Fast DV.now und Premiere PRO

Hallo,
einige von Euch vermissen vielleicht die Möglichkeit, wie bis Premiere 6.x möglich, mit Fast Forward gecapturte Clips in Premiere zu bearbeiten. Die Fast Forware Software hat m.M. nach gegenüber Premiere PRO Vorteile:
Es werden die Zeitstempel mit angezeigt, Sortierung und Trimmen geht wesentlich einfacher und bei anpassen des IN/OUT-Points wird nur das effektiv genutze Material auf der Platte gelassen. Der mit FF gescannte Bandinhalt ist übersichtlicher und kann so auch archiviert werden (ok, ich weiss, dass das auch PP kann).
Die Verwendung dieser Clips in Premiere PRO scheitert an 2 Sachen:
1. Premiere PRO kennt nicht das .dif Format.
2. Bei .avi Projekten erstellt FF Clips im DV Format Type 1. Hiermit kommt es zu Audio Drop Outs in Premiere PRO.
Nach Überlegung und Tests gehe ich nun wie folgt vor:
1. Erstellen .avi Projekt in FF.
2. Trimmen und Sortieren der Clips.
3. Clipsliste in Zwischenablage kopieren und in einem Editor eilesen. Damit erhält man eine Liste der benutzen Mediadateien.
4. Diese Dateien mit DVConverter http://www.ulead.com/download/dvconverter/download.htm von Type 1 nach Type 2 konvertieren.
5. Diese konvertieren Clips in Premiere PRO importieren und weiterverarbeiten.
Das mag zwar alles etwas umständlich erscheinen, für mich überwiegen aber die Vorteile von FF. Für diejenigen, die ebenso denken soll dies als Info dienen.
MfG Ulli

howard.z your best bet is to take the video out of a DVD player via one of the analog connections, and then use a Canopus ADVC-300 or other hardware DV converter (or if you're able to import via an uncompressed converter, such as the Matrox MX02). You need to get rid of the MPEG codec and capture an uncompressed video.
I remember years ago I had this same issue, and I kept ending up with exported video that looked like it came from a SLP VHS recording. Whenever I need to go from (especially consumer) MPEG format (i.e. MicroMV, miniDVD) to a file, I always drop the video to analog (S-Video or Component, but I've also brought it in via composite for my resume reel when I'm including video from DVD's that I've recorded off the air of productions that I've done at the local cable company where I volunteer, since I record those off of analog cable and I find I get a cleaner picture when I drop the image back down to composite), and it is the only way that I can get a high quality video transfer, otherwise the I get a recompressed pile of garbage. You have to remember that with DV you have a constant bit rate of 25 Mbps, whereas with DVD MPEG/VOB your bit rate is usually averages around 5.0 Mbps, 1/5 of DV's bit rate. By dropping to analog you are removing that MPEG codec and are capturing an uncompressed image.

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Shouldn't Adobe be the one updating to account for video card driver changes? I thought that was the benefit of paying monthly?
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Hi [email protected],
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http://forums.adobe.com/message/5672250
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