this test of six randomly picked photos:
OT

How to export data from a Oracle table to a delimited file?

I know how to load delimited file into a table, but how to export
data from a Oracle table to a delimited file?
Thanks in advance.

Try looking at this link, it's long but there's three different solutions discussed in it. If you look at Barbara Boehmer's
solution in her posts in the link below you'll see that she's addressed your concerns with spool files.
Re: utl_smtp and triggers

Exports differing from timeline/weird stuff

Similar Messages

Maybe you are looking for