Farbe herausfiltern an Person in Premiere Pro CS5

Hallo,
ich habe die Problematik, dass ich in meinem Video einen Bereich an einer Person ausblenden sollte. Die Person trägt an ihrer schwarzen Hose seitlich leuchtende Streifen. Diese sollten schwarz werden wie die Hose!
Ist das Möglich?
Grüße und DANKE vorab

Ja, klar... Wenn du gefühlte hundert Jahre Zeit hast, dich mit dem Pfadmaskeneffekt rumzuärgern, um begrenzte Farbkorrekturen durchzuführen. Falsches Programm! After Effects & Co. --> Animierte Masken, Malwerkzeuge etc..
Mylenium

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How to download Adobe Premiere pro CS5 for windows to my new imac 27 inch

How to download Adobe Premiere pro CS5 for windows to my new imac 27 inch

IMHO Windows would be the place to start.
Why do you want to load CS5 for Windows?
Adobe does produce a version of CS5 that runs on OS X so that it would not be necessary for you to have to screw around with Windows. Personally that would be the way to go and avoid the hassles of Windows.
Allan

Final Cut Studio Vs Adobe Premiere Pro CS5.

What are the best reasons for purchasing Final Cut Studio over Adobe Premiere Pro CS5?
Thanks!

Hi friends i'ven reading your coments and my conclusions are CS5 is faster and has the same features and quality than FCP, i like to ask to Studio X if you know more FCP and you are a pro why? with facts because if i have to buy or say to a friend or client go and use one or another with real facts.
Example FCP has better color calibration, better final quality, more features or so.
Another curious thing is that jhon 1 in 2 said is better AVCHD compatibility or handle these are to consistent points that i can undertand as a normal person.
I can understand a point if you can say me why FCP is better with examples because i know much of hardware but a little of this software, i can give a big point to a software tha can use mi machine at full capacity because if i spend 10K$ in a computer i'd like a blazing fast one, if not is better to spend only 2.5K$ and wait the same amount of time for the same results.
Sorry for my english i'm not from USA so my vocabulary is short.

Importing mov files in premiere pro cs5

I just installed Adobe Creative Suite 5 Master Collection on my machine and now, i have two issues.
1. I do have the latest quicktime installed but when i try to import *.mov files with audio, only the audio is imported and works fine. the video isn't, but I dont get a dialogue error box.
A). if the *.mov file has only video, i get a file import failure message saying " the file has no audio or video streams".
2. the next prob is my dymanic linking does not work.
Help please

Im trying something and I hope you can help me. I have two computers, one dedicated to capturing a event and the other I have is dedicated to playback. They share the hard drive via a network. What I want to know is- is there a way for the dedicated playback machine to access a video file that is still being captured by the capturing machine and play back parts of it in a sequence??
Gosford Lawrence
!https://www3.oovoo.com/oovoocallme/images/btn1.png|height=68|alt=http://webvideocall.oovo o.com/callme/gosford/236|width=123|src=https://www3.oovoo.com/oovoocallme/images/btn1.png| border=0!
Date: Thu, 21 Apr 2011 17:40:14 -0600
From: [email protected]
To: [email protected]
Subject: importing mov files in premiere pro cs5
Zone Alarm, eh? I used to use that program, but it got in the way of almost everything that I did, that I canned it completely.
Glad that removing ZA solved your issue.
Personally, I find MOV Animation CODEC to be quite good, and use that for a lot of work. Jeff Bellune, here, like the Photo JPEG format, but I have not explored that.
Good luck,
Hunt
>

Opening old Premiere Projects in Premiere Pro CS5

I have some old video projects which I've saved to disk with the idea that I could go back and edit them later. I just tried to open one of these old projects in Premiere Pro CS5 and it doesn't recognize the old Premiere Pro project. PP CS5 projects now end with *.prel or *.prproj. My old projects (some done in Premiere 6, some in PP CS) ended with *.ppj. I opened the *.ppj file properties and tried changing them from "Opens with Adobe Premiere Pro CS" to "Opens with Adobe Premiere Pro CS5", but it looks like the file suffix remains *.ppj and PP CS5 still doesn't recognize it.
Is there a way I can convert my old PP projects to PP CS5 so they can be opened/edited in my current software?
Thanks.
--Dave

David,
Per my earlier post, if you change that from All Supported Media to All Files, can you Import?
[Edit] I see that All Files did work, and that you are up and editing! That is great news.
As mentioned, the only issue that I had was with a very few 3rd party Transitions, and PrPro was nice enough to tell me exactly where these were used, and what their names were. I just wrote down those TimeCodes, added Cross-Dissolves to replace whatever the previous editor had used, and was up and editing.
Now, I did have to go through the "Where is file ____?" process, as the previous editor had drawn Assest from ALL over an external HDD, with no folder structures, or anything useful - what a kludge! I organized all of the Assets (many thousands) into logical order, and once I had re-established the links, all went beautifully.
Good luck,
Hunt
PS - the reason that I asked about platforms is that Pr was X-platofrm, but then with PrPro, through version 2.0, it was PC-only. It was not until CS3, that it went back X-platform. This created a little problem for Mac users, with newer PrPro versions, but older PC Projects. We get about 1 of these issues per year, and the answer is for the Mac user to befriend a PC-person, with the right version of PrPro, do that Import step, then Save_As, and hand off the now, X-platform version of the PRPROJ. Hey, it fosters "hands across the aisle," and we've found several PC-users, with the right versions around here, who have done that conversion, out of the kindness of their hearts. That had zero to do with your Project, but wanted you to know why I asked.
Message was edited by: Bill Hunt - Added [Edit] when I saw the last response.

Batch import MXF on Premiere Pro Cs5 (Panasonic P2) ?

HI,
Does anyone know of a way to import more than one mxf file at a time without having import the content folder as separate files? To be clear. I know several ways of import mxf files into premiere. The first is to simply click File>Import and browse for the file. Another way is via the media browser and yet another is to right click on the project panel and selecting import. They all share the same problem. You can only import one file at a time because you need to select the mxf file within the video subfolder. Premiere then composites the audio and the video together. If you instead select the 00#### folders you can select more than one but you get whole bunch of separate audio and video files for each clip. (You do also get a composite file but the extra files are a nightmare when it comes to organizing). This is what the file looks like when you browse for it using the Flie>Import or the right click>import methods:
The Media browser option is slightly diferent in the once you browse into the 00#### folder you see the composite file instead of the contents folder. But still you can't select more than one file at a time unless you only browse into the 00#####'s parent folder Then you can select all the 00#### folders but you get the same jumbled mess of files you get by trying this the other way. You can just drag them to the project panel or right click>Import to import the files. This is what it looks like:
The problem is this is what the file looks like when you import the folder:
The only necessary file in that whole folder is the last one. So does anyone know a way to import more than one mxf file at a time that only produces one file per clip in premiere pro CS5?

Ah, yes... you're sort of in a tough spot. The Dual Adapter has been the source of much consternation since the advent of P2. Addonics makes an adapter that works decently on PCs, but is also a no-go on Macs.
You have a couple of options, as I see it:
Keep on keepin' on... not fast or friendly, but if it works for you, so be it
Partition your Mac Book's hard drive so that you can install 10.5 (Leopard) and 10.6 (Snow Leopard). That way, you could boot into 10.5 in order to use the Dual Adapter to offload cards, and then boot back to 10.6 for editing.
If you are a Mac-only-kind-of-guy, pick up an old PowerBook that actually has a CardBus/PCMCIA slot--it'll work just fine for offloading.
If you are willing to dabble in PC land, do a little research on small, inexpensive Windows laptops that either have a CardBus slot, or have an ExpressCard slot and will work with the Addonics adapter (the Dual won't work on Windows Vista/7, and probably won't since it's been discontinued).
Pick up the Panasonic AJ-PCD2 single-slot USB reader. It's the long overdue appliance the P2 shooting world has been clamoring for.
They're all viable, and arranged roughly in the order from cheapest to "less cheap." Other than #1, I'd say just about any of them are decent solutions. Personally, I suggest the PC laptop route--even if you single-purpose it for offloading P2 cards, it will prove to be the most flexible and robust solution.
As for the logging, maybe we don't need more thrid party software. Maybe
the answer lays in cross compatibility with the current software.
Premiere=FCP=Vegas=Avid. Seems like less steps to me having the metadata
embed on the clip.
That would be the ideal, but unfortunately, the NLEs are incapable of editing the file metadata for any MXF clip. Rather, they can edit the clip metadata for a particular imported clip, but then that stays with the project itself, and doesn't travel with the files if they go elsewhere. So at this time, logging outside of an NLE is really the only means of associating usable, transferable metadata with a particular shot.

Information about GPUs supported by Premiere Pro CS5.5

Hi,
I'm going to buy a new nVidia video card and, because of I'm very passionate of video editing, I want finally have one supported by Premiere Pro CS5.5. I've read something about that on the Adobe site, and I've found a list of supported GPUs:
GeForce GTX 285 (Windows and Mac OS)
GeForce GTX 470 (Windows)
GeForce GTX 570 (Windows)
GeForce GTX 580 (Windows)
Quadro FX 3700M (Windows)
Quadro FX 3800 (Windows)
Quadro FX 3800M (Windows)
Quadro FX 4800 (Windows and Mac OS)
Quadro FX 5800 (Windows)
Quadro 2000 (Windows)
Quadro 2000D (Windows)
Quadro 2000M (Windows)
Quadro 3000M (Windows)
Quadro 4000 (Windows and Mac OS)
Quadro 4000M (Windows)
Quadro 5000 (Windows)
Quadro 5000M (Windows)
Quadro 5010M (Windows)
Quadro 6000 (Windows)
Quadro CX (Windows)
Now I'm asking, if I bought a GTX 550, which is not in the list, would it be supported? I think so becase, however, it should be better than, for example, a GTX 470, instead present in the list. But I have this doubt... Can you clarify my ideas?

Welcome to the forums!
It depends on what you mean by supported. If you mean can you use either of them then the answer is yes. The supported list is those cards specifically have been tested by Adobe and are listed in the "cuda_supported_cards.txt" file If you have another card you may have to add it to that file. If you take a look at the Premiere Pro BecnMark (PPBM5) you will see that many other cards are being used by people that have submitted their results,
The more important factors that you should consider is the number of CUDA cores and how much power your system can supply to this upgrade that you intend to do. The 470 has 448 CUDA cores and requires 215 watts. The 550 is of course a slightly new design but it is at the low end of the CUDA cores with only 192 cores but it only draws 116 watts. Either could require you to upgrade your power supply depending on how much spare power is available in your power supply.
Here are some boards that I personally tested about a month ago (prices may have changed) showing PPBM5 (MPEG2-DVD, H.264 and Rendering the Timeline) encoding times versus board type.

PREMIERE PRO CS5.5 Gamma problem while exporting project to mjpeg A or B

Dear Sir,
I'm in a big ****. I've directed and edited 1h documentary for Finnish television, also, the technical specs requested by the TV Channel is all production Broadcast masters must be encoded with Apple ProRES codec or MJPEG A or B.
As i'm working on PC (win7), the ProRES codec doesn't exist on PC system, so i've done the export to MJPEG. The problem is i have a different gamma level when i watch the final export with Quicktime or VLC. Of course i can adjust the level in those players, but it doesnt effect the file. When i import the Qt file into a Premiere sequence, the gamma level is still **** and different from my original level i have from my timeline and preview window. If i export the project to H264 1920x1080p25, then the gamma is perfect with Qt, VLC and WinMedia player. But the TV station don't wanna work with H264. Deadline is on next monday, and i can't send a Qt MJPEG file with wrong gamma !!!Any chance to find a solution to fix it ??? After reading different forum, i can see this problem exist since many years and never been solved.
What can i do ??
Denis.

Things is my prpject includ few effect plugins i bought, so what ever i could find a mac, not your i could export xml project to finalcut with plugins it dont have
Denis
Sent from my iPad.
Le 31 mai 2013 à 15:20, Fuzzy Barsik <[email protected]> a écrit :
Re: PREMIERE PRO CS5.5 Gamma problem while exporting project to mjpeg A or B
created by Fuzzy Barsik in Premiere Pro - View the full discussion
If it were me, I wouldn't encode to MJPEG.
So as to encode to ProRes on Windows you can utilise any solution based on ffmpeg/ffmbc or better yet find a Mac with Final Cut or Compressor installed for delivering critical work.
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Can Premiere Elements 10.0 or 9.0/9.0.1 Saved Project.Prel be Imported into Premiere Pro CS5/CS5.5?

The Premiere Pro CS5 Supported Video Project file formats include:
PREL (Adobe Premiere Elements project) (Windows Only)
http://help.adobe.com/en_US/premiere...a568-8000.html
and we know that the Premiere Elements project file is a project.prel.
Yet if you read the Premiere Elements 10 ReadMe, you see there the statement:
"You cannot import Adobe Premiere Elements 10.0 project into Adobe Premiere Pro CS5 or CS 5.5.".
http://kb2.adobe.com/cps/907/cpsid_90745.html
The Premiere Elements 9.0 ReadMe has a similar statement about its prel file and Premiere Pro CS5/CS5.5.
http://kb2.adobe.com/cps/863/cpsid_86324.html
I am wondering if the person who wrote that into the ReadMe forgot to add "for Mac".
Can anyone with both Premiere Elements 9.0/9.0.1 or 10.0 AND Premiere Pro CS5 or CS5.5 (all Windows) confirm what is written in the ReadMe for these version? I do not have Premiere Pro (any version) to confirm and refute what is written in those ReadMe and am looking for someone who has been there and looked at that.
Thanks for any input on this matter.
ATR

ATR,
I am still using XP-Pro SP3 on all of my active machines. I am also using PrPro CS2 Production Studio, and PrE 4.0 on only my laptop. I have the recent versions of both PrPro and PrE, but am waiting for my 64-bit Win7 laptop to be built (hang up with Cleveo MoBo's, to be resolved by about May).
When I installed PrE 4.0, it DID break the full CS2 suite, but by that point, Adobe knew of the issue, and had done a KB on the problem. In my case, just doing a Repair Install for each program in the CS2 suite, did the trick, and both programs have run, side-by-side for many years, without a hiccup. However, I have NOT uninstalled any of those Adobe programs, so cannot comment on what might go wrong.
Usually, Adobe programs coexist well. However, PrPro had an issue with CS3 and CS4. If one had both PrPro CS3 and CS4 installed on the same computer, then uninstalled CS3, it took some necessary "pieces" of CS4 with it. Again, the "trick" was to do a Repair Install for CS4, and all was fixed. I have not read of any other, such issues, but they might have just gone unreported, or reported in forums, that I do not frequent.
Wish that I had more to offer, especially regarding PrPro CS 5.5 and PrE 10. I just have not explored those programs, yet - late May?
Good luck,
Hunt

Premiere Pro CS5 ACE?

Hello,
Does anyone know when the ACE Certification exam for Premiere Pro CS5 will be ready?
Seem like all other CS5 applications are available for ACE exam, only Premiere CS5 is not.
Thanks.
Message was edited by: inQb8tr

Here's a thread where the person with that information answered some questions about the ACE exams:
http://forums.adobe.com/message/3481761
I recommend asking on that thread.

System requirements for Premiere Pro CS5

Adobe has on its website the Adobe Premiere Pro CS5: System Requirements
Unfortunately, this overview is severely lacking in realism and a lot of people were disappointed when their system met these minimum requirements, but still would not do what they expected, or at least not without jerkiness, hiccups and similar issues.
The problem with these requirements as stated is that they are really bare minimum requirements to install the software, but unfortunately it does not tell how well a certain system will perform with the myriad of codecs used and the different needs and expectations people may have about their editing rig. Since this issue is nearly a year old now and nothing tangible has changed, I decided to write this article to help people understand what is realistic to expect, what influences the hardware choices in order to use CS5 to full satisfaction.
CAVEAT: This is my personal opinion, in no way authorized or endorsed by Adobe, who have not seen anything I write here till the moment it has been published here.
Context:
The nature of one's editing projects can have a major impact on the hardware required to run projects effectively. Long form documentaries, delivered on BRD demand different hardware and priorities in hardware setup then music clips with lots of multicam work and color effects delivered to the web, or wedding video's delivered on DVD. And unfortunately, there is no simple rule saying that if you edit X, you need Y hardware.
The second thing that has a major impact is the source material, the codec used. Back in the old days things were very simple, you had DV material from a tape based camera and that was it. Nowadays, things have grown much more complex. The number of codecs used in source material has grown enormously, the number of formats and frame rates has grown in a similar fashion. We used to have 480, now we have added 720, 1080, 2K, 3K, 4K plus various DSLR and other formats, we had interlaced, now we have progressive as well, we used to have 25 or 29.97 FPS, now we have 24, 25, 29.97, 60 and even more frame rates. We had DV, now we have MPEG2, HDV, XDCAM, P2, AVCHD, RED, Cineform, Matrox, and numerous other codecs.
This makes it all the more confusing for people to know what they need when they start out with video editing to run CS5 successfully.
The codec issue:
Some codecs are easy to handle for a computer, others are difficult to handle. It is generally known that DV material is very easy to handle and AVCHD is pretty tough to handle. The general rule is that the more compressed the material is, the harder it is for the computer to edit this. GOP (Group of Pictures) structure is an extra burden. The higher the resolution, the harder it is on the computer.
To simplify matters one could differentiate codecs and source material in three categories, based on their properties:
Of course boundaries when using three categories are not always very clear, but the tendency is rather clear. Easy codecs are in the upper left corner, difficult codecs are in the lower right corner. For that reason we have identified three categories, Easy, Intermediate and Difficult.
This is somewhat similar to the color coding PR uses with none, yellow and red in the time line. It is not complete in the overview of common codecs, but is intended to show what the impact can be of different codecs and the hardware requirements.
I realize this is a limited overview and generic in nature. It will not answer all questions, but may be helpful to avoid disappointments. It also has a number of limitations. For instance, uncompressed MS AVI SD material. No GOP structure, no compression, low resolution, that should be at the top left corner, right? Wrong. Uncompressed does not burden the CPU, but is a definite burden on the memory and disk I/O system.
What does that mean in terms of requirements?
System requirements:
If the codecs you generally use are slightly more than just plain "easy", look at the improvemnts in the next column and repeat for the next column if applicable.
I hope this can benefit people to understand there is more to choosing a system than just following the Adobe site.
Additions or suggestions for improvements are welcome.

Harm,
A while back you gave me some advice re a kit build for Production Premium, which I submitted for consideration, and for your thoughts I thank youl. Several months on, the powers that be (UK Civil Service) have decided to go a different purchase route. The request has ended up in the hands of a well known computer supplier 'chain' (a prefered supplier) and because they can't supply the Sabertooth board you recommended they have come back to my bosses with a their recommendation based on what they will supply. My question is, would you accept it, will it take advantage of CUDA and do you foresee any problems:
I am shooting with a Panasonic AG-HMC151E AVCHD. H.264 MPEG-4 compression.
The chain are quoting:
Windows 7 64 Ultimate
CS5.5 PP
on:
Intel DX58sO2 Extreme
i7-970
Trudata 12GB DDR3 PC3-8500 1066MHz Unbuffered 204-pin
HP NVIDIA Quadro 4000 2.0GB
1 x WD 450 velociraptor 10k
3 x WD 1TB AV-GP Greenpower 64MB SATA-II (NO RAID)
800W PSU
The problem with preferred suppliers is you get what you are given. Do you think there any 'conflicts' in the above spec?
Appreciate your opinion
Regards
Peter

Premiere Pro CS5 version 5.0.0 freeze on startup screen

MacPro4,1 Quad-Core Intel Xeon
Processor Speed: 2.26 GHz
Number of Processors: 2
Total Number of Cores: 8
MacOSX 10.7.5
L2 Cache (per Core): 256 KB
L3 Cache (per Processor): 8 MB
Memory 26 GB 1066 MHz DDR3 ECC
Graphics ATI Radeon HD 4870 512 MB
Processor Interconnect Speed: 5.86 GT/s
Boot ROM Version: MP41.0081.B08
Premiere Pro CS5 version 5.0.0
When starting app, the splash screen shows the items that are loading.
when it gets to 'loading exported quicktimehost.bundle.' It stops and freezes every time.
I can't get past this point. All i can do is force quit.
Premiere Pro CS5 loads fine only MacBookPro.
Any help is appreciated.
Paul

Thanks for your prompt reply, John-- and for NOT simply advising me to spend my kid's tuition on more of your company's products...
Actually, I had tried the "Run as Administrator" option already, having found it in one of those other threads;
there was no change in the sequence described above.
I decided to try another possible solution which I read about in one of those other threads: opening Premiere from a different account.
Incredibly, it WORKED-- sort of...
I got a couple of popups advising me that missing codecs had to be installed-- and upon completion, Premiere opened!
Here's an interesting note: the last file to load was still "SolidComposite.AEX"-- and the "White Screen" I kept seeing was Premiere opening normally. The next thing that displayed was the normal dialog box "Open/New Project"-- I entered a new project name, and Premiere started normally. I even added a few video files as a test... all opened normally.
I returned to the Admin account to see if the fix was in here, too;
but clearly the war wasn't over, over here...
It now appears that some personal setting in the Admin account is causing Premiere to close itself;
I've been reading about the layered security measures embedded into Windows 8-- I'm suspecting the conflict lies there...
I ran the Windows Troubleshooter & got this:
both MS & Adobe confirm that CS3 is fully compatible--here's my sytem info:
Since I seem to have established a fall-back position that lets me use Premiere, my crisis becomes a mere conundrum;
but I know this is gonna gnaw at me anyway, & I'm hoping that this new information might suggest further troubleshooting options to someone who understands the Adobe software and/or the Windows software better than I do!
Speaking as someone who has found many solutions on forums like this over the years, I assure you:
for every person whose post you reply to, there are many more whom you will never know you have helped!!!

Specific Video Footage in Premiere Pro CS5 completely black.

I've been working on a music video project in Premiere Pro CS5 for the past few months and everything has worked really well until just a few days ago, when a certain chunk of my high speed footage randomly turned black. I have it in its own bin so it's separated from my other video source files. If I try to preview these videos, all it shows is black footage (though the timelengths for each one are still correct). I checked and made sure the actual .avi files on my hard drive still worked, and they played through perfectly. I tried re-importing these videos into my project file and that didn't do anything. I made sure they were connected to the right files in the right folder on my computer, and they were. The rest of my video footage works just fine, so I'm confused why this certain bunch randomly turned completely black.
I backed up the entire project to an external hard drive and loaded it on a different computer with Premiere Pro CS6 on it, and everything works perfectly again. Does anybody have any idea how I can get my footage to return from the black abyss it's fallen into on my personal computer running CS5?

AVI is a wrapper... what is inside your wrapper?
Codec & Format information, read both links in reply #1 http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30 for screen shot instructions
For PC/Mac http://mediaarea.net/en/MediaInfo/Download

I had to re-install Premiere Pro CS5 and now video are files acting funny...

Hello. I had to reformat my system drive and did a fresh install of Windows 7 Home Premium 64-bit and then I did an anytime upgrade to Windows 7 Professional 64-bit. I then re-installed Premiere Pro CS5. Here's the problem. When I open any of my projects that I worked on BEFORE I re-installed Premiere (when I was using Windows 7 Home Premium), the video files on the timeline all look corrupted when I play the timeline now. They have these weird block artifacts and also a constant pulsing thing going on. I deleted all the media cache files and all the media cache database files but, nothing changed even though Premiere conformed every single video file in the project again. Then, I went to "Sequence" and hit "Render Entire Work Area" and after Premiere was finished rendering, I noticed the artifacts and pulsing are completely gone BUT, the video files look like a VHS tape that has been recorded over a few times. The edges of people and things in focus aren't nice and sharp like they were before I re-installed Premiere. I DO NOT have the time or patience to have to delete all the video files and import them again into the project and re-edit the entire scene! Can someone please help me resolve this problem?! I am about done with Premiere!
Is there a way to delete the video source files that are on the left side of the timeline (next to the "Source" window, where they got imported into the project) without deleting the edited video files on the timeline and then re-import the same source video files into the project, kind of like "refreshing" the video files? If this is possible, it seems like this would fix the problem without me having to re-edit everything again.
*Update* My idea of just re-importing the source video clip won't work either. I deleted one of the source video clips, which deleted its reference clip on the timeline, and I re-imported the video source clip to see if it would play all weird in Premiere and sure enough, it has the same exact block artifacts and pulsing effect like all the other source clips in the project. It seems that if that's the case, it might be a codec problem. But, that doesn't make sense because if I open the clip on my hard drive with Windows Media Player or Allplayer, the clips plays perfectly fine and looks like it is supposed to. So, it must be a codec problem in Premiere??? Could it be that Premiere Pro CS5 doesn't work well with Windows 7 Professional? I find that hard to believe. Can someone please help me?
By the way, all the video clips in the project are from my Panasonic GH1 or my Panasonic GH2. They are all 1080p/24 AVCHD. I even made a new sequence within the same project making sure the sequence settings are AVCHD 1080p 24 and still nothing is fixed.

Have you tried exporting a 10 second section of the footage to see if the issue shows up once the seqeunce is actually exported from the timeline. I edit on CS5 with windows 7 pro at work quite often and have no issues so I assure you that isn't the issue. I also edit with AVCHD footage when at home and work quite freqeuntly as well so I'm positive that isn't the issue. It sounds like a GPU driver has been corrupted in the way it interacts with premiere pro. What type of GPU do you have? If it supports MPE's GPU acceleration have you tried turning it off and seeing if that makes any difference?
Anyways though try to export a 10 second test section of your timeline to see if when the clip is exported from premiere it will play normally in windows media player or vlc or w/e media player you want to use. If it exports fine then you can almost be positive it's a corrupted video card driver. If that's the case I'd re-install your GPU's driver and also check your gpu makers website to see if they have a updated driver avaiable.

Error Importing Premiere Elements project into Premiere Pro CS5

Hi,
I am working on a multi-part video project that I started in Premiere Elements 8. I put in hours upon hours of editing on the first part and I found that the more I edited, the more often the program would crash (infuriating!). So I started using Premiere Pro CS5 to produce the second part, resolving to come back to the first part later. Well, I've come back around to needing this first part done, and it is just undoable in Elements (crashes every 20 seconds!). I'd like to import that project into CS5 if possible. The help documentation says this should be perfectly possible... but I'm having no luck.
When I attempt to open my Premiere Elements project in Premiere Pro, it tells me the project must be converted from Elements .prel to Pro .prproj, and I click through the prompts as normal. But then as soon as it starts trying to open the project, I get this:
"The Project could not be loaded. It may be damaged or contain outdated elements."
I downloaded the Premiere Elements 9 trial to see if it would be less crashy (and it is), but I'd really prefer to have all my video in one program, and CS5 does the best job (and has most of my hours invested). Elements 9 opens the "damaged" project just fine and I can edit and export normally, so why can't CS5?
Am I stuck recreating the project from the ground up in CS5?

In very general terms, a contemporary PrE Project (PREL), will Open in PrPro, with the steps that you outlined.
Now, there are all sorts of considerations, for aspects that will not likely work:
Instant Movie/Themes, as PrPro cannot read those
Some Effects that PrPro does not have, like the NewBlue FX
Some Transitions that PrPro does not have
Some Title animation Presets, that PrPro does not have
Do you have any of the above in your PrE Project? There are probably other circumstances, but those are all that come immediately to my mind.
The simpler the PrE Project, the greater the likelyhood that it will Convert to a PrPro PRPROJ file.
PrE 8 and PrPro CS5 should be close enough to work, again in those general terms. I can Open simple PrE 4.0 Projects in PrPro 2.0, but cannot Open PrE 7, 8 or 9 Projects in PrPro 2.0.
Good luck,
Hunt

Farbe herausfiltern an Person in Premiere Pro CS5

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